Bondary Secondary School

Total Page:16

File Type:pdf, Size:1020Kb

Bondary Secondary School Bondary secondary school Author: Koshelev Pavel, Ermakova Anna 10b grade Teacher: Petrova E. A. The Motherland, bent over her daughter's ashes, Sings this tender maternal song About Zoya, the girl, who has become a legend, Who died and was born for eternal life. The native land inspired her with courage, The great nation educated her with pride, And the girl has become fine as a white birch, Like the Russian heart, she was frank and noble. Object of research: a woman in a war. Subject of research: feat of arms of a woman-partisan. Methods: studying the documents, analysis of facts. The aim of research: development of the feeling of patriotism among the youth on the example of Zoya Kosmodemyanskaya Tasks: 1. To study the biography of Z. Kosmodemyanskaya; 2. To visit an exhibition devoted her in a local museum; 3. To read a book “Zoya and Shura”; 4. To tell pupils of our school about Zoya’s life and her feat. Hypothesis If we remember and kneel before our heroes we’ll grow good persons. Actuality 450,000 people went to the front from our Tambov oblast. 190,000 were killed. 8,500 people went to the front from Bondary rayon. 3,000 people were killed. More than 260 people from Tambov oblast became the Heroes of the Soviet Union. Among them Zoya Kosmodemyanskaya. Introduction One of the most enduring tales of heroism from the days of the Grear Patriotic War is the story of the Soviet partisan Zoya Kosmodemyanskaya. Like the millions of workers and soldiers who joined in the fight against Nazi Germany during the USSR’s Great Patriotic War, Zoya’s life began amidst humble surroundings. But her extraordinary bravery and courage would eventually elevate Zoya to the ranks of the most legendary of Soviet heroes. Our country-woman Zoya Kosmodemyanskaya Zoya was born on September 13, 1923 in the village of Osinoviye Gai (Aspen Woods), situated in the north of the Russia’s Tambov Region. Zoya’s father, Anatoly Petrovich Kosmodemyansky, was a Red Army veteran who maintained the village library and Zoya’s mother, Lyubov Timofeyevna Kosmodemyanskaya, was a school teacher in the village. “What Have You Done for the Front?" Zoya was 17 years old when her homeland was invaded by the German Army on June 22, 1941. She volunteered at the “labour front,” working at a state farm to harvest crops to feed Soviet citizens and soldiers. She became determined to join the fight and to stand shoulder to shoulder with her fellow Soviets as a defender of the Soviet motherland. Zoya’s first missions as a partisan fighter were secret and she did not share any details of her work in her correspondence with her mother. Lyubov was deeply worried for Zoya’s safety, but she knew that her daughter was a sensible and strong young woman. Zoya’s partisan group harassed and tormented the occupiers by cutting phone lines, destroying bridges and with transport and supply lines. The partisans also performed reconnaissance missions for the Red Army. “Tanya” On a night in early December 1941, Zoya set out for Petrishchevo as part of a small partisan detachment. Zoya’s mission was to set fire to a stable used by the German commanders to house around 200 horses but Zoya was captured. Despite severe torture and abuse, Zoya refused to share any information with her captors, identifying herself only by the enigmatic pseudonym “Tanya.” She knew that the fate of her fellow partisans depended on her bravery and perseverance and despite unbelievable pain and misery, she did not betray her comrades to her enemies. There are two hundred million of us! The Nazis found they could extract no information from her. After a long night, Zoya was sentenced to execution. Her heavy coat and additional outer garments had been confiscated by her captors and she was taken outside wearing only her blouse, trousers and stockings. She was marched through deep snow in freezing temperatures to the village square where a a newly constructed gallows awaited. Before she was executed, she spoke bravely to the townspeople who had been rounded up to witness the execution: “Comrades! Why are you looking so downcast? Be brave, fight, smash, burn the fascists!...I am not afraid of dying, Comrades! It is a great thing to die for one's people!” …and to her captors, she leveled a warning: “There are two hundred million of us! You can’t hang us all!” Hero of the Soviet Union Zoya’s body was exhumed from the grave in Petrischevo and she was returned to Moscow for burial. On February 16, 1942, Zoya Kosmodemyanskaya was posthumously awarded the title of “Hero of the Soviet Union.” She was the first woman to receive this distinction. Conclusion The martyrdom of Zoya Kosmodemyanskaya galvanized the Soviet people as they forged ahead in their march to victory against the imperialist juggernaut of Nazi Germany. Her bravery and sacrifice inspired innumerable tributes from all fields and media. The film “Zoya” by Lev Arnshtam tells the story of her arrest and execution. The score for the film was composed by Dmitri Shostakovich. The asteroid 1793 Zoya is named in tribute to her. Monuments to Zoya still stand in St. Petersburg, Tambov, Dorokhov, and Petrischevo. Informational sources http://en.wikipedia.org/wiki/Zoya_Kosmodemyanskaya http://www.greeklish.org/features/zoya/home.html http://vivovoco.rsl.ru/VV/JOURNAL/RUHIST/ZOYA.HTM http://www.northstarcompass.org/nsc0504/zoya.htm http://zarodinu.wordpress.com/category/soviet-literature/ http://mp3-slovo.ru/mz/kl/index.htm http://www.tonnel.ru/pesni.php?uid=9592 Алексеев С. П. «Книга для чтения по истории нашей Родины» М. Просвещение, 1991 с. 173. Дорожкина В., Овсянников И. «Ты осталась в народе живая», Тамбов, 2003. Дьячков Л. Г. «За Родину», Тамбов, 1995, с. 110. Космодемьянская Л. Т. «Повесть о Зое и Шуре». Архивный отдел администрации Тамбовской области «Поколение, опаленное войной» Тамбов, 1995, с. 195, 198, 256, 257. .
Recommended publications
  • Lessons About the Soviet Polity Learned from Stalin’S Youngest Victims
    LESSONS ABOUT THE SOVIET POLITY LEARNED FROM STALIN’S YOUNGEST VICTIMS: CHILDREN OF ENEMIES OF THE PEOPLE Cathy A. Frierson University of New Hampshire The National Council for Eurasian and East European Research 2601 Fourth Avenue Suite 310 Seattle, WA 98121 TITLE VIII PROGRAM Project Information* Principal Investigator: Cathy A. Frierson NCEEER Contract Number: 821-07 Date: October 2, 2008 Copyright Information Individual researchers retain the copyright on their work products derived from research funded through a contract or grant from the National Council for Eurasian and East European Research (NCEEER). However, the NCEEER and the United States Government have the right to duplicate and disseminate, in written and electronic form, reports submitted to NCEEER to fulfill Contract or Grant Agreements either (a) for NCEEER’s own internal use, or (b) for use by the United States Government, and as follows: (1) for further dissemination to domestic, international, and foreign governments, entities and/or individuals to serve official United States Government purposes or (2) for dissemination in accordance with the Freedom of Information Act or other law or policy of the United States Government granting the public access to documents held by the United States Government. Neither NCEEER nor the United States Government nor any recipient of this Report may use it for commercial sale. * The work leading to this report was supported in part by contract or grant funds provided by the National Council for Eurasian and East European Research, funds which were made available by the U.S. Department of State under Title VIII (The Soviet-East European Research and Training Act of 1983, as amended).
    [Show full text]
  • Full Text In
    FRIENDS OF THE SOVIET UNION India’s Solidarity with the USSR during the Second World War in 1941-1945 L. V. MITROKHIN INDO RUSSIAN CHAMBER OF COMMERCE AND INDUSTRIES 74, Russian Cultural Centre, Kasthuri Ranga Road, Alwarpet, Chennai – 600 018. DEDICATED TO MY WIFE SOUSANNA AND MY DAUGHTERS OLGA AND ANNA 2 CONTENTS INTRODUCTION 1 Anti-Fascist Tradition in India 6 Indian Support to Anti-Fascist Forces: FSU Movement Makes Headway 14 THE YEAR 1941 25 German Invasion of the Soviet Union: Condemnation in India 27 The First All India FSU Meet: Fighting Solidarity with the USSR 37 Unanimous Admiration for Russian Resistance 50 THE YEAR 1942 63 Consolidation of Anti-Fascist Forces in India: Left Democratic Sections and the Slogan of People’s War 65 Conference of the Friends of the Soviet Union of United Provinces, Lucknow 80 Establishment of Direct Contacts with the USSR: The Story of a Goodwill Mission 86 Day of Solidarity 91 Solidarity with the USSR of the Indian Political Detenus Imprisoned by British Colonial Administration 9 3 The Heroic Struggle of the Soviet Army Defending Stalingrad and the Caucasus: Reflection in Indian Political Writings, Poetry and the Press. Activation of All India Movement for Immediate Opening of the Seconds Front (August 1942- February 1943) 106 Anti-Fascist Poets and Writers 114 THE YEAR 1943 129 Demands in India for Unity of Anti-Hitler Coalition 132 FSU Activities and Growth of Interest in the USSR as a Socialist Country 139 The Indian Press Against Anti-Sovietism and Anti - Communism 157 THE YEAR 1944 173 “Can we Ever Forget this Noble Deed?” 175 First All India Congress of Friends of Soviet Union 181 Order of Red Star for Indian Soldiers 213 Noor-Unnisa — A Brave Daughter of India 224 THE YEAR 1945 231 “With Berlin will Fall into Dust the Entire Edifice of Hitlerian Ambition” 233 Inscription with Blood of a Glorious Chapter in Man’s History 248 SELECT BIBLIOGRAPHY 261 4 INTRODUCTION 5 “There is a Beacon shining through the clouds of destiny.
    [Show full text]
  • Porno-Putinism: the Politics of Sex in the Kremlin's War Against Gender
    Bard College Bard Digital Commons Senior Projects Spring 2020 Bard Undergraduate Senior Projects Spring 2020 Porno-Putinism: The Politics of Sex in the Kremlin’s War Against Gender Progress Sarah Pavlovna Goldberg Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2020 Part of the Political Science Commons, Slavic Languages and Societies Commons, and the Women's Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Goldberg, Sarah Pavlovna, "Porno-Putinism: The Politics of Sex in the Kremlin’s War Against Gender Progress" (2020). Senior Projects Spring 2020. 316. https://digitalcommons.bard.edu/senproj_s2020/316 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Porno-Putinism: The Politics of Sex in the Kremlin’s War Against Gender Progress Senior Project Submitted to The Division of Social Studies and the Division of Languages & Literature of Bard College by Sarah Pavlovna Goldberg Annandale-on-Hudson, New York May 2020 Goldberg 2 This work is dedicated to my grandmothers: Grandma Julie, Nana Marian, Galina, Inna, and Sonya.
    [Show full text]
  • People As Propaganda: Personifications of Homeland in Nazi German and Soviet Russian Cinema
    People as Propaganda: Personifications of Homeland in Nazi German and Soviet Russian Cinema A thesis submitted to the Graduate School Of the University of Cincinnati In partial fulfilment of the Requirement for the degree of Master of Arts In the Department of German Studies Of the College of Arts and Sciences By Alexa J. Mendez B.A. German Studies University of Cincinnati B.A. History University of Cincinnati June 2015 Committee Chair: Valerie A. Weinstein, Ph.D. Abstract This thesis analyzes the use of film in Nazi Germany and Soviet Russia as extensions of propaganda and sociopolitical indoctrination within both regimes. Moreover, this thesis analyzes the ways in which each respective nation's concept of homeland ('Heimat' in German, 'Rodina' in Russian) coincided with political thought. Through this, both regimes utilized cinema as a platform for propagating ideas of homeland via the portrayal of the perfect citizen of their regime. This study demonstrates this through the analysis of Nazi German and Soviet Russian films of similar content, themes, and production dates. This study thus argues that a homeland, as demonstrated through select films produced by each regime between the years of 1933-1945, is comprised of its people, whom each State attempted to mold into perfect citizens. Although ideas of what defined the perfect citizen varied between Nazi Germany and Soviet Russia, many similarities between them are to be drawn. Dissecting these similarities allows for greater academic understanding of the atrocities and events that occurred throughout the twentieth century in the name of both schools of thought. i ©Alexa Mendez 2015 ii Acknowledgements I would like to thank everyone who has made this thesis possible.
    [Show full text]
  • Meghan's Essay
    Stolen Victories: Evaluating the War Cult in Soviet Russia Meghan Riley Count 1 It is late spring in Moscow. Column after column of Russian troops march in precise lockstep, accompanied by tank and missiles. Fly-bys by warplanes remind observers that Russian military prowess extends beyond the mass of green-clad men goose-stepping through Red Square. Symbols of Soviet power—the power that crushed the Nazis in the most savage war Europe has ever seen, symbols of the victory celebrated today—adorn the streets of Moscow; some troops carry Soviet-era flags, and a handful of posters of Stalin remind the average Muscovite of the enormous victory the Soviet state facilitated. In the speech he delivers later, the solemn leader who watches the procession praises those who repelled the Nazi invasion with “resistance unparalleled in courage and strength.” “The war made us a strong nation,” he declares. “Time is very powerful, but not as powerful as human memory, our memory. We shall never forget soldiers who fought on fronts….That cannot be forgotten. Memory is eternal.”1 The military bands play the Soviet National Anthem, and a color guard carries the Victory Banner down the parade route. Despite the Soviet-style pageantry and self-congratulatory speeches on the courage and determination of the Russian people, the scene described did not occur in the jubilant postwar hours of 1945 or even during the bombastically jingoistic Victory Day celebrations of the 1970s and 1980s; instead, this parade, so replete with Soviet symbolism, occurred on May 9, 2010. The great leader was not Stalin but President Dmitri Medvedev, and the object of the day’s veneration was not the Communist Party but the Russian people.2 The enormous military parades of Victory Day—revived under Medvedev’s successor, Vladimir Putin, who also oversaw the 1 Dmitri Medvedev, “Speech at the Military Parade to Commemorate the 65th Anniversary of the Victory in the Great Patriotic War, 1941-1945” (address, Red Square, Moscow, Russia, May 9, 2010).
    [Show full text]
  • 'Perestroika' in the Russian Provinces1
    149 ARTICLES Sergei Alymov ‘Perestroika’ in the Russian Provinces1 Due to the efforts of Western historians studying the Soviet period, over the course of the last decade the concept of ‘Soviet subjectivity’ has established itself firmly in the lexicon of scholars. Through their analysis of ‘sources of personal origin’ such as diaries and auto- biographies, Jochen Hellbeck, Igal Halfin and other historians have shown that Soviet ideology was a constituent factor in establishing the historical subject and its perception of self and the world [Halfin, Hellbeck 2002; Hellbeck 2006]. Thanks to works of this kind, it has become clear how deeply Soviet ideological language was internalised by wide swathes of the population. Similarly, applying the ideas of Michel Foucault to Russian material, Oleg Khar khordin describes the Party and educational practices in the USSR in terms of techniques for the production of the self [Kharkhordin 1999]. Yet, whereas the case for the interaction or even the harmonious unity of ‘subjectivity’ and ‘So- Sergei Alymov vietness’ looks quite convincing with regard to Institute of Ethnology the 1920s and 1930s, with regard to more recent and Anthropology, times, the picture is rather more complex. Russian Academy of Sciences, Moscow It would seem that the ‘Thaw’ and the Brezhnev [email protected] years can be better understood as a process of 1 The Russian version of this article fi rst appeared in Antropologicheskii forum No. 15 online. The translator and the editors would like to thank Sergei Alymov with his help in checking the translation and illuminating various tricky passages, particularly in the interviews.
    [Show full text]
  • H-Diplo ROUNDTABLE XXI-56
    H-Diplo ROUNDTABLE XXI-56 Victoria Smolkin. A Sacred Space is Never Empty: A History of Soviet Atheism. Princeton: Princeton University Press, 2018. ISBN: 9780691174273 (hardcover, $45.00); 9780691197234 (paperback, $32.95). 7 August 2020 | https://hdiplo.org/to/RT21-56 Editor: Diane Labrosse | Commissioning Editor: Cindy Ewing | Production Editor: George Fujii Contents Introduction by Steven E. Harris, University of Mary Washington ..............................................................................................................................2 Review by Courtney Doucette, SUNY Oswego ...................................................................................................................................................................6 Review by Sonja Luehrmann, Simon Fraser University ...................................................................................................................................................10 Review by Laurie Manchester, Arizona State University ...............................................................................................................................................13 Response by Victoria Smolkin, Wesleyan University ......................................................................................................................................................18 H-Diplo Roundtable XXI-56 Introduction by Steven E. Harris, University of Mary Washington Memorial dedication: This roundtable discussion is dedicated to the memory of Sonja Luehrmann (1975-
    [Show full text]
  • The Great Patriotic War (1941-1945)
    THE GREAT PATRIOTIC WAR (1941-1945) On June 22, 1941 Nazi Germany attacked the Soviet Union without declaring war. So the Great Patriotic War broke out. During the month that followed the Soviet forces lost whole armies and vast territories. The German army had better weapons at that time. The Germans were advancing quickly. The advance was in three directions: in the direction of Leningrad, towards Moscow and towards Kiev. In September 1941 Germany began the blockade of Leningrad. They formed a deep ring around the city. They were bombing and shelling the city day and night. The city was cut off from the rest of the country. There was no water, gas, electricity, transport, food in the city. But though thousands died of hunger Leningrad didn’t give in. People worked for 15 – 16 hours a day. Heavy tanks went straight from the Kirov plant to the front lines. The only link that Leningrad had with the rest of the country was “the Road of Life” across the ice of Lake Ladoga. The blockade lasted for 900 days. In September 1941 the German Command launched an offensive against Moscow. Thousands of Soviet people took part in its defence. On November 7, 1941 there was a traditional military parade in Red Square. The troops went to the front line just from Red Square. The fascists failed to capture Moscow. It was the first most important defeat of fascists in the Great Patriotic War. To separate the Soviet troops in the Caucasus Hitler concentrated a great army with a lot of tanks and aviation near Stalingrad.
    [Show full text]
  • Russia: Crimes Against History
    RUSSIA: “CRIMES AGAINST HISTORY” June 2021 / N° 770a Cover photo: A man with his daughter participates in the "Bell of memory" ceremony marking the Day of Remembrance for Victims of Political Repression at the Wall of Grief memorial in Moscow, Russia. By Alexey Maishev / Sputnik via AFP TABLE OF CONTENTS Executive Summary 4 Methodology 5 I. Introduction 6 II. Identifying “Crimes against History”: the Facts 9 1. Criminalization of speech 9 1.1. “Exoneration of Nazism” 9 1.2. Laws targeting symbolic speech 13 1.3. Laws against extremism 14 1.4. Law against condoning terrorism 15 1.5. Institutional developments 15 2. Censorship 16 3. Denial of access to archives 18 3.1. Access to archives of repressive state organs 18 3.2. Access to files of rehabilitated persons 20 3.3. Access to files of non-rehabilitated persons 21 4. Restrictions on public events 22 5. Persecution of civil society actors 23 5.1. Crackdown on independent NGOs 24 5.2. Expulsion of independent historians 26 5.3. Malicious prosecutions 28 5.4. Condoning intimidation and violence by non-state actors 31 6. State propaganda 33 6.1. Setting the official narrative 33 6.2. Inculcation at schools 36 6.3. Smear campaigns by government-controlled media 37 7. Destruction of memorials 37 8. Failure to remedy Soviet-era crimes 40 8.1. Failure to investigate and prosecute 40 8.2. Denial of responsibility 41 8.3. Failure to commemorate the victims 42 8.4. Failure to compensate the victims 44 III. Analyzing “Crimes against History”: the Law 46 1.
    [Show full text]
  • Epideictic Rhetoric at the Museum of Moscow and the Cult of the Great Patriotic War in Putin’S Russia
    Memory Connection Volume 3 Number 1 © 2019 The Memory Waka The City of Victors: Epideictic Rhetoric at the Museum of Moscow and the Cult of the Great Patriotic War in Putin’s Russia Ekaterina V. Haskins The City of Victors: Epideictic Rhetoric at the Museum of Moscow and the Cult of the Great Patriotic War in Putin’s Russia—Ekaterina V. Haskins The City of Victors: Epideictic Rhetoric at the Museum of Moscow and the Cult of the Great Patriotic War in Putin’s Russia Ekaterina V. Haskins Abstract This article examines contemporary museum practices in post-Communist Russia by focusing on a special exhibit, The City of Victors (Gorod Pobeditelei), dedicated by the Museum of Moscow to the 70th anniversary of victory over Nazi Germany. The exhibit draws on ‘popular memories’—intimate artefacts and documents donated to the museum by ordinary Muscovites—to tell the story of patriotism and perseverance in wartime Moscow. However, this curatorial and exhibition strategy supports the revival of the Soviet-era myth of the Great Patriotic War and contributes to the recovery of Stalin as a model national leader. The exhibition’s rhetoric of participation is thus leveraged to authenticate a triumphalist narrative of the war in the service of an authoritarian regime. Keywords: museums, epideictic rhetoric, popular memories, the Great Patriotic War, V Day, Russia, Stalin 75 The City of Victors: Epideictic Rhetoric at the Museum of Moscow and the Cult of the Great Patriotic War in Putin’s Russia—Ekaterina V. Haskins This article examines museum practices in post-Communist Russia by focusing on a special exhibit, The City of Victors (Gorod Pobeditelei), dedicated by the Museum of Moscow to the 70th anniversary of victory over Nazi Germany.
    [Show full text]
  • Soviet Women on the Frontline in the Second World War Wehrmacht Frontlines: June 1941–November 1942 Also by Roger D
    Soviet Women on the Frontline in the Second World War Wehrmacht frontlines: June 1941–November 1942 Also by Roger D. Markwick REWRITING HISTORY IN SOVIET RUSSIA: THE POLITICS OF REVISIONIST HISTORIOGRAPHY, 1956–1974 RUSSIA’S STILLBORN DEMOCRACY? FROM GORBACHEV TO YELTSIN (with Graeme Gill) This page intentionally left blank Soviet Women on the Frontline in the Second World War Roger D. Markwick Associate Professor of Modern European History The University of Newcastle, Australia and Euridice Charon Cardona Australian Research Council Senior Research Associate The University of Newcastle, Australia © Roger D. Markwick and Euridice Charon Cardona 2012 Softcover reprint of the hardcover 1st edition 2012 978-0-230-57952-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2012 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010.
    [Show full text]
  • Women and Girls in the Post-Stalin Komsomol
    This is a repository copy of Women and Girls in the Post-Stalin Komsomol. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/105145/ Version: Accepted Version Book Section: Hornsby, RA (2018) Women and Girls in the Post-Stalin Komsomol. In: Ilic, M, (ed.) The Palgrave Handbook on Women and Gender in Twentieth-Century Russia and the Soviet Union. Palgrave Macmillan , London , pp. 285-298. ISBN 9781137549044 https://doi.org/10.1057/978-1-137-54905-1_19 © The Author(s) 2018. This is an author produced chapter of a work published in Ilic, Melanie (editor), The Palgrave Handbook of Women and Gender in Twentieth-Century Russia and the Soviet Union, 2018, Palgrave Macmillan, reproduced with permission of Palgrave Macmillan. This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: https://doi.org/10.1057/978-1-137-54905-1_19. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request.
    [Show full text]