George Macdonald on Psychology Barbara Amell
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A Checklist of George Macdonald's Books Published in America, 1855-1930
North Wind: A Journal of George MacDonald Studies Volume 39 Article 2 1-1-2020 A Checklist of George MacDonald's Books Published in America, 1855-1930 Richard I. Johnson Follow this and additional works at: https://digitalcommons.snc.edu/northwind Recommended Citation Johnson, Richard I. (2020) "A Checklist of George MacDonald's Books Published in America, 1855-1930," North Wind: A Journal of George MacDonald Studies: Vol. 39 , Article 2. Available at: https://digitalcommons.snc.edu/northwind/vol39/iss1/2 This Article is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in North Wind: A Journal of George MacDonald Studies by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. A Checklist of George MacDonald Books Published in America, 1855-1930 Richard I. Johnson Many of George MacDonald’s books were published in the US as well as in the United Kingdom. Bulloch and Shaberman’s bibliographies only provide scanty details of these; the purpose of this article is to provide a more accurate and comprehensive list. Its purpose is to identify each publisher involved, the titles that each of them published, the series (where applicable) within which the title was placed, the date of publication, the number of pages, and the price. It is helpful to look at each of these in more detail. Publishers About 50 publishers were involved in publishing GMD books prior to 1930, although about half of these only published one title. -
Memorial Review of “George Macdonald: a Study of Two Novels.” by William Webb, Part of Volume 11 of Romantic Reassessment
Memorial review of “George MacDonald: A Study of Two Novels.” by William Webb, part of volume 11 of Romantic Reassessment. Salzburg, 1973. Deirdre Hayward illiam Webb’s aim in this study is to examine two “rather neglected”W novels of George MacDonald in order to bring out “what is most characteristic in them of the author’s undoubted genius” (105). He sets out to demonstrate that Mary Marston is “a capable piece of fiction” (58), and his discussion of Home Again, though brief, brings out several interesting features of the novel. I have chosen to comment on aspects of his study which give the reader fresh insights, and illuminate less well-known areas of MacDonald’s writing. The study itself is rather loosely structured, with the plan and links between the topics not always clear; and it is frustrating that Webb almost never gives sources for the many quoted passages, and often drops in references—for example a comparison with Dickens in Hard Times or Our Mutual Friend—without any supporting detail to contextualise his comments. Having said this, I found myself impressed by many of the issues discussed, and interested in the directions (sometimes quite obscure and fascinating) in which he points the reader. Additionally, his exploration of some of the literary sources and artistic relationships recognisable in Mary Marston contribute with some authority to MacDonald scholarship. Webb recognises the influence of seventeenth-century English literature on Mary Marston (1881), and observes that in chapter 11, “William Marston,” where Mary’s father, the saintly William Marston, dies, the theme of poetry is related to the plot (83). -
George Macdonald's the Wise Woman
Studies in Scottish Literature Volume 42 | Issue 2 Article 7 11-30-2016 Imagining Evil: George MacDonald's The iW se Woman: A Parable (1875) Colin Manlove University of Edinburgh Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Children's and Young Adult Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Manlove, Colin (2016) "Imagining Evil: George MacDonald's The iW se Woman: A Parable (1875)," Studies in Scottish Literature: Vol. 42: Iss. 2, 201–217. Available at: https://scholarcommons.sc.edu/ssl/vol42/iss2/7 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. IMAGINING EVIL: GEORGE MACDONALD’S THE WISE WOMAN: A PARABLE (1875) Colin Manlove George MacDonald has some claim to the title of “a neglected Scottish writer.” A great man and author in his day, he is now largely forgotten in his own country. Only his children’s fairy tales still spark an occasional glimmer of recognition, particularly his At the Back of the North Wind (1870) and The Princess and the Goblin (1872). Recent academic interest in MacDonald as a fantasy writer, and particularly as the forerunner of C.S. Lewis and J.R.R. Tolkien, has however begun to rescue him from obscurity, particularly in the U.S.. Here I want to carry on this process by showing the power of a story which where noticed is too often condemned—The Wise Woman: A Parable. -
116 Autumn 2005
ISSN 1478-0186 1 The Charles Williams Society www.geocities.com/charles_wms_soc Newsletter The Charles Williams Society Newsletter No. 116 Autumn 2005 2 THE SOCIETY The Charles Williams Society The Society was founded in 1975, thirty years after Charles Williams’s sudden death at the end of the Second World War. It exists to celebrate Charles Wil- liams and to provide a forum for the exchange of views and information about his life and work. Members of the Society receive a quarterly newsletter and may attend the Society’s meetings which are held three times a year. Facilities for members also include a postal lending library and a reference library housed at The Centre for Medieval Studies in Oxford. Officers of the Society President: John Heath-Stubbs OBE Chairman: Librarian: Dr Brian Horne Dr Brian Horne Flat 8, 65 Cadogan Gardens Flat 8, 65 Cadogan Gardens London, SW3 2RA London, SW3 2RA 020 7581 9917 020 7581 9917 [email protected] [email protected] Secretary: Membership Secretary: Revd Dr Richard Sturch Mr Guy Carter 35 Broomfield 67b Ulverston Road Stacey Bushes Walthamstow Milton Keynes MK12 6HA London, E17 4BN 01908 316779 020 8523 3465 [email protected] [email protected] Treasurer: Newsletter Editor: Mr Stephen Barber Mr Edward Gauntlett Greystones 21 Downsway, Lawton Avenue, Carterton Whyteleafe Oxon OX18 3JY Surrey, CR3 0EW 020 8660 1402 01993 841219 [email protected] ste- [email protected] Autumn 2005 THE NEWSLETTER 3 Contents Newsletter No. 116 Autumn 2005 Officers of the Society 2 Reading Groups 3 From the Editor 4 Society News & Notes 5 Forthcoming Meetings 6 Temptation Richard Sturch 7 Letters to the Editor 17 Editorial Policy and Copyright 19 Reading groups For information about the Oxford reading group please contact Brenda Boughton, tel: 01865 515589. -
Select Bibliography of the Works of George Macdonald
George MacDonald: A Select Bibliography This is not a comprehensive listing of MacDonald’s works. For a more complete list, please see the following: Bulloch, John Malcolm. A Bibliography of George MacDonald. 1925. Jordan, Mary Nance. George MacDonald: A Bibliographical Catalog and Record. Limited edition of 100 copies. Fairfax, VA: privately published, 1984. Shaberman, Raphael. George MacDonald: a Bibliographical Study. Winchester, Hampshire/Detroit: St. Paul's Bibliographies/Omnigraphics, 1990. FAIRY TALES & WORKS FOR CHILDREN -Dealings with the Fairies, 1867 -At the Back of the North Wind, 1871 -The Princess and the Goblin, 1872 -Gutta Percha Willie: The Working Genius, 1873 -The Wise Woman, 1875 (alternate titles: The Lost Princess and A Double Story) -The Princess and Curdie, 1883 -The Light Princess and Other Fairy Tales, 1893 -The Complete Fairy Tales, 1999 FANTASIES -Phantastes: A Faerie Romance for Men and Women, 1858 -The Portent, 1864 -Works of Fancy and Imagination (10 vols), 1871 -Lilith, 1895 NON-FICTION WORKS & POETRY -Within and Without: A Dramatic Poem, 1855 -Poems, 1857 -The Disciple and Other Poems, 1867 -Unspoken Sermons, 1867 -The Miracles of Our Lord, 1870 -Exotics: A Translation of the Spiritual Songs of Novalis, the Hymn Book of Luther, and Other Poems from the German and Italian, 1876 -A Book of Strife in the Form of the Diary of an Old Soul, 1880 -A Threefold Cord: Poems by Three Friends, 1883 -The Tragedie of Hamlet, 1885 -Unspoken Sermons: Second Series, 1886 -Unspoken Sermons: Third Series, 1889 -The Hope of the Gospel, 1892 -The Poetical Works of George MacDonald - 2 vols, 1893 -A Dish of Orts, 1893 -Scotch Songs and Ballads, 1893 -Rampolli, 1897 (expanded edition of Exotics) -George Macdonald in the pulpit: the 'spoken' sermons of George Macdonald, 1996 Marion E. -
Macdonald's Counter-Literature Colin Manlove University of Edinburgh (Retired)
Inklings Forever Volume 5 A Collection of Essays Presented at the Fifth Frances White Ewbank Colloquium on C.S. Lewis & Article 35 Friends 6-2006 MacDonald's Counter-literature Colin Manlove University of Edinburgh (retired) Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Manlove, Colin (2006) "MacDonald's Counter-literature," Inklings Forever: Vol. 5 , Article 35. Available at: https://pillars.taylor.edu/inklings_forever/vol5/iss1/35 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. MacDonald's Counter-literature Cover Page Footnote Keynote Address This essay is available in Inklings Forever: https://pillars.taylor.edu/inklings_forever/vol5/iss1/35 INKLINGS FOREVER, Volume V A Collection of Essays Presented at the Fifth FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2006 Upland, Indiana MacDonald’s Counter-literature Colin Manlove Manlove, Colin. “MacDonald’s Counter-literature.” Inklings Forever 5 (2006) www.taylor.edu/cslewis KEYNOTE ADDRESS MacDonald’s Counter-literature Colin Manlove How do MacDonald’s fantasies reflect his very sooner do we identify Him with any one of them than individual theology? If we start from his dislike of fixed His glory has moved elsewhere. God is in every creeds and doctrines, we find this paralleled in his symbol, and in no one of them. -
University of Dundee DOCTOR of PHILOSOPHY George Macdonald
University of Dundee DOCTOR OF PHILOSOPHY George MacDonald and Victorian Society Smith, Jeffrey Wayne Award date: 2013 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 GEORGE MACDONALD AND VICTORIAN SOCIETY JEFFREY WAYNE SMITH Doctor of Philosophy University of Dundee September 2013 ii TABLE OF CONTENTS Acknowledgements iv Declaration v Abstract vi Abbreviations vii Chapter One: Introduction 1 A Brief Guide to Reading the Thesis 3 Part 1: Critical Assessment 5 MacDonald’s Nonfiction: Writings on the Development of the Imagination and Spiritual Progression 15 Part 2: MacDonald’s Social Views and Ideas 20 MacDonald and the Nineteenth-Century Crisis of Change 20 Transitions between Town and Country in MacDonald’s Novels 28 The Ills of Industrialism in The -
Some Ironies in the Last Chapters of Lilith John Docherty
Some Ironies in the Last Chapters of Lilith John Docherty Once meek, and in a perilous path, The just man kept his course along The vale of death. Roses are planted where thorns grow, And on the barren heath Sing the honey bees. Then the perilous path was planted: And a river and a spring On every cliff and tomb: And on the bleached bones Red clay brought forth. Till the villain left the paths of ease To walk in perilous paths and drive The just man into barren climes. Now the sneaking serpent walks In mild humility, And the just man rages in the wilds Where lions roam. –William Blake from the Argument to The Marriage of Heaven and Hell. 1. Introduction George MacDonald’s Lilith is usually read as a Gothic fantasy with powerful Christian content. The Gothic element is well brought out by the jacket illustration of the best-selling modern paperback edition, issued by the religious publishers Eerdmans, which amalgamates some of the most powerful Gothic images in the story. Stephen Prickett stresses that it is the “preponderance of image over plot that is the hallmark of the Gothic convention” (Victorian 74). In Lilith, however, the images seem to preponderate only because of their power. The book has a clear story-line. Roderick McGillis suggests that with narrative of the kind found in Lilith, “the emphasis lies not so much on the specific meaning of the narrative as on the quality of the reader’s response” (“George 78 | Docherty MacDonald” 42). But in Lilith, and particularly in the last chapters of the book, the specific meaning of the narrative for readers is wholly dependant upon the quality of their response. -
University of Pardubice Faculty of Arts and Philosophy Lilith and Peter Pan
University of Pardubice Faculty of Arts and Philosophy Lilith and Peter Pan: A Comparison Barbora Homolková Bachelor Paper 2012 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne: 28. 3. 2012 Barbora Homolková Acknowledgement: I would like to thank to my family especially my mother and father who always help me with everything and to my sister. I would also like to thank to professor Mánek, who has helped me with writing this paper. Abstract: The bachelor thesis deals with the topic of two important books written in the nineteenth and the beginning of the twentieth century. These books are Lilith by George Mac Donald and Peter Pan by J. M. Barrie. Both of them were written in the style of fantasy and contain similar elements. The theoretical part deals with characters from the point of view of prose theory. The difference between flat and round characters is presented. -
George Macdonald's Lilith: Whores in Babyland Jennifer Sattaur
George MacDonald's Lilith: Whores in Babyland Jennifer Sattaur George MacDonald, over a long literary career and an even longer lifetime, saw a great deal of the later Victorian era. As a Christian of unorthodox beliefs, exiled from his pulpit and forced to preach through his fiction writing instead,1 his work offers a uniquely Christian perspective on both the middle and end of the nineteenth century. Lilith, published in 1895, purportedly came to him as a vision from God. The novel is one of two major fantasies he wrote for an adult audience—he is best known for his children's fairy tales, such as At The Back of the North Wind and The Princess and the Goblin, and the majority of his writing consists of realistic novels. When Lilith first appeared, it was largely condemned as being obscure, difficult, and disturbing.2 It is only more recently that the novel has been recognised as a work of value; C. S. Lewis and G. K. Chesterton, in particular, were vehement in their praises and attributed much influence for their own work to MacDonald.3 The work has also attracted an unusual amount of interest from those seeking to apply Jungian psychoanalytical theory to literature, as the novel's dreamlike-quality and visionary depths are particularly in tune with the spiritual leaning of Jungianism. Lilith is often referred to as the closing chapter of his literary career, and it has the influence of half of the nineteenth century behind it.4 Lilith is much concerned with religion, and is interesting not only for the insights it reveals on MacDonald's life, but also for the way it reacts to the fin de siècle society as MacDonald perceived it. -
Macdonald, the Revelation of God, and Literature Darren Hotmire
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 16 Lewis & Friends 3-2004 MacDonald, the Revelation of God, and Literature Darren Hotmire Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Hotmire, Darren (2004) "MacDonald, the Revelation of God, and Literature," Inklings Forever: Vol. 4 , Article 16. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/16 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana MacDonald, the Revelation of God, and Literature Darren Hotmire Hotmire, Darren. “MacDonald, the Revelation of God, and Literature.” Inklings Forever 4 (2004) www.taylor.edu/cslewis 1 MacDonald, the Revelation of God, and Literature Darren Hotmire Recently I referred to William Raeper’s biography The Revelation of God of George MacDonald and found something I thought intensely interesting. Raeper spoke of MacDonald’s Types of Revelation perspective of how God reveals Himself to humanity. The first reason this interested me was that as a some- Traditionally, systematic theologians refer to God’s time student of theology and devotional materials, the self-revelation in a general and specific sense. -
LILITH by George Macdonald
LILITH by George MacDonald THE AUTHOR George MacDonald (1824-1905) was born in Aberdeenshire, Scotland, and attended Aberdeen University, studying chemistry. After three years making a living tutoring, he studied for the ministry and became the pastor of a small Congregational church. Soon his congregation became disenchanted with his liberal theology - he had been influenced in his college years by more than the literary aspects of German Romanticism - and he left the ministry after three difficult years. For the rest of his life, he moved from job to job, lecturing, tutoring, and writing, none of which provided sufficient income to support his wife and eleven children. Despite the family’s poverty and the constant need to depend on the help of others, the MacDonalds were known far and wide for their hospitality. George MacDonald died after a lengthy illness in 1905. After writing several books of poems, MacDonald published his first novel, Phantastes , a fantasy, in 1858. His first successful endeavors were his Scottish novels, including Robert Falconer (1868). His children’s stories, which are among his best-known works today, included the novels At the Back of the North Wind (1871), The Princess and the Goblin (1872), The Princess and Curdie (1883), and the collection of Christmas-themed short stories, Gifts of the Child Christ (1882). He returned to fantasy with the publication of Lilith in 1895. MacDonald had been influenced early in life by the German Romantics, having had an opportunity to read their writings while tending the library of a nobleman during his university years. He appreciated the English Romantics as well, and his writings fit very well into that genre.