Revised Adjusted Academic Calendar for Classes Ix-X 2020-21
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The Humanism of Satyajit Ray, His Last Will and Testament Shantanu Ray Chaudhuri
AGANTUK – The Humanism of Satyajit Ray, His Last Will And Testament Shantanu Ray Chaudhuri It’s impossible to record the transition in the socio-political and cultural landscape of India in general and Bengal in particular without taking into account the contribution of Satyajit Ray. As author Peter Rainer says, ‘In Ray’s films the old and the new are inextricably joined. This is the great theme of all his movies: the way the past in India forever bleeds through the present.’ Today, Indian cinema, particularly Bollywood, has found a global market. But it may be useful to remember that if anyone can be credited with putting Indian cinema on the world map, it is Satyajit Ray. He pioneered a whole new sensibility about films and filmmaking that compelled the world to reshape its perception of Indian cinema. ‘What we need,’ he wrote in 1947, before he ever directed a film, ‘is a style, an idiom, a part of the iconography of cinema which would be uniquely and recognizably Indian.’ This Still from the documentary, The Music of Satyajit Ray he achieved, and yet, like all great artists, his films went Watch film here- https://bit.ly/3u8orOD beyond the frontiers of countries and cultures. His contribution to the cultural scene in India is limited not just to his work as a director. He was the Renaissance man of independent India. As a film-maker he handled almost all the departments on his own – he wrote the screenplay and dialogues for his film, he composed his own music, designed the promotional material for his films, designed his own posters, went on to handle the cinematography and editing, was actively involved in the costumes (literally sketching each and every costume in a film). -
Barnita Bagchi (Utrecht University) Ār Konakhāne/'Somewhere Else
Cracow Indological Studies Vol. XX, No. 2 (2018), pp. 163–178 https://doi.org/10.12797/CIS.20.2018.02.08 Barnita Bagchi (Utrecht University) [email protected] Ār konakhāne/‘Somewhere Else’: Utopian Resonances in Lila Majumdar’s Autobiographical Writing* SUMMARY: This article examines the autobiographical writings of Lila Majumdar, 1908–2007, a writer most famous for zany, fantastical, defamiliarizing, speculative fiction for children and young adults. Majumdar was an influential maker of cul- tural history. While her natal Ray/Raychaudhuri family comprised master entertain- ers who simultaneously brought reformist, innovative values into the public sphere of the arts, the leading woman writer from this milieu, in her autobiographical and memoir-based volumes Ār konakhāne (‘Somewhere Else’, [1967] 1989), Pākdaṇḍī (‘Winding, Hilly Road’, [1986] 2001), and Kheror khātā (‘Miscellany’ or ‘Scrapbook’, [1982] 2009), imaginatively created utopias. These ‘otherwheres’, to use a word that captures utopian connotations that she creates in her writing, give voice to the mar- ginal and the liminal. We find in her autobiographical writing the dual urge of longing for a utopian elsewhere, and a dissatisfaction with all the places one finds temporary mooring in. KEYWORDS: Lila Majumdar, modernity, utopia, gender, reformist, autobiography In memory of Professor Jasodhara Bagchi, 1937–2015, pathbreaking scholar of Bengali women’s writing and culture Remembering and haunted by lost and elusive spaces, connecting homes and worlds, building fragile everyday utopias, representing * An earlier version of this article was presented at an international work- shop on ‘Opening up Intimate Spaces: Women’s Writing and Auto biography in India’, at the Adam Mickiewicz University in Poznań, Poland. -
Comics and Science Fiction in West Bengal
DANIELA CAPPELLO | 1 Comics and Science Fiction in West Bengal Daniela Cappello Abstract: In this paper I look at four examples of Bengali SF (science fiction) comics by two great authors and illustrators of sequential art: Mayukh Chaudhuri (Yātrī, Smārak) and Narayan Debnath (Ḍrāgoner thābā, Ajānā deśe). Departing from a con- ventional understanding of SF as a fixed genre, I aim at showing that the SF comic is a ‘mode’ rather than a ‘genre’, building on a very fluid notion of boundaries between narrative styles, themes, and tropes formally associated with fixed genres. In these Bengali comics, it is especially the visual space of the comic that allows for blending and ‘contamination’ with other typical features drawn from adventure and detective fiction. Moreover, a dominant thematic thread that cross-cuts the narratives here examined are the tropes of the ‘other’ and the ‘unknown’, which are in fact central images of both adventure and SF: the exploration and encounter with ‘unknown’ (ajānā) worlds and ‘strange’ species (adbhut jāti) is mirrored in the usage of a lan- guage that expresses ‘otherness’ and strangeness. These examples show that the medium of the comic framing the SF story adds further possibilities of reading ‘genre hybridity’ as constitutive of the genre of SF as such. WHAT’S IN A COMIC? Before addressing SF comics in West Bengal, I will first look at some interna- tional definitions of comic to outline the main problematics that have been raised in the literature on this subject. In one of the first books introducing the world of comics to artists and academics, Will Eisner looks at the me- chanics of ‘sequential art’ (a term coined by Eisner himself) describing it as a dual ‘form of reading’ (Eisner 1985: 8): The format of the comic book presents a montage of both word and image, and the reader is thus required to exercise both visual and verbal interpretive skills. -
Glimpses from the North-East.Pdf
ses imp Gl e North-East m th fro 2009 National Knowledge Commission Glimpses from the North-East National Knowledge Commission 2009 © National Knowledge Commission, 2009 Cover photo credit: Don Bosco Centre for Indigenous Cultures (DBCIC), Shillong, Meghalaya Copy editing, design and printing: New Concept Information Systems Pvt. Ltd. [email protected] Table of Contents Preface v Oral Narratives and Myth - Mamang Dai 1 A Walk through the Sacred Forests of Meghalaya - Desmond Kharmawphlang 9 Ariju: The Traditional Seat of Learning in Ao Society - Monalisa Changkija 16 Meanderings in Assam - Pradip Acharya 25 Manipur: Women’s World? - Tayenjam Bijoykumar Singh 29 Tlawmngaihna: Uniquely Mizo - Margaret Ch. Zama 36 Cultural Spaces: North-East Tradition on Display - Fr. Joseph Puthenpurakal, DBCIC, Shillong 45 Meghalaya’s Underground Treasures - B.D. Kharpran Daly 49 Tripura: A Composite Culture - Saroj Chaudhury 55 Annexure I: Excerpts on the North-East from 11th Five Year Plan 62 Annexure II: About the Authors 74 Preface The north-eastern region of India is a rich tapestry of culture and nature. Breathtaking flora and fauna, heritage drawn from the ages and the presence of a large number of diverse groups makes this place a treasure grove. If culture represents the entire gamut of relationships which human beings share with themselves as well as with nature, the built environment, folk life and artistic activity, the north-east is a ‘cultural and biodiversity hotspot’, whose immense potential is beginning to be recognised. There is need for greater awareness and sensitisation here, especially among the young. In this respect, the National Knowledge Commission believes that the task of connecting with the north-east requires a multi-pronged approach, where socio-economic development must accompany multi-cultural understanding. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
A Hermeneutic Study of Bengali Modernism
Modern Intellectual History http://journals.cambridge.org/MIH Additional services for Modern Intellectual History: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM KRIS MANJAPRA Modern Intellectual History / Volume 8 / Issue 02 / August 2011, pp 327 359 DOI: 10.1017/S1479244311000217, Published online: 28 July 2011 Link to this article: http://journals.cambridge.org/abstract_S1479244311000217 How to cite this article: KRIS MANJAPRA (2011). FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM. Modern Intellectual History, 8, pp 327359 doi:10.1017/S1479244311000217 Request Permissions : Click here Downloaded from http://journals.cambridge.org/MIH, IP address: 130.64.2.235 on 25 Oct 2012 Modern Intellectual History, 8, 2 (2011), pp. 327–359 C Cambridge University Press 2011 doi:10.1017/S1479244311000217 from imperial to international horizons: a hermeneutic study of bengali modernism∗ kris manjapra Department of History, Tufts University Email: [email protected] This essay provides a close study of the international horizons of Kallol, a Bengali literary journal, published in post-World War I Calcutta. It uncovers a historical pattern of Bengali intellectual life that marked the period from the 1870stothe1920s, whereby an imperial imagination was transformed into an international one, as a generation of intellectuals born between 1885 and 1905 reinvented the political category of “youth”. Hermeneutics, as a philosophically informed study of how meaning is created through conversation, and grounded in this essay in the thought of Hans Georg Gadamer, helps to reveal this pattern. -
Daughters of the Nation: Revisiting Women’S Speculative Writings in Bengal
postScriptum: An Interdisciplinary Journal of Literary Studies 40 postScriptum: An Interdisciplinary Journal of Literary Studies ISSN: 2456-7507 <postscriptum.co.in> Online – Open Access – Peer Reviewed – DOAJ Indexed Volume VI Number i (January 2021): Special Issue on Bengali Identity Daughters of the Nation: Revisiting Women’s Speculative Writings in Bengal Stella Chitralekha Biswas PhD Researcher in Comparative Literature & Translation Studies, Central University of Gujarat The author‟s research interests include studies pertaining to colonial Bengal, sexuality archives, gender studies, juvenile literature, pedagogy, speculative fiction, etc. The tentative title for her PhD thesis is Childhood Re-configured: Asexuality, Gendering and Nationalistic Consciousness in Juvenile Literature of Colonial Bengal. Abstract This paper will look at speculative writings by women in Bengal, both in the colonial and post- independence years, in an attempt to locate the emergence of certain counter-tropes against the dominant trope of the masculinist hero. Taking select writings from Rokeya Racanabali (Complete Works of Rokeya Sakhawat Hossain) and Kheror Khata by Leela Mazumdar, it argues that the preconceived gendered discourses on socio-cultural roles and asymmetrical bifurcation of agency that were propagated through Bengali juvenile literature since the mid nineteenth century also contained certain disruptions. These women writers question the very notion of assertive native masculinity that was emblematic of the nationalist body politic, and promote an alternate model of female agency and power in an almost utopian manner. This paper also proposes arguments on the crucial accommodation of the Muslim woman’s voice within the larger question of women’s emancipation in Bengal that had appeared to concern itself with the Hindu bhadramahila class predominantly, through the speculative visions of Hossain. -
Zo Tawng Zirlai Bu
CLASS –X ZO |AWNG ZIRLAI BU CLASS –X ZO |AWNG ZIRLAI BU loh hi a ziak pawhin kan ziak dik lo nghal duh hle bawk. Entir nan: “A pawi hle mei”, “Chibei a buk a” “A tui in a lo hal ta a” tih ang te hi. Duhthusamah chuan paragraph tih hi thu ngai hlir “a ni” tih ang tein tawp lo se a \ha. A tawp berah chuan essay hi tumchhinna (attempt) a ni vek tih hriat THU HMAHRUAI tur a ni. |ha famkim, full mark hmuh theihna khawpin essay puitling a ziah theih loh va. Mahni inring tawk chunga uluk thei ang bera kan ziak chin He zirlai bu hi zirlai ten Zo \awng ziak leh chhiara hma an chinah lungawi thiam a \ha a. Essay ziak thiam tak ni tur chuan hriat zau, sawnna atana buatsaih a ni a. Heng thuziak hrang hrangte hian Mizo mahni inrintawk leh uluk a \ul a ni. \awng kal hmang chhiartute a hriattir rualin, ziak a\anga dap chhuah ___________________________________________ theih - culture, thlirna (perspective) hrang hrangte pawh a ngaihtuah thiamtir kan beisei. Ngaihnawm emaw zirtir nei \huziakte hi zirlaiten an sawtpui ngei kan ring. A chhunga thute hi tihsual palh awm a nih chuan inhriattir nise, lawm tak siam \hat zel a ni ang. BIAKCHUNGNUNGA LALTHANZUALA SAILO Chairman Chairman Kuki-Mizo Language Text-book Committee Advisory Committee __________________________________________________________ Buatsaihtute: Ramthianghlima, Lalnunsanga Phek 114-na Phek 1-na CLASS –X ZO |AWNG ZIRLAI BU CLASS –X ZO |AWNG ZIRLAI BU |HEN KHATNA : LITERATURE |awngkam uchuak deuh te, zahmawh rawng kai thu te, hla thu sei tak tak te telh loh a \ha. -
Beyond Labor History's Comfort Zone? Labor Regimes in Northeast
Chapter 9 Beyond Labor History’s Comfort Zone? Labor Regimes in Northeast India, from the Nineteenth to the Twenty-First Century Willem van Schendel 1 Introduction What is global labor history about? The turn toward a world-historical under- standing of labor relations has upset the traditional toolbox of labor histori- ans. Conventional concepts turn out to be insufficient to grasp the dizzying array and transmutations of labor relations beyond the North Atlantic region and the industrial world. Attempts to force these historical complexities into a conceptual straitjacket based on methodological nationalism and Eurocentric schemas typically fail.1 A truly “global” labor history needs to feel its way toward new perspectives and concepts. In his Workers of the World (2008), Marcel van der Linden pro- vides us with an excellent account of the theoretical and methodological chal- lenges ahead. He makes it very clear that labor historians need to leave their comfort zone. The task at hand is not to retreat into a further tightening of the theoretical rigging: “we should resist the temptation of an ‘empirically empty Grand Theory’ (to borrow C. Wright Mills’s expression); instead, we need to de- rive more accurate typologies from careful empirical study of labor relations.”2 This requires us to place “all historical processes in a larger context, no matter how geographically ‘small’ these processes are.”3 This chapter seeks to contribute to a more globalized labor history by con- sidering such “small” labor processes in a mountainous region of Asia. My aim is to show how these processes challenge us to explore beyond the comfort zone of “labor history,” and perhaps even beyond that of “global labor history” * International Institute of Social History and University of Amsterdam. -
Assam AHSEC Syllabus 2020-21 Arts
Revised Curricula and Syllabi for Higher Secondary Final Year ARTS STREAM 2018 (To be effective from 2018-2019 Academic Session) ASSAM HIGHER SECONDARY EDUCATION COUNCIL Bamunimaidam : Guwahati - 21 Revised Syllabi for Higher Secondary Course for Final year class (Effective from 2018-2019 academic session respectively) First Published : Feb, 2011, Third Published : 2018 Note : The Assam Higher Secondary Education Council reserves the right to ammend syllabi and course as and when it deems necessary. Published by : The Secretary, Assam Higher Secondary Education Council, Bamunimaidam, Guwahati - 21 Copyright : © AHSEC No part of this book be printed in any form either separately or as an extra pages in any book without the permission of the Secretary, otherwise it will be treated as a violation of the Copyright Act and necessary action will be taken accordingly. Price : `90.00 (Rupees ninety only) Printed at: Saraighat Photo Types Pvt. Ltd. Industrial Estate, Bamunimaidam, Guwahati - 781021 Publisher : On behalf of Assam Higher Secondary Education Council Bamunimadiam, Guwahati-781021 R.G. Publications, Panbazar, Guwahati-781001 PREFACE For the students of +2 stage in the state, the Assam Higher Secondary Education Council has taken the responsibility to promote quality education, through a suitable academic atmosphere. The quality education comes from the effective learning process which is based on the curriculum, syllabus and the textbooks. Hence, the revision of Curriculum, Syllabi and Textbook is a continuous and time demanding process to keep the learners well acquaint with the rapid development in different areas. Keeping conformity with the National Curriculum Framework, 2005(NCF-2005), the Assam Higher Secondary Education Council has taken up the task of updating and revision of the Syllabus and textbooks of all subjects of different academic streams in phased manner. -
English Core Class – Xi
1 ENGLISH CORE CLASS – XI English Core Course (for a paper of 100 marks) DISTRIBUTION OF MARKS 1) Prose - 25 marks 2) Poetry - 25 marks 3) Supplementary Reader - 15 marks 4) Grammar & Composition a) Reading – Unseen Passages - 10 marks b) Writing - 10 marks c) Grammar & Usage - 15 marks Total = 100 marks I. Prose Pieces To Be Read: 1. ‗We‘re Not Afraid to Die … If We Can All Be Together‘ – by Gordon Cook and Alan Frost 2. The Ailing Planet: The Green Movements‘ Role – by Nani Palkhivala 3. Giant Despair – by John Bunyan 4. The Portrait of a Lady – by Khushwant Singh 5. The White Seal Adapted and Abridged from The Jungle Book – by Rudyard Kipling II. Poetry Pieces To Be Read: 1. The Kingfisher – by W. H. Davies 2. The Striders – by A. K. Ramanujan 3. To The Pupils of Hindu College – by H. L. V. Derozio 4. Childhood – by Marcus Nattan 5. In Paths Untrodden – by Walt Whitman Textbook Prescribed for Prose & Poetry:- Resonance Class XI Published by - Macmillan India Ltd., S. C. Goswami Road, Pan Bazar, Guwahati – 781001. III. Supplementary Reader Pieces To Be Read (Any two of the following pieces): 1. On Doing Nothing – by J. B. Priestly 2. Talking of Space – Report on Planet Three – by Arthur C. Clarke 3. A Devoted Son – by Anita Desai 2 Textbook Prescribed: Voices Classes XI & XII Published by - Macmillan India Ltd., S. C. Goswami Road, Pan Bazar, Guwahati – 781001. IV. Grammar & Composition The Prescribed Portions are: 1. Reading: Unseen Passages for (Comprehension and note taking in various topics and situations) 2. -
Indian Tribal Culture: a Rediscovery of Cultural Values
64 Indian Tribal Culture: A Rediscovery of Gospel Values T. JACOB THOMAS In this paper we shall attempt to highlight some aspects of tribal culture, focusing on some tribes of North and Northeast India and their social and community organization which are egalitarian, democratic and eco-conscious. In doing so, it is our contention, that we may be miraculously rediscovering some of the gospel values for the larger humanity. 1. Some preliminary remarks: The term 'tribe' has not been satisfactorily defined. In ordinary language the term is associated with people living in isolated surroundings from the rest of the population. The Shillong consulation of Tribals in 1962 defined tribe as "an indigenous, homogenous unit, speaking a common language, claiming a common ancestry living in a particular geographical area, backward in technology, pre-literate, loyally observing soCial and political customs based on kinship" (Religion and Society9:80) In International Circles, by the UNO and ILO, the tribe is repl~ced with the term "Indigenous people." But the Indian Government has not so far accorded the status of "indigenous people" to the Indian tribals. (Religion and Society 38: 18). Some Indian anthropologists and politicians fear that the term adivasi (indigenous or original people) would raise "claims of privilege among some people" that would harm "harmony of races and peoples" and thus endanger national integration. (G.S. Ghurye, p.29). They contemplate the "inevitable" or "desirable" disapperance of tribal identity within the m~jor Indian culture and ensue state policies towards that end. This constitutes the tribal pathos, "the adivasi vedana" of the contemporary period which finds violent expressions, the latest example of which is the Jharkhan<;l movement.