City University of New York (CUNY) CUNY Academic Works Student Theses Baruch College Spring 5-16-2019 Perplexed Poetics: Romanticism and the Vortex of Ideologies Jaime Luque Lau CUNY Bernard M Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_etds/87 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact:
[email protected] Luque Lau 2 CONTENTS Abstract 3 Introduction 5 I. The Vertiginous Legacy of Romanticism 10 II. Lyrical, Critical: The Forefathers’ Tangle with Poesy 21 III. “I am the fool of passion” 37 Conclusion 48 Notes 50 Works Cited 53 Luque Lau 3 Abstract In three parts, this thesis explores the tension between the critical and emotional poetics in Romantic poetry, as well as the entanglement of individual will and politics. As a point of entrance, the first part focuses on the major and current trends of scholarly discourses about Romanticism. I will examine Jerome McGann’s influential book of criticism on Romanticism, Romantic Ideology, in juxtaposition with Marc Redfield’s The Politics of Aesthetics: Nationalism, Gender, Romanticism. In particular, the discussion of the two books suggest the problems of aesthetic-political and historical discourses; specifically, I argue that McGann’s critical examination of “Romantic ideology” reflects a symptomatic avoidance of individuality and subsequently the affective quality that Romantic poets infused in their poetry. The second part traces the problematic tradition of ideological critiques and ventures into the “perplexed poetics” of Romanticism—perplexed because Romanticism challenges our critical tendency to separate thought from emotional perplexity.