DOCSLIB.ORG

Dancer Minnesota

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dancer Minnesota ___________________________________________________________________________________________________________ MINNESOTA DANCER July 2015 Inside . Lead or Follow or Both? USA Dance-Minnesota #2011 Membership at near record levels! Nic Westlake & Neli Petkova take flight during a playful Quickstep at Yoga for Dancers Dancers Studio Summer Showcase. Photo by Ed Santos 1 MD / July 2015 www.usadance-minnesota.org Official publication of USA Dance Minnesota Chapter #2011 ___________________________________________________________________________________________________________ 2 MD / July 2015 www.usadance-minnesota.org ___________________________________________________________________________________________________________ 3 MD / July 2015 www.usadance-minnesota.org ___________________________________________________________________________________________________________ Minnesota USA Dance Minnesota Chapter 3. Ethics Policies Gary Stroick has agreed to be a member of the #2011 Board Minutes Ethics Committee. The board is engaged in an on-going review/ Dancer Tuesday, May 5, 2015 discussion of the Code of Ethics for USA Dance. February 2015 Submitted by Leslie Whitney 4. Minutes – Motion was made, seconded and In attendance: Lee Whitney (President), Ed Soltis An Official Publication of unanimously approved to accept the minutes from (Vice-President), Leslie Whitney (Secretary), Dan the April board meeting. USA Dance-Minnesota Chapter #2011 Fitzgerald, Karen Maldonado, Carol Post, Joyce Thompson, Tom Crable, Gary Stroick 5. Treasurer’s Report Motion was made, seconded and unanimously Location: DanceLife Ballroom Studio, 6015 approved to accept the April treasurer’s report. Lyndale Avenue South, Mpls., MN 55419 Ed and Joyce will work with Jane to create a monthly report that will reflect the costs and USA Dance: Who Are We? Call session to order: profits of Project Dance and Minnesota Dancer. 1. Agenda – A motion was made, seconded and We are a nonprofit organization that promotes ball- unanimously approved to accept the agenda. room dancing. The USA Dance Minnesota Chapter 6. Membership Coordinator Report #2011 was formed in 1991. Membership in USA April 2014 - 143 2. Policy Modifications - Motion was made, second- Dance is open to dancers of all levels. April 2015 - 365 ed and unanimously approved to rescind the follow- USA Dance Minnesota Chapter #2011 sponsors ing Chapter 2011 policies. 7. Project Dance Coordinator Report – May, monthly dances and other special dance events. A person who is removed from the board may not Dance With Us America, Samba Members receive discounts on admission to monthly be a board member candidate for a period of five dances, as well as other benefits. (5) years. 8. Social Dance, Special Projects and Volunteer A person who resigns from the board may not be a Coordinator Report The Minnesota Dancer is published monthly by the board member candidate for a period of three (3) June monthly dance will be at DanceLife, rumba. USA Dance Minnesota Chapter #2011, providing years. In July the monthly dance will be at Cinema. The information and news about ballroom dancing. A person must be a member of Chapter 2011 for dance lesson will be foxtrot. Subscriptions: $22/year. Make checks payable to two (2) years immediately preceding their nomi- A profit was made from the Tea Dance. USA Dance Minnesota #2011; send to Jane Phipps, nation to be a board member candidate. 9018 Zanzibar Lane, Maple Grove, MN 55311 The chapter will be able to hold the Tea Dance at Motion was made, seconded and unanimously the Lafayette Club indefinitely. approved to accept the following Nominating and Editors/Layout: Bonnie Burton, Leland Whitney As part of an effort to properly account for Chap- Elections Committee policy: Advertising/Editing: Bonnie Burton, 952.454.4620 ter 2011’s assets, the U of MN Dance Club re- Mailing: Committee member The Chapter 2011 Nominating and Elections Com- turned the chapter’s sound system. mittee will take the following criteria into considera- Contributions: Articles submitted may be edited for tion when nominating candidates for the Chapter 9. Communications Coordinator Report length, clarity, content. Photos should be high- Board: Minnesota Dancer – Ad revenue lower this month. resolution jpg, png, or pdf files. Email submissions to: Hotline – There were no messages. [email protected]. The person has been a USA Dance member in 10. Star of the North Coordinator Report – The good standing for at least the two (2) years imme- Contributors: Scott Anderson, Suzi Blumberg, Paul board is continuing to explore feasibility for 2016. diately preceding nominations. Botes, Bonnie Burton, Jackie Dalton, Elizabeth Dick- The person has donated time and talents to further inson, Lois Donnay, Donna Edelstein, Deb Lundgren, 11. K12 Coordinator Report – The board is the mission of USA Dance. Deborah J. Nelson, Carol Post, Jeffrey Ringer, Leland considering its support of Dancing Classrooms. Whitney. The person has skills and or talents that are needed on the board. Next Meeting: June 2, 2015, 6:00 pm, Leland Whitney, President, 651.690.9367 During the preceding five (5) years the individual DanceLife Ballroom, 6015 Lyndale Ave. S., [email protected] was not removed from the Chapter 2011 Board Mpls., MN 55419 “for cause.” Edward Soltis, Vice-President, 612.805.6516 During the three (3) preceding years the person [email protected] did not resign from the Board. If so, were there extenuating circumstances, i.e., personal issues, Jane Phipps, Treasurer, 612.859.5245 health issues, etc. to justify the resignation? USA DANCE MINNESOTA [email protected] Other situations or circumstances that would HOTLINE influence the person’s candidacy for a board Leslie Whitney, Secretary, 651.690.9367 position. For example, was the person previously 651-483-5467 [email protected] elected to the Chapter Board but declined the Call for information on dance events. position. www.usadance-minnesota.org Yes! I want to receive the USA Dance Minnesota Dancer Magazine! Please send my one-year subscription to: Name Phone ____________________________________________________________________________________________________ Address ________________________________________________________________________________________________________ City/State/Zip ___________________________________________________________________________________________________ Please mail your check for $22 with this form to: Jane Phipps, 9018 Zanzibar Lane, Maple Grove, MN 55311 [email protected] 4 MD / July 2015 www.usadance-minnesota.org ___________________________________________________________________________________________________________ DANCER’S NIGHT OUT Wed 7/1 Cinema Ballroom Practice Party, 8 Mpls, www.twincitiesopen.com www.dancersstudio.com –9, 1560 St Clair Ave, St Paul, 651-699- 5910, www.cinemaballroom.com Dancers Studio Dance Party 8–9, 415 Pas- Fri 7/17 Cinema Ballroom Variety Dance, 7– cal St N, St Paul, 651-641-0777, 11, 1560 St Clair Ave, St Paul, 651-699- Dancers Studio WCS Party 8–9, 415 Pascal www.dancersstudio.com 5910, www.cinemaballroom.com St N, St Paul, 651-641-0777, www.dancersstudio.com Fri 7/10 Twin Cities Open Ballroom Champi- DanceLife Ballroom Variety Dance, 8– onships, 8 AM - 1 AM, Hyatt Regency, 9:30, 6015 Lyndale S, Mpls, 612-345- Thu 7/2 Dancers Studio Dance Party 8–9, Mpls, www.twincitiesopen.com 4219, www.dancelifeballroom.com 415 Pascal St N, St Paul, 651-641-0777, www.dancersstudio.com DanceLife Ballroom Variety Dance, 8–9:30, Sat 7/18 Monthly USA Dance Minnesota, 6015 Lyndale S, Mpls, 612-345-4219, Cinema Ballroom, 7–11, $5 students, Fri 7/3 Cinema Ballroom Variety Dance, 7– www.dancelifeballroom.com $10 members, $15 non-members, Fox- 11, 1560 St Clair Ave, St Paul, 651-699- trot lesson -Ashley Eresh, 1560 St Clair 5910, www.cinemaballroom.com Sat 7/11 Twin Cities Open Ballroom Cham- Ave, St Paul, www.cinemaballroom.com pionships, 8 AM - 1 AM, Hyatt Regency, DanceLife Ballroom Variety Dance, 8–9:30, Mpls, www.twincitiesopen.com Sun 7/19 USA Dance Minnesota Beginner 6015 Lyndale S, Mpls, 612-345-4219, Triple Swing Lesson with Troy Lerum; www.dancelifeballroom.com Café Bailar Dance Party, 7:30-11:30, $8 2:00 PM; $5 or Free to USA Dance Mem- members/$10 guests, Balance Pointe Stu- bers! Dancers Studio, 415 Pascal St. N., Sat 7/4 Tango Society of Minnesota 1st dio, 5808 W 36th St, St. Louis Pk, St. Paul, www.usadance-minnesota.org Saturday Milonga, 9–1:00, $10 members $5 www.cafebailar.com student, Four Seasons Dance Studio, 1637 Third Sunday Dance at Tapestry, 6–9:30, nd Hennepin Avenue, Minneapolis, mntan- Tango Society of MN 2 Saturday Milonga; Rumba with Charlie Drenth, live music by go.org Lesson 8:30 pm, Bruce Abas; dance 9:30 - Kico Rangel's Band, 3748 Minnehaha Ave 1:00 am; DJ: Lois Donnay; $10 for TSoM mem S, Mpls, www.tapestryfolkdance.org Sun 7/5 USA Dance Minnesota Beginner bers, $14 non-members/students $7/$8; Costa Triple Swing Lesson with Troy Lerum; Rica Ballroom; 816 Mainstreet, Hopkins; Visit DanceLife Ballroom Rebels Third Sunday 2:00 PM; $5 or Free to USA Dance Mem- mntango.org or 612-224-2905. Dance, 7:00-11, 6015 Lyndale S, Mpls, bers! Dancers Studio, 415 Pascal St. N., www.dancelifeballroom.com St. Paul, www.usadance-minnesota.org Sun 7/12 USA Dance Minnesota Beginner Triple Swing Lesson with Troy Lerum; (Continued next page) First Sunday Dance at Tapestry, 6–9:30, 2:00 PM; $5 or Free to USA Dance Mem- Rumba with Caroline Olson, 3748 Min- bers! Dancers Studio, 415
Load more

Recommended publications
  • Preliminary Pages
    ! ! UNIVERSITY OF CALIFORNIA ! RIVERSIDE! ! ! ! ! Tiny Revolutions: ! Lessons From a Marriage, a Funeral,! and a Trip Around the World! ! ! ! A Thesis submitted in partial satisfaction ! of the requirements! for the degree of ! ! Master of !Fine Arts ! in!! Creative Writing ! and Writing for the! Performing Arts! by!! Margaret! Downs! ! June !2014! ! ! ! ! ! ! ! Thesis Committee: ! ! Professor Emily Rapp, Co-Chairperson! ! Professor Andrew Winer, Co-Chairperson! ! Professor David L. Ulin ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright by ! Margaret Downs! 2014! ! ! The Thesis of Margaret Downs is approved:! ! !!_____________________________________________________! !!! !!_____________________________________________________! ! Committee Co-Chairperson!! !!_____________________________________________________! Committee Co-Chairperson!!! ! ! ! University of California, Riverside!! ! !Acknowledgements ! ! Thank you, coffee and online banking and MacBook Air.! Thank you, professors, for cracking me open and putting me back together again: Elizabeth Crane, Jill Alexander Essbaum, Mary Otis, Emily Rapp, Rob Roberge, Deanne Stillman, David L. Ulin, and Mary Yukari Waters. ! Thank you, Spotify and meditation, sushi and friendship, Rancho Las Palmas and hot running water, Agam Patel and UCR, rejection and grief and that really great tea I always steal at the breakfast buffet. ! Thank you, Joshua Mohr and Paul Tremblay and Mark Haskell Smith and all the other writers who have been exactly where I am and are willing to help. ! And thank you, Tod Goldberg, for never being satisfied with what I write. !Dedication! ! ! For Misty. Because I promised my first book would be for you. ! For my hygges. Because your friendship inspires me and motivates me. ! For Jason. Because every day you give me the world.! For Everest. Because. !Table of Contents! ! ! !You are braver than you think !! ! ! ! ! ! 5! !When you feel defeated, stop to catch your breath !! ! ! 26! !Push yourself until you can’t turn back !! ! ! ! ! 40! !You’re not lost.
    [Show full text]
  • The Migrant Surge and the Border Mess
    EARNING YOUR TRUST, EVERY DAY. 04.24.21 VOLUME 36 NUMBER 8 THE “IT JUST FEELS NICE AFTER A YEAR OF THIS. … WE’RE ALMOST THROUGH.” —EMERGING FROM A PANDEMIC, P. 38 P. PANDEMIC, A FROM —EMERGING THROUGH.” ALMOST WE’RE … THIS. OF AFTER YEAR NICE A FEELS JUST “IT MIGRANT SURGE AND THE BORDER MESS P. 44 FEATURES 04.24.21 VOLUME 36 NUMBER 8 58 REFUGEES’ GAMBIT Top chess players from Iran are seeking asylum elsewhere, following a long history of chess talent using international events to escape persecution at home by Emily Belz 38 44 52 HOPE AFTER A PANDEMIC BORDER BACKTRACKING COURTING CHRISTIANS Following a year of coronavirus The U.S.-Mexico border isn’t open, In Israel’s battle to form a coalition lockdowns, illness, and death, but a migrant surge and a mishmash government, the spotlight turns to Americans rejoice at a vaccine and of messages and policies ethnic Aramean Christians long little steps back to normal living have created another crisis overlooked by Jewish politicians by WORLD reporters by Sophia Lee by Mindy Belz HOLLIE ADAMS/GETTY IMAGES 04.24.21 WORLD DEPARTMENTS 04.24.21 VOLUME 36 NUMBER 8 5 MAILBAG 6 NOTES FROM THE CEO 68 A scene from the Netflix Korean drama series Crash Landing on You Dispatches Culture Notebook 11 NEWS ANALYSIS 21 MOVIES & TV 65 EDUCATION Major League Baseball’s The Falcon and the VIEWERS foray into voting law Winter Soldier, The Map 67 LIFESTYLE debates of Tiny Perfect Things, CONNECT TO Roe v. Wade, Sound of 68 MEDIA 13 BY THE NUMBERS Metal, The Professor K-DRAMA Broadcasting clean, and the Madman romantic fun, K-drama 14 HUMAN RACE EMOTIONALLY grows in popularity in 26 BOOKS EVEN IF the United States 15 QUOTABLES 28 CHILDREN’S BOOKS THEY DON’T 16 QUICK TAKES Voices 30 Q&A UNDERSTAND Ze’ev Chafets 8 Joel Belz IT ALL.
    [Show full text]
  • 名前 アーティスト アルバム ジャンル 分 年 Look at Us Vince Gill
    名前 アーティスト アルバム ジャンル 分 年 Look At Us Vince Gill Welcome To MCM Country Alternative &4.0 Punk Look Both Ways Barry & Holly Tashian Trust in Me Country & Folk2.9 1989 Look Both Ways Barry And Holly Tashian Trust In Me (P) 1988 フォーク 2.9 1988 Look Her In The Eye And Lie Alan Jackson Thirty Miles West Country & Folk3.8 2012 Look Homeward Angel Lari White Stepping Stone カントリー 6.0 1998 Look Left Alison Brown Alison Brown: Best Of The Vanguard Years カントリー 5.0 2000 Look Me Up By the Ocean Door The Cox Family Everybody's Reaching Out for Someone カントリー 3.0 1993 Look Over Me Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 3] Country & Folk3.0 1995 Look What They've Done To My Song Billie Joe Spears Best Of Country Ladies カントリー 2.7 2002 Look Who's Back From Town George Strait Honkytonkville カントリー 4.1 2003 Lookin' At The World Through A Windshield Son Volt Rig Rock Deluxe カントリー 2.6 1996 Lookin' For A Good Time Lady Antebellum Lady Antebellum Country & Folk3.1 2008 Lookin´' For My Mind (Take 6) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk2.2 Lookin´ For My Mind (Takes 1-2) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk2.6 Lookin´ For My Mind (Takes 3-5) Merle Haggard Untamed Hawk: The Early Recordings Of Merle Haggard [Disc 4] Country & Folk1.6 Looking At The World Through A Windshield Del Reeves & Bobby Goldsboro The Golden Country Hits 17 Radio Land カントリー 2.4 Looking Back To See Justin Tubb & Goldie Hill The Golden Country Hits 07 Fraulein
    [Show full text]
  • Hundreds of Country Artists Have Graced the New Faces Stage. Some
    314 performers, new face book 39 years, 1 stage undreds of country artists have graced the New Faces stage. Some of them twice. An accounting of every one sounds like an enormous Requests Htask...until you actually do it and realize the word “enormous” doesn’t quite measure up. 3 friend requests Still, the Country Aircheck team dug in and tracked down as many as possible. We asked a few for their memories of the experience. For others, we were barely able to find biographical information. And we skipped the from his home in Nashville. for Nestea, Miller Beer, Pizza Hut and “The New Faces Show had Union 76, among others. details on artists who are still active. (If you need us to explain George Strait, all those radio people, and for instance, you’re probably reading the wrong publication.) Enjoy. I made a lot of friends. I do Jeanne Pruett: Alabama native Pruett remember they had me use enjoyed a solid string of hits from the early the staff band, and I was ’70s right into the ’80s including the No. resides in Nashville, still tours and will suffering some anxiety over not being able 1 smash, “Satin Sheets.” Pruett is based receive a star in the Hollywood Walk of to use my band.” outside of Nashville and is still active as a 1970 Fame in October, 2009. performer and as a member of the Grand Jack Barlow: He charted with Ole Opry. hits like “Baby, Ain’t That Love” Bobby Harden: Starting out with his two 1972 and “Birmingham Blues,” but by sisters as the pop-singing Harden Trio, Connie Eaton: The Nashville native started Mel Street: West Virginian Street racked the mid-’70s Barlow had become the nationally Harden cracked the country Top 50 back her country career as a teenager and hit the up a long string of hits throughout the ’70s, famous voice of Big Red chewing gum.
    [Show full text]
  • © Jamie Johnson ©
    Jamie Johnson © © Cover by Jamie Johnson, Maynard, Arkansas Silver Quill Society Best Short Fiction 2015 Contest The Euple Riney Memorial Award 3,000 words max 3,000 words max Must be postmarked by September 25, 2015 Must be postmarked by June 30, 2015 Entry fee: $5.00 (may enter as often as you wish, but entry fee must Entry fee: $5.00 (may enter as often as you wish, but entry fee must accompany each entry.) accompany each entry. 1st place: $50.00 1st place: $50.00 2nd place: $25.00 2nd place: 25.00 3rd place: $15.00 3rd place: 15.00 4th Honorable Mention: $10.00 Honorable Mention: $10.00 This is an open genre contest, but send your best and remember There will also be an editor’s choice award. the first place story will be published in The Storyteller (publication not required to win) so remember to check the regular submission Open genre, but must be about family in some way. Can be fiction guidelines at: www.thestorytellermagazine.com or non-fiction. First place only will be published in The Storyteller Include title page with title, author’s name, address, phone num- (publication not required to win). Do not send anything we would not ber and email, along with number of words. If your name appears accept for general submission. Check our guidelines at anywhere else on the manuscript, the entry will be disqualified. For www.thestorytellermagazine.com details on what the judges look for, go to Must include cover page with title, author’s name, address, phone www.thestorytellermagazine.com and click on Silver Quill Contest number and email, along with number of words.
    [Show full text]
  • Shipping Date: May 26, 2008
    SHIPPING DATE: MAY 26, 2008 (estimated) STREET DATE: JUNE 09, 2008 ARTIST BUCK OWENS TITLE Act Naturally The Buck Owens Recordings 1953 – 1964 LABEL Bear Family Records CATALOG # BCD 16850 PRICE-CODE EK EAN-CODE 4000127 168504 ISBN-CODE 978-3-89916-396-4 FORMAT 5-CD Boxed Set (LP-size) with 84-page hardcover book GENRE Country TRACKS 159 PLAYING TIME 383:11 KEY SELLING POINTS • One of the all-time Country Music Hall of Fame greats finally gets the Bear Family treatment! • The birth of the legendary Bakersfield Sound! • Includes Buck's COMPLETE recordings 1953-1964. Demos, singles, LPs, unreleased songs! All his history-making hits ( Under Your Spell Again, Above And Beyond, Act Naturally, Love’s Gonna Live Here…and many, many more) plus the rarities that only Bear Family uncovers! • Includes ultra-rare sessions featuring Buck as a session musician in 1953-54! • Two unreleased performances and 12 alternate takes! • Guitar fans will want to hear legendary Don Rich evolve into one of the greatest Telecaster twangmeisters of all time! Includes Don's solo items recorded for Buck's albums. • Hear Buck and the band in session with legendary producer Ken Nelson! SALES NOTES Before he died in 2006, Buck Owens had wanted Bear Family to chronicle his career as only we can. Now it has happened! This collection brings forth the Big Bang of Bakersfield country music. This is how it happened, record by record, session by session! Bakersfield had a fertile country scene B.B. (before Buck), but he put it on the map with an epochal string of Top Ten and #1 singles from 1959-1988, paving the way for fellow Bakersfielders Merle Haggard, Bonnie Owens and Red Simpson.
    [Show full text]
  • Students Rate Faculty, Laud Prof Performance
    THE SOUTH'S LIVELIEST COLLEGE NEWSPAPER Volume JLXII, Number 19 Georgia Institute of Technology Atlanta, Georgia Friday, February 18, 1977 24 pages Students rate faculty, laud prof performance By BOBBY ELDER the courses as at least "very The initial motivation for usi- News Staff Writer good", and considered 83% to ing these forms was to improve Students who were able to "good" or better. the teaching methods of the evaluate their instructors last Students, however, decided various instructors at Tech by quarter gave a favorable grade that the value of all of these providing them with itemized to their professors and their course* was no worse than student assessments of their courses, according to the "adequate, but not teaching techniques, general evaluation results that stimulating." Dr. Robert Pierotti, who has were released this week. In all, Fall Quarter students been vocal against such The results indicate, for in- evaluated 824 classes, over evaluations, of the Chemistry stance, that according to half of which were offered by Department, thinks that this students, 36% of the instruc­ the College of Sciences and method of teacher evaluation tors evaluated possess overall Liberal Studies. will not improve the level of abilities between "very good" Classes at Southern Tech, teaching. and "outstanding," while 88% along with a small sampling He believes instead that it rate betweem "good" and of Industrial Management and might induce faculty members "outstanding." Engineering classes here to teach in a way that provide DR. SAM WEBB, Dean of Graduate Studies, is pleased with Regarding overall course made up the other classes for a higher score on these par­ the results of the faculty surveys conducted last quarter.
    [Show full text]
  • FRONT COVER There We Were in the Middle of Making This Record and a Total Solar Eclipse Darkened Nashville on My Birthday
    GOLDEN HOUR KACEY MUSGRAVES FRONT COVER There we were in the middle of making this record and a total solar eclipse darkened Nashville on my birthday. My 29th year. A golden hour in my young-adult life. There are certain junctures that you can’t think your way through - you just have to feel. I found myself at one making this album. It was like the Universe was majestically saying “this is a time to be present, to witness the beauty of this incredible world you are lucky to be alive in” despite it being more complicated than ever and filled with so much darkness. We all need a little light right now. We all need for compassion and art to flourish. We need to remember that when moving forward feels impossible, somehow new love still finds its way up through the cracks in the sidewalk. The sun still rises and the birds still sing. Inspiration finds its way to you again. There are different masks we all wear that represent different sides of ourselves. None of them are solely us and yet they all are. There’s the lonely girl - the blissful girl - the new wife - the daughter missing her mother - the hopeful girl - the selfish girl - the sarcastic, rhinestoned Texan - the shy girl and the life of the party - the winner and the loser. They are all characters on this record. None of them alone are me and yet they all are. The golden hour is when all the masks come together as one and you can see, in perfect light, the whole picture of me.
    [Show full text]
  • What You Leave Behind: a Collection of Travel Essays
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2014 What You Leave Behind: A Collection of Travel Essays Madison Bernath University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Bernath, Madison, "What You Leave Behind: A Collection of Travel Essays" (2014). Electronic Theses and Dissertations, 2004-2019. 4852. https://stars.library.ucf.edu/etd/4852 WHAT YOU LEAVE BEHIND: A COLLECTION OF TRAVEL ESSAYS by MADISON BERNATH B.A. University of Central Florida, 2010 A thesis submitted in partial fulfillment of the requirements for the degree of Master in Fine Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2014 © 2014 Madison Bernath ii ABSTRACT What You Leave Behind is a collection of essays framed by the theme of travel. The essays seek to understand the changeability and the consistency of the self when exposed to new cultures and new environments. They also explore what travel tells us about varying world perspectives, and how much of those varying world perspectives people can hope to understand. Lastly, these true-life stories and ruminations explore how travel shapes relationships: familial, romantic, and platonic.
    [Show full text]
  • Pamela 6 Ans Mairie De Plant Capitale De La Fraise En Floride
    Pamela 6 ans Mairie de Plant capitale de la fraise en Floride Pamela Yvonne dit "Pam" Tillis est née le 24 Juillet 1957 à Plant City en Floride. Plant City est une ville du comté de Hillsborough, en Floride, située à mi-chemin entre Brandon et Lakeland. Pam est auteur compositeur interprète en country music. Elle a repoussé les limites du genre en intégrant la pop, le jazz, le blues et des influences folk y compris des touches HonkyTonk. A 4 ans elle commence à écrire des chansons et à les interpréter pour sa maitresse, lorsqu‟elle était à l‟école maternelle. Elle étudie le piano classique à 8 ans et prend des cours de guitare à 11ans. Elle écrit les textes de ses chansons à 13 ans et les interprétera dans des clubs vers 15 ans. Ainée de cinq enfants la chanteuse country Pam Tillis n'a pas eu une enfance heureuse ; ses parents se séparent et elle doit souvent s‟occuper de ses frères et sœurs. Tout d‟abord, elle ne voulait pas suivre les traces de son père artiste, même si elle avait l‟ambition de chanter et d‟écrire ses chansons. Elle grandit à Nashville et fait ses débuts au Grand Ole Opry à 8 ans, en interprétant "Tom Dooley‟‟. A 16 ans, elle est blessée dans un accident de voiture et subit plusieurs interventions chirurgicales pour une reconstruction faciale. Pam s'inscrit à l‟Université du Tennessee et joue parallèlement à ses études dans deux groupes locaux: un jug band appelé le „‟High Country Swing Band‟‟ et chante en duo avec la chanteuse „‟Ashley Cleveland‟‟.
    [Show full text]
  • An Analysis of Collegiate Riders' Attitudes Towards Expectations Of
    THE ROLE OF PHYSICAL APPEARANCE IN EQUESTRIAN SPORTS: An analysis of collegiate riders’ attitudes towards expectations of rider costume and physique THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Science in the Graduate School of The Ohio State University By Patricia M. Privette, M.B.A. Graduate Program in Education and Human Ecology The Ohio State University 2012 Master’s Examination Committee: Dr. Nancy A. Rudd, Advisor Dr. Patricia A. Cunningham Dr. Sharon L. Seiling Copyright by Patricia M. Privette 2012 Abstract Competitive equestrian sport consists of both objectively and subjectively judged events. In subjectively judged events, there exists the possibility that rider appearance may influence the judge’s evaluation and final placement or ranking of participants. This exploratory study examines the importance of rider appearance, which includes both rider costume and physique, in competitive equestrian sport as it is perceived by the riders. Nine female equestrians riding on their IHSA (Intercollegiate Horse Show Association) collegiate equestrian teams were interviewed for this study. The participants, a mix of both western and hunt seat riders, described aspects of their appearance for horse shows, which included show clothing, facial cosmetics and hairstyles. Elements of the social physique anxiety scale were incorporated into the interview instrument to identify whether the riders experienced social physique anxiety as a result of judges’ and coaches’ expectations of their appearance. Although social physique anxiety has been examined in athletes in a variety of sports, it has not to date been studied in the equestrian population. The riders uniformly identified their perceptions of the preferred body type for equitation classes (tall and thin), but not all of the riders experienced social ii physique anxiety as a result of comparing their bodies with this standard.
    [Show full text]
  • Pam Tillis — Bio As the Child of Country Music Royalty, Pam Tillis Was Determined from a Young Age to Find Her Own Way in Music As a Singer and Songwriter
    Pam Tillis — Bio As the child of Country music royalty, Pam Tillis was determined from a young age to find her own way in music as a singer and songwriter. After many false starts with her own recording career, including a pop single on Elektra and 1984’s “Above And Beyond The Doll Of Cutey” for Warner Brothers, Tillis came to the attention of Tim Dubois who headed up the Nashville office of Arista records. After much soul searching, Tillis made the commitment to make an honest country record. The album “Put Yourself In My Place” yielded 2 number ones, 2 top five singles, and one top twenty hits and in its first year the album was certified gold. Tillis followed with 3 platinum albums on Arista “Homeward Looking Angel” in 1992, “Sweethearts Dance” in 1994 and an Arista “Greatest Hits” in 1997. Tillis achieved 6 number 1 songs during this time including “Shake the Sugar Tree”, “Mi Vida Loca”, “When You Walk In The Room”, “In Between Dances” “Don’t Tell Me What To Do” and “Maybe It Was Memphis” while 14 of Pam’s other singles landed in the top ten and top twenty. Pam Tillis fell in love with music at an early age. Band, chorus, talent shows, church and the creative community of Nashville all helped to shape the young singer. Growing up, Pam was in a variety of bands, spanning from jazz and alternative country to top 40. She sang demos and lent her voice to many national jingles including Coke, Country Time Lemonade and a Coors Silver Bullet with country superstar, Alan Jackson.
    [Show full text]