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Krt Madonna Knight Ridder/Tribune
FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich. -
A Cultural Exploration Via the Mediums of Music and Poetry
The University of Maine DigitalCommons@UMaine Honors College 5-2012 A Cultural Exploration Via the Mediums of Music and Poetry Colin S. Kolmar Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the International and Area Studies Commons, and the Music Commons Recommended Citation Kolmar, Colin S., "A Cultural Exploration Via the Mediums of Music and Poetry" (2012). Honors College. 63. https://digitalcommons.library.umaine.edu/honors/63 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. A CULTURAL EXPLORATION VIA THE MEDIUMS OF MUSIC AND POETRY by Colin S. Kolmar A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (International Affairs) The Honors College University of Maine May 2012 Advisory Committee: Laura Artesani, D.M.A., Associate Professor of Music, Advisor Amy Fried, Ph.D., Professor of Political Science James Artesani, Ed.D., Associate Professor of Special Education Mimi Killinger, Ph.D., Honors College Rezendes Preceptor for the Arts Mr. Daniel Williams, M.A., University of Maine Foundation Planned Giving Officer Abstract In order to prove the effectiveness of educational explorations conducted in extra- institutional settings, this thesis focuses on information collected in unconventional learning environments. The information gathered during these experiences was subsequently synthesized and conveyed via non-traditional scholastic mediums. This particular extra-institutional learning experience involved the investigation into jazz and hip hop music styles through cultural immersion. -
Aug. 8 & 15, 2016 Price $8.99 Aug. 8 & 15, 2016 Price $8.99
PRICE $8.99 AUG. 8 & 15, 2016 AUGUST 8 & 15, 2016 4 GOINGS ON ABOUT TOWN 19 THE TA L K OF THE TOWN Steve Coll on Russia’s election games; Gloria Allred; Morgan Freeman; pub rock; James Surowiecki on executive action. ANNALS OF POLITICS Jill Lepore 24 The War and the Roses The lessons of the party Conventions. SHOUTS & MURMURS Ian Frazier 33 Outdone THE SPORTING SCENE Sam Knight 34 Prance Master The star rider who is transforming dressage. A REPORTER AT LARGE Jon Lee Anderson 40 The Distant Shore What made an isolated Peruvian tribe kill? PERSONAL HISTORY Lauren Collins 52 Love in Translation Marriage to a Frenchman. SKETCHBOOK Barry Blitt 59 “Behind the Scenes at the D.N.C.” FICTION Te s s a Ha d l ey 62 “Dido’s Lament” THE CRITICS POP MUSIC Kelefa Sanneh 68 Gucci Mane’s “Everybody Looking.” BOOKS Adelle Waldman 72 Jay McInerney’s “Bright, Precious Days.” Dan Chiasson 75 Jana Prikryl’s “The After Party.” 77 Briefly Noted ON TELEVISION Emily Nussbaum 78 “BoJack Horseman.” THE CURRENT CINEMA Anthony Lane 80 “Jason Bourne,” “Little Men.” POEMS Nicole Sealey 31 “A Violence” James Richardson 47 “How I Became a Saint” COVER Mark Ulriksen “Something in the Air” DRAWINGS Paul Noth, Edward Steed, Jason Adam Katzenstein, Avi Steinberg, Sam Marlow, Roz Chast, Amy Hwang, Will McPhail, Darrin Bell, Liam Francis Walsh SPOTS Ben Wiseman THE NEW YO R K E R , AUGUST 8 & 15, 2016 1 CONTRIBUTORS Jill Lepore (“The War and the Roses,” Jon Lee Anderson (“The Distant Shore,” p. -
Madonna: Like a Crone
ROCK ON: WOMEN, AGEING AND POPULAR MUSIC MADONNA: LIKE A CRONE Reaching fifty in 2008 was a watershed year not just for Madonna, but also for her millions of fans. She is a vital figure for women across generations: through her performances she has popularised feminist politics and debate, and promoted a message of sexual empowerment. Much of her career has hinged on this concept of self-liberation and sexual expressiveness. As a young star she was powerfully seductive - one of the first female performers in the pop mainstream to capitalise on video as a marketing tool, and to make that nexus between sex, pop and commerce so explicit. She also challenged notions of the male/female gaze with her book Sex, and videos like 'Justify My Love'. Much of her allure was centred around her visual image, and her ability to combine an inclusive sexuality with compelling costume changes and personae. Female stars in her wake, from Britney Spears to Lady Gaga, have been clearly influenced by her ideas on performance and sexuality However, becoming a mature woman and a mother has presented her with a dilemma. She is fiercely competitive and it is a matter of personal pride to 'stay on top' in the singles market. But in having to compete with younger women, she is subject to the same pressures to look young, slim and beautiful. As a result, she has to continually sculpt and resculpt her body through rigorous workouts and diet regimes. The sculpted body first emerged when she shed the voluptuous 'Toy Boy' look of her early career for her 'Open Your Heart' video. -
Two Electric Car Charging Stations Come to Starkville out North Columbus Over the Past Few Weeks
ESTABLISHED 1879 | COLUMBUS, MISSISSIPPI CDISPATCH.COM 75 ¢ NEWSSTAND | 40 ¢ HOME DELIVERY FRIDAY | SEPTEMBER 20, 2019 City council UNDER THE BIG TOP recognizes CPD officers for response to burglary ring Shelton highlights role of community in working with police, reporting suspicious activity BY ISABELLE ALTMAN [email protected] Columbus Police Department Officer Melvin Shirley did not expect to be rec- ognized by the city council for his first ever foot chase. The patrol officer, Jennifer Mosbrucker/Dispatch Staff who just graduated Shirley Stephanie Luna, 14, prepares for a Luna Bros. Circus Tuesday evening along Highway 45 in Macon. The show is family owned and operated by Luna’s parents, Antonio and Erendira Luna. Stephanie runs a YouTube channel called “Teenage Circus” that from the police acad- documents life in the circus. emy and began pa- trolling with CPD in June, was one of sev- eral officers involved in the capture of a handful of juveniles accused of burglariz- ing homes through- Shelton Two electric car charging stations come to Starkville out north Columbus over the past few weeks. When Shirley responded to a call about Spruill: Stations fill a three suspicious young men in the Ridge Road area on Sept. 4, he demand that is ‘growing ended the call in about a 10-minute chase through the woods near Lion rapidly’ in Mississippi Hills Golf Course, ducking and BY TESS VRBIN dodging limbs and finally catching [email protected] See CPD, 7A Starkville Utilities in- stalled two charging sta- tions for drivers of plug- in electric cars Thursday in areas of the city that receive a great deal of traffic. -
Madonna's Postmodern Revolution
Journal of Literature and Art Studies, January 2021, Vol. 11, No. 1, 26-32 doi: 10.17265/2159-5836/2021.01.004 D DAVID PUBLISHING The Rebel Madame: Madonna’s Postmodern Revolution Diego Santos Vieira de Jesus ESPM-Rio, Rio de Janeiro, Brazil The aim is to examine Madonna’s revolution regarding gender, sexuality, politics, and religion with the focus on her songs, videos, and live performances. The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender, promote gender deconstruction and sexual multiplicity, create political sites of resistance, question the Catholic dissociation between the physical and the divine, and bring visual and musical influences from multiple cultures and marginalized identities. Keywords: Madonna, postmodernism, pop culture, sex, gender, sexuality, politics, religion, spirituality Introduction Madonna is not only the world’s highest earning female entertainer, but a pop culture icon. Her career is based on an overall direction that incorporates vision, customer and industry insight, leveraging competences and weaknesses, consistent implementation, and a drive towards continuous renewal. She constructed herself often rewriting her past, organized her own cult borrowing from multiple subaltern subcultures, and targeted different audiences. As a postmodern icon, Madonna also reflects social contradictions and attitudes toward sexuality and religion and addresses the complexities of race and gender. Her use of multiple media—music, concert tours, films, and videos—shows how images and symbols associated with multiracial, LGBT, and feminist groups were inserted into the mainstream. She gave voice to political interventions in mass popular culture, although many critics argue that subaltern voices were co-opted to provide maximum profit. -
Absolutely Fabulous Et Le Grotesque Fanny Pothier Absolutely Fabulous Et Le Grotesque
ArmColin_992149_p168p189_SB 28/11/06 14:41 Page 168 médiamorphoses Les raisons d’aimer… 168 Absolutely Fabulous et le grotesque Fanny Pothier Absolutely Fabulous et le grotesque Fanny Pothier, université de Paris 3 vec plus de quinze millions de téléspectateurs malgré la longueur de ses jupes trop courtes pour son âge, au Royaume-Uni, la série britannique des entre 50 et 70 ans, Patsy est aussi héroïnomane et passe A années 1990, Absolutely Fabulous, AbFab pour son temps à se payer des gigolos. ses fans, s’est élevée au rang de série culte par des procé- A contrario de la plupart des sitcoms, la famille est ici dés qui sortent du cadre de la traditionnelle situation inexistante : le vrai couple réside dans la relation – amou- comedy. Diffusée entre 1992 et 2004 sur la BBC et en reuse, pour certains – entre Patsy et Edina. La difficulté France de 1994 à 2004, sur Canal+, Canal Jimmy et Arte, rencontrée pour diffuser ce programme à ses débuts, s’ex- ce programme d’une demi-heure semble dénoncer par le plique donc par ses particularités trop subversives qui limi- biais de ses dialogues débridés, ses parodies et ses private taient d’emblée son nombre de téléspectateurs : ce jokes la place de la beauté, du snobisme de marques et de contenu licencieux notamment sur la question de la dro- la célébrité. Mais par son énonciation grotesque, la série gue et de l’alcool et ses représentations hyper parodiques légitime ce qu’elle cherche à dénigrer. L’ambiguïté de la de la femme limitait les possibilités des producteurs à com- figure de l’« indisciplinée » confère à la série un double mercialiser AbFab. -
Saffy Free Download
SAFFY FREE DOWNLOAD Paola Opal | 24 pages | 18 Mar 2010 | SIMPLY READ BOOKS | 9781897476024 | English | Vancouver, Canada Saffron Monsoon Clear your history. Hermine Demoriane sang the theme song with a French accent over Saffy closing credits of the series 4 episode "Paris" in A Comic Relief sketch was broadcast in In addition Saffy the official Saffy song, inPet Shop Boys recorded a song for Comic Relief using excerpts of dialogue from the series put Saffy dance music. Nikki Saffy. Series 1. Discuss these Saffy definitions with the community: 0 Comments. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. The stage for the kitchen in Ab Fab was subsequently used as the stage for the shop in the British comedy Miranda. Daniel British. The first three series were broadcast on Saffy BBC from toSaffy by a series finale in the form of Saffy two-part television film Saffy The Last Shout Saffy Original series: 12 November Saffy 7 November Revived series: 31 August — 25 December 20th anniversary specials: 25 December — 23 July Thanks for your vote! Little matter however as even after the trip to Morocco Saffy is still defending herself by Saffy criticising her mother and Patsy, remorselessly assuming the moral high ground and the voice of reason. See the list. Back to School Picks. Lydia Bennet. Sign In. Retrieved 10 June Episode 5. Both channels also co-produced the 20th Anniversary episodes, although Logo removed some scenes for its airings. Self - Narrator. She would do it for no other reason than to have her alter-ego and Patsy walk down the red carpet at the film's premiere. -
Hodder & Stoughton Spring 2021 US Rights Guide
Hodder & Stoughton Spring 2021 US Rights Guide TABLE OF CONTENTS 2021 SPRING HIGHLIGHTS……………………………………………………………………….…1 FICTION………………………………………………………………………………………………………2 CRIME & THRILLER……………………………………………………………………………………12 NON-FICTION……………………………………………………………………………………………17 LIFESTYLE …………………………………………………………………………………………………41 FOR MORE INFORMATION PLEASE CONTACT: Rebecca Folland, Rights Director: [email protected] Melis Dagoglu, Head of Rights: [email protected] Grace McCrum, Senior Rights Manager: [email protected] 2021 SPRING HIGHLIGHTS FICTION: REASONS TO GO OUTSIDE by Esme King (p.2) THE FAIR BOTANISTS by Sara Sheridan (p.3) SEVENTEEN by John Brownlow (p.16) NON-FICTION: STRONG FEMALE LEAD by Arwa Mahdawi (p.35) 1 Fiction REASONS TO GO OUTSIDE Esme King Pearl Winter is 59 years old, but she hasn’t left her house in over 40 years, since she arrived in Dartmoor as a teenager to live with her mother and stepfather. They are now dead and she is completely alone, kept company only by her pet crows and by the troubled memories of how and why she first became agoraphobic. Connor Matthews is lacking any kind of routine. His moth- er’s sudden death and few years ago and his father’s subse- quent remarriage to the ghastly Yvo have left him feeling like a stranger in his own home. There’s no way he can spend the summer indoors – so he applies for the job of Hodder & Stoughton Publication: April 2022 Pearl’s gardener for the summer. Editor: Kimberly Atkins Length: 320 Despite their differences Pearl and Connor become friends, and start to help each other recover lost dreams. And the changes that they start to make affect not only their own lives, but the lives of so many people connected to them. -
Feeling Fabulous
Tel: 0800 0966 825 (UK only) Tel: +44 (0)1329 828438 (outside UK) Email: [email protected] Feeling Fabulous..... We are feeling “fabulous” after our role in the production of a major British comedy film. Intonation was asked to translate a few lines of script into languages as diverse as Japanese, Swedish and the Nigerian language of Yoruba for the Absolutely Fabulous: The Movie. The British Film Industry (BFI) has announced Absolutely Fabulous: The Movie was the highest grossing independent UK film of 2016, with box office takings hitting £16 million! The film is based on the BBC TV comedy series and charts the further adventures of fast-living, but now ageing, duo Edina Monsoon and Patsy Stone, played by Jennifer Saunders and Joanna Lumley. It also features supermodel Kate Moss. Intonation’s Commercial Director Dan Peachey said: “It was a slightly unusual request but when we learned what it was for, we didn’t hesitate to accept the job, as we’re such big fans of the show!” “We watched the film through and it seems our words were used in a TV news report that went global, on a multi screen with loads of languages at the same time.” said Dan. “Trust and confidentiality are just as integral to the high standards we work to and as part of the confidentiality agreement with our client, we couldn’t say anything about the film or our part in it until it was released earlier this month, but we’re very excited to have played a part in its production and made sure we had an office outing to see if we made the cut” he added. -
[2005] EWHC 449 (Ch) [2005] E.C.D.R
[2006] E.M.L.R. 2 Page 1 [2005] EWHC 449 (Ch) [2005] E.C.D.R. 21 [2006] E.M.L.R. 2 [2005] F.S.R. 34 (2005) 28(6) I.P.D. 28046 Official Transcript [2005] EWHC 449 (Ch) [2005] E.C.D.R. 21 [2006] E.M.L.R. 2 [2005] F.S.R. 34 (2005) 28(6) I.P.D. 28046 Official Transcript (Cite as: [2006] E.M.L.R. 2) to be regarded as the relevant work for copyright [2005] EWHC 449 (Ch) purposes. The claimant indicated that, if this was right, she would not seek to amend her claim by *21 Coffey v Warner/ Chappell Music Ltd pleading reliance on the song “Forever After” as a whole. High Court, Chancery Division H4 HELD, dismissing the claim: J. (Blackburne H5 1. It was not open to a claimant to pick and March 18, 20051 choose the elements of a work upon which he relied in order to make the question of whether a substan- Copyright; Musical works; Originality; Striking tial part had been copied more likely to be out; answered in his favour.IPC Media Ltd v Highbury Leisure Publishing Ltd [2004] EWHC 2985; [2005] H1 Copyright in a musical work—work alleged to F.S.R. 20 followed. be infringed was the combination of vocal charac- teristics in and around a single lyrical line of a H6 2. What the copyright work was in any given song—features claimed were not sufficiently separ- case was not governed by what the claimant chose able from the rest of the song as to constitute a mu- to say that it was. -
MID-WEEK SPORT… Taking Place This Week
WEEKLY BLOG wk15. I’ve included a FREE Nineties TV Themed Quiz. Welcome to the Weekly Blog, available online and as a pdf download that you can print and take with you. Packed with additional content to assist quiz hosts, DJs and presenters. MID-WEEK SPORT… taking place this week Mon 12 April West Brom v Southampton Brighton v Everton Tue 13 April Chelsea v FC Porto Paris Saint Germain v Bayern Munich Wed 14 April Borussia Dortmund v Manchester City Liverpool v Real Madrid Thu 15 April Manchester United v Granada Roma v Ajax Slavia Prague v Arsenal Villarreal v Dinamo Zagreb QUIZ… Ninties TV Themed Here’s a real crowd pleaser, a nineties TV themed quiz you can add as an extra round. 1 'I’ll have a P please, Bob' was a classic line from which TV gameshow? BLOCKBUSTERS 2 “What’s your name and where d’ya come from” was a phrase often heard on which Saturday night show? BLIND DATE 3 In which year did 'Friends' make its TV debut? 1994 4 Which TV series was centred around the murder of the teenager Laura Palmer? TWIN PEAKS 5 Who played the outrageous Patsy Stone in 'Absolutely Fabulous'? JOANNA LUMLEY 6 Father Ted and Dougal attempted to enter which competition with their song 'My Lovely Horse'? EUROVISION SONG CONTEST 7 What colour spots did Mr Blobby have? YELLOW 8 What was the title of Ant and Dec’s parody version of 'Friends' on ‘SM:TV Live’? CHUMS 9 Which nineties TV series was set in Capeside, Massachusetts? DAWSON'S CREEK 10 Which actor, who died in 2019, starred in 'Beverly Hills 90210' and 'Riverdale'? LUKE PERRY WHO’S CELEBRATING? This week’s birthdays Jeremy Clarkson 61 Emma Thompson 62 Peter Davison 70 Dele Alli 25 Akon 48 Ritchie Blackmore 76 Brendan Urie 34 Victoria Beckham 47 Samantha Fox 55 David Letterman 74 Sean Bean 62 Matt Cardle 38 Andy Garcia 65 Bob Harris 75 Sir Frank Williams 79 Sarah Michelle Gellar 44 Emma Watson 31 Claire Sweeney 50 Peter Capaldi 63 Lisa Stansfield 55 Robert Carlyle 60 Joss Stone 34 ONE-LINERS Here’s a few one-liners I picked up this week.