DOCSLIB.ORG

Third Age Learning –York Region Aurora Cultural Centre May 1, 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Third Age Learning – York Region Aurora Cultural Centre May 1, 2017 The Great American Songbook 101 – Dissecting the American Songbook Presented by Dean Hollin A professional entertainer for over two decades, Dean Hollin has performed on stage, in concerts, in film, as television host and as emcee. Dean Hollin will provide a crash-course musical journey as he dissects, celebrates and lovingly explains the music of Porter, Gershwin, Rodgers, Arlen, Carmichael, Mercer, and so many more - the music of the Great American Songbook! thegas101 Dissecting the Great American Songbook or A crash-course, attempting to demystify something called the Great American Songbook or What exactly is this Great American Songbook thing and who the heck wrote it? Stephen Foster Daniel Emmett Cakewalk Minstrel Show Ragtime Milton Ager Jack Yellen AIN’T SHE SWEET HAPPY DAYS ARE HERE AGAIN Fred Ahlert I DON’T KNOW WHY (I JUST DO) I’LL GET BY (AS LONG AS I HAVE YOU) I’M GONNA SIT RIGHT DOWN (AND WRITE MYSELF A LETTER) MEAN TO ME WALKIN’ MY BABY BACK HOME WHERE THE BLUES OF THE NIGHT (MEETS THE GOLD OF THE DAY) Harold Arlen IT’S ONLY A PAPER MOON STORMY WEATHER I GOTTA RIGHT TO SING THE BLUES LET’S FALL IN LOVE BLUES IN THE NIGHT THAT OLD BLACK MAGIC COME RAIN OR COME SHINE THE MAN THAT GOT AWAY BETWEEN THE DEVIL AND THE DEEP BLUE SEA GET HAPPY E.Y. Harburg DING DONG THE WITCH IS DEAD IF I ONLY HAD A BRAIN/HEART/NERVE FOLLOW THE YELLOW BRICK ROAD WE’RE OFF TO SEE THE WIZARD MERRY OLD LAND OF OZ IF I WERE KING OF THE FOREST Irving Berlin WHAT’LL I DO? ALWAYS BLUE SKIES MARIE PUTTIN’ ON THE RITZ SAY IT ISN’T SO I’VE GOT MY LOVE TO KEEP ME WARM GOD BLESS AMERICA ALEXANDER’S RAGTIME BAND HOW DEEP IS THE OCEAN WHITE CHRISTMAS A PRETTY GIRL IS LIKE A MELODY LET’S FACE THE MUSIC AND DANCE THERE’S NO BUSINESS LIKE SHOW BUSINESS WHEN I LOST YOU EASTER PARADE HEAT WAVE I’M PUTTING ALL MY EGGS IN ONE BASKET THIS IS THE ARMY MR. JONES IT ONLY HAPPENS WHEN I DANCE WITH YOU Rube Bloom DAY IN, DAY OUT DON’T WORRY ‘BOUT ME FOOLS RUSH IN (WHERE ANGELS FEAR TO TREAD) I CAN’T FACE THE MUSIC Nacio Herb Brown Arthur Freed SINGIN’ IN THE RAIN ALL I DO IS DREAM OF YOU MAKE ‘EM LAUGH GOOD MORNING YOU ARE MY LUCKY STAR YOU WERE MEANT FOR ME Johnny Burke BUT BEAUTIFUL GOING MY WAY HERE’S THAT RAINY DAY IMAGINATION MOONLIGHT BECOMES YOU POLKA DOTS AND MOONBEAMS SUNDAY, MONDAY, OR ALWAYS SWINGING ON A STAR (WE’RE OFF ON THE) ROAD TO MOROCCO Jimmy Van Heusen AIN’T THAT A KICK IN THE HEAD ALL THE WAY CALL ME IRRESPONSIBLE COME DANCE WITH ME HIGH HOPES LOVE AND MARRIAGE (LOVE IS) A TENDER TRAP COME FLY WITH ME Sammy Cahn Hoagy Carmichael SKYLARK IN THE COOL, COOL, COOL OF THE EVENING LAZY RIVER OLE BUTTERMILK SKY LAZYBONES TWO SLEEPY PEOPLE I GET ALONG WITHOUT YOU VERY WELL BALTIMORE ORIOLE RIVERBOAT SHUFFLE STARDUST GEORGIA ON MY MIND THE NEARNESS OF YOU Hoagy Carmichael J. Fred Coots YOU GO TO MY HEAD FOR ALL WE KNOW SANTA CLAUS IS COMING TO TOWN Howard Dietz Arthur Schwartz DANCING IN THE DARK YOU AND THE NIGHT AND THE MUSIC I GUESS I’LL HAVE TO CHANGE MY PLAN ALONE TOGETHER THAT’S ENTERTAINMENT Walter Donaldson HOW YA GONNA KEEP ‘EM DOWN ON THE FARM (AFTER THEY’VE SEEN PAREE)? LOVE ME OR LEAVE ME MY MAMMY LITTLE WHITE LIES MAKIN’ WHOOPEE MY BABY JUST CARES FOR ME Gus Kahn Isham Jones I’LL SEE YOU IN MY DREAMS IT HAD TO BE YOU SWINGING DOWN THE LANE Vernon Duke APRIL IN PARIS AUTUMN IN NEW YORK I CAN’T GET STARTED TAKING A CHANCE ON LOVE Duke Ellington IN A SENTIMENTAL MOOD IT DON’T MEAN A THING (IF IT AIN’T GOT THAT SWING) MOOD INDIGO SOPHISTICATED LADY TAKE THE ‘A’ TRAIN I’M BEGINNING TO SEE THE LIGHT DON’T GET AROUND MUCH ANYMORE Sammy Fain SECRET LOVE LOVE IS A MANY-SPLENDORED THING I’LL BE SEEING YOU THAT OLD FEELING APRIL LOVE TENDER IS THE NIGHT Dorothy Fields I CAN’T GIVE YOU ANYTHING BUT LOVE EXACTLY LIKE YOU ON THE SUNNY SIDE OF THE STREET A FINE ROMANCE PICK YOURSELF UP I’M IN THE MOOD FOR LOVE BIG SPENDER IF MY FRIENDS COULD SEE ME NOW George Gershwin LADY, BE GOOD! SOMEONE TO WATCH OVER ME STRIKE UP THE BAND FUNNY FACE THE MAN I LOVE SOON I’VE GOT A CRUSH ON YOU ‘S WONDERFUL HE LOVES AND SHE LOVES MY ONE AND ONLY HOW LONG HAS THIS BEEN GOING ON? BIDIN’ MY TIME EMBRACEABLE YOU I GOT RHYTHM BUT NOT FOR ME CRAZY FOR YOU A FOGGY DAY LET’S CALL THE WHOLE THING OFF LOVE WALKED IN THEY CAN’T TAKE THAT AWAY FROM ME Ira Gershwin STRIKE UP THE BAND OF THEE I SING (PULITZER PRIZE FOR DRAMA) LET ‘EM EAT CAKE PORGY AND BESS (CO-WRITTEN DUBOSE HEYWARD) RHAPSODY IN BLUE AND AMERICAN IN PARIS CONCERTO IN F Johnny Green BODY AND SOUL OUT OF NOWHERE I COVER THE WATERFRONT I WANNA BE LOVED Oscar Hammerstein II Richard Rodgers OKLAHOMA CAROUSEL SOUTH PACIFIC THE KING AND I THE SOUND OF MUSIC YOU’LL NEVER WALK ALONE OH, WHAT A BEAUTIFUL MORNING PEOPLE WILL SAY WE’RE IN LOVE IT MIGHT AS WELL BE SPRING I HAVE DREAMED SOME ENCHANTED EVENING MY FAVORITE THINGS IF I LOVED YOU SHALL WE DANCE? SOMETHING WONDERFUL Lorenz Hart BEWITCHED, BOTHERED AND BEWILDERED MY ROMANCE HAVE YOU MET MISS JONES? MY FUNNY VALENTINE I COULD WRITE A BOOK THOU SWELL ISN’T IT ROMANTIC? THE LADY IS A TRAMP MY HEART STOOD STILL WHERE OR WHEN Otto Harbach INDIAN LOVE CALL WHO? YESTERDAYS Ray Henderson THE BEST THINGS IN LIFE ARE FREE BIRTH OF THE BLUES FIVE FOOT TWO, EYES OF BLUE I’M FLYING HIGH I’M SITTING ON TOP OF THE WORLD IT ALL DEPENDS ON YOU LIFE IS JUST A BOWL OF CHERRIES SONNYBOY THAT OLD GANG OF MINE YOU’RE THE CREAM IN MY COFFEE Bart Howard IN OTHER WORDS FLY ME TO THE MOON Herman Hupfeld LET’S PUT OUT THE LIGHTS (AND GO TO SLEEP) Jerome Kern A FINE ROMANCE PICK YOURSELF UP LONG AGO (AND FAR AWAY) LOOK FOR THE SILVER LINING DEARLY BELOVED I’M OLD FASHIONED THE FOLKS WHO LIVE ON THE HILL WHY WAS I BORN? THE LAST TIME I SAW PARIS LOVELY TO LOOK AT THE SONG IS YOU Ted Koehler GET HAPPY BETWEEN THE DEVIL AND THE DEEP BLUE SEA I GOTTA RIGHT TO SING THE BLUES ILL WIND LET’S FALL IN LOVE STORMY WEATHER WHEN THE SUN COMES OUT Burton Lane EVERYTHING I HAVE IS YOURS OLD DEVIL MOON HOW ARE THINGS IN GLOCCA MORRA? LOOK TO THE RAINBOW TOO LATE NOW YOU’RE MY THRILL ON A CLEAR DAY (YOU CAN SEE FOREVER) Frank Loesser PRAISE THE LORD AND PASS THE AMMUNITION A BUSHEL AND A PECK I’VE NEVER BEEN IN LOVE BEFORE LUCK BE A LADY I’LL KNOW SIT DOWN, YOU’RE ROCKING THE BOAT INCHWORM THUMBELINA STANDING ON THE CORNER BABY, IT’S COLD OUTSIDE Hugh Martin THE BOY NEXT DOOR THE TROLLEY SONG HAVE YOURSELF A MERRY LITTLE CHRISTMAS Jimmy McHugh I CAN’T GIVE YOU ANYTHING BUT LOVE I’M IN THE MOOD FOR LOVE DON’T BLAME ME ON THE SUNNY SIDE OF THE STREET EXACTLY LIKE YOU IT’S A MOST UNUSUAL DAY COMING IN ON A WING AND A PRAYER Johnny Mercer LAZYBONES (CARMICHAEL) I’M AN OLD COWHAND FROM THE RIO GRAND YOU MUST HAVE BEEN A BEAUTIFUL BABY (WARREN) TOO MARVELLOUS FOR WORDS (WHITING) JEEPERS CREEPERS (WARREN) I THOUGHT ABOUT YOU (VAN HEUSEN) FOOLS RUSH IN (WHERE ANGELS FEAR TO TREAD)(BLOOM) DAY IN – DAY OUT (BLOOM) THIS TIME THE DREAM’S ON ME (ARLEN) HOORAY FOR HOLLYWOOD (WHITING) THAT OLD BLACK MAGIC (ARLEN) BLUES IN THE NIGHT (ARLEN) DEARLY BELOVED (KERN) SKYLARK (CARMICHAEL) TANGERINE (SCHERTZINGER) I’M OLD FASHIONED (KERN) YOU WERE NEVER LOVLIER (KERN) ON THE ATCHISON, TOPEKA AND THE SANTA FE (WARREN) COME RAIN OR COME SHINE (ARLEN) SOMETHING’S GOTTA GIVE IN THE COOL COOL COOL OF THE EVENING (CARMICHAEL) MOON RIVER (MANCINI) DAYS OF WINE AND ROSES (MANCINI) CHARADE (MANCINI) I WANNA BE AROUND (VIMMERSTEDT) AUTUMN LEAVES SUMMER WIND THE GLOW WORM Ray Noble LOVE IS THE SWEETEST THING OLD SPINNING WHEEL ISLE OF CAPRI THE TOUCH OF YOUR LIPS I HADN’T ANYONE TILL YOU THE VERY THOUGHT OF YOU Cole Porter NIGHT AND DAY I’VE GOT YOU UNDER MY SKIN BEGIN THE BEGUINE LET’S DO IT (LET’S FALL IN LOVE) WHAT IS THIS THING CALLED LOVE? TOO DARN HOT LOVE FOR SALE YOU’RE THE TOP JUST ONE OF THOSE THINGS ALL OF YOU EV’RYTIME WE SAY GOODBYE IN THE STILL OF THE NIGHT IT’S DE-LOVELY MY HEART BELONGS TO DADDY I CONCENTRATE ON YOU YOU’D BE SO NICE TO COME HOME TO SO IN LOVE ANYTHING GOES YOU DO SOMETHING TO ME TRUE LOVE Harry Ruby Bert Kalmar Harry Ruby & Bert Kalmar WHO’S SORRY NOW? THINKING OF YOU THREE LITTLE WORDS NEVERTHELESS A KISS TO BUILD A DREAM ON Jule Styne TIME AFTER TIME GUESS I’LL HANG MY TEARS OUT TO DRY I FALL IN LOVE TOO EASILY DIAMONDS ARE A GIRL’S BEST FRIEND PEOPLE DON’T RAIN ON MY PARADE JUST IN TIME SATURDAY NIGHT IS THE LONLIEST NIGHT OF THE WEEK LET IT SNOW! LET IT SNOW! LET IT SNOW! Harry Warren SHUFFLE OFF TO BUFFALO YOU’RE GETTING TO BE A HABIT WITH ME WE’RE IN THE MONEY LULLUBY OF BROADWAY LULU’S BACK IN TOWN SEPTEMBER IN THE RAIN JEEPERS CREEPERS THE MORE I SEE YOU YOU’LL NEVER KNOW Richard A.
Recommended publications
  • Bestselling Musical Compositions (1913-32) and Their Seu in Cinema (1968-2007) Paul J

    Bestselling Musical Compositions (1913-32) and Their Seu in Cinema (1968-2007) Paul J

    University of Chicago Law School Chicago Unbound Coase-Sandor Working Paper Series in Law and Coase-Sandor Institute for Law and Economics Economics 2008 Testing the Over- and Under-Exploitation Hypothesis: Bestselling Musical Compositions (1913-32) and Their seU in Cinema (1968-2007) Paul J. Heald Follow this and additional works at: https://chicagounbound.uchicago.edu/law_and_economics Part of the Law Commons Recommended Citation Paul J. Heald, "Testing the Over- and Under-Exploitation Hypothesis: Bestselling Musical Compositions (1913-32) and Their sU e in Cinema (1968-2007)" (John M. Olin Program in Law and Economics Working Paper No. 429, 2008). This Working Paper is brought to you for free and open access by the Coase-Sandor Institute for Law and Economics at Chicago Unbound. It has been accepted for inclusion in Coase-Sandor Working Paper Series in Law and Economics by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. CHICAGO JOHN M. OLIN LAW & ECONOMICS WORKING PAPER NO. 429 (2D SERIES) PUBLIC LAW AND LEGAL THEORY WORKING PAPER NO. 234 TESTING THE OVER‐ AND UNDER‐EXPLOITATION HYPOTHESIS: BESTSELLING MUSICAL COMPOSITIONS (1913–32) AND THEIR USE IN CINEMA (1968–2007) Paul J. Heald THE LAW SCHOOL THE UNIVERSITY OF CHICAGO September 2008 This paper can be downloaded without charge at the John M. Olin Program in Law and Economics Working Paper Series: http://www.law.uchicago.edu/Lawecon/index.html and at the Public Law and Legal Theory Working Paper Series: http://www.law.uchicago.edu/academics/publiclaw/index.html and The Social Science Research Network Electronic Paper Collection.
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts

    Ralph W. Judd Collection on Cross-Dressing in the Performing Arts

    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
  • Jazz Quartess Songlist Pop, Motown & Blues

    Jazz Quartess Songlist Pop, Motown & Blues

    JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly
  • Here Are a Number of Recognizable Singers Who Are Noted As Prominent Contributors to the Songbook Genre

    Here Are a Number of Recognizable Singers Who Are Noted As Prominent Contributors to the Songbook Genre

    Music Take- Home Packet Inside About the Songbook Song Facts & Lyrics Music & Movement Additional Viewing YouTube playlist https://bit.ly/AllegraSongbookSongs This packet was created by Board-Certified Music Therapist, Allegra Hein (MT-BC) who consults with the Perfect Harmony program. About the Songbook The “Great American Songbook” is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy. Often referred to as "American Standards", the songs published during the Golden Age of this genre include those popular and enduring tunes from the 1920s to the 1950s that were created for Broadway theatre, musical theatre, and Hollywood musical film. The times in which much of this music was written were tumultuous ones for a rapidly growing and changing America. The music of the Great American Songbook offered hope of better days during the Great Depression, built morale during two world wars, helped build social bridges within our culture, and whistled beside us during unprecedented economic growth. About the Songbook We defended our country, raised families, and built a nation while singing these songs. There are a number of recognizable singers who are noted as prominent contributors to the Songbook genre. Ella Fitzgerald, Fred Astaire, Rosemary Clooney, Nat King Cole, Sammy Davis Jr., Judy Garland, Billie Holiday, Lena Horne, Al Jolson, Dean Martin, Frank Sinatra, Mel Tormé, Margaret Whiting, and Andy Williams are widely recognized for their performances and recordings which defined the genre. This is by no means an exhaustive list; there are countless others who are widely recognized for their performances of music from the Great American Songbook.
  • Hart, Lorenz (1895-1943) Lorenz Hart (Standing, by Raymond-Jean Frontain Right) with Richard Rodgers in 1936

    Hart, Lorenz (1895-1943) Lorenz Hart (Standing, by Raymond-Jean Frontain Right) with Richard Rodgers in 1936

    Hart, Lorenz (1895-1943) Lorenz Hart (standing, by Raymond-Jean Frontain right) with Richard Rodgers in 1936. Encyclopedia Copyright © 2015, glbtq, Inc. Library of Congress Prints and Photographs Entry Copyright © 2002, glbtq, Inc. Division. Reprinted from http://www.glbtq.com Barely five feet tall, balding early, and possessing a disproportionately large head, Larry Hart was the first to disparage his own attractiveness. His jokes, however, masked a deeply-rooted inability to accept the possibility of romantic happiness or sexual gratification. Hart impulsively proposed marriage to several women friends, none of whom thought his offer serious. And when he allowed himself to act upon his desire for other men, he seems to have had difficulty performing sexually. (Biographer Frederick Nolan quotes one unidentified male partner's shock at discovering Hart cowering in the bedroom closet after sex, suggesting that the songwriter was unable actively to pursue homosexual pleasure without being overcome by guilt.) The result of such emotional imbroglio is that, despite having written lyrics as witty as any sung on the Broadway stage before or since, Hart is best remembered for his songs of unfulfilled desire and failed romance. Born Lorenz Milton Hart on May 2, 1895, to an immigrant Jewish family, Hart learned from his entrepreneur father that self-assertion allows survival. Never without a business venture, many of which were dishonest, Hart's father provided Larry with a lasting model for the cycles of impulsive free-spending and resulting impecuniosity that characterized Hart's own life. Hart entertained both friends and strangers lavishly, often living far beyond his means, but with a (sometimes unfounded) optimism that something would turn up.
  • Sanibel Island

    Sanibel Island

    VOL 12, NO. 35 SANIBEL & CAPTIVA ISLANDS, FLORIDA MARCH 4, 2005 MARCH SUNRISE/SUNSET: # 06:46 18:32 #06:47 18:32 6 06:46 18:32 -f 06:4518:33 S 06:44 18:33 9 06:43 18:34 #06:42 18:34 City Council Gets New Look by Jim George t was a surprisingly tight race with a little over three percentage points' difference between the top vote getter and fourth place. The Ithree successful candidates ran as a suggested slate, and their elec- tion will change the dynamics of City Council until the 2007 election for the seats now held by Steve Brown and Jim Jennings. continued on page 7 Carlo Johnston Mick Denham Tom Rothman Islander Painting Donated To CROW n original artwork, valued at $5,000, was donated to the Clinic for the Receives Rehabilitation of Wildlife (CROW) by Matlacha artist and friend of CROW, Prestigious ALeoma Lovegrove. The painting will be auctioned at CROW's annual donor dinner March 14. Lovegrove has rescued injured wildlife through the years on Pine Island and Award brought them to CROW for care. The painting, Lost, was inspired by CROW and by Brian Johnson Leoma's thoughts that the wildlife patients are truly lost when they are injured, orphaned or sick, and they find their way to CROW in hope for release back home. anibel resident BobWigley Sreceived the Clara Barton Humanitarian Award from the Red Cross and a Letter of Commendation from Florida Governor Jeb Bush on February 26 at a black-tie affair held at Sanibel Harbour Resort Clara Barton Award Recipient Bob Wigley with wife Ann &Spa.
  • Inhalt / Contents

    Inhalt / Contents

    INHALT / CONTENTS African Flower (Petite Fleur Africaine) Butterfly Dolphin Dance Afro Blue Byrd Like Domino Biscuit Afternoon In Paris C'est Si Bon Don't Blame Me Água De Beber (Water To Drink) Call Me Don't Get Around Much Anymore Airegin Call Me Irresponsible Donna Lee Alfie Can't Help Lovin' Dat Man Dream A Little Dream Of Me Alice In Wonderland Captain Marvel Dreamsville All Blues Central Park West Easter Parade All By Myself Ceora Easy Living All Of Me Chega De Saudade (No More Blues) Easy To Love (You'd Be So Easy To All Of You Chelsea Bells Love) All The Things You Are Chelsea Bridge Ecclusiastics Alright, Okay, You Win Cherokee (Indian Love Song) Eighty One Always Cherry Pink And Apple Blossom El Gaucho Ana Maria White Epistrophy Angel Eyes A Child Is Born Equinox Anthropology Chippie Equipoise Apple Honey Chitlins Con Carne E.S.P. April In Paris Come Sunday Fall April Joy Como En Vietnam Falling Grace Arise, Her Eyes Con Alma Falling In Love With Love Armageddon Conception Fee-Fi-Fo-Fum Au Privave Confirmation A Fine Romance Autumn In New York Contemplation 500 Miles High Autumn Leaves Coral 502 Blues Beautiful Love Cotton Tail Follow Your Heart Beauty And The Beast Could It Be You Footprints Bessie's Blues Countdown For All We Know Bewitched Crescent For Heaven's Sake Big Nick Crystal Silence (I Love You) For Sentimental Reasons Black Coffee D Natural Blues Forest Flower Black Diamond Daahoud Four Black Narcissus Dancing On The Ceiling Four On Six Black Nile Darn That Dream Freddie Freeloader Black Orpheus Day Waves Freedom Jazz Dance Blue Bossa Days And Nights Waiting Full House Blue In Green Dear Old Stockholm Gee Baby, Ain't I Good To You Blue Monk Dearly Beloved Gemini The Blue Room Dedicated To You Giant Steps Blue Train (Blue Trane) Deluge The Girl From Ipanema (Garota De Blues For Alice Desafinado Ipanema) Bluesette Desert Air Gloria's Step Body And Soul Detour Ahead God Bless' The Child Boplicity (Be Bop Lives) Dexterity Golden Lady Bright Size Life Dizzy Atmosphere Good Evening Mr.
  • Ac-Cent-Tchu-Ate the Positive Achin Hearted Blues After Youve Gone

    Ac-Cent-Tchu-Ate the Positive Achin Hearted Blues After Youve Gone

    Ac-cent-tchu-ate The Positive Baltimore Bluesette Achin Hearted Blues Barbados Bluesology After Youve Gone Basin Street Blues Bluin The Blues Afternoon In Paris Battle Hymn Of The Republic Body And Soul Again Baubles Bangles And Beads Bohemia After Dark Aggravatin Papa Be My Love Bouncing With Bud Ah-leu-cha Beale Street Blues Bourbon Street Parade Aint Cha Glad Beale Street Mama Breeze And J Aint Misbehavin Beau Koo Jack Breezin Along With The Breeze Aint She Sweet Beautiful Love Broadway Air Mail Special BeBop Brother Can You Spare A Dime Airegin Because Of You Brown Sugar Alabama Jubilee Begin The Beguine Buddy Boldens Blues Alabamy Bound Bei Mir Bist Du Schoen Buddys Habits Alexanders Ragtime Band Believe It Beloved Budo Alice Blue Gown Bemsha Swing Bugle Boy March All Alone Bernies Tune Bugle Call Rag All Gods Chillun Got Rhythm Besame Mucho But Beautiful All I Do Is Dream Of You Besie Couldnt Help It But Not For Me All My Life Best Things In Life Are Free Button Up Your Overcoat All Of Me Between The Devil And The Deep Buzzy All Of You Blue Sea By The Beautiful Sea All Or Nothing At All Bewitched By The Light Of The Silvery Moon All That Meat And No Potatoes Beyond The Blue Horizon By The River Sainte Marie All The Things You Are Biden’ My Time By The Waters Of Minnetonka All Through The Night Big Butter And Egg Man Bye And Bye All Too Soon Big Noise From Winnetka Bye Bye Blackbird Alligator Crawl Bill Bailey Bye Bye Blues Almost Like Being In Love Billie Boy C Jam Blues Alone Billies Bounce Cakewalking Babies From Home Alone Together
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004

    The Sam Eskin Collection, 1939-1969, AFC 1999/004

    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
  • Notations Spring 2011

    Notations Spring 2011

    The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Notations Spring 2011 Tony Bennett & Susan Benedetto Honored at ASCAP Foundation Awards The ASCAP Foundation held its 15th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 8, 2010. Hosted by ASCAP Foundation President, Paul Williams, the event honored vocal legend Tony Bennett and his wife, Susan Benedetto, with The ASCAP Foundation Champion Award in recognition of their unique and significant efforts in arts education. ASCAP Foundation Champion Award recipients Susan Benedetto (l) & Tony Bennett with Mary Rodgers (2nd from left), Mary Ellin A wide variety of ASCAP Foundation Scholarship Barrett (2nd from right), and ASCAP Foundation President Paul and Award recipients were also honored at the Williams (r). event, which included special performances by some of the honorees. For more details and photos of the event, please see our website. Bart Howard provides a Musical Gift The ASCAP Foundation is pleased to announce that composer, lyricist, pianist and ASCAP member Bart Howard (1915-2004) named The ASCAP Foundation as a major beneficiary of all royalties and copyrights from his musical compositions. In line with this generous bequest, The ASCAP Foundation has established programs designed to ensure the preservation of Bart Howard’s name and legacy. These efforts include: Songwriters: The Next Generation, presented by The ASCAP Foundation and made possible by the Bart Howard Estate which showcases the work of emerging songwriters and composers who perform on the Kennedy Center’s Millennium Stage. The ASCAP Foundation Bart Howard Songwriting Scholarship at Berklee College recog- nizes talent, professionalism, musical ability and career potential in songwriting.
  • President Barack Obama's Proverbial Inaugural Address

    President Barack Obama's Proverbial Inaugural Address

    “We Must Pick Ourselves Up, Dust Ourselves Off” President Barack Obama’s Proverbial Inaugural Address Wolfgang MIEDER University of Vermont, Burlington, Vermont, USA [email protected] Recibido: 04-02-2009 Aceptado: 26-02-2009 Abstract: The pressures and expectations for Barack Obama to give a memorable inaugural address were enormous, and there was much conjecture about what he would include and how he would verbalize his thoughts. Many expected him to quote Lincoln, Roosevelt, or Kennedy, as he had done in numerous speeches before. But Obama, impressive rhetorician and orator that he is, refrained from using well- known quotations and instead created a number of his own formulaic statements in the form of pseudo- proverbs that might over time become proverbial, to wit “Greatness is never a given, it must be earned” or “People will judge you on what you can build, not what you can destroy.” In addition, he employed a considerable amount of folk speech in the form of proverbial phrases, with these emotive metaphors giving his speech a solid balance between intellectual rhetoric and traditional folk language. Uplifting as this epideictic address needed to be, Obama’s rhetoric was once again informed by practical wisdom and pragmatic judgment expressed at least in part by quotable and proverbial statements. The amazing aspect of this use of formulaic language is that Barack Obama does not merely adhere to traditional language but that he insists on its innovative use as he calls for socioeconomic change and a better life for all. Keywords: Paremiology. Proverb. Proverbial expression. Quotation. Pseudo-proverb.
  • WP Jazz Rep List MASTER

    WP Jazz Rep List MASTER

    William Paterson University Jazz Studies Program Repertoire List Bold = freshman repertoire; freshman juries include five - Graduate students perform one tune in all keys Popular Standards Lady Be Good Airegin A Foggy Day Let’s Fall in Love All Blues All of Me Like Someone In Love Along Came Betty All the Things You Are Love Walked In Are You Real? Alone Together (The) More I See You Bluesette April in Paris My Favorite Things Cherokee Autumn Leaves My Romance Confirmation Bluesette Never Will I Marry Countdown But Not for Me Night and Day Crescent Bye Bye Blackbird Our Love Is Here To Stay Daahoud Come Rain or Come Shine Out of Nowhere Daydream Days of Wine and Roses Satin Doll Dig Dearly Beloved Secret Love Dolphin Dance Django Softly As in a Morning Sunrise Donna Lee Falling in Love With Love Someday My Prince Will Come Doxy Gone With the Wind Song Is You, The ESP Green Dolphin Street Star Eyes Evidence Have You Met Miss Jones? Stella by Starlight Fall Hello Young Lovers Stompin’ at the Savoy Fee Fi Fo Fum How High the Moon Summertime Four I Could Write A Book Sweet Georgia Brown Freedom Jazz Dance I Didn’t Know What Time It Was Tangerine Giant Steps I Hear A Rhapsody There is No Greater Love Gloria’s Step I’ll Be Around There Will Never Be Another You Groovin’ High I Love You They Can’t Take That Away… Half Nelson I Remember April What is This Thing Called Love Hi-Fly I Remember You Without A Song How My Heart Sings I Should Care You’d Be So Nice To Come HomeTo I Let A Song Go Out of If I Were A Bell You Stepped Out of a Dream Impressions