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– FINAL – Festival Performances Directory 2011
– FINAL – Festival Performances Directory 2011 Newport Fiddle and Folk Club www.nffc.org.au Incorporated Association A00522942 June 28, 2011 Contents: Timetable, Performers and Venues Timetable ........................................................................................... 4 Friday .......................................................................................... 4 Saturday ......................................................................................... 5 Sunday ......................................................................................... 6 Performers ........................................................................................... 7 Ann Carey ........................................................................................ 7 Anthony Carey ..................................................................................... 7 Baileys ......................................................................................... 8 Barry Walker ...................................................................................... 8 Blow It Out Your Brass ................................................................................. 8 Brendan Shearson .................................................................................... 8 Bruce Williams ..................................................................................... 9 Bushwackers and Bullockies Bush Band ........................................................................ 9 Choirs festival - led by Alan Davies -
Kahlil Gibran a Tear and a Smile (1950)
“perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated. -
Goddess Pf 1967 Music Credits
music composer Jen Anderson Music Supervisor Christine Woodruff Music engineers Ross Cockle Jen Anderson Music Mixer Ross Cockle Keyboard Programming Jen Anderson All Instruments Played by Jen Anderson except: Marianella Percussion Alex Pertout Shakuhachi & Ocarina Ann Norman Cello Helen Mountford Piano Accordion Mark Wallis Nylon String Guitar & Dan Tranh Michael Livett MUSIC Junk City Written by Rick Brewster/Bob Spencer/Bernard "Doc" Neeson © 1989 Frilanded Pty Ltd/Rondor Music (Used by Permission of Rondor Music (Aust) Pty Ltd)/ Universal Music Publishing Pty Ltd/Empire Music Pty Ltd. (All rights administered by EMI Songs Australia Pty Ltd.) Performed by The Angels Courtesy of Shock Records Piano Sonata in C Minor KV 457 Written by W. A. Mozart Performed by Jeno Jando Courtesy of Naxos Dogs Are Talking Written by Rick Brewster/Bernard "Doc" Neeson/Jim Hilburn/ Brent Eccles/Bob Spencer © 1990 Frilanded Pty Ltd/Rondor Music. (Used by Permission of Rondor Music (Aust) Pty Ltd.)/ Empire Music Pty Ltd (All Rights Administered by EMI Songs Australia Pty Ltd) & EMI Music Publishing Australia Pty Ltd/Universal Music Publishing Pty Ltd/ Rough Cut Music Pty Ltd Performed by The Angels Courtesy of Shock Records Der Fliegende Hollander (The Flying Dutchman) Written by Richard Wagner Performed by Muff/Haubold/Knodt/Seiffert/ Budapest Radio Chorus/ORF Symphony/Steinberg Courtesy of Naxos Walk Don't Run Written by John Smith peermusic Pty Ltd Performed by The Ventures (P) 1960 Liberty Records, a division of EMI Records USA Licensed courtesy of EMI -
ANDREW PENDLEBURY Biography
ANDREW PENDLEBURY Biography Frequently cited as one of the finest guitarists in the nation, Andrew Pendlebury has always seemed destined towards a career in music. From age four he studied violin under the auspicious direction of Nathan Gutman, and at an early age played Vivaldi and Bach with the prowess of someone far beyond his tender years. Andrew is the son of two celebrated Australian artists, Laurence Scott Pendlebury and Nornie Gude . It is little wonder that Andrew also possesses a great talent with the brush, and that his sister Anne was encouraged in her career as an actress with stage and TV credits. After leaving school Andrew set about forging a career for himself in the art world. He held a number of successful exhibitions of his impressionist style works, but music still held his attention. Exposed to Django Reinhardt by a friend of his father who was a dance band guitarist in WW2, and excited by the new sounds evolving from players like Jimi Hendrix bursting onto the scene, Andrew began to focus his creative energy into the guitar. Despite his early classical training, Andrew is a self-taught guitarist and he set about creating a voice for himself through the instrument. He was enthused by players like Lenny Breau, Les Paul, James Burton, Jimmy Bryant and Chet Atkins, but like the painter is inspired by other artforms, Andrew also finds inspiration in the work of many styles of music and instruments. He has broad tastes ranging from a great appreciation of trumpet player Miles Davis to his pop sensibilities towards the Rolling Stones and the Beatles. -
2016 SFNL Record Issue 10 (Marbut Stone Round)
ISSUE 10 JUNE 18, 2016 #OWNTHESOUTH #OWNTHESOUTH WHAT’S HAPPENING AT SFNL HQ? DAVID CANNIZZO, SFNL CEO @SFNLCEO 2016 Hall of Fame Inductees Announced These individuals to be inducted are another outstanding crop I am delighted to announce that six nominees will be inducted of people who have contributed so much to the SFNL and its into the SFNL Hall of Fame in 2016. The SFNL Hall of Fame forerunners. was launched only last year and exists to recognise and celebrate people who have made significant contributions to To have been fortunate to be associated and work with these the SFNL or its forerunners. individuals in recent times, I am absolutely thrilled that these individuals will be rejoiced by our community. Kingsley Ellis, David Luttrell, Garry Matlock, Mark Seymour and Ken Shaw will join last year’s 22 inaugural Hall of Fame The SFNL Hall of Fame function will be on Wednesday 29 inductees, while Margaret Torpy will also become the first June at Woodlands Golf Club. Tickets are available for $65 female to be inducted. per person through the SFNL office on 9553 5644. The SFNL received many nominations and the quality of them Marbut Stone Round were outstanding, making for an extremely difficult task for I am very pleased to advise that this weekend is Marbut Stone the SFNL. The sub-committee assessed the nominees over Round across the entire competition. many areas including longevity, quality of performance, The SFNL welcomed Marbut Stone this year as a new major integrity, sportsmanship, good character and promoting sponsor and their commitment to grassroots sport was a very the values of the SFNL or its precursor competitions, the refreshing aspect to a commercial partnership. -
Selling Or Selling Out?: an Exploration of Popular Music in Advertising
Selling or Selling Out?: An Exploration of Popular Music in Advertising Kimberly Kim Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jason Robinson Faculty Readers: Professor Jenny Kallick Professor Jeffers Engelhardt Professor Klara Moricz 05 May 2011 Table of Contents Acknowledgments............................................................................................................... ii Chapter 1 – Towards an Understanding of Popular Music and Advertising .......................1 Chapter 2 – “I’d Like to Buy the World a Coke”: The Integration of Popular Music and Advertising.........................................................................................................................14 Chapter 3 – Maybe Not So Genuine Draft: Licensing as Authentication..........................33 Chapter 4 – Selling Out: Repercussions of Product Endorsements...................................46 Chapter 5 – “Hold It Against Me”: The Evolution of the Music Videos ..........................56 Chapter 6 – Cultivating a New Cultural Product: Thoughts on the Future of Popular Music and Advertising.......................................................................................................66 Works Cited .......................................................................................................................70 i Acknowledgments There are numerous people that have provided me with invaluable -
Burke CV2018
Associate Professor Robert Burke Curriculum vitae 2018 Personal Details Full name: Associate Professor Robert Louis Burke Current position: Convenor of Jazz and Popular Music Department/ Monash University School/ Sir Zelman Cowen School of Music Faculty/Division: Faculty of Arts Correspondence address: 14 Albert St Caulfield North 3161 Email address: [email protected] ABOUT In 2002, Rob Burke instigated, launched and is currently the Convenor of Jazz and Popular Studies at Monash University (Melbourne Australia). Rob recognised an unfulfilled need in Melbourne's jazz academic landscape, established its course curriculum and provided a clear pathway for musicians to develop their proficiency and aptitude for their academic and performance outcomes. His background as a classically educated musician also enables him to traverse many musical genres and he is in a unique position to speak to students and colleagues about their requirements/concerns and provide balanced outcomes. His ongoing research focuses on issues relating to how we respond to improvised jazz: artistically, critically and personally. His work includes studying the processes and outcomes of music participation and music listening. An internationally acclaimed performer and composer, Rob has released 12 CD's under his own name and has composed and performed on a further 300 CD's. His sensitive and balanced perspective has allowed Rob to traverse many different styles and this has, in part, been expressed as collaborative performances with international leaders in classical, jazz and experimental music. His embrace of many genres of music and the clear expression of his diversity in his role as an educator, researcher and performer, has given rise to a vibrant dialect that resonates through his students and also his performances. -
The History of Roadrunner (1978-83)
THE HISTORY OF ROADRUNNER (1978-83) By Donald Robertson Synopsis This is the story of how an Adelaide punk fanzine blossomed into a well-loved national music magazine that chronicled the glory days of Australian post-punk and ‘pub rock’ music in the period 1978-83. The do-it-yourself ethos espoused by the UK punk movement in the mid-1970s was strongly felt in Australia and inspired bands to form, play live and record and release their own records. The concurrent expansion of live music venues across the country (mainly pubs) meant more bands could live, work and play. Roadrunner was also very much a product of this do-it-yourself ethos. From the bunch of evangelical music fans and writers who initially came together, some left and others joined and as those involved became more technically proficient the magazine developed and grew. With no financial backing (until the final despairing issue), Roadrunner survived for five years due to the combination of a posse of enthusiastic (and usually unpaid) contributors, a creative and understanding production crew, a sympathetic printer, the support of key music industry personalities and— perhaps most important of all—a small but dedicated readership. In 2017, the University of Wollongong in New South Wales made all 48 issues of Roadrunner available in a digital archive (at http://ro.uow.edu.au/roadrunner/). The History of Roadrunner 1 IntroduCtion When Martin Sharp, the internationally acclaimed Australian artist, died in 2013, I read that the University of Wollongong had created a digital archive of the Sydney and London Oz magazines that he was such a part of. -
Sample People Music Credits
original rafael score may (cast) Nightclub Band Brown Hornet Music Editor Rafael May Music Consultant Christine Woodruff Original Music Score composed, arranged and produced by Rafael May Vocals in score performed by Inga Liljestrom Trumpet Solos performed by Phil Slater Music mixed by Rafael May and Trent Williamson Additional re-mixing of "Horror Movie" by Rafael May "Howzat" Indian version arranged and produced by Rafael May Vocals performed by Gandhi MacIntyre TAKE A LONG LINE (J. Brewster/R. Brewster/D. Neeson) © 1978 J. Albert & Son Pty Ltd All rights reserved Performed by Grinspoon Grinspoon appears courtesy of Universal Music Australia Pty Ltd THE REAL THING Written by John Young © Chappell Morris Ltd Used by kind permission of Warner/Chappell Music Ltd All rights reserved Performed by Kylie Minogue Produced by Josh Abrahams HORROR MOVIE Written by G. Macainsh (DooDah/Mushroom Music) Performed by Sonic Animation Sonic Animation appears courtesy of Global Recordings Under licence from Festival Records Pty Limited Skyhooks original recording sample courtesy of Mushroom Records Pty Ltd I LIKE IT BOTH WAYS Written by Christopher Burnham/ Joseph Burnham/Randall Murphy/Gary Twinn Published by Warner/Chappell Music Australia Pty Ltd All rights reserved Performed by Not From There Courtesy of Infectious Records/ Mushroom Records International BV DON’T CHANGE (Beers/Farriss/Hutchence/ Farriss/Pengilly/Farriss) Published by Universal Music Publishing Pty Ltd Performed by Magic Number Executive Producer Andrew Farriss Produced, recorded and mixed by Paul Mac and Andy Rantzen at the Fibromajestic Under licence from Festival Records Pty Ltd WHO LISTENS TO THE RADIO Written by Stephen Cummings/ Andrew Pendlebury Published by Warner/Chappell Pty Ltd and Mushroom Music All rights reserved Performed by The Whitlams The Whitlams appear courtesy of Black Yak Phantom and Warner Music Australia Pty Ltd ALONE WITH YOU Written by J. -
Chapter 4 Clubland 1962-1972
Chapter 4 Clubland 1962-1972 From 1957 into the early 1960s, Johnny O'Keefe, Col Joye, Johnny Devlin, Johnny Rebb, Alan Dale and Lonnie Lee had provided proudly masculine templates of local success. O'Keefe and Joye also revealed considerable entrepreneurial skills in establishing managerial empires based upon their live circuit, radio and television popularity. Upon establishing responsive local environments, both managed many of the second wave of performers. This chapter examines the growth in Sydney's licensed clubs, and their concurrent interest in rock and roll as a lucrative form of entertainment. As identified in the development of the hotel and club circuits, this required a refinement of the 'unruly' rock and roll aesthetic evident in the previous chapter. The belief in more 'melodic' recording arrangements, and performers' incorporation into older notions of club entertainment signified a break with the more hysterical constructions of the music in the 50s. However, an examination of the Sydney surf club circuit in the mid-60s reveals a brief resurrection of earlier rock and roll beliefs. The surf club battles between 'surfies' and 'rockers' present an interesting precedent to the mods-rockers clashes in Britain. Moreover, echoes of earlier town hall/ballroom battles are evidenced in concerns founded upon generational differences regarding civic duty, and teens' contributions in constructions of community. While rock and roll displayed an increasing professionalism by promoters and performers, portrayals of 'wild' youth persisted as powerful discursive devices of social control. An important context of 1960s leisure is provided in the transfer of State government from Labor to the Liberal Party in 1965. -
Youth Coaching Manual
YOUTH COACHING MANUAL YOUTH COACHING MANUAL Editorial contributions by Istvan Bayli, Mark Boyce, Jim Cail, Michelle Cort, Andrew Dillon, Brian Douge, Andrew Fuller, Anton Grbac, Steve Hargrave, Sarah Lantz, Nello Marino, Geoff Munro, Michelle Paccagnella, Adrian Panozzo, David Parkin, Steve Reissig, Peter Schwab, Yvette Shaw, Kevin Sheehan, Matt Stevic, Dean Warren, Lawrie Woodman and Terry Wheeler PUBLISHED BY THE AUSTRALIAN FOOTBALL LEAGUE General Manager - People, Customer and Community: Dorothy Hisgrove Coaching Development Manager: Lawrie Woodman National Development Manager: Josh Vanderloo State Coaching Managers: Jack Barry (QLD), Wally Gallio (NT), Glen Morley (WA), Benton Phillips (SA), Nick Probert (TAS), Jason Saddington (NSW/ACT), Steve Teakel (VIC) Research: Matt Stevic Content Management: Lawrie Woodman Photography: AFL Photos Copyright 2014 – Australian Football League This information has been prepared by and on behalf of the Australian Football League (AFL) for the purpose of general information. Although the AFL has taken care in its preparation, any person or entity should use this information as a guide only and should obtain appropriate professional advice if required. The AFL does not accept any liability or responsibility for any resulting loss suffered by any reader except where liability cannot be excluded under statute. AFL YOUTH COACHING MANUAL 3 Keeping them playing By Brad Johnson, AFL National Academy High Performance Coach Welcome to the AFL Youth Coaching Manual. I know you will find it an invaluable resource as you embark, or continue, on your adventure of coaching young footballers of secondary school age. Adolescence is an incredibly important and challenging time in the lives of young people. It is a time when we need to maintain their involvement in our great game and, as a coach; you will play a vital role in their development and enjoyment of the game. -
Melbourne for a Song August 3-9, 2005
August 3–9, 2005 Rediscover sex after CHILDBIRTH How kids cope with TRAGEDY melbourne for a songMark Seymour and other musicians reveal their inspirations KENZIE C MARIO BORG STEPHEN M STEPHEN songs from the ForFor decades, Melbourne has labelled itself the musicalmusical hubhub southof Australia, and its local songwriters admit to an intense spiritual affi nity with their hometown, writes Debbie Kruger FRED KROH WAYNE TAYLOR WAYNE Clockwise from top left: Russell Morris, Mark Seymour, Stephen Cummings and Deborah Conway coverstory Melbourne. Living with his family in Mont Albert, he In Australian popular music, writes spasmodically. Mark Seymour After a childhood in country Melbourne has played a starring role. More than any other “I’ll go on a binge”, he says. A mainstay on the touring Victoria, Mark Seymour studied at Melbourne University city, the sense of Melbourne as a character, not just a place, circuit for decades, he is writing more confi dently now but and took up teaching before dedicating himself to a full- has been palpable. In my book, Songwriters Speak, understands that his audiences largely come for the time music career. Hunters and Collectors, the quintessential I interviewed 45 of Australia and New Zealand’s greatest nostalgia factor – particularly when he performs with pub rock band, provided music for the urban populace. It tunesmiths, and found that Melbourne songwriters had the fellow Melburnians Jim Keays and Darryl Cotton. New was diffi cult for Seymour’s staunch intellectual parents to closest affi nity with their hometown. songs rarely get an airing. accept the path he chose, but he shrugs off any suggestion The city’s moods, its citizens, its suburbs and its climate Asked which song he’d most like to be remembered for, that the intensity he was so well-known for as the Hunters’ pervade the lyrics of some of our best-known songs, and he replies: “The next one I’m going to write.” leading man was because of an intellectual background.