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Sessions Identified with This Symbol Address Broader Areas and Disciplines Within Studio Art and Art History

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Sessions Identified with This Symbol Address Broader Areas and Disciplines Within Studio Art and Art History .. '.. ' ~ .... ~ .. ~ ;. l " ' " • ~ \o I CONFERENCE PROGRAM OPEN SESSION (t1:J Sessions identified with this symbol address broader areas and disciplines within studio art and art history. OFF-SITE SESSION Sessions identified with this symbol will be held outside the Conference site. PRACTICUM (::J Sessions idcntitlcd with this symbol offer practical applications or deal with pedagogical issues. MUSEUM SESSION ~ Sessions identified with this symbol focus on issues of interest to curators and other museum professionals. AFFiliATED SOCIETY SESSION ~ Sessions identified with this symbol are sponsored by organizations atfi.liated with CAA. CAA COMMITTEE SESSION Sessions identified with this symbol are sponsored by committees of CAA. E"SESSION Sessions identified \vith this symbol address the use of digital technology and the Internet in studio mi, art history, and art education February 18·-21, 2004 15 ART space Brimming with events and activ­ ities of special interest to CAA's aiiist-members, ARTspace, intro­ Temporary On the Edge: West Coast duced at the 2001 Conference, Transformations: Public Art Performance in the will extend over the full three as Social Action Americas days of the conference. Pmi the­ Fresh Start; Perk up your senses ater and part lounge, this confcr­ with complimentmy coffee, tea, Chairs: Jason S. Brown, Chair: .Meiling Cheng, ence-\vitbin-a-confercnce will be or juice. A detailed schedule of University of Tennessee; Gregor University of Sou them the site for innovative program­ the day's events will be made A. Kalas, Texas A&M Califomia ming, ranging from artists' talks, available. University performances, and debates to Ecotone Claudia Buche1·, social and networking opportuni­ Dark AIalters: Informal Art, Pasadena Art Center ties. All attendees are cordially Collecth•e Practice, and the invited to be stimulated and to Contempormy Public Sphere Cu/Jing with a Broken1\firror converse, enjoy, and relax at Eva Hesse Today Gregory G. Sholette, School of Gwyan Rhabyt, California State ARTspace. the Art Institute of Chicago University, Hayward Chair; Sue Taylor, Potiland \Vith the exception of those State University Public Things: The Work and SRS: Stations Remain Stmcture sessions marked Conference Philosophy ofN55 Jon Sorvin, the gyri grip, 2 Gyrlz Badge Required for Admission, Grounding the Hesse/Pollock N55 Design Collective Perfonnative Arts entrance to ARTs pace events is Connection Jeanne Siegel, free and open to the public. School of Visual Arts Dyke Action .Machine! S Instant Pe1:(ormance Art in Western A/essaging: 11Branding 11 Lesbian Canada John G. Boehme, artist Unless otherwise noted, ART space Pre-Feminist/Post-Feminist Identity on the New YOrk City events will be held on Level 6, Hesse Kirsten Swenson, State Street Carrie .Moyer, artist Impossible Cohesions Jennie Meeting Rooms 602/603/604. University of New York, Stony Klein, Santa Ana College; Brook Jj•ree Guyton S Heidelberg Joanna Roche, California State Project in Detroit: A Community University, Fullerton Stayin 'A live: Cteativity, 1hmsj0rmed Cheryl Alston, Surviml, and Era Hesse \Vayne State University un-Becoming: An Vanessa Corby, independent Improvisational Automatic Self­ scholar Finding the Permanence of the PeJjOrmance Nicole R. Hodges, Temporlll)': Socially Engaged University of Sou them Discussant: Jane Blocker, Public Art and Place-Specijicity Califomia University of Minnesota Cameron Cartiere, Chelsea College of Art and Design, Conference badge required for Conference badge required for London admission admission Conference badge required for admission Vie,ving of 11 Eva Hesse at SFMOCA," a DVD film of the Eva Hesse show at the San Closed for the Members' Francisco Museum of Modem Exhibition opening reception Art that documents the installa­ (see Special Events, p. 47) tion and offers commentary by Anne \Vaguer, Elisabeth Sussman, Alex Potts, Briony Fer, Doug Johns, and others. You are welcome to bring your lunch. 16 CAA 92nd Annual Conference in Seattle ART space ARTS EXCHANGE Art Foundation Information Session 11te Arts Exchange, given in Fresh Start: Perk up your senses conjunction with ARTspace, will NYFA Source: A National with complimentary cotiee, tea, serve as way for artists to pres­ Fresh Start: Perk up your senses Directory of Awards, Funding, or juice. A detailed schedule of ent some of their recent work. with complimentary coffee, tea, and Support Services for Artists the day's events will be made Artists attending the conference or juice. A detailed schedule of available. have signed-up for a six-foot the day's events will be made The New York Foundation for table to present small works on available. the Arts staff member, Melissa paper (drawings, photographs Potter, will demonstrate the and prints, etc) or a battery-pow­ nation's most extensive online Contemporary Art and Islam ered laptop presentation. Sales directory of awards, services, of works are not permitted. and publications, featuring over Chair: Fereshteh Dafta.-i, Activating Critical 7,000 programs for artists and Museum of Modem Art, New York Art's Bar will be open during Discourse: Models of Civic arts managers of all disciplines. the Art Exchange. Engagement and Public The Postmodern nnn in /slmllic Al'ts Practice The Marie Walsh Sharpe Art Calligraphy l\Iaryam Ekhtiar, This event will be held on level 4, Foundation: Infonuation for Metropolitan Museum of Art Ballroom 4B Chair: Bradley l\lcCallum, Artists ConjunctionArts Standing on Fonnalih"es: What The Sharpe Art Foundation was Is Con temporal)' Elsewhere? Animating Democracy: established in 1984 to provide Mysoon Rizk, University of Opportunity and Challenge at financial assistance to visual Toledo Electronic Arts Exchange the Intersection ofArt and Civic artists. Staff member Joyce E. Dialogue Pam Korza, Robinson will be on hand to Secularization, Hybridity, and Hosted by Heather Dew Americans for the Arts describe the Foundation's servic­ "Dis-Orienta/isms" in CoiJ/emp­ Oaksen, video artist from. es, distribute materials, and ormJ• Palestinian Art Gannit Seattle and regional mtist co­ Creative Capital-IncOJporating answer your questions. The Anlwri, Hebrew University of chair, and Norie Sato, artist Discourse as Part of Foundation offers estate plan­ Jemsalem from Seattle Comprehensi\•e Artist Support ning advice, a studio space pro­ Sean Elwood, Creative Capital gram, and exhibition opportuni­ Conference badge required for As a supporter of the creation ties, among other services. admission and presentation of art works Community Cultural using new technologies and digi­ Dewlopment Tomas Ybarro­ tal tools, ARTspace is pleased to Fmusto, Rockefeller Foundation announce that it will begin what Artist Residency Workshop may become a new tradition at Critical Condih'ons Patricia C. After the Capital the ammal conference. \Ve wel­ Phillips Campaign: Challenges to Chair: Duane Slick, Rhode come professional video artists Museums Island School of Design to screen their newest works or Conference badge required for to replay older works. Video admission Bellevue Art Museum's plight is Bring your own brown-bag lunch artists will be able to present up one topic in a discussion of the to 8 minutes of their work. After institutional and govemance each clip is shown, questions challenges f.1cing museums and comments will then be today. 11te discussion will Eighth Annual Artists' briefly opened up to the audi­ include both positive and critical Interviews ence. The purpose is to encour­ assessments of specific and gen­ age feedback often lacking at eral conditions. Following a conference tradition, fonnalized exhibitions. At the stimulating talk with two artists end of the session, attendees wiH Chair: Brian C. \Vallace, The to be announced, in an interview be invited to vote for their Galleries at Moore College of format. This year's subects are favorite video. A sign up sheet Art and Design Buster Simpson of Los Angeles will be available at ARTspace and Daniel Martinez of Seattle. beginning on Thursday morning. Fcbmary 18-21,2004 17 TUESDAY-THURSDAY r.i."§ LEONARDOffHE INTERNATIONAL SOCIETY FOR THE ARTS, SCIENCES, AND TECHNOLOGY Art, Science, and Orientation for Grant-Writing Workshop Technology: Problems and r.i."§ Interviewers and for Artists: Parts 1 and 2 Issues Facing an Emerging MID-AMERICA COllEGE ART Candidates Level6, Meeting Rooms 613 & 614 Interdisciplinary Field W2 ASSOCIATION level 6, Ballroom E Level 6, Meeting Room 609 Business Meeting Led by Barbara Bemstein, Level 6, Meeting Rooms 606 & 607 i\lichael Aurbach, Vanderbilt head of the Fine Arts Chair: Mark Resch, Onomy University Department at the Ringling Labs School of Art and Design in r.i."§ Laurie Beth Clark, University Sarasota, FL, and Douglas Sheila Pinkel, Pomona College WOMEN'S CAUCUS FOR ART of Wisconsin, Madison Chismar, Program Director, Julio BermUdez, University of Business Meeting Liberal Arts Program, also of the Utah; l\lichael Punt, Level 6, Meeting Room 609 David l\1, Sokol, University of Ringling School of Art and Metatechnology Research; Illinois at Chicago Design Nina Czegledy Emmanuel Lemakis, CAA Admission by reservation only Discussant: Roger 1\'lalina, Leonardo Redefining American Modernism Till Level 6, Ballroom 6E r.i."§ Chairs: Anna Vemer ASSOC/A TION OF RESEARCH Convocation Andrzejewski, University of INSTITUTES IN ART HISTORY Wisconsin, Madison; Robert T. Business Meeting Welcome and Opening Cozzolino, University of level 6, Meeting Room 608 Remarks Wisconsin, Madison Michael Aurbach, CAA Reexamining
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