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Yhtenäistetty Gabriel Fauré : Teosten Yhtenäistettyjen Nimekkeiden Ohjeluettelo / Heikki Poroila
Suomen musiikkikirjastoyhdistyksen julkaisusarja 108 Yhtenäistetty Gabriel Fauré Teosten yhtenäistettyjen nimekkeiden ohjeluettelo Heikki Poroila Suomen musiikkikirjastoyhdistys Helsinki 2012 Julkaisija Suomen musiikkikirjastoyhdistys ry Ulkoasu Heikki Poroila © Heikki Poroila 2012 Toinen laitos, verkkoversio 2.0 01.4 Poroila, Heikki Yhtenäistetty Gabriel Fauré : Teosten yhtenäistettyjen nimekkeiden ohjeluettelo / Heikki Poroila. – Toinen laitos, verkkoversio 2.0. – Helsinki : Suomen musiikkikirjas- toyhdistys, 2012. – 19 s. – (Suomen musiikkikirjastoyhdistyksen julkaisusarja, ISSN 0784-0322 ; 108) – ISBN 952-5363-07-4 (PDF) ISBN 952-5363-07-4 (PDF) Yhtenäistetty Gabriel Fauré 2 Luettelon käyttäjälle GABRIEL FAURÉ (1845 – 1924) ei ole kirjastodokumentoinnin näkökulmasta erityisen hankala sävel- täjä. Useiden sävellysten pysyvä suosio antaa kuitenkin aihetta koko tuotannon standardointiin. Varsinaista teosluetteloa ei ole olemassa, vaan tiedot pohjautuvat keskeisissä hakuteoksissa oleviin luetteloihin. Pääosa Faurén sävellyksistä on opusnumeroituja, numerottomia on vain muutama kymmenen, nekin pääosin vähemmän tunnettuja teoksia. Opusnumerolistassa näyttäisi puuttuvan muutamia numeroita (9, 53, 60, 64, 71, 81, 100), joita ei ole ainakaan toistaiseksi löytynyt. Helsingin Viikissä lokakuussa 2012 Heikki Poroila Yhtenäistetty Gabriel Fauré 3 Opusnumeroidut teokset [Le papillon et la fleur, op1, nro 1] ► 1861. Lauluääni ja piano. Teksti Victor Hugo. ■ La pauvre fleur disait au papillon céleste [Mai, op1, nro 2] ► 1862. Lauluääni ja piano. Teksti Victor Hugo. ■ Puis-que Mai tout en fleurs dans les prés nous réclame [Dans les ruines d’une abbaye, op2, nro 1] ► 1866. Lauluääni ja piano. Teksti Victor Hugo. ■ Seuls, tous deux, ravis, chantants,comme on s’aime [Les matelots, op2, nro 2] ► 1870. Lauluääni ja piano. Teksti Théophile Gautier. ■ Sur l’eau bleue et profonde [Seule!, op3, nro 1] ► 1870. Lauluääni ja piano. Teksti Théophile Gautier. ■ Dans un baiser, l’onde au ravage dit ses douleurs [Sérénade toscane, op3, nro 2] ► 1878. -
Audition Literature Information
Audition Literature Information This compilation has been prepared by the music faculty to indicate expectations (not requirements) in music literature. Students are encouraged to perform selections that will display their best performing ability. They may elect to perform equivalent music that does not appear on the list. Audition literature selections must include two works of contrasting style. The selections may come from a single, larger work such as two movements from a Baroque sonata Instrument Audition literature should be similar in difficulty to… Voice Songs in Books I-II of LaForge, Pathways of Song; Ward, The Singing Road; Patton, 26 Italian Songs and Arias Piano Bach Inventions; Schumann Album for the Young; Chopin Preludes; Bartok, Ten Easy Pieces or Mikrokosmos, Vol. III Organ Bach, Eight Little Preludes and Fugues; or piano proficiency equal to perform Bach inventions or Clementi sonatinas Strings Violin Kreutzer, 42 studies; Vivaldi, Concerto in A Minor or Concerto in G minor; Bach, Concerto in A Minor; any of the Handel Sonatas Viola Wolhfahrt, Foundation Studies (Bk. 1): 20 Studies from Op. 45; Klengel, Klassiche Stücke, Vols. 1 & 3; Marcello, Sonata in G; Fauré, Sicilienne Cello Marcello, Sonata in E or Sonata in A; Golterman, Concerto No. 4 in G; Vivaldi, Six Sonatas Bass Marcello, Vivaldi or similar contrasting movements of a Baroque Sonata; Capuzzi, 1st movement of Concerto in F (or D major); Zimmerman, Solos For The Double Bass Player. Guitar Noad, Solo Guitar Playing-Book One; Sor, 20 Studies; Any selection by -
MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), Piano
MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano PROGRAM JOHN WILLIAMS For New York (b. 1932) (Trans. for band by Paul Lavender) FRANK TICHELI Acadiana (b. 1958) At the Dancehall Meditations on a Cajun Ballad To Lafayette IGOR ST R AVINSKY Concerto for Piano and Wind Instruments (1882–1971) Lento; Allegro Largo Allegro Joseph Mohan (DMA ’21), piano Intermission VITTORIO Symphony No. 3 for Band GIANNINI Allegro energico (1903–1966) Adagio Allegretto Allegro con brio CENTENNIAL NOTE Vittorio Giannini (1903–1966) was an Italian-American composer calls upon the band’s martial associations, with an who joined the Manhattan School of Music faculty in 1944, where he exuberant march somewhat reminiscent of similar taught theory and composition until 1965. Among his students were efforts by Sir William Walton. Along with the sunny John Corigliano, Nicolas Flagello, Ludmila Ulehla, Adolphus Hailstork, disposition and apparent straightforwardness of works Ursula Mamlok, Fredrick Kaufman, David Amram, and John Lewis. like the Second and Third Symphonies, the immediacy MSM founder Janet Daniels Schenck wrote in her memoir, Adventure and durability of their appeal is the result of considerable in Music (1960), that Giannini’s “great ability both as a composer and as subtlety in motivic and harmonic relationships and even a teacher cannot be overestimated. In addition to this, his remarkable in voice leading. personality has made him beloved by all.” In addition to his Symphony No. -
2019 Performance Competitions Program Booklet
WASHINGTON STATE MUSIC TEACHERS ASSOCIATION AFFILIATED WITH MUSIC TEACHERS NATIONAL ASSOCIATION 2019 Performance Competitions Program Booklet Junior Piano | String Senior Piano | Piano Duet | String | Woodwind Young Artist Piano | String | Woodwind | Brass Whitworth University Spokane, Washington November 9-10, 2019 2019 WASHINGTON STATE PERFORMANCE COMPETITIONS MTNA Junior Piano Competition 3 Kawai America is the sponsor of the national awards MTNA Junior String Competition 7 Yamaha Corporation of America, Orchestral Strings Division, is the sponsor of the national awards MTNA Senior Piano Competition 10 Yamaha Corporation of America, Piano Division, is the sponsor of the national awards MTNA Senior Piano Duet Competition 15 Weekley & Arganbright is the sponsor of the national awards MTNA Senior String Competition 17 MTNA Foundation Fund is the sponsor of the national awards MTNA Senior Woodwind Competition 20 MTNA Foundation Fund is the sponsor of the national awards MTNA Young Artist Piano Competition 23 Steinway & Sons is the sponsor of the national awards MTNA Young Artist String Competition 26 MTNA Foundation Fund is the sponsor of the national awards MTNA Young Artist Woodwind Competition 28 MTNA Foundation Fund is the sponsor of the national awards MTNA Young Artist Brass Competition 31 MTNA Foundation Fund is the sponsor of the national awards Washington State MTNA Past Competition Winners 33 Junior Performance 33 Senior Performance 34 Young Artist Performance 35 Composition 36 WSMTA Scholarship Fund 37 Washington State MTNA Performance Competition Committee Junior Competitions Coordinator Karen Scholten Senior Competitions Coordinator Mary Kaye Owen, NCTM Young Artist Competitions Coordinator Laura Curtis Competitions Chair Colleen Hunter, NCTM WSMTA President Karen Hollenback, NCTM WSMTA President-elect Kathy Mortensen Program Booklet Samantha Yeung Thank you to our Piano Division Judges Dr. -
Letter to Educators 19
18 Letter to Educators 19 On behalf of the Harrisburg Symphony Orchestra and the HSO Education Department, welcome to our first Young Person’s Concert of the 2018/19 season! We are excited that you will be joining us as Maestro Malina and the HSO guide you through some incredible symphonic music. Access to the arts and an understanding of the rich cultural history of classical music are essential to a 21st century education. This curriculum guide will help you prepare your students to better understand various aspects of classical music and the experience of a symphony concert. Inside, you will find biographical information, orchestral stage plots, listening guides, and activities which will engage students in fun and meaningful ways. While this information does not suggest your exact experience at the upcoming YPC, it will provide a foundation from which Maestro Malina and the HSO can take you deeper into the repertoire. As always, we aim to enhance your understanding of classical music and your ability to communicate that information to your students. Please let us know how we’re doing! If you have any questions about the YPC or the HSO’s education programs, please call, email or check our website for more details. As an audience member and an educator, you are the most important part of our musical and educational community. Thank you for sharing the HSO with your students! We look forward to welcoming you to the Forum on Friday, November 16! Sincerely, Mark Hunsberger Director of Education (717) 612-4965 [email protected] 1 Table of Contents 3 Program 4 Composer Information 5 A Guide to the Guide 6 Orchestra Seating Chart 7 Beethoven: Symphony No. -
An Analysis of Twentieth-Century Flute Sonatas by Ikuma Dan, Hikaru
Flute Repertoire from Japan: An Analysis of Twentieth-Century Flute Sonatas by Ikuma Dan, Hikaru Hayashi, and Akira Tamba D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Daniel Ryan Gallagher, M.M. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Katherine Borst Jones, Advisor Dr. Arved Ashby Dr. Caroline Hartig Professor Karen Pierson 1 Copyrighted by Daniel Ryan Gallagher 2019 2 Abstract Despite the significant number of compositions by influential Japanese composers, Japanese flute repertoire remains largely unknown outside of Japan. Apart from standard unaccompanied works by Tōru Takemitsu and Kazuo Fukushima, other Japanese flute compositions have yet to establish a permanent place in the standard flute repertoire. The purpose of this document is to broaden awareness of Japanese flute compositions through the discussion, analysis, and evaluation of substantial flute sonatas by three important Japanese composers: Ikuma Dan (1924-2001), Hikaru Hayashi (1931- 2012), and Akira Tamba (b. 1932). A brief history of traditional Japanese flute music, a summary of Western influences in Japan’s musical development, and an overview of major Japanese flute compositions are included to provide historical and musical context for the composers and works in this document. Discussions on each composer’s background, flute works, and compositional style inform the following flute sonata analyses, which reveal the unique musical language and characteristics that qualify each work for inclusion in the standard flute repertoire. These analyses intend to increase awareness and performance of other Japanese flute compositions specifically and lesser- known repertoire generally. -
Van Cott Information Services (Incorporated 1990) Offers Books
Clarinet Catalog 9a Van Cott Information Services, Inc. 02/08/08 presents Member: Clarinet Books, Music, CDs and More! International Clarinet Association This catalog includes clarinet books, CDs, videos, Music Minus One and other play-along CDs, woodwind books, and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores (see Ordering Informa- tion). We also have a full line of flute, saxophone, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping if ordered with another item. Price and availability subject to change. C001. Altissimo Register: A Partial Approach by Paul Drushler. SHALL-u-mo Publications, SB, 30 pages. The au- Table of Contents thor's premise is that the best choices for specific fingerings Clarinet Books ....................................................................... 1 for certain passages can usually be determined with know- Single Reed Books and Videos................................................ 6 ledge of partials. Diagrams and comments on altissimo finger- ings using the fifth partial and above. Clarinet Music ....................................................................... 6 Excerpts and Parts ........................................................ 6 14.95 Master Classes .............................................................. 8 C058. The Art of Clarinet Playing by Keith Stein. Summy- Birchard, PB, 80 pages. A highly regarded introduction to the Methods ........................................................................ 8 technical aspects of clarinet playing. Subjects covered include Music ......................................................................... -
Ludwig Van Beethoven
Tasmanian Symphony Orchestra Presents LUDWIG VAN BEETHOVEN Symphony No 5 in C Minor, Op 67 I Allegro con brio Teacher Resource Booklet Prepared by Sharee Bahr and Dianne O’Toole https://creativecommons.org/licenses/by-nc/3.0/au/ ©2019 Tasmanian Symphony Orchestra Pty Ltd Contents BACKGROUND INFORMATION ............................................................................................................................................ 1 ORCHESTRATION ....................................................................................................................................................................... 2 WHAT IS AN ORCHESTRA? ................................................................................................................................................ 2 ORCHESTRATION OF BEETHOVEN’S FIFTH SYMPHONY, 1st Movement .......................................................... 2 EXTENSION ACTIVITY .......................................................................................................................................................... 3 Strings ...................................................................................................................................................................................... 3 Woodwind .............................................................................................................................................................................. 3 Brass ........................................................................................................................................................................................ -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
FAURÉ MASQUES ET BERGAMASQUES PELLÉAS ET MÉLISANDE DOLLY | PAVANE FANTAISIE | BERCEUSE | ÉLÉGIE GABRIEL FAURÉ Masques Et Bergamasques Ouverture
SEATTLE SYMPHONY SYMPHONY LUDOVIC MORLOT LUDOVIC FAURÉ MASQUES ET BERGAMASQUES PELLÉAS ET MÉLISANDE DOLLY | PAVANE FANTAISIE | BERCEUSE | ÉLÉGIE GABRIEL FAURÉ Masques et bergamasques Ouverture .............................................................................. 3:47 Menuet ................................................................................... 3:02 Gavotte .................................................................................. 3:24 Pastorale ............................................................................... 3:27 Fantaisie for Flute / orch. Talmi ...................................... 5:27 Demarre McGill, flute Pelléas et Mélisande Suite Prélude ................................................................................... 6:22 Fileuse .....................................................................................2:19 Sicilienne ................................................................................3:51 La mort de Mélisande ......................................................... 5:44 Berceuse for Violin and Orchestra .................................4:13 Alexander Velinzon, violin Élégie for Cello and Orchestra ...................................... 6:57 Efe Baltacıgil, cello Dolly / orch. Rabaud Berceuse ................................................................................ 2:25 Mi-a-ou....................................................................................2:16 Le jardin de Dolly ................................................................. 2:34 -
Czech Philharmonic Czech Philharmonic
CZECH PHILHARMONIC 2021 | 2020 | SEASON Czech Philharmonic 125th 125th SEASON 2020 | 2021 SEASON GUIDE Czech Philharmonic 01 CZECH PHILHARMONIC CZECH PHILHARMONIC SEASON GUIDE 125th SEASON 2020 | 2021 Semyon Bychkov Chief Conductor and Music Director We are delighted to bring you joy in another, this time anniversary season. Czech Philharmonic Ministry of Culture of the Czech Republic – Establisher Česká spořitelna, a.s. – General Partner 02 CZECH PHILHARMONIC CZECH PHILHARMONIC TABLE OF CONTENTS 5 Introduction 133 Czech Chamber Music Society 7 Czech Philharmonic 134 Introduction 12 Semyon Bychkov Concerts 17 Jakub Hrůša 137 I Cycle 20 Tomáš Netopil 147 II Cycle 23 Orchestra 157 HP Early Evening Concerts 25 Orchestral Academy of the Czech Philharmonic 167 DK Morning Concert Concerts 181 R Recitals 27 A Subscription Series 188 Tickets Information 45 B Subscription Series 193 Student Programme 61 C Subscription Series 194 How to get to the Rudolfinum 73 M Special Non-Subscription Concerts 198 Dynamic Club of the Czech Philharmonic 86 Other Concerts in Prague 200 Partners of the Czech Philharmonic 90 Tours 203 Contacts 102 Broadcasts and Recordings 204 Calendar 107 Programmes for children with parents, youth, and adult listeners 109 Romano Drom 2020 2 3 CZECH PHILHARMONIC INTRODUCTION Dear Friends of the Czech Philharmonic, Following the four years that it has taken us to realise ‘The Tchaikovsky Project’, we will be On behalf of both the Orchestra and myself, performing and recording the symphonies of I would like to take this opportunity to wish Gustav Mahler, whose music will form one of you a very warm welcome to our 125th Anni- the main pillars of future seasons. -
Jörg Widmann
THE 2019–2020 RICHARD AND BARBARA DEBS COMPOSER’S CHAIR Jörg Widmann Marco Borggreve Marco Composer, clarinetist, and conductor Jörg Widmann has been appointed to the Richard and Barbara Debs Composer’s Chair for the 2019–2020 season. Mr. Widmann’s captivating and powerfully visceral music has won him numerous high-profile commissions and countless performances from soloists, chamber ensembles, and major orchestras around the world. A much sought- after virtuoso clarinetist and dynamic conductor, he has performed his own works—as well as works by other composers—with Daniel Barenboim, Mitsuko Uchida, the Vienna Philharmonic Orchestra, and a host of other great artists. Mr. Widmann’s residency showcases his musical versatility and imaginative vision with his powerful orchestral works performed by The Cleveland Orchestra, Munich Philharmonic, Mahler Chamber Orchestra, and The MET Orchestra. The series also recognizes the striking originality in his chamber music with an all-star ensemble headlined by violinist Anne-Sophie Mutter, who gives the New York premiere of his new work for string quartet. He displays his formidable skills as a clarinetist, playing his own music as well as works by Schumann and Mozart in a trio with violist Tabea Zimmermann and pianist Dénes Várjon. He does triple duty with the Irish Chamber Orchestra, conducting his own music and playing the clarinet, and with the International Contemporary Ensemble in a program devoted to his works. As part of his residency, he returns to his alma mater to conduct the Juilliard Orchestra at Alice Tully Hall. The series additionally features two lectures in which he discusses dissonance and beauty, as well as Beethoven’s lasting impact.