Taylor Harvey
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Tfg María Definitivo Puede Ser 2.Indd
Delirium Finis. María Peris 1 1. CAPÍTULO Esta plantilla está recomendada, lógicamente, solo para estudiantes que dominen es uso del programa InDesign. La plantilla original es de CS5 y sirve también para todas las versiones posteriores (CS6, etc.). Para utilizarla en CS4TFG antes habría que exportarla en formato de INTERCAMBIO. Es importan- te que el usuario sepa utilizar las opciones para incorporar las notas a pie de página de forma AUTOMÁTICA en la importación (ARCHIVO>COLOCAR) yDELIRIUM en su maquetación FINISposterior (TEXTO>INSERTAR NOTA AL PIE DE PÁGINA y TEXTO>OPCIONESINTERPRETACIÓN DE NOTA SERIGRÁFICA AL PIE DE PÁGINA). DE LAS REVELACIONES ÚL- Dado que este trabajo se presentará en pdf (no se imprimirá), esta planti- llaTIMAS no tiene DE páginasSAN JUAN. opuestas o entrentadas. 1.1. epígrafe El texto de la memoria del TFG tendrá una extensión mínima de 8.000 y máximaPresentado de 12.000 por palabras, María sin Peris incluir Escuriola la bibliografía y los agradecimientos. Tutor:Al texto se David podrán Heras añadir, imágenes,Evangelio gráficos, etc., hasta completar un máxi- mo de 40 páginas. El ESTILO DE PÁRRAFO incluido para el texto general (TEXTO NORMAL) está en CALIBRI REGULAR, cuerpo de 11 pt e interlineado de 15 pt. Las notas a pie de página (TEXTO NOTA AL PIE) tienen un cuerpo de 9 pt. Puede que Facultatestas características de Belles Artsno coincidan de Sant exactamente Carles con las que se tengan que utilizar en Word. En todo caso, se seguirán las orientaciones del MANUAL DE ESTILOGrado o en NORMAS Bellas queArtes publiquen los responsables de la titulación. -
Gender, Ethnicity, and Identity in Virtual
Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225 -
Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
2 UNLIMITED- No Limit 2PAC - All Eyez On Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad At Cha 2PAC Feat. Dr DRE & ROGER TROUTMAN - California Love 311 - Amber 311 - Beautiful Disaster 311 - Down 3 DOORS DOWN - Away From The Sun 3 DOORS DOWN – Be Like That 3 DOORS DOWN - Behind Those Eyes 3 DOORS DOWN - Dangerous Game 3 DOORS DOWN – Duck An Run 3 DOORS DOWN – Here By Me 3 DOORS DOWN - Here Without You 3 DOORS DOWN - Kryptonite 3 DOORS DOWN - Landing In London 3 DOORS DOWN – Let Me Go 3 DOORS DOWN - Live For Today 3 DOORS DOWN – Loser 3 DOORS DOWN – So I Need You 3 DOORS DOWN – The Better Life 3 DOORS DOWN – The Road I'm On 3 DOORS DOWN - When I'm Gone 4 NON BLONDES - Spaceman 4 NON BLONDES - What's Up 4 NON BLONDES - What's Up ( Acoustative Version ) 4 THE CAUSE - Ain't No Sunshine 4 THE CAUSE - Stand By Me 5 SECONDS OF SUMMER - Amnesia 5 SECONDS OF SUMMER - Don't Stop 5 SECONDS OF SUMMER – Good Girls 5 SECONDS OF SUMMER - Jet Black Heart 5 SECONDS OF SUMMER – Lie To Me 5 SECONDS OF SUMMER - She Looks So Perfect 5 SECONDS OF SUMMER - Teeth 5 SECONDS OF SUMMER - What I Like About You 5 SECONDS OF SUMMER - Youngblood 10CC - Donna 10CC - Dreadlock Holiday 10CC - I'm Mandy ( Fly Me ) 10CC - I'm Mandy Fly Me 10CC - I'm Not In Love 10CC - Life Is A Minestrone 10CC - Rubber Bullets 10CC - The Things We Do For Love 10CC - The Wall Street Shuffle 30 SECONDS TO MARS - Closer To The Edge 30 SECONDS TO MARS - From Yesterday 30 SECONDS TO MARS - Kings and Queens 30 SECONDS TO MARS - Teeth 30 SECONDS TO MARS - The Kill (Bury Me) 30 SECONDS TO MARS - Up In The Air 30 SECONDS TO MARS - Walk On Water 50 CENT - Candy Shop 50 CENT - Disco Inferno 50 CENT - In Da Club 50 CENT - Just A Lil' Bit 50 CENT - Wanksta 50 CENT Feat. -
Popcaan Releases "Numbers Don't Lie" Video
POPCAAN RELEASES "NUMBERS DON'T LIE" VIDEO WATCH HERE VANQUISH MIXTAPE OUT NOW VIA UNRULY/OVO SOUND LISTEN HERE March 15, 2020 (Toronto, Ont.) – Jamaican dancehall artist Popcaan unveils a new video for "Numbers Don't Lie," which is featured on his debut mixtape Vanquish [Unruly/OVO Sound]. The alluring visual portrays Popcaan recounting a young man's climb to success while also showcasing the breathtaking sights Jamaican culture has to offer. Popcaan narrates the journey at every stage from "Growth," "The Hustle" and "The Come Up." Check it out now and be on the lookout for more to come. PHOTO BY JAMAL BURGER DOWNLOAD PRESS PHOTO HERE ABOUT POPCAAN Jamaica’s Popcaan is an international superstar who has become synonymous with dancehall for the better part of a decade. Having made an impact initially via his association with Vybz Kartel, he went on to become a global sensation and was culturally relevant in the United States by the time he released his debut album, the critically-lauded Where We Come From, which debuted at #2 on Billboard's Reggae Albums chart in 2014. Popcaan has collaborated with many notable artists, including appearances on high-profile tracks like Jamie xx's "I Know There's Gonna Be (Good Times)," Drake’s “Know Yourself,” as well as Gorillaz' track "Saturnz Barz.” In 2018, he released his acclaimed sophomore full-length album Forever, which also debuted at #2 on Billboard's Reggae Albums Chart. In 2019, it was announced at Popcaan’s popular Unruly Fest that he signed to OVO Sound. FOLLOW POPCAAN: Twitter | Instagram | Facebook | YouTube For more information, please contact: Warner Records Yash Zadeh [email protected] . -
SGA Elections: Important Or Pointless? Gregory D
OPINIONS Page 7 The Renegade Rip I www.therip.com Wednesday, March 17, 2010 Staff Editorial Students require SGA elections: important or pointless? Gregory D. Cook spending thar money in ways that will By Anthony B. EUrodt the students you represent that you Multimedia editor benefit you. Copy editor can't make good on yow· promises textbook reserves Listen to the candidates, ask ques because the administration says no? It takes about five mfoutes, you tions if you are tmsw·e and make edu 1b put it succinctly. student elec You are going to have to catch the With the cost of Bakersfield College tu stat1d in a short line. make a couple of cated decisions about casting yow tions ai·e a joke. They're just like ev fallout for it and the aclministrntion ition staying at a relatively low price. pw- multiple choice decisions on a piece vote. ery other political race in the world. knows it. chasing textbooks is often the greatest of paper, drop it into a box and go As a member of 111e student body. Promises are made, great platfo1ms I would find it exu·emely refresh burden on a student budget. The high cost about the rest of your day, with the you bear the responsibility of choos are announced, and we aU know the ing if a student got up in front of the of reading mate1ials can sometimes lead to ing your representatives. The demo promises student population here at Bakers a gap in time between when students start a ~:~;~e~a~: cratic system depends on the voice of are never field College and announced they class and when they are able to pw·chase the PRo taken part in the people being heard, and nowhere CON followed were running simply because they required books. -
Today Your Barista Is: Genre Characteristics in the Coffee Shop Alternate Universe
Today Your Barista Is: Genre Characteristics in The Coffee Shop Alternate Universe Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katharine Elizabeth McCain Graduate Program in English The Ohio State University 2020 Dissertation Committee Sean O’Sullivan, Advisor Matthew H. Birkhold Jared Gardner Elizabeth Hewitt 1 Copyright by Katharine Elizabeth McCain 2020 2 Abstract This dissertation, Today Your Barista Is: Genre Characteristics in The Coffee Shop Alternate Universe, works to categorize and introduce a heretofore unrecognized genre within the medium of fanfiction: The Coffee Shop Alternate Universe (AU). Building on previous sociological and ethnographic work within Fan Studies, scholarship that identifies fans as transformative creators who use fanfiction as a means of promoting progressive viewpoints, this dissertation argues that the Coffee Shop AU continues these efforts within a defined set of characteristics, merging the goals of fanfiction as a medium with the specific goals of a genre. These characteristics include the Coffee Shop AU’s structure, setting, archetypes, allegories, and the remediation of related mainstream genres, particularly the romantic comedy. The purpose of defining the Coffee Shop AU as its own genre is to help situate fanfiction within mainstream literature conventions—in as much as that’s possible—and laying the foundation for future close reading. This work also helps to demonstrate which characteristics are a part of a communally developed genre as opposed to individual works, which may assist in legal proceedings moving forward. However, more crucially this dissertation serves to encourage the continued, formal study of fanfiction as a literary and cultural phenomenon, one that is beginning to closely analyze the stories fans produce alongside the fans themselves. -
Gorillaz Return with an Album Date a Video and Creepy CGI Portraits
Gorillaz Return With An Album Date, A Video, And Creepy CGI Portraits Gorillaz Return With An Album Date, A Video, And Creepy CGI Portraits 1 / 4 2 / 4 Gorillaz return with an album date, a video, and creepy CGI portraits. 0 ... Gorillaz is an experiment by Damon Albarn and Jamie Hewlett that .... Gorillaz return with an album date, a video, and creepy CGI portraits. Nearly a year has passed since the hype cycle began for the next Gorillaz album. Today ... The collaboration sees Gorillaz lead singer 2D immortalized in vinyl and is the first ... Gorillaz return with an album date, a video, and creepy CGI portraits.. Gorillaz return with an album date, a video, and creepy CGI portraits. › Gorillaz - Saturnz Barz (Spirit House) Nearly a year has passed since the hype cycle ... Light Image Resizer 6.0.0.11 Crack The Verge (theverge)'s status on Thursday, 23-Mar-2017 22:09:44 CET · The Verge Gorillaz return with an album date, a video, and creepy CGI portraits ... Apple’s worst nightmare: Dual booting iPhone 3GS running Android jetAudio HD Music Player Plus v9.9.2 [Mod Lite] Apk | 11.1 MB Linksys launches new tri-band router and its first gateway Gorillaz - Saturnz Barz (Spirit House) 360. Featuring Popcaan. THE ALBUM - 'HUMANZ' OUT NOW - http://gorill.az/humanz GET 'HUMANZ' HERE - STANDARD .... Gorillaz - Broken - Fanimation Video. Gorillaz return with an album date, a video, and creepy CGI portraits. gorillaz share latest multimedia story book murdoc.. Gorillaz return with an album date, a video, and creepy CGI portraits. Nearly a year has passed since the hype cycle began for the next Gorillaz album. -
Gorilla Glue Album Torrent Download Pirate
gorilla glue album torrent download pirate bay Gorillaz – 6 Official Albums (2001 – 2017) Gorillaz – 6 Official Albums (2001 – 2017) Digital Download | FLAC Tracks @16bit/44.1kHz (CD-Format) | FLAC Tracks @24bit/44.1- 96kHz (Hi-Res) Total Size: 2.52 GB (16/44) + 5.16 GB (24/44-96) | 3% RAR Recovery Label: Various | Genre: Alternative Rock, Electronica. Gorillaz (2001) Digital Download | FLAC Tracks @16bit/44.1kHz (CD-Format) | FLAC Tracks @24bit/44.1kHz (Hi-Res) Tracklist: 01. Re-Hash – 03:40 02. 5/4 – 02:42 03. Tomorrow Comes Today – 03:14 04. New Genius (Brother) – 04:00 05. Clint Eastwood – 05:43 06. Man Research (Clapper) – 04:33 07. Punk – 01:39 08. Sound Check (Gravity) – 04:43 09. Double Bass – 04:47 10. Rock the House – 04:09 11. 19-2000 – 03:28 12. Latin Simone (Que Pasa Contigo) – 03:39 13. Starshine – 03:34 14. Slow Country – 03:38 15. M1 A1 – 04:02 16. Clint Eastwood (Ed Case & Sweetie Irie Refix) [Edit] – 03:41 17. 19-2000 (Soulchild Remix) – 03:29. Demon Days (2005) Digital Download | FLAC Tracks @16bit/44.1kHz (CD-Format) | FLAC Tracks @24bit/44.1kHz (Hi-Res) Tracklist: 01. Intro – 01:03 02. Last Living Souls – 03:10 03. Kids With Guns – 03:46 04. O Green World – 04:32 05. Dirty Harry – 03:44 06. Feel Good Inc – 03:41 07. El Mañana – 03:50 08. Every Planet We Reach Is Dead – 04:53 09. November Has Come – 02:41 10. All Alone – 03:30 11. White Light – 02:08 12. -
Ecological Models of Musical Structure in Pop-Rock, 1950–2019
Ecological Models of Musical Structure in Pop-rock, 1950–2019 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas J. Shea, M.A., B.Ed. Graduate Program in Music The Ohio State University 2020 Dissertation Committee: Anna Gawboy, Advisor and Dissertation Co-Advisor Nicole Biamonte, Dissertation Co-Advisor Daniel Shanahan David Clampitt Copyright by Nicholas J. Shea 2020 Abstract This dissertation explores the relationship between guitar performance and the functional components of musical organization in popular-music songs from 1954 to 2019. Under an ecological theory of affordances, three distinct interdisciplinary approaches are employed: empirical analyses of two stylistically contrasting databases of popular-music song transcriptions, a motion-capture study of performances by practicing musicians local to Columbus, Ohio, and close readings of works performed and/or composed by popular- music guitarists. Each offers gestural analyses that provide an alternative to the object- oriented approach of standard popular-music analysis, as well as clarification on issues related to style, such as the socially determined differences between “pop” and “rock” music. ii Dedication To Anna Gawboy, who is always in my corner. iii Acknowledgments Here I face the nearly insurmountable task of thanking those who have helped to develop this research. Even as all written and analytical content in this document is my own, I cannot deny the incredible value collaboration has brought to this inherently interdisciplinary study. I am extremely fortunate to have a small team of individuals on which I can rely for mentorship and support and whose research backgrounds contribute greatly to the domains of this document. -
Songs for Lulu Gorillaz Plastic Beach the Magnetic Fields Realism
94-95 rec pop-rock 7/3/10 8:57 PM Page 94 Recenzje p∏yt pop/rock Rufus Wainwright Gorillaz The Magnetic Fields All Days Are Nights: Plastic Beach Realism Songs For Lulu EMI 2010 Nonesuch Records 2010 Decca 2010 Dystrybucja: Warner Music Dystrybucja: Universal Music Muzyka: ≤≤≤≤≤ Muzyka: ≤≤≤≤≥ Muzyka: ≤≤≤≤≥ Realizacja: ≤≤≤≤≥ Realizacja: ≤≤≤≤≥ Realizacja: ≤≤≤≤≥ Rufusa Wainwrighta uznaje si´ za z∏o- Na trzecim albumie najpopular- The Magnetic Fields to w zasadzie te dziecko sceny. Na pianinie zaczà∏ graç niejszej animowanej muzycznej grupy Stephin Merritt, który dobiera sk∏ady w wieku szeÊciu lat, a edukacj´ zakoƒczy∏ Êwiata jest wiele… wszystkiego. Czyli, muzyków do ka˝dego projektu. Ostatnio na Uniwersytecie McGilla, gdzie studio- jak zwykle u Gorillaz, p∏yta rozbrzmiewa mia∏ pomys∏ na trzy albumy bez synteza- wa∏ zarówno muzyk´ rockowà, jak i kla- mnogoÊcià popowych stylistyk, pomy- torów i w∏aÊnie „Realism” zamyka ten sycznà. s∏owoÊcià i t∏umem goÊcinnie wyst´pu- cykl. Kolejna p∏yta b´dzie wy∏àcznie Jego pierwszy album ukaza∏ si´ w 1998 jàcych muzyków. elektroniczna. roku. Dostrzegli go krytycy, uznajàc za Niekiedy ta iloÊç atrakcji przyt∏acza; Na razie mamy nowà porcj´ nagraƒ jeden z ciekawszych debiutów. Wain- momentami chcia∏oby si´ wr´cz z kilku w charakterystycznym dla tego artysty wright zwykle bogato aran˝uje swoje tych dodatków zrezygnowaç. M´czy nurcie, b´dàcym wypadkowà songów piosenki. Ocierajà si´ one o rozmaite rymujàcy niezmiennie beznami´tnie broadwayowskich, muzyki marszowej style – od popu i rocka, po kabaret i ope- Snoop Dogg, a eksperymentalne frag- i chórków w stylu The Beach Boys. Do r´. Tym razem postanowi∏ wszystkie menty pokroju „Sweepstakes” wr´cz tego w warstwie instrumentalnej poja- kompozycje wykonaç sam, akompaniu- irytujà. -
Stardigio Program
STARdigio チャンネル:450 洋楽アーティスト特集 放送日:2018/10/29~2018/11/04 「番組案内 (8時間サイクル)」 開始時間:4:00~/12:00~/20:00~ 楽曲タイトル 演奏者名 ■ARIANA GRANDE 特集 (1) Honeymoon Avenue Ariana Grande THE WAY Ariana Grande feat. Mac Miller Tattooed Heart Ariana Grande BABY I Ariana Grande RIGHT THERE Ariana Grande feat. Big Sean PIANO Ariana Grande Almost Is Never Enough Ariana Grande with Nathan Sykes from The Wanted POPULAR SONG Mika feat. Ariana Grande PROBLEM Ariana Grande feat. Iggy Azalea BEST MISTAKE Ariana Grande feat. Big Sean BREAK FREE Ariana Grande feat. ZEDD BANG BANG Jessie J + Ariana Grande + Nicki Minaj Be My Baby Ariana Grande feat. Cashmere Cat LOVE ME HARDER Ariana Grande + The Weeknd Just A Little Bit Of Your Heart Ariana Grande ■ARIANA GRANDE 特集 (2) ONE LAST TIME Ariana Grande My Everything Ariana Grande Break Your Heart Right Back Ariana Grande feat. Childish Gambino E PIU' TI PENSO Andrea Bocelli & Ariana Grande FOCUS Ariana Grande DANGEROUS WOMAN Ariana Grande INTO YOU Ariana Grande MOONLIGHT Ariana Grande SIDE TO SIDE ARIANA GRANDE feat. NICKI MINAJ LEAVE ME LONELY ARIANA GRANDE feat. MACY GRAY JASON'S SONG (GAVE IT AWAY) Ariana Grande EVERYDAY ARIANA GRANDE feat. FUTURE GREEDY Ariana Grande LET ME LOVE YOU ARIANA GRANDE feat. LIL WAYNE BE ALRIGHT Ariana Grande THINKING BOUT YOU Ariana Grande ■ARIANA GRANDE 特集 (3) LAST CHRISTMAS Ariana Grande SANTA TELL ME Ariana Grande BOYS LIKE YOU Who Is Fancy feat. Ariana Grande & Meghan Trainor OVER AND OVER AGAIN Nathan Sykes feat. Ariana Grande FAITH STEVIE WONDER feat. ARIANA GRANDE BEAUTY AND THE BEAST ARIANA GRANDE & JOHN LEGEND HEATSTROKE [Radio Edit] Calvin Harris feat.