The Canadian Fancyclopedia: a – Version 1 (April 2009)
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285 Summer 2008 SFRA Editors a Publication of the Science Fiction Research Association Karen Hellekson Review 16 Rolling Rdg
285 Summer 2008 SFRA Editors A publication of the Science Fiction Research Association Karen Hellekson Review 16 Rolling Rdg. Jay, ME 04239 In This Issue [email protected] [email protected] SFRA Review Business Big Issue, Big Plans 2 SFRA Business Craig Jacobsen Looking Forward 2 English Department SFRA News 2 Mesa Community College Mary Kay Bray Award Introduction 6 1833 West Southern Ave. Mary Kay Bray Award Acceptance 6 Mesa, AZ 85202 Graduate Student Paper Award Introduction 6 [email protected] Graduate Student Paper Award Acceptance 7 [email protected] Pioneer Award Introduction 7 Pioneer Award Acceptance 7 Thomas D. Clareson Award Introduction 8 Managing Editor Thomas D. Clareson Award Acceptance 9 Janice M. Bogstad Pilgrim Award Introduction 10 McIntyre Library-CD Imagination Space: A Thank-You Letter to the SFRA 10 University of Wisconsin-Eau Claire Nonfiction Book Reviews Heinlein’s Children 12 105 Garfield Ave. A Critical History of “Doctor Who” on Television 1 4 Eau Claire, WI 54702-5010 One Earth, One People 16 [email protected] SciFi in the Mind’s Eye 16 Dreams and Nightmares 17 Nonfiction Editor “Lilith” in a New Light 18 Cylons in America 19 Ed McKnight Serenity Found 19 113 Cannon Lane Pretend We’re Dead 21 Taylors, SC 29687 The Influence of Imagination 22 [email protected] Superheroes and Gods 22 Fiction Book Reviews SFWA European Hall of Fame 23 Fiction Editor Queen of Candesce and Pirate Sun 25 Edward Carmien The Girl Who Loved Animals and Other Stories 26 29 Sterling Rd. Nano Comes to Clifford Falls: And Other Stories 27 Princeton, NJ 08540 Future Americas 28 [email protected] Stretto 29 Saturn’s Children 30 The Golden Volcano 31 Media Editor The Stone Gods 32 Ritch Calvin Null-A Continuum and Firstborn 33 16A Erland Rd. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
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anada's public health community health clinics. care system, for These additional health which the labour services, however, will not movement fought so be attained - and, indeed, hard , is · now in serious we may lose existing services danger of being dismantled. - unless Canada's union ' The federal and provincial members join in the fight to governments are steadily save Medicare. reducing their funding for One way to make our health care - · to the point voices heard on this vital Thel>ublie VOL. 5 No. 3 where overcrowded hospi- issue is to sign the attached tals, long waits for opera- petition which will be sent tions, understaffing, and to the Canadian Health other problems threaten the Coalition to be forwarde d accessibility, universality to the appropriate cabinet NEWS MAGAZINE OF THE OF PUBLIC EMPLOYEES and quality of Medicare. ministers and MPs. The In addition , the practice C.H .C. is the coalition of of extra billing by doctors , more than 40 progressive CONTENTS together with the imposition organizations (including the of user fees by some provinces, also has Canadian Labour Congress and many affil- Frontlines led to the deterioration of health services iated unions) which is the principal sup- News of CUPE from across the nation . 2 for many Canadians. porter and champion of Medicare. Instead of being reduced , Medicare needs Let's make sure the Canadian Heal th to be expanded and improved. We need Coalition has the signatures of all union "We don't hire people like you!" more preventive rather than curative mea- members when it presents its petition to Human rights legislation doesn't do the job . -
H. A. Hargreaves and Canadian Speculative Fiction © Robert Runté, 2012, 2017
H. A. Hargreaves and Canadian Speculative Fiction © Robert Runté, 2012, 2017 Adapted from Runté, Robert, “Afterword” in H.A. Hargreaves’ North by 2000+ Neustadt, Ontario: Five Rivers Publishing, 2012. ISBN 9780986642395 I first read North by 2000 nearly 40 come to Canadian-style endings. And years ago. I must have read three or four Hargreaves’ fiction was never published in thousand other short stores since: so why is the States: all his stories before 1979 were it that “Dead to the World” and “Cainn” and published in England; after that, Canada. It “Tee Vee Man” and “Protected Environment” is not my intent to discount Hargreaves’ and “More Things in Heaven and Earth” are American roots; indeed, I would argue that the stories that keep surfacing in my one common characteristic of Canadian SF memory? Why is it that when I’m trying to writers is that many of them (Fredrik Brio, J. explain what makes Canadian science Brian Clarke, Michael G. Coney, Dave fiction Canadian, these are stories that jump Duncan, Pauline Gedge, William Gibson, to mind as the exemplars? Why is it when I Matthew Hughes, Crawford Killian, Edward wrote my own first novel, I suddenly Llewellyn, Alberto Manguel, Judith Merril, recognized that the opening was a direct (if Spider Robinson, Sean Stewart, Andrew unconscious) steal from the automat scene in Weiner, Edward Willett, Robert Charles “Dead to the World”? What is it about these Wilson) came from someplace else. It’s our half dozen, quiet, unpretentious stories that immigrant backgrounds that explains half of makes them so influential, so compellingly what makes Canadian SF distinct. -
SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
Expressions in Fan Culture
Háskóli Íslands Hugvísindasvið Japanskt mál og menning Expressions in Fan Culture Cosplay, Fan Art, Fan Fiction Ritgerð til BA-prófs í japönsku máli og menningu Ragnhildur Björk Jóhannsdóttir Kt.: 210393-2189 Leiðbeinandi: Gunnella Þorgeirsdóttir Maí 2017 Expressions in Fan Culture Abstract This composition is a BA thesis for Japanese Language and Culture at the University of Iceland. In this essay, I will give the reader a little insight into the world of fan culture and will be focusing on how fans express themselves. Fans get inspired by books, movies and television programmes to create all kinds of fan work; whether it is fan fiction, fan art, doujinshi, cosplay, or any other creations. Furthermore, the thesis will explore fan culture as it presents itself in Japan and compare it to fan culture in Europe and the USA. I will discuss the effect these creations, although mainly fan fiction, has on authors of popular media and on social media and how the Internet has made it easier for fans all over the world to connect, as well as for fans and creators to connect. 2 Expressions in Fan Culture Contents Abstract ..................................................................................................................... 2 Contents .................................................................................................................... 3 Introduction ............................................................................................................... 4 What is Fan Culture .................................................................................................. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Book Review: Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity Hanna, Erin NEWARK: RUTGERS UNIVERSITY PRESS, 2020
Media Industries 7.2 (2020) Book Review: Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity Hanna, Erin NEWARK: RUTGERS UNIVERSITY PRESS, 2020. Tanya D. Zuk1 GEORGIA STATE UNIVERSITY tzuk1 [AT] gsu.edu Comic-Con International: San Diego, known colloquially as Comic-Con, is one of the largest and most influential fan conventions in the world. Comic-Con as an event and as a brand has impacted fandom, popular culture, and, more importantly, for Erin Hanna, the media industries in Hollywood. Since its inception, Comic-Con has been intertwined with the media industries: comic creators and industry professionals attended the very first conven- tion. Comic-Con has, however, expanded beyond comic books to include all popular media and has opened its doors to industry creatives, synergistic promotion, and audience testing, making Comic-Con a useful event for Hollywood’s buzz machine.2 Comic-Con, as both an exclusive event and a franchise, has made fan conventions widely popular (and lucrative) with both audiences and global pop- ular culture industries. In this book, Hanna explores how Hollywood studios and related industries foster the appeal of exclusivity as a means of promotion that exploits fan labor. Media Industries 7.2 (2020) In Only at Comic-Con, Erin Hanna uses a framework of exclusivity to dismantle the power structures embedded in fan conventions generally and Comic-Con specifically. According to Hanna, “exclusivity is not defined by presences at all, but by the power to produce absences.”3 Hanna outlines the power dynamics between media industry representatives and conven- tion organizers (and fans), between fans and convention staff, and between fans themselves. -
Judith Merril's Expatriate Narrative, 1968-1972 by Jolene Mccann a Thesis Submi
"The Love Token of a Token Immigrant": Judith Merril's Expatriate Narrative, 1968-1972 by Jolene McCann A thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in The Faculty of Graduate Studies (History) THE UNIVERSITY OF BRITISH COLUMBIA April 2006 © Jolene McCann, 2006 Abstract Judith Merril was an internationally acclaimed science fiction (sf) writer and editor who expatriated from the United States to Canada in November 1968 with the core of what would become the Merril Collection of Science Fiction, Speculation and Fantasy in Toronto. Merril chronicled her transition from a nominal American or "token immigrant" to an authentic Canadian immigrant in personal documents and a memoir, Better to Have Loved: the Life of Judith Merril (2002). I argue that Sidonie Smith's travel writing theory, in particular, her notion of the "expatriate narrative" elucidates Merril's transition from a 'token' immigrant to a representative token of the American immigrant community residing in Toronto during the 1960s and 1970s. I further argue that Judith Merril's expatriate narrative links this personal transition to the simultaneous development of her science fiction library from its formation at Rochdale College to its donation by Merril in 1970 as a special branch of the Toronto Public Library (TPL). For twenty-seven years after Merril's expatriation from the United States, the Spaced Out Library cum Merril Collection - her love-token to the city and the universe - moored Merril politically and intellectually in Toronto. ii Acknowledgements I would like to thank my supervisor Dianne Newell for introducing me to the Merril Collection and sharing her extensive collection of primary sources on science fiction and copies of Merril's correspondence with me, as well as for making my visit to the Merril Collection at the Library and Archives of Canada, Ottawa possible. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
April 2018 NASFA Shuttle
Te Shutle April 2018 The Next NASFA Meeting is 6P Saturday 21 April 2018 at the New Church Location All other months are definitely open.) d Oyez, Oyez d FUTURE CLUB MEETING DATES/LOCATIONS At present, all 2018 NASFA Meetings are expected to be at The next NASFA Meeting will be 21 April 2018, at the reg- the normal meeting location except for October (due to Not-A- ular meeting location and the NEW regular time (6P). The Con 2018). Most 2018 meetings are on the normal 3rd Saturday. Madison campus of Willowbrook Baptist Church is at 446 Jeff The only remaining meeting currently not scheduled for the Road—about a mile from the previous location. See the map normal weekend is: below for directions to the church. See the map on page 2 for a •11 August—a week earlier (2nd Saturday) to avoid Worldcon closeup of parking at the church as well as how to find the CHANGING SHUTTLE DEADLINES meeting room (“The Huddle”), which is close to one of the In general, the monthly Shuttle production schedule has been back doors toward the north side of the church. Please do not moved to the left a bit (versus prior practice). Though things try to come in the (locked) front door. are a bit squishy, the current intent is to put each issue to bed APRIL PROGRAM about 6–8 days before each month’s meeting. Les Johnson will speak on “Graphene—The Superstrong, Please check the deadline below the Table of Contents each Superthin, and Superversatile Material That Will Revolutionize month to submit news, reviews, LoCs, or other material.