MINNESOTA DANCING TIMES A publication of the Minnesota Chapter 2011 of USA Dance July 2013
Photo from the June USA Dance by Nic Westlake.
Inside this issue: Competition Tips, Dance Networking, Dancing in Formation, and More! Join us for USA Dance MN's DANCERS' NIGHT OUT Upcoming Dances Want to dance? Dancers’ Night Out lists social dance events in Minnesota. Want to see your dance listed here? Email the details to [email protected]. BECOME A USA DANCE MN MEMBER AT OUR DANCE AND GET IN FREE! Hotline: (651) 483-5467 Mon 7/1 - Rhythm Junction; Four Seasons Sun 7/21 - Salsa Dance Party; Dancers Studio, Dance Studio, 1637 Hennepin Ave S, 415 Pascal St. N, St. Paul; 7-7:50; $5; Email: [email protected] Mpls; Swing Dance; 8-11; $5; 612 342 651 641 0777 or www.dancersstudio. Web: www.usadance-mn.org 0902 or www.fourseasonsdance.com com Wed 7/3 - West Coast Swing Dance Party; Mon 7/22 - Rhythm Junction; Four Seasons Dancers Studio, 415 Pascal St. N, St. Dance Studio, 1637 Hennepin Ave S, Paul; 9-10; $5; 651 641 0777 or www. Mpls; Swing Dance; 8-11; $5; 612 342 July dancersstudio.com 0902 or www.fourseasonsdance.com Sun 7/7 - FREE Beginner Salsa Class; Tapestry Tue 7/23 - Free Country Dance; Ojibway Saturday, July 20th Folkdance Center, 3748 Minnehaha Park Bandshell, 2695 Ojibway Drive, 7-8 pm Rumba Lesson Ave, Minneapolis; 1:30-3:00; Woodbury; Country two-step lesson instructor Kate Bratt; 612 722 2914 at 6:30, dancing to Dixie Hicks Instructor: Eliecer Ramirez Vargas Sun 7/7 - Salsa Dance Party; Dancers Studio, Band 7-9; rain location: Central 415 Pascal St. N, St. Paul; 7-7:50; $5; Park indoor amphitheater; www. 8-11 pm Variety Dance 651 641 0777 or www.dancersstudio. danceandentertainment.com Music DJ: Eliecer Ramirez Vargas com Wed 7/24 - West Coast Swing Dance Party; Mon 7/8 - Rhythm Junction; Four Seasons Dancers Studio, 415 Pascal St. N, St. $7 USA Dance members Dance Studio, 1637 Hennepin Ave S, Paul; 9-10; $5; 651 641 0777 or www. $10 Non-members Mpls; Swing Dance; 8-11; $5; 612 342 dancersstudio.com 0902 or www.fourseasonsdance.com Fri 7/26 - Tim Patrick and His Blue Eyes Band; Wed 7/10 - West Coast Swing Dance Party; Minnesota Lakes Maritime Museum, E.R.V Dance Studios Dancers Studio, 415 Pascal St. N, St. 205 3rd Ave W, Alexandria; Music 816 Mainstreet Paul; 9-10; $5; 651 641 0777 or www. in the Gardens; 6:30-9:30; www. dancersstudio.com timpatrickmusic.com Hopkins, MN 55343 Sun 7/14 - FREE Beginner Salsa Class; Sun 7/28 - FREE Beginner Salsa Class; Tapestry Folkdance Center, 3748 Tapestry Folkdance Center, 3748 Minnehaha Ave, Minneapolis; 1:30- Minnehaha Ave, Minneapolis; 1:30-
3:00; instructor Kate Bratt; 612 722 3:00; instructor Kate Bratt; 612 722 2914 2914 Sun 7/14 - Salsa Dance Party; Dancers Studio, Sun 7/28 - Salsa Dance Party; Dancers Studio, 415 Pascal St. N, St. Paul; 7-7:50; $5; 415 Pascal St. N, St. Paul; 7-7:50; $5; August 651 641 0777 or www.dancersstudio. 651 641 0777 or www.dancersstudio. com com Saturday, August 17th Mon 7/15 - Rhythm Junction; Four Seasons Mon 7/29 - Rhythm Junction; Four Seasons Dance Studio, 1637 Hennepin Ave S, Dance Studio, 1637 Hennepin Ave S, 7-8 pm Quickstep Lesson Mpls; Swing Dance; 8-11; $5; 612 342 Mpls; Swing Dance; 8-11; $5; 612 342 Instructor: Jeff Nehrbass 0902 or www.fourseasonsdance.com 0902 or www.fourseasonsdance.com Tue 7/16 - Free Ballroom Dance; Ojibway Tue 7/30 - Free Swing Dance; Ojibway 8-11 pm Variety Dance Park Bandshell, 2695 Ojibway Drive, Park Bandshell, 2695 Ojibway Woodbury; Foxtrot lesson at 6:30, Drive, Woodbury; Swing lesson at $7 USA Dance members dancing to Tim Patrick and His Blue 6:30, dancing to Red Rock Swing $10 Non-members Eyes Band 7-9; rain location: Central Band 7-9; rain location: Central Park indoor amphitheater; www. Park indoor amphitheater; www. danceandentertainment.com danceandentertainment.com Balance Pointe Studios Wed 7/17 - West Coast Swing Dance Party; Wed 7/31 - West Coast Swing Dance Party; 5808R West 36th Street Dancers Studio, 415 Pascal St. N, St. Dancers Studio, 415 Pascal St. N, St. Paul; 9-10; $5; 651 641 0777 or www. Paul; 9-10; $5; 651 641 0777 or www. St. Louis Park, MN 55416 dancersstudio.com dancersstudio.com n Sat 7/20 - USA Dance; E.R.V. Dance Studios, 816 Mainstreet, Hopkins; Rumba lesson at 7, dance 8-11; $10, $7 USA Dance members Sun 7/21 - FREE Beginner Salsa Class; USA Dance MN HOTLINE Tapestry Folkdance Center, 3748 Minnehaha Ave, Minneapolis; 1:30- (651) 483-5467 3:00; instructor Kate Bratt; 612 722 www.usadance–mn.org 2914
Call for information on dance events. Leave a message for membership information.
2 MDT / July 2013 www.usadance-mn.org • Continue to explore and learn to administer USA Dance – MN the Social MeetUp and Facebook sites USA Dance: Chapter #2011 Board • Collect information about the items stored by Who Are We? Chapter #2011 Minutes Pete - President We are a nonprofit organization formed to preserve and promote ballroom dancing, both Tuesday, June 4th, 2013 • Identify board members’ individual roles, ad- minister tasks, and monitor their completion as an art and a healthful sport. The Minnesota Submitted by Leslie Whitney • Focus energy on getting younger dancers to chapter, USA Dance MN, was formed in 1991. In attendance: Pete Westlake (President), Cathy Des- events and into membership Membership in USA Dance is open to dancers sert (Vice President), Jane Phipps (Treasurer), Leslie • Cathy will liaison between Yvonne and Dan of all levels. There are several categories to Whitney (Secretary), Zhuojing Liu, Bonnie Burton, Viehman and the board. choose from: Social, Competitor, Junior Marty Faeh, Tracy Frazee, Daniel O’Connell, Karen PROJECTS (17 and under), Collegiate, and Associate (pro- Maldonado Project Dance Minnesota fessional/instructor). Location: Quixotic Coffee, 769 Cleveland Ave South, • Karen distributed a report detailing the bud- USA Dance MN sponsors monthly dances St. Paul, MN get for July through December 2013. and other special dance events. Members • A motion was made and approved to pass are entitled to discounts on admission to the Call to Order: Quorum established. Agenda ap- this budget. monthly dances, as well as access to a great proved. May minutes amended and approved. Business Cards network for meeting other dancers. ORGANIZATIONAL MATTERS • Marty distributed sample business cards for As a member, you’ll have fun dancing Treasurer’s Report board approval. Suggestions for changing the and meeting many new friends. For more infor- wording were made, and these will be posted • Jane submitted a current report as of May 31, mation, call the USA Dance MN HOTLINE: 651- shortly via email for final approval. 2013. 483-5467. • A motion was made and approved to budget • The treasurer’s report approved. for the business cards. The Minnesota Dancing Times is published • Jane submitted Chapter #2011’s Tea Dance Hunting and Storing our “Stuff” monthly by the members of the Minnesota income and expense report. Chapter of USA Dance, providing information Brief Area Reports • Leslie will inventory. • We will discuss the final resting place at next and news of ballroom dancing to members Leslie - Secretary, Dancing Times Reviewer month’s board meeting. and friends. • Taking notes at the board meetings and Coordinating Floor Volunteers for TCO Editor: Mary Beth Beckman (612) 424-2228 converting these into minutes for the Danc- • Cathy will post on Facebook asking for Design/Layout: Nic Westlake (612) 412-1112 ing Times and the following month’s board volunteers. Advertising: Bonnie Burton (952) 454-4620 meeting • Daniel will speak with U of MN students. Mailing: Committee member • Previewing the Dancing Times • Arranging time and place for board meetings Discuss Goals/Vision for Chapter #2011 Contributors: Scott Anderson, Mary Beth Beck- • Inventory of items stored by the chapter • Focus on participation and membership of man, Paul Botes, Bonnie Burton, Cathy Dessert, Marty - Social Media and Facilities younger dancers by updating music, using Elizabeth Dickinson, Donna Edelstein, Marty social media, and personally inviting young Faeh, Karen Maldonado, Jack Munday, Deborah adults to the monthly dances. J. Nelson, Daniel O’Connell, Chris Trask, Nic Leadership Transition Westlake, Peter Westlake • A motion was made and approved to add Contributions: Articles submitted may be edited Inside the Times Karen Maldonado to the board, filling the for length, clarity, and content. Photos should vacancy left by Pete Westlake’s resignation. be high-resolution jpg, png, or pdf files. Email • A motion was made and approved to place submissions to: [email protected]. Dancers' Night Out ...... 2 Daniel O’Connell as president, replacing Pete. Permanent Name Tags Subscriptions: $22/year. Make checks payable to USA Dance MN and send to USA Dance MN Board Meeting Minutes ...... 3 • A motion was made and approved to budget Theresa Kimler, 7050 49th St. N, St. Paul, MN for permanent name tags identifying board From the Editor ...... 4 55128 n members. President’s Corner: The Next Song ...... 6 Future Events President’s Corner: Signing On ...... 7 • Minnesota Ballroom Blast - October 13, 2013 • Tea Dance - May 4, 2014 Letters to the Editor ...... 8 Advertising The Dancing Life ...... 10 Next Meeting: Tuesday, August 6 , 2013 DISPLAY ADS: To advertise your event Look Your Best ...... 12 5:30 p.m. or professional service, submit a digital file Quixotic Coffee Dance Networking with Facebook ...... 14 n (300 dpi pdf or jpeg format ONLY) or camera- 769 Cleveland Avenue South ready artwork to [email protected] Formations: Fun? Fad? Forget It? ...... 16 (952.454.4620), along with payment to USA Dance MN. Advertising for charge cards, C-O-M-P-E-T-E ...... 18 insurance, or travel cannot be accepted. Get Involved with Project Dance MN ...... 20 Payment to accompany ad.
Dance Competition Themes: Lady Legends .. 21 Full page 7.5” wide x 10” high $130 MN Dancers: So You Think You Can Dance . 22 Half page 7.5” wide x 4.75” high $80 OR 3.5” wide x 9.5” high Meeting New Friends at the 2013 Tea Dance . 24 Qtr. page 3.5” wide x 4.75” high $60 Gentlemen Lead ...... 26 Business Card 3 consecutive months $50 Competition Calendar ...... 27 SWAPLINE ADS: Free 3-line ad in Swaplines Ask Dr. Dance ...... 28 available to subscribers (dance merchandise Swaplines ...... 30 only). Send to: [email protected] Dance Partner Wanted Ads ...... 30 DEADLINE FOR ALL MATERIALS: Dance Contacts ...... 31 10th OF EACH MONTH Photo from Project Dance Minnesota at Cheek to Cheek by Karen Maldonado From the Editor By Mary Beth Beckman
s I write this, I’m sitting in could edit or rewrite their submission my dark apartment using up and see it published. I was subse- my laptop battery. The coffee quently accused of censorship and of shopsA have closed, taking their electri- overstepping my bounds, but as an cal outlets and free wifi with them. editor, rejecting submissions is a core I’ve been without power at home for element of my job description. about forty-three hours, and it is not fun. Also, my house appears to be a We have a policy of only publishing Verizon 3G dead zone, and my phone articles geared towards productive, loses 10% of its battery charge every or at least encouraging, discussion of hour trying to find a signal. This is the ballroom dance. When engaging in bad news. critical discourse with another indi- vidual, the stakes of an article become The good news is that last month’s much higher, as we have to respect “From the Editor” sparked great dis- the USA Dance charter’s harassment cussion, both in person and in writing, policies. To ensure that discourse re- across the Minnesota dance communi- mains respectful and goal-oriented, I ty. I can’t put into words how pleased assess articles of this variety based on I am that the Dancing Times was able the following scale of productive dis- to bring about such important reflec- course (ordered from least favorable tion and consideration in our com- to most favorable): name-calling, ad munity members. Karen Maldonado hominem, responding to tone, contra- and Daniel O’Connell in particular diction, counterargument, refutation, To solicit Mary Beth's editing services, responded with thoughtful letters to refuting the central point. Anything ask questions about the newsletter, the editor about why they dance and that falls below contradiction on this or submit content, contact her at compete. I hope this is a discussion scale will not be published—though [email protected]. you’ve all been having amongst your- you may notice I’ve made a small selves, because it’s a fabulously rich exception this month that falls into and important topic. the “responding to tone” category. If you would like clarification of what In the past few months, many events each level entails, please email me, and interactions have indicated to me as I want everyone to feel comfort- that a significant number of Dancing able submitting content, even when Times readers aren’t sure of what my engaging in a potentially controversial role is as editor. I’d like to spend some discussion. time this month outlining my du- ties in hopes of putting to rest some Which brings me to my next point, misconceptions and filling in those starting with the definition of the knowledge gaps. word editorial: “a newspaper article written by or on behalf of an editor New Oxford American defines an that gives an opinion on a topical is- editor as “a person who is in charge sue.” “From the Editor” is my month- of and determines the final content ly editorial. Some months, I only of a text, particularly a newspaper or comment on the content of the current magazine.” My primary function is issue, and other months I write about to assess submissions’ suitability for issues facing the dance community. publication—in other words, accept or But inherent in an editorial is the in- reject them. There has only been one formed opinion of the editor. There is article submission since I’ve been edi- no imperative for readers to take my tor that has been rejected, and I made word at face value; in fact, I consis- the reasons for rejection clear to the tently encourage people to explore writer and even suggested how they every topic I raise for themselves and
4 MDT / July 2013 www.usadance-mn.org discover their own positions. My goal organizational and practical mat- • Additional tasks that arise over is to spark discussion and encourage ters affecting publication. the course of the publication thoughtfulness, which I’ve certainly • Update the calendar at www. schedule. accomplished the past few months. usadance-mn.org with the social I volunteer well over a dozen hours dance events submitted to me by With those clarifications out of the every month ensuring that the final members of the dance community. way, I’ll outline are the basic steps I product is something that USA Dance This calendar is then used to cre- go through each month to get a new Minnesota will be proud of. My first ate “Dancers’ Night Out.” issue out to the community: responsibility is to USA Dance’s mis- • Update the competition calen- sion statement, something I take very • Request submissions from mem- dar based on the listing at www. seriously and tailor all my editorial bers of the dance community via usadance.org and additional decisions towards. I keep communi- email, Facebook, and other meth- competitions submitted by dance cation open with the Dancing Times ods when necessary. This includes community members. board liaison, Bonnie Burton, and selecting and confirming a Dance • Write one editorial per month and with the board president, now Daniel Medic. compose tag lines, photo captions, O’Connell, to ensure that the Dancing • Gather and organize submis- additional articles, and other Times continues to be true to dance sions and other materials for the blocks of text as necessary. and especially to the experience of newsletter. • Upload articles and photos for amateur dancers, whose role in the • Edit each submitted piece of publication on www.usadance- dance community is often tenuous writing for mechanical accuracy, mn.org and ensure all files are and unrecognized, much like that of clarity, Dancing Times style, and accessible to Nic Westlake, the volunteers. volunteer responsible for layout appropriateness to USA Dance But we’ll save discussion of volun- and design of the newsletter. Minnesota’s mission of improv- teers for next month’s editorial. For ing the quality and quantity of • Proofread the digital version of now, I conserve my laptop battery ballroom dance. the newsletter before printing and and encourage you all to continue • Answer questions about the distribution. (or start) sending us great material. newsletter and communicate • Distribute the final digital version Without your contributions, there is with other volunteers about to an email list and on Facebook. no Dancing Times. n
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www.usadance-mn.org July 2013 / MDT 5 President’s Corner The Next Song By Peter Westlake
here is a moment when one has also been lured to the east coast. song has faded and the next Karen is an enthusiastic, hard- one has almost begun and working student at the University of everythingT is in transition. The Minnesota. She has been contribut- entire ballroom scrambles to politely ing to Project Dance Minnesota for separate from their current partners months and is in an ideal position and seek out a new connection. It to continue and further expand is moment full of hope and excite- this initiative. Another new board ment—excitement about the next member, Daniel O’Connell, has song, the next partner, the next worked closely with the board in re- dance. Excitement about the future. cent months to help strengthen and In much the same way, I’m excited refine our outreach to non-dancers about this moment for our chapter and has contributed significantly of USA Dance. to Star of the North and Minnesota Ballroom Blast over the past year. Peter Westlake is the former president of USA Sadly, the latest song has faded out, His experience managing a small Dance Minnesota. He is also an accomplished and it has very quickly come time business and as a leader in the competitive dancer with his partner, Sehyun for me to leave my position as the University of Minnesota Ballroom Oh. president of USA Dance Minnesota. Dance Club has positioned him very Life has carried me off to New York, nicely to take over as our new presi- where I will be unable to effectively dent. I’m very happy the board has serve the chapter. I am very proud appointed these two individuals to of some of the things we’ve accom- fill the remainder of this term, and plished over the previous months, I am certain they will be fantastic including burgeoning attendance at partners for the organization. Project Dance Minnesota, a rau- cous Star of the North DanceSport Lastly, I’m excited about the new Classic, expanding newsletter enthusiasm in our organization readership, and continued improve- to invite younger generations to ments to our monthly dances. These participate in the many events we are just a few of the many positive host. Our new board members will things this organization brings to undoubtedly contribute to this the community through the tireless vision and bring a new vibrance contributions of its volunteers, and and vitality to our already excellent I’m very grateful to have had an events. This will help ensure danc- opportunity to contribute among ing in Minnesota has a long and them. But even as our partnership persistent future. dissolves in this moment, I’m enthu- siastic about the coming prospects With that, I’ll offer one more thank that have already begun. you to our membership for this lovely dance we’ve performed since As of June, our board of directors December. It’s been my pleasure. has appointed two bright new faces Get going, or you’ll miss the next to carry the tune. Karen Maldonado song. I know it’s a good one. n will be taking over Project Dance Minnesota for Corissa Ranum, who
6 MDT / July 2013 www.usadance-mn.org President’s Corner Signing On By Daniel O’Connell
reetings and salutations! I’m I’ve compiled a list of ten random Daniel O’Connell, and I will facts about me to give you a better be the new president of the idea. Without further ado: GUSA Dance Minnesota board. 1. I love ice cream. A lot. I started social dancing seven years 2. I’m originally from New ago as an undergraduate student Jersey, but I’m not from the at Carleton College in Northfield, Jersey Shore (I swear). MN. One year later, I competed at Star of the North DanceSport Classic 3. My degrees are in and became hooked on competi- mathematics. tive dancing. At Carleton, I was a 4. Sorry, I don’t watch Game of founding officer of the Carleton Thrones. Competitive Ballroom Dance 5. I pronounce syrup as “sear- Team. In the past, I have worked up,” not “sir-up”. See #2. Daniel O'Connell is the president of USA on logistics and marketing for both 6. Sometimes I’ll have a beard; Dance Minnesota and competes nationwide Minnesota Ballroom Blast and Star sometimes I won’t. You can with his amateur partner, Rosemary O'Connell. of the North. I have also jointly see from my picture that He likes candlelit dinners and long walks on the managed Project Dance Minnesota this month, I have a beard. with Corissa Ranum and Karen beach. 7. My dance partner is Maldonado. Rosemary O’Connell. As president, it is my intent to Anyone who knows us both continue expanding and growing will tell you she is my better the many wonderful initiatives we half. have here in Minnesota. The free 8. I have an evil twin, William. Sunday dance classes are bringing Goatee and everything. new dancers into our great commu- 9. I am a big fan of useless nity. As always, the board will do trivia. what it can to draw new attendees 10. I promise I’m funnier in into the monthly variety dances, and person than this list would consider how we can make these lead you to believe. experiences better for everyone involved. Minnesota Ballroom Blast You’ll find me at most of the month- is a perfect companion event to Star ly dances and most Sundays at the of the North, and I would encour- free classes held under the Project age anyone who desires feedback on Dance initiative. Feel free to stop by, their dancing to consider attending. say hello, and ask any questions you might have. Have a happy July! n However, none of the above really tells you much about who I am, so
www.usadance-mn.org July 2013 / MDT 7 Letters to the Editor
Stop Worrying and Love the Competition By Daniel O’Connell
’m an amateur competitor who competitors. Change the day, change “Gangnam Style?” You’d forget your has been competing for the last six the competitors, and the outcome can marks, too. years. In June’s “From the Editor,” be very different. Ithe editor posed a discussion topic Now, don’t get me wrong—winning that struck a chord with me: Personally, I find this knowledge to be is nice. But winning is something we quite liberating. Instead of focusing on never have control over. Instead of “If judges’ marks aren’t a clear, the marks or worrying about what the focusing on winning, I suggest review- consistent measurement of success, judges think of me, I instead focus on ing footage from one year ago and why compete? [...] We’d love to hear having fun and doing my best danc- comparing the dancer you were to about what inspires you to dance and ing. Having fun should be the only the dancer you are now. Far too often, what you gain from your competition reason any amateur competes and the people get bogged down with the experiences.” only metric for success. It can be fun negative when reviewing footage, so to place well, it can be fun to expand I advocate this for keeping a proper First, I don’t believe judges’ marks one’s boundaries, it can be fun to see perspective on your dancing. should be regarded as a clear, con- friendly faces, and it can be fun to sistent measurement of success. This watch really great dancing. If you had In addition to reviewing older footage, isn’t so much a result of the judges fun, who cares how you placed? I would make sure to remember what themselves but rather of the structural inspires you to dance. For me, much of limitations of the format. What hap- To this day, I’ve never forgotten the my decision to devote countless hours pens if you (or another competitor) first time I went to Star of the North to dancesport points back to Star of have the flu that day and don’t dance DanceSport Classic. Competing at Star the North. I remember the first time your best? What if a judge is unable of the North is how I met my wife. I saw the evening show at Star of the to catch your number? What if, by Every time I go out and compete, I North and watched some of the amaz- random chance, a judge catches your learn something new about dance ing dancers we have right here in the worst dancing and another couple’s and about myself. If making great Twin Cities. Though I now dance for best dancing in a heat? What if you’ve friends, finding the love of your life, many reasons, I remain inspired by the danced twenty heats already when an- and becoming a better person aren’t dancers we have here and continue to other couple is fresh? Fundamentally, all valid reasons to view competing as aspire to dance at the highest levels. there is a lot of “stuff happens” that highly successful and fun, sign me up winds up being baked into the marks. for failure. There were honestly times I To those of you who are consider- In reality, the marks are an approxima- had so much fun at a competition that ing competitive ballroom dancing, I tion to how well a very specific ninety I forgot my marks (including when would give it a shot. If you go into it seconds of your dancing compares I’ve come in first place). I mean, have with a strongly positive attitude and to a very specific ninety seconds of you seen the University of Minnesota a desire to have fun, I think you will dancing from a very specific set of Ballroom Dance Team dance to find it extremely rewarding. I know I did. n
8 MDT / July 2013 www.usadance-mn.org Like it Hot, Hot, Hot? Come and join the Rebels for Personal Disclaimer some spicy summer dancing! By Leland and Leslie Whitney Classes and Dances on Sundays at Social Dance Studio s the couple that couple, we reject the tone qualified for and and the comments made Classes competed in more by the editor in the last Sundays, 5:00-7:00 p.m. at Social Dance Studio.* eventsA at the 2013 National two issues of the Minnesota $15 for members & students w/ID; $20 guests Championships than any Dancing Times. n other Minnesota amateur July 7: Walking with your West Coast II with Liz Hanson and Hieu Le (no need to have take Walking with your West Coast I to take this class) July 14: Cha Cha Basics with Kathy Compo, assisted The People Make the Sport by Ann Albrecht July 28: Intermediate Cha Cha with Kathy Compo, By Karen Maldonado assisted by Ann Albrecht August 4: Advanced Cha Cha with Kathy Compo, ast month, the editor in my dancing are some of assisted by Ann Albrecht posed the question the most wondrous individ- August 18: West Coast Swing: Lead and Follow to the general public uals I could possibly know. Styling with Lynette Mahowald and Tim Eide asL to what inspires them to The University of Minnesota August 25: Country 2-Step with Caroline Olson and dance, especially at competi- instructors hold a very dear Loel Brandstrom tions. I have been dancing place in my heart. I look up for only two years with the to my instructors and up- University of Minnesota perclassmen of the team, and . July 21: Short Patterns from a Tall Man-- Ballroom Dance Club, but I I respect them like no other. West Coast Swing with Pro Jason Barnes! never stopped to ask my- The best part about ballroom 5:45-6:45 p.m. at Social Dance Studio; $12 for members and self the question as to why dance is that it is partner students w/ID; $15 for guests I did it. This seemed rather dance. Partners are the best important. thing ever. It is they who Dances make dance fun. Sundays, 7:00 – 10:30 p.m. at Social Dance Studio.* On a very superficial level, the answer is quite simple: So when competition time $7 members & students w/ID; $11 guests I enjoy dancing. I enjoy rolls around, I still enjoy it July 7: West Coast Swing and Variety Dance competitions. Enjoyment, despite the difficulties. First Ju ly 21 : West C oast S w ing an dVd Var iety Dance for me, is the culmination of off, competitions give me August 4: West Coast Swing and Variety Dance many factors that make all a goal to strive for. They the work I do worthwhile. If become measurements of August 18: West Coast Swing and Variety Dance I didn’t find ballroom dance how much I have improved. September 1: West Coast Swing and Variety Dance fun, I simply would have If I feel like my marks were gone to join some other stu- all over the place or if I rd dent group. But I digress. made a million mistakes, *Social Dance Studio is located at 3742-23 Avenue you know what? My part- South, Minneapolis, MN 55407. What I really cherish about ners and team are there to ballroom are the people. remind me that it’s okay. More information is available The amount of support we online or by calling the hotline at I get such a sense of fulfill- all give each other is what 952.941.0204. ment out of ballroom dance makes competing—and because the people involved dancing—worthwhile. n www.tcrebels.com
www.usadance-mn.org July 2013 / MDT 9 The Dancing Life That Which Has No Name By Elizabeth Dickinson
“Name it to tame it” is a kind up with my own description of psychological motto. If of the steps until I can get you can define something them into body memory. that bothers you (for exam- ple, a fear or bad habit), you Similarly, in life coaching, may be better able to over- clients sometimes have come it or its negative effects. powerful distractors in their lives that prevent them from Recently, I visited my dad to achieving their goals. It’s celebrate his eightieth birth- sometimes helpful to give day. While in Massachusetts, those distractors a name and I took Dan Radler’s silver- an identity. One of my clients and gold-level international felt troubled by a part of her standard classes at Ballroom that would never let her rest, New England. I was defi- that was always pushing her nitely at a disadvantage, to feel that what she did was since the attendees were a never enough. She called it good month or more into her Tasmanian devil. It felt the routines and gold was easier to use that imagery beyond me. and imagine taming the Tasmanian devil and thus Many students carried a her racing thoughts. printed paper folded into thirds on which they were Working with my own life Elizabeth Dickinson is a life/executive coach and amateur taking notes as steps and coach, I identified a part of ballroom dancer. If you enjoy her writing and would like to techniques were explained. me that’s always worried receive her weekly emailed coaching newsletter, please go to One student asked me how things might not work out. I www.pursueyourpath.com and sign up. I could possibly learn the call him George (okay, not as routines without having the imaginative as a Tasmanian steps written down. She of- devil). All George wants to fered me the handout I had do is be in nature and not seen other students use with worry. My life coach asked the steps and timing for the me what I wanted to tell silver waltz, silver tango, George. For months, I had a and gold waltz routines that 3x5 card taped to my com- were being taught over the puter that just said, “It’s six weeks. (I wish that were gonna work out.” done here in some group classes.) Naming the steps If you can name something was helpful in taming my that’s confusing, bothering, anxiety. At least I now knew or upsetting you, whether what I didn’t know. it’s something personal or something as simple as steps Unfortunately, in American that have no name, you can smooth at the higher levels, begin to shift the situation. it’s really hard learning new In life or in dance, name it to steps, because many of the tame it. n steps actually don’t have names. When I experience trouble learning my new rou- tine, I find it helpful to come
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WHERE Coffman Memorial Union 300 Washington Ave SE Minneapolis MN 55455
MORE INFORMATION AT MNBALLROOMBLAST.COM Look Your Best Nude Fabrics and Elastics in Ballroom Costumes By Deborah J. Nelson
have been blogging on many visually tricked into thinking that the subjects having to do with dance wearer has nothing on or that the cos- costumes for years. One of my fa- tume is see-through. Costumes with voriteI blogs was called “The Scoop on nude-toned mesh sometimes trick Nude: How to Be Tastefully Nude,” you into thinking the wearer is totally which I posted on February 2, 2010. If nude in certain areas, except for lace you have been reading my Costume appliqués or rhinestoned motifs. Critiques from all of the Dancing with the Stars episodes over the years, you Costuming uses this art of illusion. know that I have some issues with Whenever you are contemplating the nude fabrics and nude elastics. use of nude-toned spandex as part of your costuming, keep in mind how Nude-looking fabric is very useful in it really looks onstage. Be aware of costume design. It is one of the many the illusion. Whether you are actu- Deborah J. Nelson is the founder, tools in the designer’s toolbox for ally covered or not, does it give the president, and head designer of Satin creating beautiful costumes, but as illusion that you are uncovered in Stitches Ltd. See more costuming tips at with other design tools, this tool must the wrong places? There should be www.satinstitches.com. be used wisely. strategic placements of appliqués (lace or fabric) and/or patches of solid Most often, the nude-looking fabric rhinestoning. is a four-way stretch, nude-toned spandex mesh. This mesh is gener- If your costume gives the illusion that ally used two ways. One use is to you are covered in the most important creatively cover an area of the body in parts, you will appear to be mod- order to slenderize or camouflage an estly (well, sort of) dressed. If there area rather than allowing wrinkles in is something covering these parts the skin or slight lumps and bumps of but, from performance distance, if it the body to show through, as a tight, appears that you are not covered in stretchy spandex mesh fabric can act these areas, some people in your audi- as a girdle (or body shaper, in current ence, if not all, are going to be uncom- terminology). It is, oh, so helpful for fortable, and you will be thought to be tightening up the skin while maintain- wearing an immodest costume. ing a skimpy-looking design. If you are an exotic dancer, this may Colored mesh can work similarly. be your intention, but if you are not, With nude-looking mesh fabric, then rethink and rework your cos- you need to find (or dye) this fabric tume so that modesty takes prece- to a color that matches your skin dence. In “The Scoop on Nude,” I talk tone, whether it is natural or spray- about and show how a costume can tanned—you need to match or coordi- oscillate between looking modest or nate with your performance skin tone. scandalous with some tweaking of the placement of lace, other fabric, or Another use is to make costumes fit trimming that is shown on a costume correctly on a body without gaping when using nude mesh. open, allowing for possible defying of gravity or physics. You want to be
12 MDT / July 2013 www.usadance-mn.org Then there are those pesky nude agree; open backs can be very pretty, Extra thought might need to go into elastic straps that are seen everywhere, but not to the detriment of the design. the design of a costume to incorporate especially on skimpy Latin costumes. And not to the detriment of keep- decorative and functional straps into Yes, they have a function. Are they ing the costume anchored in place so the design without interfering with overused? In my opinion, yes, totally. that you don’t have to worry about the visual flow of a garment, but it is If you are reading myDancing with the your dance moves. You should be worth it. Also consider using nude Stars blogs, then you know that I dis- able to move your body in any way mesh in place of elastic straps for a like when nude elastic straps cause the you choose, and your costume should prettier effect while maintaining your illusion of a floating costume piece, stay anchored in place. Unobtrusive skimpy look. such as bra cups on the front with straps across the top of the shoulders nothing on the back or a middle-con- work well to keep sleeves up and in I have always believed that, in general, nect dress (this phrase is talked about place rather than a single strap across rules can be set aside, but the general and explained in my Dancing with the the back. And if you think that those principle of considering how your Stars blogs) that has a pointed side shiny, clear straps are invisible, think ballroom dance costume looks to oth- feature and nothing connecting one again. They pick up the light and ers is important. So the next time you side to the other. reflect it and are actually more visible are designing a new costume, think than a matte-finished nude-colored about the use of nude-toned elastics Yes, I’ve heard all the discussions elastic or nude-colored fabric strap. and fabric, and use these features of: “Oh, what a pretty, open back.” I responsibly. n
www.usadance-mn.org July 2013 / MDT 13 Dance Networking with Facebook By Marty Faeh
comfortable figure-skating dresses for time. I setup two more lessons during champions, and original couture eve- the week and told them I would be in ning gowns. For many years, Zhanna to practice from time to time. has passionately created a style that is uniquely her own, and the public Zhanna showed me around her lovely loves it. In 2012, my pro partner at that community: the best places to eat, the time wore one of Zhanna’s beauti- beach. She introduced me to everyone ful standard ballroom gowns, called from the fire chief to the mailman. I Living Waters. In 2013, Zhanna cre- felt at home instantly. Zhanna edu- ated a beautiful rhythm dress for my cated me on dressmaking, the runway pro rhythm partner, Kate Bratt. Cathy shows, her background in becoming a Nelson is owner of Dance Forever in fashion designer, etc. One evening, we Serendipity Plaza, Clearwater, Florida. went to St. Petersburg Nights, a won- Cathy let me know what activities derful Russian restaurant with a dance were going on at her beautiful ball- floor. We ordered a variety of Russian room the week I was vacationing in dishes, she taught me some of the the Tampa area. She also suggested Russian language, and then the music that I take a lesson with her pro, started. It was all Russian, and she Oleksandra Ponomarova, while I was asked me to dance. I said okay, even in town. Zhanna and Cathy were very though I was thinking, “How do I dance to Russian music? Yikes!” I soon Marty Faeh is a member of the USA helpful in my vacation planning, all discovered that it didn’t matter; the Dance Minnesota board. via Facebook. beat was waltz, cha cha, tango, even April 2013: Florida, here I come! Great quickstep, and we stayed on the dance friends, the beach, and an awesome floor the rest of the night. Even after acebook: you either love it or ballroom to practice in just down the the music stopped, we kept dancing. hate it. I must confess, I love street. It gets no better than that. My Zhanna was interested in quickstep, Facebook. I have found it to be first two days were cool, breezy, and so around and around that little dance Fa great networking tool and an easy misty. The locals kept asking me if I floor we went. What a wonderful time. method to communicate and network was from Canada, as I was shirtless Finally, the restaurant owner shut off with others involved in dance around and they were all wearing jackets on the lights and said to come back the the world. This past winter, with a the beach. I think it was around sixty- next day. We laughed as we headed couple of feet of snow on the ground, five degrees that day. I took advantage out the door. I found myself daydreaming about of the rainy time by heading to Dance being on a beach vacation somewhere Forever. It was awesome to finally Dance has given me so much. I am warm and sunny. I was talking with meet Cathy Nelson. She warmly in much better physical and mental a few friends I had met on Facebook greeted me with a big smile, told me shape, having lost around ninety down in Florida and thought of what all about her ballroom, and introduced pounds since I started. Dance has fun it would be to go down there for a me to her studio pros. I warmed up a blessed me with friends from all visit to enjoy some long overdue R&R. bit in front of the mirrors and quickly around the world, like Zhanna, Cathy, and Oleksandra, and has I contacted my friends Zhanna Kens felt at home. Oleksandra and I met, really enriched my quality of life. I and Cathy Nelson in the Tampa, discussed our backgrounds, and start- wrote this article to give a snapshot Florida, area and told them I was ed our lesson. I have worked with a lot of what dance has done for me and planning a vacation and would enjoy of pros and coaches, but her approach how Facebook can be a useful social meeting and visiting with them while was very different from that of anyone medium to connect with others. And I was down there. Both Zhanna and I had worked with in the past. I was yes, I am planning another trip to Cathy have been Facebook buddies of ready for my second shirt in about ten Florida in August or September, as I mine for a few years now. Zhanna is a minutes; she had me sweating before I am considering making Florida my successful artist and fashion designer, took my first rumba step. We laughed new home. n designing custom-made ballroom as she worked my butt off for the and Latin costumes, free-flowing and next hour. We had great chemistry. I learned so much and had a wonderful
14 MDT / July 2013 www.usadance-mn.org Photo: KarinLynnPhotography.com
Hilton Minneapolis/st.paul airport • Minneapolis, Mn Formations: Fun? Fad? Forget It? By Bonnie Burton
nyone who has been to a have done so for decades; others are Dancers participate in formation dance competition or a show- studio-based, short-term, and fre- groups for different reasons. I recently case knows what a formation quently have musical themes, such as threw the following topic out to local groupA is. Some audience members music by Prince or Michael Jackson. dancers: “Dancers! Have you ever love to watch them; others make a Some groups are formed for the danced on a formation team? Did you point of saving their restroom breaks purpose of performing for a single enjoy it? Hate it? What was it like for for the formation portion of the event like a studio showcase or a local you?” Here are their responses, lightly competition. Wikipedia tells us that competition. edited for grammar and clarity: formation dancing originated in 1932 in London’s Astoria Ballroom. A lady There is a learning curve involved in My first formation was at Dancers named Olive Ripman introduced it understanding how to dance in uni- Studio in 1988. It was a mambo forma- under the name pattern dancing.Soon son and synchronize movements. In tion by Shinya McHenry, and my part- it became a competitive dance form, theory, formation dance allows the in- ner was Donna Edelstein. Since then, peaking in popularity in the 1960s. dividual couples to demonstrate their I’ve been in at least thirty of them. It There are specific formation competi- prowess through their own technique, is a great way to learn new ballroom tions, where teams from all over the as well as through their ability to dance steps/technique at a low cost world compete against each other. move seamlessly as a team. However, and also make friends. the reality is that there is an urge to —Jeffrey A Chinn A formation dance is usually a part- have all members be identical, and the nered dance that consists of a circular dancing is sometimes reduced to the I tried a formation team once, and it is or linear arrangement of couples who lowest common denominator. just not my cup of tea. One partner is perform a choreographed routine as enough for me to handle. There may be a trend toward all- part of a larger team, often wearing —Yeun Chou costumes that are identical or very female formation groups. Perhaps the similar. This routine is often based males aren’t as interested in this form I enjoy dancing in formations! I must upon a dance style—jive, cha cha, or of dance, which, according to forma- add that at one point Tom and I were tango, for instance. Sometimes a pot- tion competition official rules, should on three different formations simul- pourri routine is performed, which in- be comprised of six to eight couples. taneously. There are some pluses and volves a mixture of dance styles from As one audience member commented minuses to be prepared for. The posi- a single dance category, such as the while watching an all-female paso tives include meeting and becoming rhythm dances. This is an especially doble group recently, “How can you friends with other dancers, working popular format for ballroom formation have a paso without the bull?” on something bigger than your own team competitions. dancing (after all, this is a formation), In my opinion, it seems that the forma- and working with different coaches tion groups that are more interesting Formation groups are popular here and learning fun choreography. The to watch are the ones that tell a story in the Twin Cities dance community. possible negatives: if you have a team or have a theme rather than just a Some groups exist on their own and that changes partners, be prepared to group of people dancing.
16 MDT / July 2013 www.usadance-mn.org dance with someone other than your dancing as a group enables you to tell your personal dance goals. It’s fun to partner. Also, formations are supposed a story to music that no single couple meet new people, though. Why do the to blend, so look for a team that fits could convey. It can be very powerful. costumes always seem so bad? your ability level or even stretches it It is also great fun to work and dance —Ed Soltis a bit. as a group. Many strong and wonder- —Anne LaTourelle ful friendships have resulted from our I have danced in many formations, involvement in formation. some good, others not. If the dancers I danced in three formation teams. —Cheri Rolnick are of the same commitment (atten- Julie Jacobson choreographed them. dance) and dance level, it can be very They were great fun. I never planned to be a formation fun. Without the commitment, it seems —Gary Narducci team member. It was one of the best like things never progress. decisions I ever made. The teamwork, —Mark Tepley Dancing in formation is both great fun synchronicity, and choreography make and quite challenging. Not only do me a better solo partner. Besides hav- During my thirty years of ballroom you have the usual aspects of dance to ing a fantastic choreographer, Elena dancing and competing, I have danced consider (choreography, partnering, Bersten, it is just fun! in quite a few formations, either at and connecting with the audience) —Julie Ann Greif Schmidt dance studios or with USABDA/ but you must also be aware of your USA Dance-related groups. I always team members. When dancing as a I did the Michael Jackson formation at love it, as it gives me the opportunity couple, if you get off the music, it is far Cinema Ballroom. It took me back in to interact through teamwork with less noticeable than if you are doing time to when I did dances to Michael other couples aside from my partner. something quite different from the Jackson songs for recitals when grow- Actually, all team members become other ten people on the floor. Also, you ing up. my partners. share the floor, eternally trying to stay —Heather Smith —Ha Tuong n equally distanced from other moving bodies. All of us can tell you stories of In my experience, studio formation bumping or crashing at some point. dancers tend to be less proficient, and Despite the challenges, however, formations can take time away from
Photo from Project Dance Minnesota at Cheek to Cheek by Karen Maldonado
www.usadance-mn.org July 2013 / MDT 17 C-O-M-P-E-T-E By Scott Anderson
aking your dancing to the next Go through one door and then close it sheet carefully. Students, don’t assume level—that of competitive behind you. You want to be confident your teacher has checked to make sure dancing—can be a daunting without being arrogant. you’re scheduled for all the dances decision.T Here are a few simple tips you signed up for. for professionals and students to keep O - Organized in mind to avoid losing their minds M - Make Believe You should be organized in your along the way. weekly lesson and practice time, tak- Each dance should tell a story, and C - Confidence ing notes and reviewing your skills. you can make believe you are telling If you are a newcomer student, make the story through your performance. You want to show confidence when sure you come to your lesson the week This may be a bit harder for newer you walk onto the floor, that you are before an event with a list of ques- students, but once you can get in that mentally and physically ready to be tions. If you are the teacher of a new- mindset, it makes performing easier. your best. Confidence comes through comer, don’t assume that your student Here are a few fun tips: preparation and planning, peaking at is set with extra items like hose and the right time, and having rehearsed shoes. - Make believe you absolutely love the and polished routines, whether they song being played, even if you don’t. are bronze freestyles or open-level Once you’re at the competition, you - Make believe your feet feel great, advanced. need to organize each day by hav- ing proper rest, warm-up time, and even if your shoes aren’t totally bro- You should have confidence in that, meditation. Make sure your hair and ken in. from head to toe, you look like a makeup appointments have enough - Make believe you hear the two in champion. No matter what someone’s time to adapt to any schedule changes, mambo, even though you want to budget is, they can still come out onto etc. A top competitor will have every- dance on the one. the floor like a champion with a clean thing in place to keep from scrambling hairstyle and careful grooming. Even around in case they lose a button or P - Practice if you’ve had a bad morning, you’re need superglue. It is also important to nervous, or have a sore left knee, no make sure you know who is respon- All the best dancers have regular one knows that. You have to put it sible for picking up your tickets, pack- practice time. You need to do more behind you once you take the floor. ages, and heat sheets. Check your heat than just practice your choreography;
Photos from the June USA Dance by Nic Westlake.
18 MDT / July 2013 www.usadance-mn.org dancing proper technique, timing, to competing. But how you’ll enjoy total package you present on the floor and arm styling is a must. Not only that massage when it’s over! will stand out on its own. should you practice with your partner, but you should be able to practice on And one last thing: don’t forget to E - Effort your own. Most likely, your teacher or enjoy watching and cheering on your All of the above takes great effort. Not coach will give you certain exercises or friends and fellow competitors. You only does it mean effort at your lesson combinations that will develop your always dance well when you have a but also taking extra time to study quality of movement, swing, sway, crowd behind you, so remember to DVDs and to attend seminars. It’s latin motion, forward poise, etc. At return the favor. also a good idea to watch and study competitions, I see many top competi- T -Tell Me performances of renowned dancers; tors warming up by themselves, with many performances are available on or without music, getting ready to hit Tell me, the judge, that you deserve DVD through Dance Vision and are an the floor. Remember, once you’re on my mark by proving that you have excellent source of inspiration. that floor, it’s not practice anymore; that total package. A few things that it’s performance! will stand out before you even take Your journey of competitive dancing a step are grooming and the correct will most likely follow a normal learn- E - Enjoy choice of costume that is age-appropri- ing curve. There will be good days of Enjoy the whole process! Try to laugh ate and flattering for your body type. practice and not-so-good ones. There at your lessons or practice time—no These things could make or break a will be good performances on the one is perfect. Take time at the event mark. Don’t forget that the judges are floor, but sometimes your mind may to get outside the venue. Sometimes watching you as you walk out onto go blank. Remember, there is only one a walk, a visit to a nearby restaurant, the floor. Are you smiling with con- first place that can be awarded, but or doing some sightseeing will re- fidence? Are your shoulders pulled if, along the way, you are developing juvenate your spirit and clear your back? Believe me, we want to mark great skills and making friendships, head of the stress of competing. The you—don’t blow it before you’ve even you will always enjoy it. hard work, the sweat, the blisters, the danced a step! Get the audience be- This is an edited version of the article orig- muscle soreness, the wins, the losses— hind you when you dance. Don’t focus on impressing the judges by catching inally printed in the May 2013 Emerald they are all a part of the commitment n their eye or dancing close to them. The Ball News Magazine.
www.usadance-mn.org July 2013 / MDT 19 Project Dance Minnesota Get Involved! By Karen Maldonado
ello, everyone! I am the new- I began to assist Corissa with Project Kate Bratt at 1:30 p.m. over at the est member of the USA Dance Dance Minnesota. Tapestry Folkdance Center. This al- Minnesota board. I wanted to lows the opportunity to explore the Hintroduce myself to the community at Project Dance Minnesota is a fantastic various studios and instructors we large and tell everyone about what an opportunity hosted by USA Dance have around the Twin Cities. That amazing and rewarding experience it Minnesota. If you haven’t already in itself holds merit for everyone, has been so far. heard about it, it’s an initiative to because it provides the chance for promote ballroom dance to the general beginning and advanced dancers alike I first got into ballroom dance two public by offering free beginner ball- to go to a studio, receive a lesson from years ago as an incoming fresh- room group classes. Project Dance is a top instructor, and decide whether man to the University of Minnesota. important because it’s a very welcom- they want to continue their ballroom After my first group lesson with the ing gateway for beginners to try their education there or not. It’s the perfect University of Minnesota Ballroom hand at dance and get a taste of each occasion to find the right fit for you. Dance Club, I knew I wanted to stay. style and different types of instruc- However, it wasn’t until I attended tors. Since it’s a weekly event, it means So tell your friends about Project Star of the North DanceSport Classic that those who attend the classes are Dance, whether they dance or not. that I realized ballroom dance could getting a good amount of exposure Spreading the word is the best thing be more than just social dancing. I had to ballroom. And what better way to you can do to help. Letting others so much fun watching everything— show someone how riveting dance can know is a great way to pull your non- performances, people getting ready, be than a free group lesson? dancing friends into ballroom, and it’s cheering for the team matches—that a great way to let your dancing friends I knew I wanted to be part of it, even The best part about Project Dance is know about this wonderful opportu- if I had no idea as to what was going that the location of the classes rotates nity. There are great instructors lined on. When I did start competing, I felt each month. So, for example, in the up until the end of the year for Project like I had finally found my niche in month of June, we had rumba over at Dance, so I hope to see you there! n this wonderful community. Soon after, Cheek to Cheek with Harry Benson, I got involved with USA Dance when and this month, we have salsa with
Photos from Project Dance Minnesota at Cheek to Cheek by Karen Maldonado
20 MDT / July 2013 www.usadance-mn.org Dance Competition Themes TCO’s Lady Legends By Bonnie Burton
he Twin Cities Open Ballroom themes have included the music of the begins. So the pro couples give their Championships (TCO), under Beatles and Michael Jackson, and last own interpretation of the dance to mu- the organization of Amy and year it was That’s Entertainment, mu- sic that has been preselected by Amy. ScottT Anderson, will be held this year sic from the movies. In 1998 and 1999, July 11-13 in Minneapolis. Each year, the Saturday evening portion of TCO “Because they are seasoned pros, I TCO has a theme for its Saturday was held at the Target Center. That never worry about the quality of their evening show, and this year’s theme is event was called Worldance and was a performance. In fact, there have been Lady Legends. The show will feature benefit for Fraser Community Services performances by the pros that origi- music from all different genres of here in Minnesota. The evening nated at TCO which they continue to female singers from different decades consisted of a beautiful dinner, and use in their own shows,” Amy says. and will incorporate big screens to add afterward, the public came into the Some examples are André and Natalié to the entertainment. Several top pros arena (8,000 strong) and watched the Paramonov’s dance to “Something” are coming to compete, so not only finals of all styles, as well as special from the Beatles, Felipe and Carolina will the show be entertaining, but the performances. Amy said that when Telona’s number to “Purple Rain,” open professional events will be excit- they first started doing the show, they and Mazen Hamza’s and Izabella ing to watch as well. looked for themes based on something Jundzill’s choreography to “Thriller.” unique to Minneapolis. Nowadays, These performances all originated at I was curious about past themes and they search for what would make for TCO. how dance competitions became entertaining and interesting show I wondered if there ever had been themed events. Amy Anderson told music. me that not all ballroom competi- a theme blooper. Amy mentioned tions have a theme. For that matter, One thing Amy has particularly that since they’ve been using the big the TCO theme is not really a theme wanted to show was how ballroom screens and incorporating them into for the competition but rather for and Latin dances can be interpreted the show, sometimes there are com- the Saturday evening show. She says through nontraditional music—for puter glitches. “Each year, we learn it seems that if a competition has a example, a bolero danced to “Purple from them. More importantly, as far theme for their show, people really Rain,” a tango to “Eleanor Rigby,” as the themes themselves, it seems look forward to it and the theme can or a foxtrot danced to “Rock With they have all gone over well with the be carried through with advertising You.” She explained that most of the audiences.” and promotion. winning couples in the show are not If you’re interested in attending this decided until after the open profes- year’s TCO, you can find more infor- The Andersons started running TCO sional events, which take place only an mation at www.twincitiesopen.com. n in 1990, and their first theme was hour before the Saturday night show Prince. Since then, various years’
www.usadance-mn.org July 2013 / MDT 21 Local Dancers Audition for "So You Think You Can Dance" By Cathy Dessert
he Bersten family, including different cities and perform for the well as the judges, decide if they are Alan, Elena, and Gene, all judges. They are able to choose and/or eliminated or go on to the next week travelled to Boston to audition choreograph their audition pieces. If of competition. forT the reality TV show So You Think the judges like them, they get an auto- You Can Dance. They prepared for the matic ticket to Las Vegas, or they have This year, all three Berstens got tickets audition not only by getting audition to compete in a choreography round to Las Vegas. Elena was eliminated routines in tip-top shape but also by in which they dance choreography first. Gene and Alan danced in a working on other styles that the show that they have to learn at the audition. group contemporary dance based on uses, including ballroom. Elena and Some make it. Others don’t. the good works of people after the Gene are professional Latin partners, Boston Marathon bombing. As of the husband and wife, and own a dance Following these auditions, the chosen writing of this article, Gene has also studio locally. Alan competes in group moves on to Las Vegas. There, been eliminated after making the top amateur Latin with his partner, Emilia they winnow down the field even thirty-three in Las Vegas. Alan is ready Kokoszka. further. The goal at the end of the Las to go on to Hollywood, with filming to Vegas event is to select twenty danc- continue in the coming weeks. Good I have been a faithful viewer of this ers who will compete on the show: ten luck, Alan! show for several years, and I so enjoy females and ten males. The top twenty the changes in the dancers as the show then dance choreography given to Now you’re up to date on the events progresses. If you don’t know how them by top pros in the represented so far. Don’t forget to tune in and n it works, potential dancers travel to category of dance. Then viewers, as vote—for Alan, if you like him!
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FREE Beginner Salsa Classes with Kate Bratt at the Tapestry Folkdance Center!
Sunday, July 7th -- 1:30 p.m. Sunday, July 14th -- 1:30 p.m. Sunday, July 21st -- 1:30 p.m. Sunday, July 28th -- 1:30 p.m.
USA Dance Minnesota Chapter #2011
3748 Minnehaha Ave S Project Dance Minnesota offers free quality Minneapolis, MN 55406 ballroom dance instruction. A different professional instructor teaches a new dance at a 612.722.2914 different location every month. Meeting New Friends at the 2013 Tea Dance By Chris Trask
his May 5th, I was finally able I also made new friends at the event Eddie started dancing in 2010 because to overlook the many gray by dancing with many students from most of his friends were married with days and patches of snow. the University of Minnesota. Their children and he wanted to find new GoingT through my closet, I decided posture, etiquette, and knowledge of ways to socialize. He started dancing that I would welcome a spring day of many ballroom dance steps amazed at a salsa nightclub and then pro- sunshine by wearing a yellow evening me. Thinking I was dancing with ceeded to take group classes at Social gown to celebrate spring at the Tea another university student, I couldn’t Dance Studio. Salsa is still one of his Dance, which was held at the elegant resist asking a cute, dimpled young favorite dances. In 2011, he bought a Lafayette Country Club, overlook- man that danced with me and a beau- package of lessons at Retro Ballroom, ing the serene, picturesque Lake tiful lady next to him the question, where he discovered USA Dance Minnetonka. “Can I interview both of you for the during one of their monthly dances. July issue of the Dancing Times?” He enjoyed it so much that now he I attended the ball without a prince attends most of the USA Dances and charming, so I was not sure how many After interviewing Eddie Curran, became a USA Dance member in 2012. dances I would enjoy. I was greeted I discovered that he was not a by great friends that I have acquired University of Minnesota student but a In 2012, he had a dance partner who throughout my years of social danc- graduate from Bethel University and was also his girlfriend at the time. ing, so I was happy with my decision is currently a sixth-grade teacher. He Social dances and weekly lessons to attend. The DJ played a wide range is a social dancer that started out like provided an activity they enjoyed do- of ballroom music that created a fun, most of us, shy and afraid to dance in ing together. Michael Bang and Laia festive atmosphere. front of others.
Photo from the 2013 Tea Dance by Chris Trask
24 MDT / July 2013 www.usadance-mn.org Olivier of North Star Dance Studio students to take dance lessons because the dance community with her and were their teachers. it is fun, builds confidence, and pro- plans to continue dance as a part of vides great exercise. her life after she graduates. In 2013, he entered a new phase of his dance career. He started taking The beautiful lady in the picture with The Tea Dance is one of the many lessons at Dancers Studio with Bonnie Eddie is Naomi Ochoa. She is a sec- social events sponsored by USA Inveen and performed his first show- ond-year student at the Carlson School Dance Minnesota where I can meet case in American smooth in March. of Management at the University of new friends that have the same dance He learned that having a performance Minnesota, majoring in marketing passion as I do. My gratitude goes goal helped him focus his efforts and with design as a minor. Naomi joined to all past and present USA Dance forced him to grow. the University of Minnesota Ballroom Minnesota board members and to Dance Club her freshman year. She Theresa Kimler and Nels Petersen for In his career as a schoolteacher, he has tried a few lessons, realized she want- all the hard work and dedication they learned that a lot of his students are ed to commit time to dancing, and was provide in helping to preserve and self-conscious, just as he was before he welcomed to the competition team. promote ballroom dancing both as an started dancing. He began incorporat- art and a healthful sport. ing dance into his classes by teaching Her mentors are many advanced club salsa and cha cha as stretch breaks in members. Dance has given Naomi If you are interested in becoming a the middle of long class periods. He confidence in interacting and commu- USA Dance member, please call the also performed a tango with a history nicating with people at many different hotline at (651) 483-5467. n teacher at his school’s winter dance. levels of experience. She is currently Today, he encourages his friends and working on getting her friends to join
Dance Soup
Join Dance and Entertainment for the second annual Tuesday, July 16 - Ballroom Night free outdoor summer dance series! Each Tuesday in July, meet at the Ojibway Park bandshell at 2695 6:30 p.m. - Foxtrot Lesson by James & Tricia Wood Ojibway Drive in Woodbury for free outdoor dancing 7 - 9 p.m. - Dancing to Tim Patrick and His to live music. In case of rain, meet at the Central Park Blue Eyes Band indoor amphitheater. Tuesday, July 23 - Country Night 6:30 p.m. - Country Two-Step Lesson Tuesday, July 2 - Ballroom & Latin Night by James & Tricia Wood 6:30 p.m. - Cha Cha Lesson by James & Tricia Wood 7 - 9 p.m. - Dancing to the Dixie Hicks Band 7 - 9 p.m. - Dancing to Pizzazz Jazz Band Tuesday, July 30 - Swing Night Tuesday, July 9 - Old-Time Night 6:30 p.m. - Swing Lesson by James & Tricia Wood 6:30 p.m. - Polka Lesson by James & Tricia Wood 7 - 9 p.m. - Dancing to the Red Rock Swing Band 7 - 9 p.m. - Dancing to the Hank Thunander Band
www.usadance-mn.org July 2013 / MDT 25 Gentlemen Lead By Jack Munday
ack in April, Harry Benson’s costumes count! The ladies’ dresses Cheek to Cheek Studio held were so mesmerizing that the first its Spring Showcase, and the time they wore them, we guys were smoothB formation team, coached by spellbound and stopped dancing. Monica Mohn, was finally able to The ladies took to wearing them at perform. The rhythm team also per- practice so we could adjust to see- formed, but that’s another story. You ing their flamboyant movement. The may wonder why I’m writing about it photos showed how the dresses could now. If you were one of my children, draw the audience’s attention to I would say, “Because I can.” The real them and away from the gentlemen. reason is that I wanted to reflect on Who knew that a gown could (and the performance and on formation should) be such a powerful tool in the teams in general. To start, I will say performance? that we had a lot of fun dancing our Viennese waltz to flamenco music. I now understand even more clearly how Monica could win three national I first wrote about this choreography championships. In every photo, she in the fall of 2011, and almost a year had the posture and position of a top and a half later, we performed as performer, but it was her expression a team. Almost. Monica paired the that drew me in. Monica is always ladies with the gentlemen by height. coaching us that dancing comes from John S. Munday is a writer and lawyer who Jim Tomlin and Mary Brusven were the inner core. I now understand lives in Isanti County, Minnesota, with his the shortest (or least tall), David how that applies to expression, too. wife, Fran. Together, they found ballroom Brusven and Irene Erickson were in You connect to the inner core of the dancing at Cheek to Cheek Studio, where the middle, and I was paired with soul when you perform your dance. Jack takes lessons with Monica Mohn. Jack’s Julie Elholm. The ascent in dancer We did the right leads and steps and book, Beauty in Partnership, A Memoir height fit nicely with the diagonal kept with the rhythm of the music, of Ballroom Dancing, is available at lines and triangles we formed. finishing as the last note sounded. We gentlemen focused on the movement www.johnsmunday.com and several dance There have been a number of reasons studios. of the dance patterns, so our expres- we haven’t performed before this sions reflected concentration rather showcase, most of them to do with than passion. I look forward to our health. My neck surgery is one exam- next performance, where the men will ple. This time, Julie injured her foot stand taller and dance bigger, giving (and has now recovered). The injury the gowns a run for their money, and prevented her from being part of this replacing the expression of concentra- performance. Fortunately, Julie will tion with the macho passion that I be back with us at our performance at know is in my dancing soul. We hope the Twin Cities Open in July. to have the ladies so overwhelmed that they throw themselves at our So I was saddled with Monica. I’m feet. being funny. Actually, I had the honor of having Monica as my partner. We Is it worth it to dance in formation? three couples gathered with genuine For me, the answer is a very certain, excitement as the music started. Off “Yes!” Getting to know and dance we went, and we had a ton of fun. At with others who have the same ap- the end, as we walked off to very nice preciation of dancing as you do is a applause, we wore the smiles of danc- delight. So is performing, and while ers feeling good about their dancing. we don’t actually compete with other teams, we do get to be center stage for When I looked at the photos Fran our moment in the sun. We’ll perform took of our performance, I made sev- this specific dance for a while, then eral interesting observations. Firstly, maybe something new. n
26 MDT / July 2013 www.usadance-mn.org Competition Calendar
Jul 11-13, 2013 Oct 12 - 13, 2013 Twin Cities Open Ballroom Championships Northwest DanceSport Championships - NQE Hosted by Scott & Amy Anderson at the Minneapolis Hosted by Portland USA Dance Chapter #1006. Marriott City Center. Visit www.twincitiesopen.com or Qualifying event for 2014 Nationals. email [email protected]. Nov 1 - 3, 2013 Jul 27, 2013 Chicago DanceSport Challenge - NQE Southern Star Mid-Summer Classic Hosted by Chicagoland USA Dance Chapter #2001. Hosted by Southern Star USA Dance Chapter #6038 in Qualifying event for 2014 Nationals. Tampa, FL. Will not accrue proficiency points and may not follow all rules in the rulebook. Feb 15 - 16, 2014 Mid-Atlantic Championships - NQE Aug 10 - 11, 2013 Hosted by Mid-Eastern USA Dance Chapter #6001 in 2013 Heartland Classic - NQE Bethesda, MD. Qualifying event for 2014 Nationals. Hosted by Heartland, IN USA Dance Chapter #2022. Qualifying Event for 2014 Nationals. Mar 28 - 30, 2014 2014 National DanceSport Championships. Sep 7, 2013 To be held in Baltimore, MD. Kansas City Dance Classic Organized by Matt & Ellen Pansing in Overland Park, KS. Aug 1 - 3, 2014 Will not accrue proficiency points and may not follow all Derby City DanceSport Championships - NQE rules in the rulebook. Sponsored by Greater Louisville USA Dance Chapter #2021 in Louisville, KY. Qualifying event for 2015 Sep 28, 2013 Nationals. New England DanceSport Championships - NQE Hosted by MASSabda USA Dance Chapter #3002 in Danvers, MA. Qualifying event for 2014 Nationals.
Oct 4 - 6, 2013 Carolina Fall Classic - NQE Organized by Wayne & Marie Crowder in Charlotte, NC. Support the Qualifying event for 2014 Nationals. Minnesota Dancing Times!
The Dancing Times is put together every month by the volunteer efforts of people across the Minnesota dance community. Help us continue to distribute this publication by advertising in the Dancing Times or by donating to our print- ing fund. Email Bonnie Burton at bonniebur- [email protected] or call (952) 454-4620 to learn more about opportunities for advertising in the Dancing Times.
www.usadance-mn.org July 2013 / MDT 27 ASK DR. DANCE Submit your questions to Dr. Dance: [email protected].
I’m shopping for a new dress—open made to me. When I’m looking for standard for now, but I’ll probably a dress that will wow the judges, Q: be looking for a new rhythm dress what are some things I should be soon, too. I’m no expert, but some- sure to look for? And are there cer- times $5,000 dresses look cheaply tain questions I should ask?
Donna Said: should also always compete in clean Make sure you deal with a reputable satin dance shoes. Once they are dirty dressmaker. If this is your first dress Great costumes enhance your figure, or worn, they need to be used as prac- from that company or designer, make disguise flaws in your technique, help tice shoes. sure you practice all your dances in further the image that you want to the dress to eliminate future issues. portray as a dancer, and attract atten- Ask your teacher or coach and dress- If a dress looks weirdly multicolored tion by being beautiful or striking. maker what advice they have for your but kind of cool, resist the impulse to Judges are wowed by the whole pack- next costume. Because styles change be quite so different. Ask your teacher age: dancing, performance, and visual all the time, make sure you are in- for his or her opinion. Above all, trust appeal. When your look and your formed about what’s being worn now. your own instincts. Good luck! dancing are in harmony and create a If you are shopping for a standard picture of class, elegance, beauty, or gown, check out pictures of the recent glamour, you are on the right track. Blackpool professional finalists, as The Dance Medic Said: those dancers will be the style-setters. Fit is the critical thing, and fit means The biggest costuming mistakes that many different things. Here are some I notice when judging are dancers Ultimately, you have to look good and useful questions, as requested. wearing costumes that are too tight feel comfortable in whatever costume and show bits and bulges; wearing you purchase. You’ll never please First does the gown fit your body, exposed styles made for young, ath- 100% of the judges with your costume flatter it, and move easily with you? letically toned dancers when it would choice, so make sure that you love When you try on a gown, take your be more flattering to be covered; and what you buy. dance position and do a little shap- wearing nude dance pants that draw ing. Does the gown shape with you? our attention away from your dancing Paul Said: Does it reveal anything you are not and make us worry that part of your comfortable with? Is it appropriate to costume is missing. I think that no dress will make you the condition and age of your body? win a competition, but a bad dress can Are design lines placed well on your Looking great does not have to cost certainly lose a competition for you. If body? If your legs are short and your $5,000. If you have a good figure you’re constantly adjusting a strap or body long, does the gown help you and do lovely dancing, sometimes a pulling down a skirt that is too tight, look like a standard dancer or tell the simple, elegant style with fabulous you are certainly drawing the judges’ judges you might be better suited to jewelry and professionally done hair attention for the wrong reasons. Latin? If your bust is big and your and makeup can look great. You
Donna Edelstein is Paul Botes is a dance The Dance Medic a coach, judge, and instructor, coach, is a member of the organizer of the Snow choreographer, and Minnesota dance Ball DanceSport judge. He is an owner community chosen Competition. of American Classic each month based donnawrites@msn. Ballroom, located in on his or her unique com 763-557-6006 Chanhassen, MN. insight on the question.
28 MDT / July 2013 www.usadance-mn.org shoulders wide, does the gown pro- when you are breathing between buyback program, and what does vide balance for those features else- dances, away from your partner, but that entail? Some take your gown on where? And then, if alterations will $1,000 spent on stoning for the front of consignment, and some buy back at be done, will they be done well and the gown is not money well spent for half the original value toward another in a timely fashion? If it still does not your purpose. gown from their company. Some re- fit after the alterations, then what is quire prodding to pay you when your your recourse? And for standard, is it And then, does the gown fit your gown does sell. Find out what com- the right length, or will you fall to the personality? Sometimes dancers allow mitment you are making when you floor when you catch your heel after well-meaning advisors to drag them buy. And here is where the “cheaply you lower and reach back? well outside their personal comfort made” consideration comes into play. zone in the quest for a “better” look on Does it have sharp embellishment Next, does the gown fit your dancing? the floor. Often, those dancers simply that will rip your partner’s tail suit to You do not mention a level, so your cannot carry off the image that others shreds? Will the feathers, rhinestones, could be dancing open bronze, silver, believe they need, and nothing looks and beads stay on? Is it alterable for gold, or you might be trying to win worse than feeling like you do not be- the next buyer? at championship level. Your gown long in what you are wearing. Choose should not make any promises about something that promotes who you are. Finally, does the gown fit your bud- you that your dancing cannot keep. You might get a little boost toward get? $5,000 is a substantial investment. If you look like a wow, then you had something to which you aspire from a Will you still be able to afford coach- best actually be a wow. Does it have gown, but integrity is visible to judges, ing, travel, and entry fees? Does the hem details that call attention to your and most would rather see a realistic price reflect what you have to spend? footwork? Then your footwork must presentation than a clash of values. Because not all gowns cost $5,000. be spot on. Does it show lots of back? Appropriate costuming can help you Then your musculature had better Next, does the gown fit your pur- on the floor, but no gown can win for be correctly active. Was it actually poses? Do you plan to wear it for one you. You say you want to wow the designed for your style (in your case, event, one season, one year, or keep judges. Do that with your dancing, standard) and hence have detail and it for a long time? Is it super trendy and be sure your gown supports your focus that shows best in hold, since or more classic? What kind of resale efforts with a perfect fit. n you will not be doing open work? It value do you want it to have when obviously needs to look wonderful you sell it? Does the seller have a
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➲➲Contact Anne 612.280.7818 ➲➲Contact Theresa Kimler 612.414.3099 [email protected] Contact for photos. Most dresses also for rent for $250-$300. Photos and more information: Size 6-10: White Smooth Gown with Gold and Turquoise Accents www.narrowcouture.com/#!/users/tkm/items Designed to accentuate your figure with ruching and sleek lines. Great Size 2-8: Marilyn Monroe-Inspired Ballgown flared skirt at the bottom for maximum impact. Gorgeous belt and arm White gown with gold waist accent shaped perfectly to create a slim bands. Made by Marsha Wiest-Hines. silhouette. Silk skirt, slit on right leg, mid-height backline. Made by ➲➲Contact Cheri 763.544.6724 [email protected] Doré. $2800. Size 2-6: Trendy Gold Ballgown Contact for details and photos. Super-shiny with rhinestone accent design to complement any figure. Size 2-6: American Smooth Gowns Best on someone who wants to stand out in a crowd. Classic design $500-$700. meets the latest trend in fabrics! Includes super-sparkly armbands. ➲➲Contact Janie 763.797.5230 [email protected] $2800. Contact for photos. More gowns available to purchase and rent. Size 2-8: White & Black Couture Ballgown Payment plans accepted. Designed by Chanel, brought to life by Jordy. Look for the signature crossing-C design. Black sheer over nude top with full rhinestones, Size 2-8: Gorgeous Peach Championship Gown long sleeves, white skirt. Mid-height backline. Great for standard or One of a kind! Beautiful open back, stretch satin skirt with godets add smooth. $2400. fullness to movement. Fully stoned bodice and elegant gloves to match! Size 2-8: 2 Elegant Smooth Gowns with Long Sleeves and Fox-Fur Like new! Made by Marsha Wiest-Hines. $1200. Cuff Size 2-8: Beautiful Pink/Metallic Gold Smooth Gown 1) Black mesh peeks through an intricate velvet pattern overlay. Cobalt Very feminine look with lace trim on neckline, bodice, long sleeves and blue rhinestones. Made by Doré. $2000. hems. Full coverage in AB multicolor stones! Like new—worn only 2) Gorgeous sheer navy blue with rhinestones from top to bottom. twice! $1100. Made by Randall Designs. $2000. Size 2-8: Elegant Black Championship Gown Size 2-8: The Ultimate White Designs to Shine Gown Luxurious maribu boa on hem and neckline. Beautifully designed Multiple blue-shaded stone pattern. 3-layer skirt, armbands, amazing with open back and long sleeves. Shows off curves. Covered in AB necklace, hair accessory. Must-see. Worn twice. $4000. multicolor stones. $1100 OBO. Size 2-8: Latin/Rhythm Dress - Black with Red Scarves Size 2-8: Black Gown with Hot Orange & Yellow Accents Jet stones, silk chiffon skirt, 3/4-length sleeves, sweetheart neckline, Stunning gown has fiery orange and yellow accents, drapes on long bracelet, earrings, hair decoration. Made by Doré. $1000. sleeves, bodice, and chiffon layers of skirt. Sexy slit shows off legs. Size 2-8: Latin/Rhythm Gown Beautiful color rhinestones. $800 OBO. Black stretch velvet bodice. Multi-layered silk skirt that ends at knees Size 2-8: Sexy Pink & White Rhythm Dress when still. A great dress for the classic, movie-star type dancer. This stunning dress has tons of stones, beautiful pearl beading, Effortless wear. Made by Doré. $1000. and flirty skirt! Bracelets, necklace, and accessories included. A Size 35.5 (US 6.5): Dance Naturals Tan Satin Latin/Rhythm Shoes showstopper! $700. 2-1/2” heel. Brand-new. $75. ➲➲Contact Bernice 952.936.2185 or 952.545.2989 Size 5EU (US 7 to 7.5): Supadance 1026 Beige Leather Practice Shoe Size 7 ½ to 8N: Ladies’ Smooth Capezio Dance Shoes Worn once. $75. Closed-toe pumps. Flesh-colored. Worn once. $50. ➲➲Contact Gail 651.387.0885 [email protected] Size 5: Elegance Shoe Company Ladies Open-Toe Shoes 2 1/2 inch heel. Flesh-colored. Great quality; no longer fit due to pregnancy. $45. DANCE PARTNER WANTED ADS Looking for a practice partner? Compose an ad letting potential partners know what you're looking for and how to contact you. Submit ads of a maximum of three lines to [email protected]. Please include area code with any phone number.
➲➲Vee Hammond 651.206.9890 vee. and rhythm. 3 years’ dance experience. Takes ➲➲Justin Sundberg 612.964.1741 [email protected] lessons weekly. Will provide floor time. St. [email protected] Follow, 5’ 2”, seeks practice partner for Paul. Lead, 5’10”, 28, seeks practice partner for bronze/some silver-level Latin and smooth smooth, rhythm, and WCS. Open to all styles ➲➲Jane Phipps 612.859.5245 styles. Takes private lessons periodically. and possible lessons or competition. 3 years’ [email protected] Loves to perform. Possible lesson sharing, experience. Will provide floor time at a major Follow, 5’5”, seeks practice partner for showcases, or competitions. studio. bronze/silver competition-level smooth and ➲➲Marty Faeh 952.220.1851 rhythm. 3 years’ dance experience. Takes [email protected] lessons regularly. Any practice location okay. Lead, 5’11”, 51, seeks practice partner for bronze competition-level standard, smooth,
30 MDT / July 2013 www.usadance-mn.org DANCE CONTACTS A collection of businesses and clubs of interest to Minnesota dancers. If you'd like to be listed on this page, send your contact information to [email protected].
Studios Dance with Us America Instructors: Services 10 Southdale Center, Edina Jeffrey Ringer American Classic Ballroom 612.564.5483 Made for Movement 550 Market Street, Chanhassen www.dancewithusamerica.com Clubs 952-595-0003 952.934.0900 Instructors: www.made4movement.com www.acballroom.com Elena Bersten, Gene Bersten Aqua Gliders Dance Club Contact: Instructors: Dancers Studio 612.869.3062 Marsha Wiest Hines Natalie Palmer Botes, Paul Botes 415 Pascal Street N, Saint Paul Café Bailar Services: Arthur Murray Dance Studio 651.641.0777 www.cafebailar.com Costume design, production, and 534 Selby Avenue, St. Paul www.dancersstudio.com tailoring Cotillion Dance Club of 651.227.3200 Instructors: Stillwater Oh Sew Special Sophia Ardalan, Shane Haggerty, P.O. Box 102, Stillwater, MN 55082 7300 South France Avenue Suite Balance Pointe Studios 323, Edina 5808R W 36th Street, St. Louis Park Jeff Halverson, Christine 651.388.1231 Hardcastle, Bonnie Inveen, Chris [email protected] 952-746-5539 952.922.8612 Kempainen, Troy Lerum www.ohsewspecial.net www.balancepointestudios.com Contacts: E.R.V. Dance Studios Ballroom Scott and Maggie Paynter Contact: Instructors: & DanceSport Susan Richardson Cindy Nehrbass, Jeff Nehrbass 816 Mainstreet, Hopkins LaDanza Dance Club Stillwater, MN Services: Ballroom & Wedding Dance 952.303.3339 Tailoring, alterations, and redesign Studio [email protected] 651.439.3152 2717 42nd St E, Minneapolis www.ERVdancestudios.com facebook.com/LaDanzaDanceClub Satin Stitches Ltd. 11894 Round Lake Blvd NW, 612.371.0300 Instructors: Contacts: Minneapolis www.myballroomdancestudio.com Amber Anderson, Rachelika Mark and Wanda Bierbrauer 763.323.9507 Instructor: Baruch, Shailyn Fonseca, Sayoni Linden Hills Dancing Club Haldar, Aiden Mamedov, Eliecer 1.800.48SATIN Tom Larson Lake Harriet United Methodist www.satinstitches.com Ramirez Vargas, Rebecca Rae Church, 4901 Chowen Avenue Blue Moon Ballroom Ramirez, Will Weaver South, Minneapolis Contact: 2030 Hwy 14 E, Rochester Deborah J. Nelson Four Seasons Dance Studio 952.412.7230 507.288.0556 1637 Hennepin Ave S, Minneapolis www.lindenhillsdancingclub.org Services: www.BlueMoonBallroom.com 612.342.0902 MN West Coast Swing Dance Custom-designed dancewear heek to heek tudio C C S www.fourseasonsdance.com Club 11415 Foley Blvd NW, Coon Rapids Instructors: B-Dale Club, 2100 N Dale St, 763.755.3644 Bruce Abas, Rebecca Abas Roseville Instructors cheektocheekdancestudio.com Fred Astaire Dance Studio 651.487.6821 Scott Anderson 612.816.4446 Instructor: 1975 Seneca Road, Suite #700, mnwestcoastswingdanceclub.com Klaudyna Borewicz 612.203.9123 Harry Benson Eagan, MN 55122 REBELS Swing Dance Club Rachel Damiani 612.718.6823 Cinema Ballroom 651.451.6300 952.941.0906 Nathan Daniels 763.545.8690 1560 St. Clair Ave, St. Paul www.FredAstaireMN.com www.tcrebels.com Jennelle Donnay 651.357.2060 651.699.5910 North Star Dance Studio Stardust Dance Club Julie Delene 612.598.5355 www.cinemaballroom.com Bloomington, MN Dine and Dance Donna Edelstein 612.910.2690 [email protected] Jennifer Foster 952.922.8316 Instructors: 612.799.4147 Robert Foster 952.922.8316 Meghan Anderson, Jonathan facebook.com/northstar.dancestudio Suburban-Winterset Dance Club Woman's Club of Minneapolis, 410 Esther Granbois 612.872.1562 Chen, Dustin Donelan, Eric Instructors: Hudson, Michelle Hudson, Kirsten Oak Grove Street, Minneapolis Lindsey Rebecca Hall 612.940.9546 Michael D. Bang, Laia Olivier McCloskey, Nadine Messenger, 952.894.1412 David Hanson 218.722.0742 Shane Meuwissen, Martin Rendezvous Dance Studio www.suburbanwinterset.com Julie Jacobson 651.261.6442 Pickering, Dipendra Thakur, 711 W Lake Street, Suite B, Jay Larson 651.387.3886 Douglas Wallock Minneapolis Tango Society of Minnesota 612.224.2905 Kristina Lee 715.821.9039 Dahl Dance Center 612.872.1562 www.mntango.org Shinya McHenry 808.294.1983 River Center Plaza, 1619 North www.theplacetodance.com Deanne Michael 612.508.9255 Broadway, Rochester Tapestry Folkdance Center Social Dance Studio 3748 Minnehaha Ave, Minneapolis Monica Mohn 612.874.0747 507.252.1848 3742 23rd Ave S, Minneapolis Mariusz Olszewski 612.242.5159 612-722-2914 www.dahldance.com Karin Rice 612.242.2188 612.353.4445 www.tapestryfolkdance.org Dance and Entertainment www.socialdancestudio.com Mary Rosenstiel 612.720.2584 USA Dance, Minnesota Chapter 651.605.5784 Instructors: Lisa Vogel 651.208.0818 651.483.5467 [email protected] Joy Davina, Todd Paulus www.usadance-mn.org www.danceandentertainment.com StudioJeff Instructors: 701 St. Germain St W Suite 201, St. James Wood, Tricia Wood Cloud 320.266.4137 www.studiojeff.com
www.usadance-mn.org July 2013 / MDT 31 MINNESOTA DANCING TIMES A publication of the Minnesota Chapter 2011 of USA Dance 7050 49th St. N • St. Paul MN 55128
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