Private Copying
Private Copying Roberto Camerani, Nicola Grassano, Diego Chavarro, Puay Tang This is an independent report commissioned by the Intellectual Property Office (IPO) Intellectual Property Office is an operating name of the Patent Office © Crown copyright 2013 2013 1 Private Copying Contents Summary 3 Music industry analysis 6 Film industry analysis 12 Publishing industry analysis 17 Software industry analysis 22 Appendix A – Terms and Conditions of Music sellers 27 Appendix B – Terms and Conditions of Books sellers 31 Appendix C – A Note on the construction of the software database 33 3 Private Copying Summary This study was commissioned by the UK IPO to collect data on whether and how four copyright industries – music, film, publishing and software – have (or not) adopted private copying measures, and on whether the price of the products in the UK reflect a right to private copying. The data Music: The dataset consists of 18,958 observations including albums in several formats (digital files, CDs, Vinyl discs, audio cassettes, etc.). The analysis covers 17,272 albums and focused on digital albums and CDs (for which details on number of tracks were available). Film: The dataset contains 3,515 products, which includes both digital films and films embedded in physical media (Blu-ray discs, DVDs, and VHS). The dataset also covers bundles, i.e. packages in which the same film is offered in multiple formats, and which may also include the possibility to download a digital copy of the film. Books: 2,071 observations on books (534) and e-books (1,537) sold by five online retailers: Amazon, GooglePlay, iTunes, Kobo and Waterstones, selected according to top-100 sales and review lists.
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