University of Florida Thesis Or

Total Page:16

File Type:pdf, Size:1020Kb

University of Florida Thesis Or EXPERIENCING POLICING IN SÃO PAULO AND LOS ANGELES: CONSTRUCTING RACIAL IDENTITIES, SPACE, AND SECOND-CLASS CITIZENSHIP By J. SEBASTIAN SCLOFSKY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2018 © 2018 J. Sebastián Sclofsky To my parents, Pedro and Alicia. To Adi, Itay, and Ilai. And to all the victims of state violence. ACKNOWLEDGMENTS This work would not have been possible without the support and friendship of many people and institutions. First and foremost, I would like to thank the members of my dissertation committee, Philip Williams, Michael Bernhard, Daniel O’Neill, Carlos Suárez-Carrasquillo, and Ieva Jusionyte. For their guidance, their intellectual and personal support, for helping me through tough times, and for believing in me and my project, I will always be indebted and grateful. I would like to acknowledge the Department of Political Science at the University of Florida for their support through these years in Anderson Hall. In particular, I want to thank Sue Lawless-Yanchisin for all her assistance and help, and more important for being like a mother to all of us. I would like to recognize Aida Hozic, Ido Oren, Dan Smith and Michael Martinez for their support too. This dissertation would not have been possible without the financial support from the University of Florida Graduate School, College of Liberal Arts and Science, Center for Latin American Studies, and the Department of Political Science, which allowed me to conduct my fieldwork in Los Angeles and São Paulo. I want to thank the Latino Fund from the American Political Science Association for their financial support too. I am grateful to the Law, Crime and Governance in the Americas Workshop at the Center for Latin American Studies, which provided a forum to present my work and learn from many colleagues addressing similar research projects from different disciplines. I want to thank anthropologists Ieva Jusionyte and Richard Kernaghan for teaching me how to navigate the difficulties of conducting fieldwork in complex and violent contexts. 4 Many of my colleagues in the Department of Political Science at the University of Florida have been extremely helpful throughout the years. In particular my classmate Kevin Baron, who introduced me to his family in Southern California and made my stay in Los Angeles possible. I want to also thank Alec Dinnin, for his friendship, assistance, and his constant encouragement. Many thanks to Chesney McOmber, Dan Eizenga, Dragana Svraka, Mamdou Bodian, Lina Bendabdallah, Oumar Ba, and Ross Cotton. Two colleagues of mine have been very important for me throughout these years. I want to thank Kevin “el Jefe” Funk for his support, his encouragement, and more important for his friendship. Kevin’s integrity and ideals have taught me to stand strong by my principles and to keep fighting to make our society a better place. My family and I will always be grateful to call you, Maca, and Leo our friends; without doubt this has been one of the most important achievements during our stay here in Gainesville. I want to also thank Mauro Caraccioli for his unconditional support, for his constant optimism, and for making me believe that there is hope in academia. My family and I are also proud and happy to call you, Vane, and Celeste our friends. I want to thank Graduate Assistant United, my union, for all their support during my stay at the University of Florida. To all its members and officers, in particular, John Hames, Mary Roca, Lia Meriavaki, Taylor Polvadore, Alec Dinnin, and all other union leaders throughout these years. It has been a privilege and an honor to serve as an officer with you. I would like to acknowledge my colleagues from the Law and Society Association, in particular those working on Critical Police Studies. A special thanks to Danny Gascón for opening the doors to the world of law and society, for introducing me 5 to wonderful people, and more important for becoming a friend. I also want to thank Aaron Roussell, Kate Henne, Andy Baer, Matthew Shaw, Daanika Gordon, Analicia Mejia, Melissa Guzman, Patrick Lopez-Aguado, and Xavier Perez. In Los Angeles, I want to thank Sue and Bryon Baron for welcoming me to their house and their hearts. They were kind enough to have me as their adoptive son during the time I spent conducting fieldwork in Los Angeles. I miss the conversations after a long day of interviews in South L.A., watching the Daily Show, and learning from your experience in the city. I will always be grateful for your kindness and love. Also in Los Angeles, I want to thank Sahra Sulaiman and Misty Wilks for guiding me, introducing me to the people and streets of South L.A., for teaching me how to navigate the different neighborhoods, and more important for making me love South L.A. Many thanks to Marie-Alisse, Adela Barajas, Gilbert Radillo, Mark Anthony from Dignity and Power, Unai Montes-Irueste, Community Coalition President Alberto Retana, and the Empowerment Congress West Area Neighborhood Council for sharing your stories, experience and knowledge. To LAPD officers Sunny Sajasima, Keith Linton, Capt. Jorge Rodriguez, and Sgt. Emada Tingirides, as well as many other anonymous police officers, who took me on rides along, shared their stories, insights, and experiences about South L.A. Finally, I want to specially thank the many anonymous residents of South L.A. who opened their hearts and were kind enough to share their life-stories with me. You are the main characters in this work, I hope I have honored your stories and that of your loved ones. While, as promised, I have kept your identities secret, you are not anonymous to me. 6 In São Paulo, I want to acknowledge first and foremost Patty Liberman and Angel Dachs for allowing me to stay at their house throughout the time I spent conducting fieldwork in the city. We have been friends for many years, and while being away from my family was very hard, living with you made it much easier. I will always be indebted for your kindness and generosity. In São Paulo too, I want to thank Douglas Silva for his help, guidance, and friendship. Without Douglas’s help I would not have been able to conduct my fieldwork in São Paulo and this dissertation would not have been possible, so thank you. A special thanks to my comrades Sheila Stanquieri and Clodoaldo Azevedo. I want to acknowledge Ana Paula Costa, Samara Vitoria, Josiane Santos, Prof. Tiago Matheus, Camila Nunes, Associação Santos Mártires in Jardim Ângela, Escola Afiz Gebrara in Capão Redondo, Samira Bueno from the Fórum Brasileiro de Segurança Pública, Daniela Skromov and Wil from São Paulo’s Public Defense Attorney’s Office, and the office of the Military Police Ombudsman, for sharing their knowledge and experience with me. To all the Military Police officers who agreed to be interviewed for this work, many thanks. Finally, as in Los Angeles, I want to acknowledge all the anonymous residents of São Paulo’s periphery, who opened their hearts and shared their stories and those of their loved ones. I hope I have honored your stories and those of your loved ones, and while, as promised, I kept your identities secret, you are not anonymous to me. Living far away from Uruguay for so long has not been easy. Therefore, I want to thank the maestro Óscar Washington Tabárez, for his work in Uruguay, for reminding me the character and greatness of this small country lost in a small corner of the 7 American continent, and for making it easier to live all these years abroad. The “¡Uruguay nomá!” has given me the strength to keep going, gracias maestro. In Uruguay too, I want to thank Gabriel “Pote” Korytnicki and Martín Hodara for their friendship and support throughout the years. Finally, I want to thank my parents, Pedro and Alicia, for their unconditional love, their constant support, for believing in me, and for encouraging me to pursue my dreams, as crazy as they may have been. For teaching me what justice really means, and that all the money in the world is not worthwhile as long as others are suffering. I hope I have made you proud. To my sisters, Sandra and Patricia, for their love, support, and encouragement, and for always being there. To my brothers-in-law, Ignacio and Daniel, for their support and love, and for being parents to Vicky, Lalo, and Guille, the best nephews in the world. To my two boys, Itay and Ilai, thank you. Spending so much time working in this dissertation has taken time away from being with you and I am sorry for that. Despite being so young, the two of you have shown patience, and have given me the time and strength to work on this project. More important, your love has been the fuel that allowed me to move forward. None of this would have been possible without the constant support, encouragement, love, and optimism of my wife, Adi. There are no words to describe the sacrifices you have made so I could write this dissertation. I love you and thank you. 8 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...................................................................................................... 4 LIST OF TABLES .............................................................................................................. 11 ABSTRACT ........................................................................................................................ 12 CHAPTER 1 INTRODUCTION ........................................................................................................ 14 The Penal State and the Expansion of Police Powers .............................................. 17 The Political Development of the Penal State ..................................................... 19 The Expansion of Police Powers ......................................................................... 22 The Export of the Penal State to Latin America .................................................. 25 The Penal State, Mass Incarceration, and Policing Literature: Contributions and Shortcomings ..........................................................................................................
Recommended publications
  • Locating the Gothic in Four Australian Novels
    ‘No storied windows, richly dight’: Locating the Gothic in Four Australian Novels An Exegesis Accompanying ‘Twigs from a Hedge in Winter: an Australian Gothic Novel’ Henry Ashley-Brown Submitted as part of the requirement for the Degree of Doctor of Philosophy Discipline of English School of Humanities The University of Adelaide South Australia August, 2009 Abstract After completing the first draft of ‘Twigs from a Hedge in Winter’, I discovered that my novel contained several elements that placed it within the Gothic genre. Wanting to account for how this happened, I decided to research the genre. In this exegesis I pose the following questions: what defines the Gothic genre and what are the Gothic elements in arguably the world’s first example, Horace Walpole’s The Castle of Otranto. I ask if these can be traced in early Australian literature through to Elizabeth Harrower’s The Watch Tower, Elizabeth Jolley’s The Well and Sonya Hartnett’s Surrender. I examine how my novel is situated within the context of the genre in Australia and account for how my original draft came to display Gothic elements. I also note the adjustments I made to enhance some of these elements in ‘Twigs from a Hedge in Winter’. The words that comprise the title of my novel were uttered in the Old Bailey in eighteenth-century London, when Jack Cooper was sentenced to transportation for life for stealing twigs from a hedge to keep warm in winter. The hedge was on the common land that Jack’s family had owned before Judge Christian Wilson enclosed it, leaving the Coopers to fend for themselves.
    [Show full text]
  • View to More General Losses and the Attempts by the Subjects and the Poet to Navigate Those Events
    UNIVERSITY OF CINCINNATI DATE: May 12, 2003 I, Cynthia Nitz Ris , hereby submit this as part of the requirements for the degree of: Doctor of Philosophy (Ph.D.) in: English It is entitled: Imagined Lives Approved by: Don Bogen, Ph.D. John Drury Jim Cummins IMAGINED LIVES A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements of the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of English Composition and Comparative Literature of the College of Arts and Sciences 2003 by Cynthia Nitz Ris B.A., Texas A&M University, 1978 J.D., University of Michigan, 1982 M.A., University of Cincinnati, 1998 Committee Chair: Don Bogen, Ph.D. ABSTRACT This dissertation consists of a collection of original poetry by Cynthia Nitz Ris and a critical essay regarding William Gaddis’s novel A Frolic of His Own. Both sections are united by reflecting the difficulties of utilizing past experiences to produce a fixed understanding of lives or provide predictability for the future; all lives and events are in flux and in need of continual reimagining or recharting to provide meaning. The poetry includes a variety of forms, including free verse, sonnets, blank verse, sapphics, rhymed couplets, stanzaic forms including mad-song stanzas and rhymed tercets, variations on regular forms, and nonce forms. Poems are predominantly lyrical expressions, though many employ narrative strategies to a greater or lesser degree. The first of four units begins with a long-poem sequence which serves as prologue by examining general issues of loss through a Freudian lens.
    [Show full text]
  • Identity Check 1
    THE IDENTITY CHECK 1 THE IDENTITY CHECK Ken Merrell KAYDEE BOOKS™ 2 KEN MERRELL Published by KayDee Books TM P.O. Box 970608 Orem, Utah 84097-0608 USA e-mail [email protected] www.kenmerrell.com This novel is a work of fiction inspired by real life events. The characters, names, dialogue, plot and incidents are products of the author’s imagination or are used fictitiously and are not to be construed as real. Any references to real events, organizations, businesses, and locales are intended only to give the fiction a sense of reality and authenticity. Any resemblance to actual persons, living or dead, is purely coincidental. To opt-out of some marketing lists call 1-888-567-8688, or, if you think you have been a victim of identity theft call 1-877-438-4338 or log onto www.consumer.gov/idtheft. Copyright © 2002 by Ken Merrell All rights reserved. No part of this book may be reproduced in whole or in part or transmitted in any form or by any means, electronically or mechanically including photocopying, recording, or by any information storage and retrieval system, without the written permission of the Publisher, except where permitted by law. ISBN: 0-9678510-2-5 May 2002 THE IDENTITY CHECK 3 THE IDENTITY CHECK 4 KEN MERRELL THE IDENTITY CHECK 5 PROLOGUE HE OLD WOMAN HOBBLED off the bus and squinted at the Tsetting sun. It blazed on the western horizon, its rays like rainbow daggers piercing the thick cataracts that covered her tired eyes. The storm had passed quickly, typical of desert downpours.
    [Show full text]
  • Romance Rights Guide Frankfurt 2020
    Romance Rights Guide Frankfurt 2020 1 Romance Titles 5 SCARLETT COLE The Preload series World English: Swerve/St. Martin’s Press Agent: Louise Fury 2017–2018. Finished books available. This dark contemporary romance series follows PRELOAD, quickly ascending the charts as the most explosive rock band of their generation. But fame has done little to overcome the traumas of their past. Traumas that have the power to decimate the band, and themselves, unless love can heal them first. Read the first book in the series, JORDAN RECLAIMED, where the band’s bassist pursues a damaged ballerina. In the second book, ELLIOT REDEEMED, a single mom and tortured musician find common RIGHTS SOLD: ground. And in NIKAN REBUILT, fate pushes a rockstar and the only France: Lattès girl he’s ever loved back into each other’s lives. Finally, LENNON REBORN asks the question, can a man who despises his life and a woman who desperately needs to live find the answers, and love, with each other? “I think by the end of this series I will be done with this trope because I don’t think anybody will write a better series than this, if JORDAN RECLAIMED is anything to go by.” —SubClub Books “JORDAN RECLAIMED is not a light read by any means, but it is well written and emotional. I enjoyed the characters and emotional journey of the plot to redemption and acceptance.” —The Book Disciple “OMG!! This was such a GORGEOUS ROMANCE!! It was everything I was hoping it would be—heartfelt, sexy and full of feels!! ...You have to read this book!” —Aestas Book Blog on ELLIOT REDEEMED 6 Love Over Duty series World English: Swerve/St.
    [Show full text]
  • Red Wheelbarrow 11-25-20 Layout 1
    Red Wheelbarrow LITERARY MAGAZINE National Edition, 2020 HANK WILLIS THOMAS: If the Leader Only Knew, detail bronze sculpture, 80", 2014 © Hank Willis Thomas. Courtesy of the artist and Jack Shainman Gallery, New York. Red Wheelbarrow LITERARY MAGAZINE FOURTH ANNUAL POETRY PRIZE POETRY: SALINAS VALLEY STATE PRISON ART BY HANK WILLIS THOMAS, MARK HARRIS, KEVIN COOLEY, DOROTHY ATKINS, AND NOAH BERGER INTERVIEW WITH ELLERY AKERS From 1976 to 1999 this magazine was known as Bottomfish, a name that referred to neglected, overlooked writing that had (metaphorically) fallen to the bottom of the sea. We hope that Red Wheelbarrow also signifies unpretentiousness and the casting of a wide net in search of new, exciting young writers as well as an ongoing commitment to originality, courage, and craft. Red Wheelbarrow publishes twice a year. The National Edition publishes literary and artistic works from all over the country and the world. The Student Edition is open to De Anza and Foothill College students. We welcome submissions of all kinds, and we seek to publish a diverse range of styles and voices. The National Edition is published each fall. We accept submissions each winter through February 15th to be considered by our Red Wheelbarrow student editorial staff. Poetry Prize deadline, however, is August 15th. Poetry: submit up to five poems Fiction: submit one short story (up to 5,000 words) or up to three short-shorts Drama: submit one play or screenplay (up to 5,000 words) Creative Nonfiction: submit one personal essay (up to 5,000 words) Photographs and Drawings: submit up to five b/w prints or digital files (.tif or .psd format); please do not send originals Comics: submit one b/w strip Other: submit one! Please submit text files for the National Edition in MS Word (.doc or .docx).
    [Show full text]
  • Chains & Whips: Gender Roles In
    Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 3-18-2015 Chains & Whips: Gender Roles in BDSM Erotica Published After "Fifty Shades of Grey" Laura Lines Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the Gender and Sexuality Commons, and the Women's Studies Commons Recommended Citation Lines, Laura, "Chains & Whips: Gender Roles in BDSM Erotica Published After "Fifty Shades of Grey"" (2015). Undergraduate Honors Thesis Collection. 306. https://digitalcommons.butler.edu/ugtheses/306 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. ~-----------------~""'''''''''''-------'Wl! NON-EXCLUSIVE LICENSE FOR USE OF MATERIALS in the DigitalCommons@ButIer University This non-exclusive License defines the terms for the deposit of Material: in all formats into the digital repository of Materials collected, preserved, and made available through the DigitalCommons@Butkr University. The Contributor hereby grants to Butler University a royalty-free, non-exclusive worldwide License to usc, re-use, display, distribute, transmit. publish, republish or copy the Materials, either digitally or in print, or in any other medium, now or hereafter known, for the purpose of including the Materials in the DigitalCommons@Butler University. Butler University will not make any alteration, other than as allowed by this License, to your submission. Copyright and any other intellectual property right in or to the Materials shall not be transferred by this agreement and shall remain with the Contributor or the Copyright holder if different from the Contributor.
    [Show full text]
  • 27-28/2001 Heidl
    Hrvatski filmski Ajanovi} Zagreb Brown Dundovi} Gili} 27-28/2001 Heidl LJETOPIS Jankovi} Juki} Kolbas Krelja HRVATSKA Kukuljica 27-28/2001 Majcen Mari} KINEMATOGRAFIJA: Milinkovi} Nenadi} Paulus ISTRA@IVANJE PIS Popovi} Radi} Rafaeli} Sever Tadi} Tardozzi Tomljanovi} Turkovi} Vidovi} Vukajlovi} VukojaO @akni} kn 50 Hrvatski filmski LJET CODEN.HFLJFV UDK 761.43/45 Hrvat.film.ljeto. god. 7. (2001.) br. 27-27 str.1-316 ISSN 1330-7665 u dvobroju: vjekoslav majcen (1941.-2001.): filmskopovijesne crtice - ba{tina ~uvara ba{tina kinematografija u hrvatskoj - o stanju i problemima hrvatska u rije~i i slici ogledi iz nostalgije: re`iseri i kriti~ari u povodu knjiga: {to je to obrazovni film? - iskustvo boje i svjetla festivali: otresanje pro{losti - europski trenutak pula - split suvremene teme: vidljivo i nevidljivo u filmu dnevnik brigite jones - pornografski umovi - smrtonosna glazba studije i istra`ivanja: sedam filmova ante babaje (stilske nalize filmske slike) - crtani realizam i walt disney - bog na filmu ljetopisov ljetopis filmski i videorepertoar bibliografija leksikon preminulih O LJETHrvatski filmski O PIS CODEN HFLJFV Sadr`aj Contents Hrvoje Turkovi}: UVODNIK 3 Hrvoje Turkovi}: EDITORIAL 3 VJEKOSLAV MAJCEN (1941-2001) VJEKOSLAV MAJCEN (1941-2001) Vjekoslav Majcen: FILMSKOPOVIJESNE CRTICE 5 Vjekoslav Majcen: FILM-HISTORICAL SKETCHES 5 Boris Vidovi}: BA[TINA ^UVARA BA[TINE 18 Boris Vidovi}: HERITAGE OF THE KEEPER OF HERITAGE 18 Mato Kukuljica: NATUKNICE UZ BIOGRAFIJU DRA MAJCENA 22 Mato Kukuljica: BIOGRAPHICAL LINES ON DR MAJCEN 22 VJEKOSLAV
    [Show full text]
  • Dialogue V50N04.Pdf
    DIALOGUE DIALOGUE PO Box 1094 Farmington, UT 84025 electronic service requested DIALOGUE a journal of mormon thought 50.4 winter 2017 50.4 EDITORS EDITOR Boyd Jay Petersen, Provo, UT ASSOCIATE EDITOR David W. Scott, Lehi, UT WEB EDITOR Emily W. Jensen, Farmington, UT DIALOGUE FICTION Julie Nichols, Orem, UT a journal of mormon thought POETRY Darlene Young, South Jordan, UT REVIEWS (non-fiction) John Hatch, Salt Lake City, UT REVIEWS (literature) Andrew Hall, Fukuoka, Japan INTERNATIONAL Gina Colvin, Christchurch, New Zealand POLITICAL Russell Arben Fox, Wichita, KS HISTORY Sheree Maxwell Bench, Pleasant Grove, UT SCIENCE Steven Peck, Provo, UT FILM & THEATRE Eric Samuelson, Provo, UT PHILOSOPHY/THEOLOGY Brian Birch, Draper, UT ART Andi Pitcher Davis, Orem, UT Brad Kramer, Murray, UT IN THE NEXT ISSUE BUSINESS & PRODUCTION STAFF Levi Checketts, “Thomas Aquinas Meets Joseph Smith: BUSINESS MANAGER Emily W. Jensen, Farmington, UT Toward a Mormon Ethics of Natural Law” PRODUCTION MANAGER Jenny Webb, Woodinville, WA COPY EDITORS Sarah Moore, Madison, AL Stacey Dearing, “Remember Me: Discursive Needlework Richelle Wilson, Madison, WI and the Sewing Sampler of Patty Bartlett Sessions” INTERNS Geoff Griffin, Orem, UT Nathan Tucker, Orem, UT Levi Peterson, “The Shyster” Christian Van Dyke, Provo, UT EDITORIAL BOARD Lavina Fielding Anderson, Salt Lake City, UT Becky Reid Linford, Leesburg, VA Mary L. Bradford, Landsdowne, VA William Morris, Minneapolis, MN Claudia Bushman, New York, NY Michael Nielsen, Statesboro, GA Daniel Dwyer, Albany, NY Nathan B. Oman, Williamsburg, VA Ignacio M. Garcia, Provo, UT Thomas Rogers, Bountiful, UT Brian M. Hauglid, Spanish Fork, UT Mathew Schmalz, Worcester, MA Gregory Jackson, Lehi, UT John Turner, Fairfax, VA G.
    [Show full text]
  • This to Which We've Come. Holly Tabor University of Louisville
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2019 This to which we've come. Holly Tabor University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Fiction Commons, and the Poetry Commons Recommended Citation Tabor, Holly, "This to which we've come." (2019). Electronic Theses and Dissertations. Paper 3234. https://doi.org/10.18297/etd/3234 This Master's Thesis is brought to you for free and open access by ThinkIR: The nivU ersity of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The nivU ersity of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THIS TO WHICH WE’VE COME By Holly Tabor B.A. Western Kentucky University, 2000 M.A.T. University of Louisville, 2012 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements For the Degree of Master of Arts in English Department of English University of Louisville Louisville, Kentucky May 2019 Copyright 2019 by Holly Cecil Tabor All rights reserved THIS TO WHICH WE’VE COME By Holly Tabor B.A. Western Kentucky University, 2000 M.A.T. University of Louisville, 2012 A Thesis Approved on March 27, 2019 By the following Thesis Committee ____________________________________________ Paul Griner ____________________________________________ Ian Stansel ____________________________________________ John Gibson ii DEDICATION This thesis is dedicated to my two children, Mea and Jude, and my husband, Scott, without whose support, love and patience this project could not have been.
    [Show full text]
  • Young Women in Post-Yugoslav Societies: Research, Practice and Policy
    YOUNG WOMEN IN POST-YUGOSLAV SOCIETIES: RESEARCH, PRACTICE AND POLICY EDITORS Mirjana Adamović, Branka Galić, Anja Gvozdanović, Ana Maskalan, Dunja Potočnik, Lejla Somun Krupalija YOUNG WOMEN IN POST-YUGOSLAV SOCIETIES: RESEARCH, PRACTICE AND POLICY Editors Mirjana Adamović, Branka Galić, Anja Gvozdanović, Ana Maskalan, Dunja Potočnik, Lejla Somun Krupalija Publishers: Institute for Social Research in Zagreb Human Rights Centre, University of Sarajevo For the publisher: Branislava Baranović Saša Madacki Reviewers: Professor Eva D. Bahovec Faculty of Arts, University of Ljubljana, Slovenia Professor Ivana Milojević University of Sunshine Coast, Australia; Faculty of Arts and Social Sciences and Centre for Gender Studies, University of Novi Sad, Serbia Professor Olivera Simić Griffith Law School, Griffith University, Australia YOUNG WOMEN IN POST-YUGOSLAV SOCIETIES: Project: Young Women and Gender Equality in Post- RESEARCH, PRACTICE AND POLICY Yugoslav Societies: Research, Practice and Policy The Participation Programme of UNESCO for 2012-2013 Editors Mirjana Adamović, Branka Galić, Anja Gvozdanović, Ana Maskalan, Dunja Potočnik, Lejla Somun Krupalija ©2014 Institute for Social Research in Zagreb, Human Rights Centre, University of Sarajevo ISBN 978-953-6218-56-1 (Institute for Social Research in Zagreb) ISBN 978-9958-541-12-4 (Human Rights Centre) Institute for Social Research in Zagreb A CIP catalogue record for this book is available in the Online Catalogue of Human Rights Centre, University of Sarajevo the National and University Library
    [Show full text]
  • Filip Å Ovagoviä‡ Ì˜​Í™” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)
    Filip Å ovagović ì˜í​ ™” 명부 (작품으로) Mrtva toÄk​ a https://ko.listvote.com/lists/film/movies/mrtva-to%C4%8Dka-31184310/actors Baka Bijela https://ko.listvote.com/lists/film/movies/baka-bijela-31184339/actors Christmas in Vienna https://ko.listvote.com/lists/film/movies/christmas-in-vienna-5111517/actors Infection https://ko.listvote.com/lists/film/movies/infection-12632948/actors Below the Line https://ko.listvote.com/lists/film/movies/below-the-line-4884623/actors Each Time We Part Away https://ko.listvote.com/lists/film/movies/each-time-we-part-away-5324878/actors Treća žena https://ko.listvote.com/lists/film/movies/tre%C4%87a-%C5%BEena-12643858/actors Russian Meat https://ko.listvote.com/lists/film/movies/russian-meat-7382080/actors The Old Oak Blues https://ko.listvote.com/lists/film/movies/the-old-oak-blues-7754889/actors ÄŒetverored https://ko.listvote.com/lists/film/movies/%C4%8Detverored-1565253/actors Celestial Body https://ko.listvote.com/lists/film/movies/celestial-body-5057890/actors Last Waltz in Sarajevo https://ko.listvote.com/lists/film/movies/last-waltz-in-sarajevo-12757647/actors Äu​ ka Begović https://ko.listvote.com/lists/film/movies/%C4%91uka-begovi%C4%87-3506127/actors Tranquilizer Gun https://ko.listvote.com/lists/film/movies/tranquilizer-gun-16969307/actors Slow Surrender https://ko.listvote.com/lists/film/movies/slow-surrender-3505802/actors Diploma za smrt https://ko.listvote.com/lists/film/movies/diploma-za-smrt-3505834/actors Love Life of a Gentle https://ko.listvote.com/lists/film/movies/love-life-of-a-gentle-coward-20649465/actors
    [Show full text]
  • A Fragile Inheritance: Radical Stakes in Contemporary Indian
    A FrAgile inheritAnce This page intentionally left blank Saloni Mathur A FrAgile inheritAnce Radical Stakes in Contemporary Indian Art Duke univerSity PreSS · DurhaM anD lonDon · 2019 © 2019 Duke univerSity PreSS This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/us/. Printed in the United States of America on acid- free paper ♾ Designed by Matthew Tauch Typeset in Quadraat Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data Names: Mathur, Saloni, author. Title: A fragile inheritance : radical stakes in contemporary Indian art / Saloni Mathur. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identifiers: lccn 2019006362 (print) | lccn 2019009378 (ebook) iSbn 9781478003380 (ebook) iSbn 9781478001867 (hardcover : alk. paper) iSbn 9781478003014 (pbk. : alk. paper) Subjects: lcSh: Art, Indic—20th century. | Art, Indic—21st century. | Art—Political aspects—India. | Sundaram, Vivan— Criticism and interpretation. | Kapur, Geeta, 1943—Criticism and interpretation. Classification: lcc n7304 (ebook) | lcc n7304 .M384 2019 (print) | DDc 709.54/0904—dc23 lc record available at https://lccn.loc.gov/2019006362 Cover art: Vivan Sundaram, Soldier of Babylon I, 1991, diptych made with engine oil and charcoal on paper. Courtesy of the artist. Duke University Press gratefully acknowledges the ucla Academic Senate, the ucla Center for the Study of Women, and the ucla Dean of Humanities for providing funds toward the publication of this book. This title is freely available in an open access edition thanks to the toMe initiative and the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin, and of the ucla Library.
    [Show full text]