PRETTY BIG FEET (Film)., By: Elley, Derek, Variety, 00422738, 2/3/2003, Vol

Total Page:16

File Type:pdf, Size:1020Kb

PRETTY BIG FEET (Film)., By: Elley, Derek, Variety, 00422738, 2/3/2003, Vol EBSCOhost 07/12/2007 05:17 PM Sign In | Folder | Preferences | New Features! | Ask-A-Librarian | Help Basic Advanced Visual Choose Search Search Search Databases New Search Keyword | Publications | Cited References | Indexes 1 of 1 Result List | Refine Search Print E-mail Save Export Add to folder View: Citation HTML Full Text PDF Full Text (431K) Title: PRETTY BIG FEET (Film)., By: Elley, Derek, Variety, 00422738, 2/3/2003, Vol. 389, Issue 11 Database: Film & Television Literature Index with Full Text PRETTY BIG FEET (Film) Find More Like This Section: FILM REVIEWS (MEILIDE DA JIAO) (CHINA) A Xi'an Film Studio, CTV-Media Studio Corp., Xi'an Film Studio Corp. production. Produced by Yah Yijun, Wu Dashen. Executive producers, Zhao Huayong, Zhang Huashan, Wang Zhanliang. Directed by Yang Yazhou. Screenplay, Li Wei. Camera (color), Wang Xiaoming; editors, Ding Ru'an, Wei Dong; music, Zhao Jiping; art director, Huo Tingxiao; costume designer, Chang Rongfang; sound (Dolby), Ji Changhua, Wang Enfeng; assistant directors, Wang Yingquan, Ye Jinxing. Reviewed on videodisc, London, Jan. 25, 2003. Running time: 103 MIN. With: Ni Ping, Yuan Quan, Sun Haiying, Xu Yajun, Ge Zhijun, Yang Tiahe, Li Wannian, Guo Da, Huang Hong. (Mandarin dialogue) Engaging performances by its two leads freshen "Pretty Big Feet," a familiar tale of a plucky peasant teacher helped by a big-city professional that should slide easily into Asian-centered events. Accessible pic was co-winner, with Chen Kaige's "Together," of best director prize at last October's Mainland kudofest, the Golden Rooster Awards -- as well as sharing the best film gong -- prior to release the following month. A smart young teacher from Beijing, Xia Yu (Yuan Quan), arrives at a primary school in dusty northwest China run by stocky Zhang Meili (Ni Ping). The dry, desert landscape -- actually in central Ningxia province, and strikingly captured by d.p. Wang Xiaoming -- hasn't seen any rain in three years, and everyday luxuries aren't quite up to Xia's urban standards. Despite their opposite backgrounds, the two women soon bond, and when Xia's husband (Xu Yajun) suddenly shows up to persuade her to return to Beijing, she opts to stay on, even having a quick abortion when she learns she's pregnant. Xia suggests the school should get a computer, and Zhang, by nagging the county head (Li Wannian) and an elderly local businessman (Ge Zhijun), manages to raise the money. Pic looks like it will follow the timeworn formula of people with sets of different values learning from http://web.ebscohost.com/ehost/detail?vid=7&hid=101&sid=eadff72d-29e6-425b-b853-3bbe9a049a9a%40sessionmgr106 Page 1 of 2 EBSCOhost 07/12/2007 05:17 PM each other. In fact, Li Wei's script sidesteps this early on, with no tension between the two women - - Zhang is happy to play second fiddle to Xia, as it's good for the kids at her school -- and the two leads liven up potentially stereotyped roles. Yuan, who was glamorously enigmatic in Huo Jianqi's noir-ish "A Love of Blueness" (2000), is here almost girlishly spirited, and totally captivating. In a role that might have been played by Siqin Gaowa a generation ago, Ni brings a rough dignity and simple courage to the role of Zhang, whose devotion to her pupils fills a gap left by the death of her son and husband. Strongest part of the movie is the central one, as Zhang pursues a clandestine relationship with rural projectionist Wang Shu (Sun Haiying), and Xia settles into her job. Third act, including a trip to Beijing where Xia's marriage is on the rocks, is OK, though the tragic coda feels tacked on. Though different in theme, and a tad more serious, film has an overall feel similar to Huang Hong's recent rural opus, "25 Kids & One Dad," poised somewhere in the midstream of current Mainland filmmaking. Zhao Jiping's warm score is often far too loud, but other tech credits are good, and the device by helmer Yang Yazhou ("Steal Happiness," plus two co-director credits with Huang Jianxin) of rapid fades to cut off scenes keeps the film moving along. Awful English title is a poor representation of the Chinese one, which literally means "Meili's Big Feet," referring to Zhang's generous spirit. ~~~~~~~~ By Derek Elley © 2003, Variety, Reed Business Information, a division of Reed Elsevier, Inc. All Rights Reserved. Copyright of Variety is the property of Reed Business Information and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. View: Citation HTML Full Text PDF Full Text (431K) 1 of 1 Result List | Refine Search Print E-mail Save Export Add to folder Top of Page EBSCO Support Site Privacy Policy Terms of Use Copyright © 2007 EBSCO Industries, Inc. All rights reserved. http://web.ebscohost.com/ehost/detail?vid=7&hid=101&sid=eadff72d-29e6-425b-b853-3bbe9a049a9a%40sessionmgr106 Page 2 of 2.
Recommended publications
  • Day 1 001 Ad Cover.Indd
    MONDAY, MARCH 24 2014 DAY 1 AT FILMART www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 fatal_encounter-ad_245x266_fin_전달용 1 2014.3.14 5:41:12 PM MONDAY, MARCH 24 2014 TODAY DAY 1 AT FILMART Hot titles: Korea, page 16 www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 NEWS Pan-Asia Academy expands Hong Kong, Busan and Toyko outline Academy plans » Page 4 Desen teams with Weta REVIEWS The Midnight After Fruit Chan’s opening night film proves a quirky apocalyptic horror on 3D epic Zhong Kui » Page 10 Jamie Marks Is Dead BY LIZ SHACKLETON Weta Workshop is providing FEATURE China’s Desen International Media character and scenery design for Hot titles Celluloid Dreams has brought on board top VFX the fi lm, while its sister company Screen profiles Korean cinema houses including Peter Jackson’s Park Road Post works on compos- highlights acquires Jamie Weta Workshop for $27m 3D fan- iting. The film is one of the first » Page 16 tasy adventure Zhong Kui: Snow Chinese films to use full perfor- Marks Is Dead Girl And The Dark Crystal. mance capture, which will be han- SCREENINGS Acclaimed Hong Kong DoP dled by leading Korean VFX house » Page 19 BY JEAN NOH Peter Pau is serving as producer, Li Bingbing Macrograph (Journey To The West: France’s Celluloid Dreams has DoP and VFX director on the fi lm, Conquering The Demons). picked up international rights on which is currently shooting in stereographer Vincent E Toto Other behind-the-scenes talent Sundance competitor Jamie Marks China with Chen Kun, Li Bingbing, (Dredd).
    [Show full text]
  • 2017 36Th Chinese Control Conference (CCC 2017)
    2017 36th Chinese Control Conference (CCC 2017) Dalian, China 26-28 July 2017 Pages 1-776 IEEE Catalog Number: CFP1740A-POD ISBN: 978-1-5386-2918-5 1/15 Copyright © 2017, Technical Committee on Control Theory, Chinese Association of Automation All Rights Reserved *** This is a print representation of what appears in the IEEE Digital Library. Some format issues inherent in the e-media version may also appear in this print version. IEEE Catalog Number: CFP1740A-POD ISBN (Print-On-Demand): 978-1-5386-2918-5 ISBN (Online): 978-9-8815-6393-4 ISSN: 1934-1768 Additional Copies of This Publication Are Available From: Curran Associates, Inc 57 Morehouse Lane Red Hook, NY 12571 USA Phone: (845) 758-0400 Fax: (845) 758-2633 E-mail: [email protected] Web: www.proceedings.com Proceedings of the 36th Chinese Control Conference, July 26-28, 2017, Dalian, China Contents Systems Theory and Control Theory Robust H∞filter design for continuous-time nonhomogeneous markov jump systems . BIAN Cunkang, HUA Mingang, ZHENG Dandan 28 Continuity of the Polytope Generated by a Set of Matrices . MENG Lingxin, LIN Cong, CAI Xiushan 34 The Unmanned Surface Vehicle Course Tracking Control with Input Saturation . BAI Yiming, ZHAO Yongsheng, FAN Yunsheng 40 Necessary and Sufficient D-stability Condition of Fractional-order Linear Systems . SHAO Ke-yong, ZHOU Lipeng, QIAN Kun, YU Yeqiang, CHEN Feng, ZHENG Shuang 44 A NNDP-TBD Algorithm for Passive Coherent Location . ZHANG Peinan, ZHENG Jian, PAN Jinxing, FENG Songtao, GUO Yunfei 49 A Superimposed Intensity Multi-sensor GM-PHD Filter for Passive Multi-target Tracking .
    [Show full text]
  • Informal Socio-Educational Leadership and Its
    The Pennsylvania State University The Graduate School Department of Education Policy Studies INFORMAL SOCIO-EDUCATIONAL LEADERSHIP AND ITS EXPRESSION THROUGH CHINESE CINEMA A Dissertation in Educational Leadership by Chenwei Ma © 2014 Chenwei Ma Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2014 ii The dissertation of Chenwei Ma was reviewed and approved* by the following: Roger C. Shouse Associate Professor of Education Dissertation Advisor Chair of Committee Jacqueline Stefkovich Professor of Education Jamie Myers Professor of Education Davin Carr-Chellman Assistant Professor of Education Kai Schafft Associate Professor of Education Head of the Program of Educational Leadership *Signatures are on file in the Graduate School. iii ABSTRACT The term “leadership” has been infused with different understandings by “Eastern” and “Western” culture. East Asian thinking generally links the idea of “leader” (lingdao) to rank or position, while Western scholarship tends to accept the idea that leaders may emerge and act within less formal contexts or structures. At the same time, much of East Asian history and literature, particularly that from China, highlights the non-formal contributions of individual citizens in pursuit of social goals and social change. In other words, “informal leaders” apparently exist within the Chinese social context, but without benefit of being labeled lingdao. Using contemporary Chinese popular films to illustrate the practice of informal leadership, this study seeks to derive and justify a definition of “leadership” that is robust with respect to differing “Eastern” and “Western” cultural understandings. Based on inductive context analysis of a sample of Chinese fictional, non-fictional, and documentary films highlighting issues of educational practice and policy, this study explores the extent to which these cinematic texts: (1) depict or suggest “Western” understandings of leadership and (2) serve as a discursive medium of social change.
    [Show full text]
  • Prezentace Z Přednášky O Novinkách Asijského Filmu
    PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2013 Rekapitulace 2012 – Co uniklo? Filmy: Drug War Tai Chi 0 Tai Chi Hero Talaash The Last Tycoon Taalash Režisér: Reema Kagti Obsazení: Aamir Khan Rani Mukerji Kareena Kapoor Khan Nawazuddin Siddiqui Shernaz Patel Raj Kumar Yadav Vivan Bhatena Sheeba Chaddha Gulfam Khan Drug War Režisér: Johnnie To Hrají: Louis Koo Tin Lok Sun Hong Lei Betty Huang Yi Michelle Yip Suen Lam Suet Wallace Chung Hon Leung Gao Yun Xiang Lo Hoi Pang Eddie Cheung Siu Fai Gordon Lam Ka Tung a další The Last Tycoon Režisér: Jin Wong Obsazení: Chow Yun Fat Huang Xiao Ming Francis Ng Chun Yu Yolanda Yuan Quan Yuan Li Sammo Hung Kam Bo Monica Mok Siu Kei Gao Hu Tai Chi Zero Režisér: Stephen Fung Obsazení: Tony Leung Ka Fai AngelaBaby Eddie Peng Yu Yen William Feng Shao Feng Stanley Fung Shui Fan Jayden Yuan Xiao Chao Bruce Leung Siu Lung Fung Hak On Chen Sicheng Xiong Naijin Stephen Fung Tak Lun Nikki Hsieh Hsin Ying Hung Yan Yan Andrew Lau Wai Keung Shu Qi Yuen Biao a další Tai Chi Hero Režisér: Stephen Fung Obsazení: Tony Leung Ka Fai Jayden Yuan Xiao Chao AngelaBaby Eddie Peng Yu Yen William Feng Shao Feng Daniel Wu Yin Cho Shu Qi Patrick Tse Yin Yuen Biao Yuan Wenkang Chen Sicheng Stanley Fung Shui Fan Stephen Fung Tak Lun Nikki Hsieh Hsin Ying Hung Yan Yan Peter Stormare Xiong Naijin Filmové novinky 2013 New World Režisér: Park Hoon-Jung Obsazení: Lee Jung-Jae Choi Min-Sik Hwang Jung-Min Park Sung-Woong Song Ji-Hyo Choi Il-Hwa Kim Byung-Ok Lee Kyoung-Young a další The Berlin File Režisér: Ryoo Seung-Wan Obsazení: Ha Jung-Woo
    [Show full text]
  • Alternative Titles Index
    VHD Index - 02 9/29/04 4:43 PM Page 715 Alternative Titles Index While it's true that we couldn't include every Asian cult flick in this slim little vol- ume—heck, there's dozens being dug out of vaults and slapped onto video as you read this—the one you're looking for just might be in here under a title you didn't know about. Most of these films have been released under more than one title, and while we've done our best to use the one that's most likely to be familiar, that doesn't guarantee you aren't trying to find Crippled Avengers and don't know we've got it as The Return of the 5 Deadly Venoms. And so, we've gathered as many alternative titles as we can find, including their original language title(s), and arranged them in alphabetical order in this index to help you out. Remember, English language articles ("a", "an", "the") are ignored in the sort, but foreign articles are NOT ignored. Hey, my Japanese is a little rusty, and some languages just don't have articles. A Fei Zheng Chuan Aau Chin Adventure of Gargan- Ai Shang Wo Ba An Zhan See Days of Being Wild See Running out of tuas See Gimme Gimme See Running out of (1990) Time (1999) See War of the Gargan- (2001) Time (1999) tuas (1966) A Foo Aau Chin 2 Ai Yu Cheng An Zhan 2 See A Fighter’s Blues See Running out of Adventure of Shaolin See A War Named See Running out of (2000) Time 2 (2001) See Five Elements of Desire (2000) Time 2 (2001) Kung Fu (1978) A Gai Waak Ang Kwong Ang Aau Dut Air Battle of the Big See Project A (1983) Kwong Ying Ji Dut See The Longest Nite The Adventures of Cha- Monsters: Gamera vs.
    [Show full text]
  • The Implications of Science and Technology for Chinese Women: a Cultural Study of the Chinese Era of Reforms
    Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Reports 2019 THE IMPLICATIONS OF SCIENCE AND TECHNOLOGY FOR CHINESE WOMEN: A CULTURAL STUDY OF THE CHINESE ERA OF REFORMS Wenjing Liu Michigan Technological University, [email protected] Copyright 2019 Wenjing Liu Recommended Citation Liu, Wenjing, "THE IMPLICATIONS OF SCIENCE AND TECHNOLOGY FOR CHINESE WOMEN: A CULTURAL STUDY OF THE CHINESE ERA OF REFORMS", Open Access Dissertation, Michigan Technological University, 2019. https://doi.org/10.37099/mtu.dc.etdr/966 Follow this and additional works at: https://digitalcommons.mtu.edu/etdr Part of the Chinese Studies Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Women's Studies Commons THE IMPLICATIONS OF SCIENCE AND TECHNOLOGY FOR CHINESE WOMEN: A CULTURAL STUDY OF THE CHINESE ERA OF REFORMS By Wenjing Liu A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Rhetoric, Theory, and Culture MICHIGAN TECHNOLOGICAL UNIVERSITY 2019 © 2019 Wenjing Liu This dissertation has been approved in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY in Rhetoric, Theory, and Culture. Department of Humanities Dissertation Advisor: Jennifer Daryl Slack Committee Member: Patricia J. Sotirin Committee Member: Ketty Thomas Committee Member: Sarah A. Green Department Chair: Patricia J. Sotirin Table
    [Show full text]
  • A China Em Tempos Modernos
    CICLO DE CINEMA CHINÊS A CHINA EM TEMPOS MODERNOS A CHINA EM Este primeiro ciclo de cinema chinês organizado pelo Instituto Confúcio da Universidade de Lisboa pretende dar a conhecer filmes que apresentam facetas da vida e da TEMPOS MODERNOS cultura da China num período que vai de finais do século XX até aos nossos dias, em que sobressaem a importância da educação e o modo como valores tradicionais são 16 DE SETEMBRO A 14 DE OUTUBRO DE 2015 vividos na actualidade. REITORIA | 4. FEIRAS | 18H30 Reitoria da Universidade de Lisboa Alameda da Universidade 1649-004 Lisboa Mais informações: www.ulisboa.pt/cinemachines O TELEMÓVEL (2003) TÃO JOVENS (2013) 16 DE SETEMBRO 7 DE OUTUBRO Realização: Feng Xiaogang Realização: Zhao Wei Título Original:手机 (inglês: Cell Phone) Título Original: 致我们终将逝去的青春 Com: Ge You ,Xu Fan , Zhang Guoli, Fan (inglês: So Young) Bingbing Com: Mark Chao, Han Geng, Yang Zishan, 107 min /drama / Legendado em inglês Jiang Shuying 132 min / Drama / Legendado em inglês Da vida rural e dos tempos em que surgiu o primeiro telefone na aldeia, assiste-se Panorama da vida, em contexto universitário, da geração que nasceu na China a um salto no tempo para a época dos talk shows televisivos e do telemóvel. Feng Xiaogang aborda neste filme as tecnologias da informação e o modo como podem nos anos setenta e oitenta do século XX e se encontra a frequentar o ensino interferir nas relações pessoais, profissionais e sociais. superior em finais do século. Explorando os encontros e desencontros amorosos, amizades, sonhos e ambições de jovens estudantes, centra a sua atenção em quatro personagens, acompanhando o seu percurso de chegada à idade adulta e posterior inserção no mundo profissional.
    [Show full text]
  • 2011 International Conference on Electric Technology and Civil Engineering
    2011 International Conference on Electric Technology and Civil Engineering (ICETCE 2011) Lushan, China 22 – 24 April 2011 Volume 1 Pages 1-952 IEEE Catalog Number: CFP1102P-PRT ISBN: 978-1-4577-0289-1 1/8 Table Of Content Volume 1 3D numerical simulation of inverted triangular truss under seismic loads.......................................................................1 Xu Zhigang,Pan Yueyu,Liu Jinkun,Yan Xiangzhen A Cellular Automata Method for Mapping Variation in Behavior of Laterally Loaded Masonry Wall Panel.....................5 Guangchun Zhou,Deng Pan,Yanxia Huang A Comparison of the Albedo of Asian Building Materials in Visible and UVB Regions...................................................9 Chuang-Hung Lin,Chien-Yuan Han,Chao-Pei Liu A Concise Comparative Analysis: GB/T50378, CASBEE and HK-BEAM.....................................................................13 Yang Zhanshe,Guo Yin,Li Xiaoning A General Shear Strength Method for Reinforced Concrete Beams.............................................................................17 Dong Chunmin,Ni Leping A Method for Computing Embedded Depth in Rock of the Laterally Loaded Rock-socketed Piles...............................21 LIU Xiao-li,ZHANG Dan-dan, SU Yuan-yuan A New Stiffness Correction Method Based on Finite Element for In-service Girder Bridges.........................................25 Lingbo Wang,Shuanhai He A Numerical Simulation Study on the Chemical Reinforcement Area at Shield Start Shaft..........................................29 Zeng Hui,Hu Jun,Yang Ping
    [Show full text]
  • Prezentace Přednášky Novinky Asijského Filmu
    Sezóna 2013/4 v j. a v. Asii, kina a TV Kategorie: Perly minulého roku No Man‘s Land Silent Witness Control Together Love Will Tear Us Apart The Terror Live Genome Hazard D-Day Madras Café Gori Tere Pyaar Mein No Man‘s Land Režie: Ning Hao Hrají: Huang Bo Yu Nan Xu Zheng Ba Duo Wang Shuang Bao Ning Hao Tao Hong Silent Witness Režie: Fei Xing Hrají: Sun Hong Lei Aaron Kwok Fu Sing Yu Nan Deng Jia Jia Tong Liya Ni Hong Jie Chen Sicheng Cica Zhou Wei Tong Control Režie: Kenneth Bi Hrají: Daniel Wu Yin Cho Yao Chen Simon Yam Tat Wah Leon Dai Lap Yan Nie Yuan Ady Ang Yi Xuan Shao Bing Hao Bo Jie Feng Jia Yi Linda Wong Hing Ping Together Režie: Clarence Ford Hrají: Kai Ko AngelaBaby Michelle Chen Yan Si Donnie Yen Chi Tan Bosco Lam Hing Lung Evergreen Mak Cheung Ching Luk Wing Kuen Jin Gang ((1) Chrissie Chow Sau Na Vincci Cheuk Wan Chi Love Will Tear Us Apart Režie: Li Wei-Ran Hrají: Ni Ni William Feng Shao Feng Zhou Dehua Trailer na: http://www.youtube.com/wat ch?v=pIJp6PDCIC8 The Terror Live Režie: Kim Byung-Woo Hrají: Ha Jung-Woo Lee Kyoung-Young Jeon Hye-Jin Kim So-Jin Lim Hyun-Sung aj. Genome Hazard Režie: Kim Sung-Su Hrají: Hidetoshi Nishijima Kim Hyo-Jin Yoko Maki Yuri Nakamura Manabu Hamada Masato Ibu Lee Kyoung Nahana http://asianwiki.com/Genome_Hazard D-Day Režie: Nikhil Advani Hrají: Rishi Kapoor Irrfan Khan Arjun Rampal Huma Qureshi Shruti Haasan Nasser Aakash Dahiya K K Raina Chandan Roy Sanyal aj.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Trans/national Chinese Bodies Performing Sex, Health, and Beauty in Cinema and Media Permalink https://escholarship.org/uc/item/9rk8m7n0 Author Zuo, Mila Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Trans/national Chinese Bodies Performing Sex, Health, and Beauty in Cinema and Media A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Mila Zuo 2015 © Copyright by Mila Zuo 2015 ABSTRACT OF THE DISSERTATION Trans/national Chinese Bodies Performing Sex, Health, and Beauty in Cinema and Media by Mila Zuo Doctor of Philosophy in Film and Television University of California, Los Angeles, 2015 Professor Kathleen A. McHugh, Chair This dissertation explores the connections between Chinese body cultures and transnational screen cultures by tracing the Chinese body through representation in contemporary cinema and media in the post-Mao era. Images of Chinese bodies participate in the audio-visual manufacture of desire and pleasure, and ideas of “Chinese- ness” endure through repetitive, mediated performance. This dissertation examines how representations of sex, health, and beauty are mediated by social, cultural, and political belief systems, and how cine/televisual depictions of the body also, in turn, mediate gender, cultural, racial and ethnic identifications within and across national boundaries. The bodily practices and behaviors in the quotidian arenas of sex, health, and beauty reflect the internalization of culture and the politics of identity construction. This dissertation is interested in how the pleasures of cinema relate to the politics of the body, ii and how the pleasures of the body relate to the politics of cinema.
    [Show full text]