The Pattern of the Times (Ed)

Total Page:16

File Type:pdf, Size:1020Kb

The Pattern of the Times (Ed) 1 D National Distribution: The Pattern Of The Times (Ed) ... Canadian Copyr't Board OK's `Tariff' To Labels On Performances...1st Pirate Felon In U.S. Is Prosecuted & Jailed ... Capitol Shifts: Asher Exits Label; Davis To Coast Post ... Fantasy Pics CAT STEVENS: TEA -BONE STAKES ART AND RECOR 1:XS Dr--.PAR www.americanradiohistory.com MIMI MIL 31INULIC FROM 111E LONG-AWAI LUMillA DEBUT ALBU F THE RASCALS Felix Cavagere' Dino Danelli have e The Rascals into a powe' exciting musfeal gro-apo six members. Felix i sii writing his great music Dino is more dynamic thateii ever on drums. "Peaceful World" is The Rascals' debut album Columbia and has taken almost a year to mal.e. It's two great records of bea ful music that communie at every level. "Love Me" is the song that AM, Top -40 and FM underground frtatior s seem to have agreed on as the hit' sound. So "Love Me"It. is. The single is now being - he to every major station in the country. If you've wondered what - The Rascals have beer_ doing for the past year, relax_ They're back and they've taken an exciting new direction,. Columbia is proud b welcome them. /11 "LOVE Mr49-4540 WINE RAS ON COLUMBIA RECORDS* MUSIC OF OJR TIME FROM THE MUSIC COMPANY G 30462 A specially priced 2 -record set. Also ave lable on tape. www.americanradiohistory.com WI MI \1 iiñiïiim. 111111111 Main 11/11111\\ THE INTERNATIONAL MUSIC -RECORD WEEKLY Cash Box Vol. XXXII - Number 49/May 29, 1971 Publication Office/1780 Broadway, New York, New York 10019/Telephone: JUdson 6-2640/Cable Address Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ED KELLEHER ERIC VAN LUSTBADER KENNY KERNER EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING STAN SOIFER Nat'l Distribution Deals: Advertising Manager ACCOUNT EXECUTIVES ED ADLUM, New York HARVEY GELLER, Hollywood WOODY HARDING Art Director COIN MACHINE & VENDING ED ADLUM The Pattern Of The Times General Manager CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif. 90028 Phone: (213) 465-2129 NASHVILLE JUANITA JONES 806 16th Ave. South, Nashville, Tenn. 37203 Phone: (615) 244-2898 CHICAGO CAMILLE COMPASIO National distribution of indie re- the desire of this vital force in the 29 E. Madison St., Chicago, Ill. Phone: (312) Fl 6-7272 cording operations has emerged as creation of industry product to con- the business ENGLAND HOLLAND counterpart of the con- centrate on studio time rather than DORRIS LAND PAUL ACKET glomerate buy-outs of the late 60's. day-to-day administrative tasks. But, 3 Cork Street Theresiastraat 59-63 Due to a number of they, nec- London WI The Hague factors, chief like their counterparts not Tel. 01-7342374 Tel: 837700 among them the acquisition of most essarily involved in studio activities, GERMANY ITALY of the formerly indie operations dur- are taking a new consideration into CHRISTIAN TOERSLEFF GABRIELE G. ABBATE Viale A. Doria 10 2 Hamburg 56 ing the acquisition splurge and the account when going through with na- 20124 Milano Leuchtturmeg 30 disenchanting economy, the trade is tional This Tel: 34-91-94-86 BELGIUM distribution associations. BRAZIL ETIENNE SMET no longer confronted with a rash of is simply the state of the economy PEDRO FRAZAO Postbus 56 buy-outs that made weekly headline and the restrictions it places on going - B-2700 Sint-Niklaas DE VASCONCELOS Tel, (03) 76-54-39 Rua Frei Caneca, II, Apt. 13 news in the trades a few years ago. it -alone with the now vast administra- Sao Paulo, S.P., Brazil AUSTRALIA Tel: 257-I5-58 In their place have come national tive apparatus needed to do business PETER SMITH distribution deals wherein most re- in the modern recording industry. Be- ARGENTINA 40 Winters Way MIGUEL SMIRNOFF Doncaster 3108 cording entities of consequence have yond this, each party to this arrange- Victoria, Australia Belgrano 3252, Piso 4 "B" taken on either long indies ment retains advantages Buenos Aires, Argentina MEXICO established of freedom Tel: 89-6796 SALVADOR ARREGUIN and/or new labels set up specifically to explore product development (the CANADA ANTONIO SENS for national distribution associations. label being handled) and greater po- WALT GREALIS Tiber 100 - 7 y 8 Pisos RPM Mexico 5, D.F. There is no question that smaller label tential to be part of a successful flow 1560 Bayview Ave. Tel: 525-39-52 II -62-96 Toronto 17, Ontario operations now prefer deals of this of product (the national distributor). Tel: (416) 489-2166 JAPAN sort, particularly those established by Needless FRANCE Adv. Mgr. to say, the temperament SACHIO SAITO "indie producers," who in the light of FRANK LIPSIK of the times can dictate a change in I -II 2-Chome Shinbashi 5 Rue Dormeuil these deals have become less Alfred Minato -Ku, Tokyo "indie" 78 Croissy the philosophy of the national distri- Tel: 225-26-31 and more "exclusively" involved in the Tel: 504-1651 butor alliance. But, as things stand SPAIN Editorial Mgr. acts that form their own label rosters. now, it is a prime motivating factor in JOAQUIN MERINO FUMIYO TACHIBANA Interestingly, some of the major indies Presidente Carmona, II I -II 2-Chome Shinbashi the flow of product. While there are Madrid 20, Spain Minato -Ku, Tokyo who were not gobbled up during the Tel. 270-2915 Tel: 504-1651 era of acquisitions are now busily en- numerous indie operations on the gaged in handling distribution for scene today, most of them owe their SUBSCRIPTION RATES $30 per year anywhere in the U.S.A.. Published weekly at 34 N. Crystal Sf., E. Strouds- others, with A&M and Motown as chief administrative functions to the few burg, Pa. by Cash Box, 1780 Broadway, New York, N.Y. 10019. Second class postage paid at New York, N.Y., examples. operations which can claim the kind U.S.A. and additional offices. Copyright © 1971 by The Cash Box Publishing Co., Inc. With regard to labels run by pro- of in-depth functions that makes such All rights reserved. Copyright under Universal Copyright Convention. ducers, such deals continue to reflect an industry condition possible. www.americanradiohistory.com 1 NEVER CAN SAY GOODBYE DOUBLE LOVIN' 68 ITS SO HARD FOR ME Jackson 5 -Motown 1179 2 2 The Osmonds-MGM 40 56 TO SAY GOODBYE BRIDGE OVER TROUBLED WATERS iBOOTY BUTT Eddie Kendricks-Tamla 54203 69 74 Aretha Franklin -Atlantic 2796 4 5 Ray Charles Orch.-Tangerine 1015 (Dist: ABC) 24 25 69 FLIM FLAM MAN BROWN SUGAR IT'S TOO LATE Barbra Streisand -Columbia 45384 73 82 oiling Stones -Rolling Stones 19100 (Dist: Atlantic) 5 9 Carole King -Ode 70 66015 (Dist: A&M) 59 84 70 I'LL ERASE AWAY THE PAIN 4 JOY TO THE WORLD PUPPET MAN Whatnauts-Stang 5023 72 75 3 Dog Night -Dunhill 4272 (Dist: ABC) 1 1 Tom Jones -Parrot 40062 52 71 HELP ME MAKE IT THROUGH CHICK A BOOM LIGHT SINGS THE NIGHT Daddy Dew Drop -Sunflower 105 (Dist: MGM) 6 7 5th Dimension -Bell 999 45 59 Joe Simon -Spring 113 (Dist: Polydor) 75 77 WANT ADS SHE'S NOT JUST ANOTHER WOMAN YOU'VE GOT A FRIEND The Honey Cones -Hot Wax 7011 (Dist: Buddah) 8 12 8th Day-Invictus 9087 (Dist: Capitol) 51 63 James Taylor -Warner Bros. 7489 7 LOVE HER MADLY INDIAN RESERVATION I DON'T WANNA DO WRONG Raiders -Columbia 45332 50 62 Doors-Elektra 45726 7 8 Gladys Knight & Pips -Soul 35083 (Dist: Motown) 89 ME AND YOU AND A DOG 42 GIVE MORE POWER TO THE HERE COMES THAT RAINY NAMED BOO PEOPLE DAY FEELING Lobo -Big Tree 112 (Dist: Ampex) 9 11 Chi -Lites -Brunswick 55450 29 29 Fortunes -Capitol 3086 86 97 IT DON'T COME EASY 43 I CRIED SOONER OR LATER Ringo Starr -Apple 1831 10 14 James Brown -King 6363 46 50 Grass Roots -Dunhill 4279 10 PUT YOUR HAND IN THE HAND 44 LIFE 76 DONE TOO SOON Ocean -Kama Sutra 519 (Dist: Buddah) 3 3 Elvis Presley -RCA 9985 48 60 Neil Diamond -Uni 55278 81 SWEET AND INNOCENT 00H P00 PAH DO 77 SEA CRUISE Donny Osmond -MGM 14227 13 17 Ike & Tina Turner -United Artists 50782 55 67 Johnny Rivers -United Artists 50778 83 89 SUPERSTAR 46 FEELIN' ALRIGHT 78 I DON'T WANNA LOSE YOU Murray Head -Decca 32603 14 16 Grand Funk Railroad -Capitol 3095 49 55 Johnnie Taylor-Stax 0089 84 I'LL MEET YOU HALFWAY 47 WE CAN WORK IT OUT 79 CAN'T FIND THE TIME Partridge Family -Bell 996 19 35 Stevie Wonder-Tamla 54202 (Dist: Motown) 30 10 Rose Colored Glass -Bang 584 85 87 TONGUE 14 TIP OF MY THAT'S THE WAY I'VE ALWAYS BAD WATER Brenda & Tabulations -Top & Bottom 407 15 24 Raelettes-Tangerine 1014 (Dist: ABC) 88 96 15 HERE COMES THE SUN HEARD IT Carly Simon-Elektra 45724 57 68 BRING THE BOYS HOME Richie Havens -Stormy Forest 656 (Dist: MGM) 16 22 Freda Payne-Invictus 9092 (Dist: Capitol) 16 TOAST AND MARMALADE FOR TEA 49 I DON'T BLAME YOU AT ALL CHICAGO Tin Tin-Atco 6794 17 21 Smokey Robinson & Miracles -Tamia 54205 (Motown) 37 18 Graham Nash -Atlantic 2804 - 17 WOODSTOCK HIGH TIME WE WENT 83 TAKE ME HOME, COUNTRY ROAD Matthew's Southern Comfort -Decca 32774 18 19 Joe tocker-A&M 1258 60 78 John Denver-RCA 0445 90 94 NATHAN JONES 51 THE COURT ROOM BEEN TOO LONG ON THE ROAD 21 33 Supremes-Motown 1182 Clarence Carter -Atlantic 2801 54 64 Mark Lindsay -Columbia 45385 - MONDAYS RAINY DAYS AND FUNKY NASSAU 85 SIGNS Carpenters-A&M 1260 27 41 Five Man Electric Band -Lionel 3213 (Dist: MGM) 92 98 Beginning Of The End -Alston (Dist: Atlantic) 65 76 20 REACH OUT I'LL BE THERE 86 WHAT YOU SEE IS WHAT YOU GET Ross -Motown 1184 22 34 DON'T PULL YOUR LOVE ON ME Diana StoneyAWAY& Meatloaf-Rare Earth 5027 93 Hamilton, Joe Frank & Reynolds -Dunhill 4276 74 85 DON'T KNOCK MY LOVE WALK Wilson Pickett -Atlantic 2797 25 30 54 I AM .
Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • The Twenty Greatest Music Concerts I've Ever Seen
    THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
    [Show full text]
  • Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
    Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer.
    [Show full text]
  • TONIGHT's GAME • Tonight's Game Is the Only One Between the Ambush
    Saturday, February 1, 2020 · 7:00 p.m. EST · 6:00 p.m. CST ROC Dome · Henrietta, !ew #ork St. %ou & 'mbu&( at Ro)(e&ter %an)ers *eb)a&t: ma&+.t, St. %ou & 'mbu&( -AS% .ame 106 Ro)(e&ter %an)ers 6-8 OVERALL St. %ou & 'mbu&( .ame 1/ 0-12 OVERALL 4-3 HOME St. %ou & 'mbu&( '"ay .ame 0 0-7 HOME 2-5 AWAY Ro)(e&ter %an)ers .ame 11 0-5 AWAY 0-0 HEAD TO HEAD Ro)(e&ter %an)ers Home .ame 0 0-0 HEAD TO HEAD TONIGHT3 S .'-E • Tonight’s game is the only one between the Ambush and Lancers slated for the 2019-20 regular season. 4US# *EE6END FOR 4OTH TE'-S • This is a busy weekend for both teams, as they each have back-to-back contests on the schedule. • Rochester has a slight scheduling advantage, as both of their games are at home, while both games for the Ambush are on the road. • St. Louis lost 4-3 to Utica City FC last night in Utica. • Rochester lost 9-1 last night to Baltimore. *HO’S HOT: ST. %OUIS '-45SH • Ambush forward Tony Walls leads the team in points (22) and assists (seven) and is tied for the team lead in goals scored (15). Tony has a goal and two assists in his last three games. • Ambush forward JT Thomas is second in points (21), and is tied with Walls for the team lead in goals (15). He has three goals in his last three games.
    [Show full text]
  • TONIGHT's GAME • Tonight's Game Is the Third and Final Match Between St
    Friday, January 31, 2020 · 7:00 p.m. EST · 6:00 p.m. CST Adirondack Bank C n! r · "!ica, # w %ork St. &oui' Ambu') a! "!ica Ci!y FC * (ca'!: ma'+.t, S!. &oui' Am(u') -AS& .am 102 "!ica Ci!y FC 6-7 OVERALL S!. &oui' Am(u') .am 1/ 7-3 OVERALL 4-3 HOME S!. &oui' Am(u') A$ay .am 7 4-1 HOME 2-4 AWAY "!ica Ci!y FC .am 11 3-2 AWAY 1-1 HEAD TO HEAD "!ica Ci!y FC 0om .am 6 1-1 HEAD TO HEAD T1#2.0T3 S GA-E • Tonight’s game is the third and final match between St. Louis and Utica slated for the 2019-20 regular season. • The Ambush won the first encounter between these two teams 7-6 at The Family Arena on January 17. • Utica bounced back to win game two 11-5 two days later (January 19) at The Family Arena. &AST T2-E OUT • Utica should be well-rested as they haven’t played since the January 19 game against the Ambush. • St. Louis had two road games last weekend, defeating Orlando 8-7 on January 24, then falling 7-1 to Florida the next night (January 25). *013S 01T: ST. &1"2S A-B"S0 • Ambush forward Tony Walls leads the team in points (21) and goals (15). He has two goals and two assists in his last three games. • Ambush forward JT Thomas is second in points (20) and goals (14). He has four goals and an assist in his last three games.
    [Show full text]
  • Penfield Rangers Soccer Club, Inc. January 4, 2015
    Penfield Rangers Soccer Club, Inc. January 4, 2015 Call to Order Steve Husband called to order the regular meeting of the Penfield Rangers Board of Directors at 6:05 p.m. on January 4, 2015 at Eastside YMCA. Attendance Steve Husband, President, Karen Drabik, Secretary, Registrar; At-Large Board: Sean Doherty, Jennifer Glen, Jennifer Hare, Chuck Johnson, Chuck Jones, Joe Kozan, Jim Richardson Approval of Board Meeting Minutes A motion was made by Sean Doherty to approve the December board meeting minute , seconded by Chuck Jones. All in Favor:9 Opposed:0. Executive / Committee Reports 1) Coaching Committee – Joel / Amy / Sean /Dan / Gabe a) Technical Training Program Update Terry’s next session will be 1/10. b) Divisional Placement (Required by Feb 5th) Joel requested coaches complete forms and get them to the registrar in the near future. c) U16 Dual Roster 2015 rules are the same as 2014. U16 has five players. Coaching committee will meet to make decision regarding this issue. 2) President – Steve a) Treasurer Status Scott Robinson has resigned, as has Steve Martin. We wish them well. b) RDYSL Advanced Training Consideration of additional training where coaches would select players for supplemental advanced training at the U12-U13 level. A facility would still need to be identified. Further information will be gathered over the next month. c) Board Positions Available i) Field Coordinator Joe Kozan Sean Doherty ii) Picture Coordinator Jennifer Hare iii) Equipment Coordinator Jim Richardson iv) Rochester Rhinos/Rochester Lancers/WNY Flash Liaison Jim Richardson v) July 4th Parade Coordinator Joe Kozan vi) Marketing/Public Relations Committee Jim Richardson Karen Drabik Chuck Jones vii) Policy Committee Chuck Johnson viii) Strategic Committee Chuck Jones Jennifer Hare ix) Finance Committee Pending the identification of a new treasurer x) Uniform Coordinator Karen Drabik d) Certificates of Liability Forms on website.
    [Show full text]
  • University of Cincinnati News Record. Tuesday, October 7, 1969. Vol. LVII
    U . •.,C. :Ltaa Al~ I s.~R ~.ALS Dl·.'lI\ S tON ../:' (. :r ti ;•.n"'II, V:.OF C \ 1\. ' ",COPiES v ·. '.' >5 Z2' t\'JU::: nUIAll (Hit e 4 University of Cincinnati NEWSRE,CORD Pub lished Tuesdays and Fridays during the Academic Year except as scheduled. Vol. 57 Cincinnati, Ohio, Tuesday, October 7, 1'969 No.2 '$pecialeducation cOllllilendable' but no,justification' for deprivillg' students of rights' ..' ,day to ' those who wish to the forum. University President Dr. Walter participate in' the proposed . The original Senate bill as Secretar C. Langsam announced .yesterday educational project." recommended by Vice-President morning that classes will not be The released statement Joe Kornick arid CCM junior Eric can~elled .October 15 .as part of a expressed the belief "that the idea Hauenstein had called for the program. n~tlC:~nWide moratonum on the of special education, is cessation of formal classes for all by Bill Masterson. _ VIetnam war. commendable, but there is no undergraduate day students in Neuu Editor NlX<>;nto en~ t~e war as s~n as In reply to"a Senate res?lutI~n justification for depriving all order that a "program on ' A ,"Day for University of .possible. Th.IS IS..a non-VIolent proposm.g a. Dar for UnIvers~ty students of their right to attend education rather than protest" be Cincinnati Community Awareness pressure tactic, whIch I personally of Ci ne innati . Community the class for which they are established. It was passed by a on Vietnam" IS now in, the support. It's not just a day to rap, awareness on Vietnam", Dr.
    [Show full text]
  • Name Artist Album Track Number Track Count Year Wasted Words
    Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B.
    [Show full text]
  • The Roots and Branches Courtesy Of
    ! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
    [Show full text]
  • Roots and Branches Handout SESSIONS Revnov20
    THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS : Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) THE BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
    [Show full text]
  • Sounding Sentimental: American Popular Song from Nineteenth-Century Ballads to 1970S Soft Rock Emily Margot Gale Vancouver, BC B
    Sounding Sentimental: American Popular Song From Nineteenth-Century Ballads to 1970s Soft Rock Emily Margot Gale Vancouver, BC Bachelor of Music, University of Ottawa, 2005 Master of Arts, Music Theory, University of Western Ontario, 2007 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia May, 2014 © Copyright by Emily Margot Gale All Rights Reserved May 2014 For Ma with love iv ABSTRACT My dissertation examines the relationship between American popular song and “sentimentality.” While eighteenth-century discussions of sentimentality took it as a positive attribute in which feelings, “refined or elevated,” motivated the actions or dispositions of people, later texts often describe it pejoratively, as an “indulgence in superficial emotion.” This has led an entire corpus of nineteenth- and twentieth-century cultural production to be bracketed as “schmaltz” and derided as irrelevant by the academy. Their critics notwithstanding, sentimental songs have remained at the forefront of popular music production in the United States, where, as my project demonstrates, they have provided some of the country’s most visible and challenging constructions of race, class, gender, sexuality, nationality, and morality. My project recovers the centrality of sentimentalism to American popular music and culture and rethinks our understandings of the relationships between music and the public sphere. In doing so, I add the dimension of sound to the extant discourse of sentimentalism, explore a longer history of popular music in the United States than is typical of most narratives within popular music studies, and offer a critical examination of music that—though wildly successful in its own day—has been all but ignored by scholars.
    [Show full text]
  • The Magazine for TV and FM Dxers
    The Official Publication of the Worldwide TV-FM DX Association DECEMBER 2004 The Magazine for TV and FM DXers TV and FM DXing was never so much Fun! IN THIS ISSUE MAPPING THE JULY 6TH Es CLOUD BOB COOPER’S ARTICLE ON COLOR TV CONTINUES THE WORLDWIDE TV-FM DX ASSOCIATION Serving the UHF-VHF Enthusiast THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: DOUG SMITH, GREG CONIGLIO, BRUCE HALL, DAVE JANOWIAK AND MIKE BUGAJ. Editor and publisher: Mike Bugaj Treasurer: Dave Janowiak Webmaster: Tim McVey Editorial Staff:, Victor Frank, George W. Jensen, Jeff Kruszka Keith McGinnis, Fred Nordquist, Matt Sittel, Doug Smith, Adam Rivers and John Zondlo, Our website: www.anarc.org/wtfda ANARC Rep: Jim Thomas, Back Issues: Dave Nieman, DECEMBER 2004 _______________________________________________________________________________________ CONTENTS Page Two 2 Mailbox 3 Finally! For those of you online with an email Satellite News… George Jensen 5 address, we now offer a quick, convenient TV News…Doug Smith 6 and secure way to join or renew your FM News…Adam Rivers 14 membership in the WTFDA from our page at: Photo News…Jeff Kruszka 20 Eastern TV DX…Matt Sittel 23 http://fmdx.usclargo.com/join.html Western TV DX…Victor Frank 25 Northern FM DX…Keith McGinnis 27 Dues are $25 if paid to our Paypal account. Translator News…Bruce Elving 34 But of course you can always renew by check Color TV History…Bob Cooper 37 or money order for the usual price of just $24.
    [Show full text]