Is the Verdict with Judge Hatchett Scripted
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The Normative Influence of Syndi-Court on Contemporary Litigiousness
Volume 11 Issue 1 Article 1 2004 As Seen on TV: The Normative Influence of Syndi-Court on Contemporary Litigiousness Kimberlianne Podlas Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Civil Procedure Commons, Communications Law Commons, and the Entertainment, Arts, and Sports Law Commons Recommended Citation Kimberlianne Podlas, As Seen on TV: The Normative Influence of Syndi-Court on Contemporary Litigiousness, 11 Jeffrey S. Moorad Sports L.J. 1 (2004). Available at: https://digitalcommons.law.villanova.edu/mslj/vol11/iss1/1 This Article is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Podlas: As Seen on TV: The Normative Influence of Syndi-Court on Contempo VILLANOVA SPORTS & ENTERTAINMENT LAW JOURNAL VOLUME XI 2004 ISSUE 1 Article AS SEEN ON TV: THE NORMATIVE INFLUENCE OF SYNDI-COURT ON CONTEMPORARY LITIGIOUSNESS KIMBERLIANNE PODLAS* I. INTRODUCTION A variety of disciplines have investigated the ability of the me- dia, particularly television, to influence public perceptions.' Re- gardless of the theory employed, all posit that television content has a reasonably direct and directional influence on viewer attitudes and propensities to engage in certain behaviors. 2 This article ex- tends this thesis to the impact of television representations of law: If television content generally can impact public attitudes, then it is reasonable to believe that television law specifically can do so. 3 Nevertheless, though television representations of law have become * Kimberlianne Podlas, Assistant Professor, Caldwell College, Caldwell, New Jersey. -
I'm Not a Judge but I Play One on TV : American Reality-Based Courtroom Television
I'M NOT A JUDGE BUT I PLAY ONE ON TV: AMERICAN REALITY-BASED COURTROOM TELEVISION Steven Arthur Kohm B.A. (Honours) University of Winnipeg, 1997 M.A. University of Toronto, 1998 DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School of Criminology O Steven Kohm 2004 SIMON FRASER UNIVERSITY Fall 2004 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Steven Arthur Kohm Degree: Ph.D. Title of Dissertation: I'm Not a Judge, but I Play One on TV: American Reality-based Courtroom Television Examining Committee: Chair: Dr. Dorothy Chunn Professor of Criminology Dr. John Lowman Senior Supervisor Professor of Criminology Dr. Robert Menzies Supervisor Professor of Criminology Dr. Margaret Jackson Supervisor Professor of Criminology Dr. Rick Gruneau Internal Examiner Professor of Communication Dr. Aaron Doyle External Examiner Assistant Professor of Sociology and Anthropology, Carlton University Date DefendedApproved: SIMON FRASER UNIVERSITY PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, afid to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection. -
Exploring Viewers' Responses to Nine Reality TV Subgenres
Psychology of Popular Media Culture © 2015 American Psychological Association 2015, Vol. 5, No. 1, 000 2160-4134/15/$12.00 http://dx.doi.org/10.1037/ppm0000103 Exploring Viewers’ Responses to Nine Reality TV Subgenres Mina Tsay-Vogel K. Maja Krakowiak Boston University University of Colorado, Colorado Springs Reality TV is a genre that places nonactors in dramatic situations with unpredictable outcomes. The influx of reality TV dominating network and cable programming has been highly reflective in its expansion of formats, evident from the variety of narrative themes embedded in reality-based shows. Findings from this exploratory study (N ϭ 274) reveal significant differences in the way college students affectively, cognitively, and behaviorally engage with reality TV. Specifically, identification, interactivity, enjoyment, perceived realism, and perceived competition across 9 reality TV sub- genres: dating/romance, makeover/lifestyle, hidden camera, talent, game show, docu- soap, sitcom, law enforcement, and court significantly differed. Data provide strong support that programs commonly defined as reality-based offer qualitatively distinct affective, cognitive, and behavioral experiences and gratifications for viewers. Keywords: reality TV, reality programs, subgenres, TV formats, gratifications The unscripted and inexpensive nature of re- (Cavendar & Fishman, 1998). Shows such as ality TV programs continues to make them pop- The Bachelor, Survivor, The Voice, Duck Dy- ular commodities in the entertainment industry nasty, Love and Hip Hop, and The Real House- (Essany, 2013; Ramdhany, 2012). Evidence wives have generally been regarded as a single supporting reality TV’s appeal has been docu- and collective genre, assumed to convey homo- mented as a function of motives for self- geneous messages and themes (Kavka, 2012). -
At Tony Lena's, It's All in the Bread
TUESDAY, FEBRUARY 18, 2020 A world 828 units connected oated by trains for South Marblehead store owner nds perfect Harbor model in Peabody By Gayla Cawley ITEM STAFF By Thor Jourgensen ITEM STAFF LYNN — After years of stalled plans aimed at redeveloping the PEABODY — A train lover since long-vacant 17-acre waterfront site he was tyke, Don Stubbs decided known as “South Harbor” on the to turn a hobby into a business in Lynnway, the city’s head of econom- 1988 when he opened North East ic development believes the timing Trains on Main Street, about four is nally right. blocks from the model and minia- The renewed push to redevelop ture train store’s current location. the South Harbor site, which has Located in a former hardware sat vacant for three decades and is store with high, tin-stamp ceil- located near the General Edwards ings and classical music playing Bridge at the mouth of the Saugus at a soft volume, North East is a River, comes from property owner model-train lover’s dream come Joseph O’Donnell, who purchased true. Display cases and shelves the land in 2005. showcase miniature locomotives, O’Donnell, founder of Belmont passenger and freight cars with Capital, LLC in Cambridge, has names like “K-line diesel” and submitted preliminary plans that “Jordan spreader plow.” would transform the former Harbor A walk around the store is a vis- House site into a neighborhood of it to a world where rail enthusi- 828 market-rate apartments over asts from around the region stop three wood-framed buildings, retail in to shop or sell their train col- space and 935 parking spaces. -
2020 Syndicated Program Guide.Xlsx
CONTENT STRATEGY SYNDICATED PROGRAM GUIDE SYNDICATED PROGRAM LISTINGS / M-F STRIPS (Preliminary) Distributor Genre Time Terms Barter Split Renewed Syndication UPDATED 1/28/20 thru Debut FUTURES FALL 2020 STRIPS CARBONARO EFFECT, THE Trifecta Reality 30 Barter TBA 2020-21 Hidden-camera prank series hosted by magician and prankster Michael Carbonaro. From truTV. Weekly offering as well. COMMON KNOWLEDGE Sony TV Game 30 Barter 3:00N / 5:00L 2020-21 Family friendly, multiple choice quiz game off GSN, hosted by Joey Fatone. DREW BARRYMORE SHOW, THE CBS TV Distribution Talk 60 Cash+ 4:00N / 10:30L 2021-22 Entertainment talk show hosted by Producer, Actress & TV personality Drew Barrymore. 2 runs available. CBS launch group. Food/Lifestyle talk show spin-off of Dr. Oz's "The Dish on Oz" segment", hosted by Daphne Oz, Vanessa Williams, Gail Simmons(Top Chef), Jamika GOOD DISH, THE Sony TV Talk 60 Cash+ 4:00N / 10:30L 2021-22 Pessoa(Next Food Star). DR. OZ production team. For stations includes sponsorable vignettes, local content integrations, unique digital & social content. LAUREN LAKE SHOW, THE MGM Talk 30 Barter 4:00N / 4:00L 2020-21 Conflict resolution "old-shool" talker with "a new attitude" and Lauren Lake's signature take-aways and action items for guests. 10 episodes per week. LOCK-UP NBC Universal Reality 60 Barter 8:00N/8:00L 2020-21 An inside look at prison life. Ran on MSNBC from 2005-2017. Flexibility, can be used as a strip, a weekly or both, 10 runs available, 5 eps/wk. Live-to-tape daily daytime talker featuring host Nick Cannon's take on the "latest in trending pop culture stories and celeb interviews." FOX launch. -
Mother Calls Curwin Killer a ‘Coward’
TUESDAY, AUGUST 8, 2017 Kite sur ng Saugus author does and bicycling best writing in pencil collide in Nahant By Bridget Turcotte Martin, a Texas elementary school By Bridget Turcotte ITEM STAFF teacher. “It helps them have more ITEM STAFF empathy for other people when they SAUGUS — Have you ever felt realize that everyone is different, NAHANT — A 25-year-old Cambridge woman is dull, chewed up, stepped on, or worn everyone is unique and special. It being treated at Massachusetts General Hospital down like a pencil? helps them put themselves in some- for injuries sustained in a kitesur ng accident that Saugus native Kelli Martin re- one else’s shoes and think about how also injured a bicyclist. leased her rst children’s book, “A they might be feeling.” The woman, who was kitesur ng at about 9:30 School Year in the Life of a Pencil,” Martin said she plans to use the a.m. Sunday, was quickly blown toward the shore in which teaches children a lesson book to teach a lesson in her class- the area of Doggie Beach, coming in at such a high about perspective and treating other room. rate of speed that she feared she would be blown people well, just in time for them to “It can de nitely teach them about into the rocks, said Nahant Police Lt. Joseph “Paul” head back to school. bullying,” she said. “It would be won- Manley. The 20-page story follows a pencil’s derful if it could do that. The teach- She cut the line to her kite but was still tossed journey through a year in elemen- ing has to go along with it — you onto the rocks, said Manley. -
TWENTY-FIRST CENTURY FOX, INC. (Exact Name of Registrant As Specified in Its Charter)
21st Century Fox - Annual Report Page 1 of 201 ^ \ ] _ UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended June 30, 2017 or ☐ TRANSITION REPORT PURSUANT TO SECTION 13 or 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number 001-32352 TWENTY-FIRST CENTURY FOX, INC. (Exact Name of Registrant as Specified in its Charter) Delaware 26-0075658 (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1211 Avenue of the Americas, New York, New York 10036 (Address of Principal Executive Offices) (Zip Code) Registrant’s telephone number, including area code (212) 852-7000 Securities registered pursuant to Section 12(b) of the Act: Name of Each Exchange On Which Title of Each Class Registered Class A Common Stock, par value $0.01 per share The NASDAQ Global Select Market Class B Common Stock, par value $0.01 per share The NASDAQ Global Select Market Securities registered pursuant to Section 12(g) of the Act: None (Title of class) Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act of 1933. Yes ☒ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. -
Confessions in the Courtroom: an Audience Research on Court Shows
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2016 Confessions in the Courtroom: An Audience Research on Court Shows Silvina Beatriz Berti University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Critical and Cultural Studies Commons, and the Mass Communication Commons Recommended Citation Berti, Silvina Beatriz, "Confessions in the Courtroom: An Audience Research on Court Shows" (2016). Doctoral Dissertations. 551. https://doi.org/10.7275/7873397.0 https://scholarworks.umass.edu/dissertations_2/551 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CONFESSIONS IN THE COURTROOM: AN AUDIENCE RESEARCH ON COURT SHOWS A Dissertation Presented by Silvina Beatriz Berti Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of Doctor of Philosophy February 2016 Communication © Copyright by Silvina Beatriz Berti 2016 All Rights Reserved CONFESSIONS IN THE COURTROOM: AN AUDIENCE RESEARCH ON COURT SHOWS A Dissertation Presented by Silvina Beatriz Berti Approved as to style and content by: ____________________________________ Michael Morgan, Chair ____________________________________ Sut Jhally, Member ____________________________________ Agustín Lao Montes, Member ____________________________________________ Erica Scharrer - Department Head Department of Communication DEDICATION To my loving children, Alejandro and Federico ACKNOWLDEGMENTS I would like to begin by thanking my advisor, Michael Morgan, for his many years of patient guidance and support. -
Wednesday Morning, Dec. 1
WEDNESDAY MORNING, DEC. 1 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest Who Wants to Be The View David Hasselhoff; Sheryl Live With Regis and Kelly Selena 2/KATU 2 2 (cc) (Cont’d) (cc) a Millionaire Crow performs. (N) (cc) (TV14) Gomez; Terry Fator. (N) (TVPG) KOIN Local 6 Early at 6 (N) (cc) The Early Show (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 (TV14) Newschannel 8 at Sunrise at 6:00 Today Martha Stewart; evening wear; latkes. (N) (cc) The Nate Berkus Show (cc) (TVPG) 8/KGW 8 8 AM (N) (cc) Body Electric Between the Curious George Cat in the Hat Super Why! (cc) Dinosaur Train Sesame Street Music Magic. Elmo Shalom Sesame- Clifford the Big Martha Speaks WordWorld (TVY) 10/KOPB 10 10 (cc) (TVG) Lions (TVY) (TVY) Knows a Lot (TVY) (TVY) uses Abby’s wand. (TVY) Chanukah Red Dog (TVY) (TVY) Good Day Oregon-6 (N) Good Day Oregon (N) The 700 Club (cc) (TVPG) Rachael Ray (cc) (TVPG) Mid-Day Oregon Paid 12/KPTV 12 12 (N) Paid Paid Paid Paid Turbo Dogs (cc) Pearlie (TVY7) Through the Bible International Fel- Paid Paid Paid Paid 22/KPXG 5 5 (TVY7) lowship Changing Your John Hagee Rod Parsley (cc) This Is Your Day Kenneth Cope- The Word in the 360 Degree Life Lifestyle Maga- Behind the Alternative James Robison Marilyn Hickey 24/KNMT 20 20 World (TVG) Today (cc) (TVG) (TVG) (cc) (TVG) land (TVG) World (TVG) (cc) zine Scenes (cc) Health (cc) (cc) (TVG) (cc) George Lopez George Lopez Career Day (cc) Just Shoot Me My Name Is Earl My Name Is Earl Maury (cc) (TV14) Swift Justice- Swift Justice- The Steve Wilkos Show (cc) (TV14) 32/KRCW 3 3 (cc) (TVPG) (cc) (TV14) (TVG) (cc) (TV14) (TV14) (TV14) Nancy Grace Nancy Grace Andrew Wom- Eye for an Eye Judge Jeanine Pirro (cc) (TVPG) Law & Order: Special Victims Unit MORE Good Day Oregon Cheaters (cc) Cheaters (cc) Divorce Court (N) America’s Court 49/KPDX 13 13 mack (cc) (TV14) Game. -
MALACHY MC COURT SHOW (WMCA) Contact: Bob Schilling 888
RAG.° GUEST INTERVIEW PROGRAMS RADIO GUEST INTERVIEW PROGRAMS TODAY'S WOMAN (CBS) WALLACE AT LARGE (CBS) MALACHY MC COURT SHOW (WMCA) NEW YORK, NEW YORK Contact: Joan Burke Contact: Joan Burke Contact: Bob Schilling Contact; Rachel Maiori 524 West 57 Street 524 West 57 Street 888 Seventh Avenue Voice of America New York, New York 10019 New York, New York 10019 New York, New York 10019 250 West 57 Street 765-4321 765-4321 586-5700 New York, New York 10019 971-5661 TRAVEL & LEISURE TIME REPORT (Syndicated) WEST SIDE RADIO (WFUV-FM) Contact: Steve Valiensky Contact: Jerome D. Bona MARTHA DEANE PROGRAM (WOR) NEW YORK URBAN LEAGUE PRESENTS (WWRL Uncle Ellis' Desk, Ltd. 29 West 65 Street Contact: Carol Neustein Contact: Carol M. Weaver Broadcast Productions New York, New York 10023 1440 Broadway 8 WFUV-FM) Public Relations Enterprises, Inc. 520 Fifth Avenue 787-6970 New York, New York 10018 Ten West 135 Street New York, New York 10036 LO 4-8000 WORLD TODAY (Mutual Network) New York, New York 10037 682-5844 234-2050 Contact: Del Sharbett MEDICINE 1973 (WLXO-FM) UP THE FLAGPOLE (WRVR-FM) 135 West 50 Street Contact: Sill Bertenshaw New York, New York 10020 PERSPECTIVE REPORT (WN8C) Contact: Daniel Mack Eighteen West 45 Street Contact: Charles McCord 85 Claremont Avenue LT 1-6100 New York, New York 10036 Thirty Rockefeller Plaza New York, New York 10027 986-5707 WRAP LIP WITH BILL SCOTT (WMCA) New York, New York 10020 749-5400 CI 7-8300 Contact: Maurice Tunick METROPOLITAN REPORT (WNBC) UPDATE (ABC) 888 Seventh Avenue Contact: Charles McCord Contact: -
Here Comes the Judge! Gender Distortion on Tv Reality Court Shows
ARTICLE HERE COMES THE JUDGE! GENDER DISTORTION ON TV REALITY COURT SHOWS By: Taunya Lovell Banks∗ [W]e are seeing a shift from . the failed representation of the real . to . the impenetrable commingling of fiction and reality . representations no longer need to be rooted in reality. It is sufficient for images simply to reflect other images.1 Law has become … entertainment law.2 I. INTRODUCTION n 2000, television reality court shows replaced soap operas as the I top daytime viewing genre. Unlike the prototype reality court show, The People’s Court presided over by the patriarch Judge Wapner, a majority of reality court judges are female and non-white. A judicial world where women constitute a majority of the judges and where non-white women and men dominate is amazing. In real life most judges are white and male. During that break-through 2000-2001 television viewing season, seven of the ten reality court judges were male — three white and four black. Of the three women judges, only one Judy Sheindlin of Judge Judy was white. The others, Glenda Hatchett of Judge Hatchett, and Mablean Ephraim of Divorce Court, were black. At the beginning of the 2007-2008 viewing season there were still ten shows but women judges outnumbered men, and only two judges, Judy Sheindlin and David Young, were white. Five of the six women judges are non- white — three Latinas and two black Americans as are three of the four males — two black and one Latino. Judicial diversity, however, ∗Jacob A. France Professor of Equality Jurisprudence, University of Maryland School of Law. -
The Paternity Test and the Cultural Logic of Paternity
WHO'S YOUR DADDY? THE PATERNITY TEST AND THE CULTURAL LOGIC OF PATERNITY by Kathalene A. Razzano A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Director Program Director Dean, College of Humanities and Social Sciences Date: );! Spring Semester 2012 George Mason University Fairfax, VA Who’s Your Daddy?: The Paternity Test and the Cultural Logic of Paternity A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Kathalene A. Razzano Master of Arts The Pennsylvania State University, 1997 Bachelor of Arts University of Maryland, College Park, 1995 Director: Timothy Gibson, Professor Department of Communication Spring Semester 2012 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to those I’ve lost along the way; my teachers, mentors and friends Joe L. Kincheloe, Peter Brunette, and Jeanne Hall; my step-mother Linda Razzano; and my Pop, Gabriel Razzano. I miss each of you but carry you on with me. I also dedicate this dissertation to my Grammies, Audrey Razzano. She’s been waiting for me to (finally) finish so that she can call me “Doctor.” iii ACKNOWLEDGEMENTS I would like to thank the many friends, relatives, and supporters who have made this happen. Since I’ve been doing this a while, I have a number of people to thank. First, I must thank my dissertation chair Tim Gibson who has been unbelievably supportive, helpful and productively critical.