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February 2009 I COMIN’AT ‘CHA!I 2008 SASS Southwest Regional Match
MercantileEXCITINGSee section our (starting on page 94) NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle PagePagePage 111 The Cowboy Chronicle~ The Monthly Journal of the Single Action Shooting Society ® Vol. 22 No. 2 © Single Action Shooting Society, Inc. February 2009 i COMIN’AT ‘CHA!i 2008 SASS Southwest Regional Match By Ringo Fire, SASS Life #46037 and Buffy Lo Gal, SASS Life #46039 ES!!! It’s finally here!!! HIGHLIGHTS start on page 73 I’ve been waiting … what?!? It’s over??? check out the vendors, and get ready Y Bull Shoals, SASS for side matches in the afternoon. #25400, summed it up when he said, Side matches were the routine pis- “When you check in on Thursday it’s tol, rifle, and shotgun speed match- like getting on a non-stop carnival es, along with derringer, pocket pis- ride, and when you open your eyes, tol, and long-range events. it’s already Sunday, and it’s over!” Following the side matches was That’s pretty much the way it a Wild Bunch match, under the went at Comin’ at ‘Cha, the 2008 direction and coordination of Goody, SASS Southwest Regional. It was SASS #26190, and Silver Sam, SASS four days of full-tilt boogie, non-stop #34718. That evening was the Cow- action, and fun. T-Bone Dooley, SASS boy Garage Sale (although some #36388, has always called Comin’ at pards did some early shopping while ‘Cha a party with a shoot thrown in, side matches were being shot) where and this year was no different. Okay, folks could try to sell stuff they had the theme was different … Mardi laying around the house or RV they Gras!!! And this year it was the no longer wanted, followed by the SASS Southwest Regional Cham- first night of Karaoke and the accom- pionship … but, you know what I Mardi Gras was the match theme … the festivities started during opening panying general rowdiness. -
2013-2014 Program Guide.Pub
Community Performance & Art Center Foundation BOARD OF DIRECTORS Chairman Harry Paxton Vice Chair Eloise Fredrickson Secretary Marie Cory Mary Lou Catania Richard Ducote Mike Finkelstein Eugene Friesen Nancy Karsh David Urbaniak Susan Voorhees Mary Wehmeyer STAFF Executive Director Chris Ashcraft Director of Development Al Saterbak Office Manager Amanda Urbaniak Facilities Supervisor George Cantu Sound & Lighting Technicians Phil Wenstrand Mark Marlatt Welcome to CPAC Welcome to the 2013-2014 season at CPAC! This year will feature more than 75 performances including some of the region’s most tal- ented performers such as Arizona’s Official State Balladeer Dolan Ellis, the Larry Redhouse Trio and critically acclaimed western singer Bill Ganz. CPAC will welcome international touring ragtime pianist, Mimi Blais, from Montreal, Canada and the Tucson Arizona Boys Chorus who have performed in dozens of countries throughout the world. CPAC also welcomes back many audience favorites in- cluding magician Rodney Housley, Jack Lasseter, Forever Young, Arthur Migliazza, Lisa Otey, a Tribute to Simon and Garfunkel and much more! Shoestring Theater Company will feature four produc- tions this season including a summer show entitled “Charlie and the Chocolate Factory.” I hope to see you at many of our performances, art shows, classes and events over the coming year. Once again, thank you for your ongoing support of the Community Performance and Art Center. None of this would be possible without your sup- port. Christopher Ashcraft Executive Director Support CPAC Today! Membership and individual donations help fund CPAC’s wide array of diverse arts programs for our community. The arts entertain and educate audiences, bring people of all ages and backgrounds to- gether, promote economic vitality and enrich quality of life. -
“Willie Or Billy” Claiborne, A.K.A
OLD WEST STORUES William Floyd “Willie or Billy” Claiborne, a.k.a. “The Kid” Or was his name Calyborne? Clayborn? Or was it Claborn? Or did Billy even know. There are copies of his signature in at least two of these versions. All his trial documents list him as Clayborne. Viola Slaughter, wife of the noted Arizona lawman John Horton Slaughter, knew him well and spelled it as Claibourne. Well, we do know for sure that he was born in Mississippi. Or was it Louisiana? But more than likely it was in Alabama. The 1870 census shows records that would fit all three states. The record for Mississippi spells the name as Claborn, but the census takers were not the best for spelling. But this one seems to best fit the bill for Billy (Photo at right) and it shows that he was born in Alabama. He stated in court that he was born on October 21, 1860, and was from Mississippi. So we accept the date and the fact that he probably meant that he was raised in Mississippi. He migrated to the Devil’s River area of west Texas where some accounts say he killed two men. He became a cowboy and went to work for John Horton Slaughter. He was part of a crew that drove a Slaughter herd of cattle from Texas to Arizona and stayed. On October 1, 1881, in Charleston, Arizona Territory (now a ghost town), he shot and killed a blacksmith named James Hickey at Harry Queen’s Saloon. Exactly why he did it is not known. -
Ranching Catalogue
Catalogue Ten –Part Four THE RANCHING CATALOGUE VOLUME TWO D-G Dorothy Sloan – Rare Books box 4825 ◆ austin, texas 78765-4825 Dorothy Sloan-Rare Books, Inc. Box 4825, Austin, Texas 78765-4825 Phone: (512) 477-8442 Fax: (512) 477-8602 Email: [email protected] www.sloanrarebooks.com All items are guaranteed to be in the described condition, authentic, and of clear title, and may be returned within two weeks for any reason. Purchases are shipped at custom- er’s expense. New customers are asked to provide payment with order, or to supply appropriate references. Institutions may receive deferred billing upon request. Residents of Texas will be charged appropriate state sales tax. Texas dealers must have a tax certificate on file. Catalogue edited by Dorothy Sloan and Jasmine Star Catalogue preparation assisted by Christine Gilbert, Manola de la Madrid (of the Autry Museum of Western Heritage), Peter L. Oliver, Aaron Russell, Anthony V. Sloan, Jason Star, Skye Thomsen & many others Typesetting by Aaron Russell Offset lithography by David Holman at Wind River Press Letterpress cover and book design by Bradley Hutchinson at Digital Letterpress Photography by Peter Oliver and Third Eye Photography INTRODUCTION here is a general belief that trail driving of cattle over long distances to market had its Tstart in Texas of post-Civil War days, when Tejanos were long on longhorns and short on cash, except for the worthless Confederate article. Like so many well-entrenched, traditional as- sumptions, this one is unwarranted. J. Evetts Haley, in editing one of the extremely rare accounts of the cattle drives to Califor- nia which preceded the Texas-to-Kansas experiment by a decade and a half, slapped the blame for this misunderstanding squarely on the writings of Emerson Hough. -
The 239 Year Timeline of America's Involvement in Military Conflict
The 239 Year Timeline Of America’s Involvement in Military Conflict By Isaac Davis Region: USA Global Research, December 20, 2015 Theme: History, US NATO War Agenda Activist Post 18 December 2015 I should welcome almost any war, for I think this country needs one. – President Theodore Roosevelt The American public and the world have long since been warned of the dangers of allowing the military industrial complex to become such an integral part of our economic survival. The United States is the self-proclaimed angel of democracy in the world, but just as George Orwell warned, war is the health of the state, and in the language of newspeak, democracy is the term we use to hide the reality of the nature of our warfare state. In truth, the United States of America has been engaged in some kind of war during 218 out of the nation’s total 239 years of existence. Put another way, in the entire span of US history, this country has only experienced 21 years without conflict. For a sense of perspective on this sobering statistic, consider these4 facts about the history of US involvement in military conflict: Pick any year since 1776 and there is about a 91% chance that America was involved in some war during that calendar year. No U.S. president truly qualifies as a peacetime president. Instead, all U.S. presidents can technically be considered “war presidents.” The U.S. has never gone a decade without war. The only time the U.S. went five years without war (1935-40) was during the isolationist period of the Great Depression. -
The Wit & Wisdom of Doc Holliday
® Cowboy Action Shooting Stages & Scenarios 26 August 2012 The Wit & Wisdom Of Doc Holliday The Ten CAS Commandments 1. Thou shalt not allow thy muzzle to point at any person! Thou shalt keep thy muzzle pointed downrange when drawing or holstering from a Cross-Draw holster. Thou shalt not sweep thy neighbor, nor thy neighbor's wife, nor thy neighbor's ass (nor any other portion of his anatomy!) Safety! First, Last, and Always. 2. Thou shalt abide by all SASS Safety Rules, and thou shalt have FUN! 3. Protect thine eyes and ears at all times. Spectators shall do the same. 4. Except when shooting, loading, or unloading, thou shalt keep thy pistols holstered. 5. Thou shalt not close the action of thy rifle until thou loadest it at the Load Station. Thou shalt open thy rifle's action immediately after completing the rifle portion of the stage. Thou shalt not close thy shotgun except while holding it in thy hands at the firing line. 6. Suffer not thy gun to fall upon the ground, for a dropped gun is “Dead”. A loaded dropped gun is dead, and shall not rise again this day. Only the Range Officer may retrieve or pick up a dropped gun. NOTE: An empty long gun carefully staged against a barricade, wall, or other prop that subsequently slips and falls shall not result in any penalty. 7. There is no Rule #7. 8. Suffer not thine ammunition to fall upon the ground. Dropped ammo is "Dead", and may only be retrieved by the brass pickers, after the shooter has completed the stage. -
Central Skagit Rural Partial County Library District Regular Board Meeting Agenda April 15, 2021 7:00 P.M
DocuSign Envelope ID: 533650C8-034C-420C-9465-10DDB23A06F3 Central Skagit Rural Partial County Library District Regular Board Meeting Agenda April 15, 2021 7:00 p.m. Via Zoom Meeting Platform 1. Call to Order 2. Public Comment 3. Approval of Agenda 4. Consent Agenda Items Approval of March 18, 2021 Regular Meeting Minutes Approval of March 2021 Payroll in the amount of $38,975.80 Approval of March 2021 Vouchers in the amount of $76,398.04 Treasury Reports for March 2021 Balance Sheet for March 2021 (if available) Deletion List – 5116 Items 5. Conflict of Interest 5. Communications 6. Director’s Report 7. Unfinished Business A. Library Opening Update B. Art Policy (N or D) 8. New Business A. Meeting Room Policy (N) B. Election of Officers 9. Other Business 10. Adjournment There may be an Executive Session at any time during the meeting or following the regular meeting. DocuSign Envelope ID: 533650C8-034C-420C-9465-10DDB23A06F3 Legend: E = Explore Topic N = Narrow Options D = Decision Information = Informational items and updates on projects Parking Lot = Items tabled for a later discussion Current Parking Lot Items: 1. Grand Opening Trustee Lead 2. New Library Public Use Room Naming Jeanne Williams is inviting you to a scheduled Zoom meeting. Topic: Board Meeting Time: Mar 18, 2021 07:00 PM Pacific Time (US and Canada) Every month on the Third Thu, until Jan 20, 2022, 11 occurrence(s) Mar 18, 2021 07:00 PM Apr 15, 2021 07:00 PM May 20, 2021 07:00 PM Jun 17, 2021 07:00 PM Jul 15, 2021 07:00 PM Aug 19, 2021 07:00 PM Sep 16, 2021 07:00 PM Oct 21, 2021 07:00 PM Nov 18, 2021 07:00 PM Dec 16, 2021 07:00 PM Jan 20, 2022 07:00 PM Please download and import the following iCalendar (.ics) files to your calendar system. -
Benson Safeway Plaza Evacuated for Bomb Scare
VOLUME 015 ISSUE 51 A WEEKLY NEWSPAPER SERVING TOMBSTONE AND THE REST OF COCHISE COUNTY WITH HONEST AND ACCURATE REPORTING Friday, August 7, 2020 60 CENTS WELCOME TO THE ANNUAL DOC HOLLI-DAYS! Doc Holli-Days fore~ This weekend is packed person to meet his fans, in and Greet in Tombstone! How from the OK Corral). Be sure donated to our Tombstone full of Doc themed events in- an effort to promote safety it works: Go to the website to show up about 10 minutes Vigilettes! (501c non-profit, This event weekend is ded- cluding the weekend favorite, of staying home, Billy will www.fullempirepromotions. before your session is sched- charitable organization). icated to celebrating the life DOC HOLLIDAY look-a- be offering an opportunity to com and select the August uled to begin and we will Buck Taylor (Turkey Creek and legend of John Henry like contest which will also connect with him from the 8th Billy Zane Virtual Meet have a private area for your Jack Johnson) will be attend- “DOC” Holliday. Come join include a BIG NOSE KATE comfort of your own home. and Greet. 5 minute sessions 5 minute Virtual Meet and ing this years Annual DOC us this August 7th, 8th and Look-A-Like as well! While we have had to will begin at 11am and book Greet with Billy Zane! You’ll Holli-DAYS. Buck has 118 9th 2020 while we pay tribute We couldn’t be more make adjustments and con- from there depending on or- even get a recording of your movie credits to his name and to everything Doc related! pleased to announce that on tinue to work towards pro- der purchased. -
Jaycees Award Bowling Citations
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Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Wyatt Earp by Robert Hilliard
Wyatt Earp By Robert Hilliard One of the greatest legends of the American West, Wyatt Berry Stapp Earp was born on March 19, 1848, in Monmouth, Illinois, the third of five sons born to Nicholas and Virginia Ann Earp. The Civil War broke out when Wyatt was 13 years old. Desperate to leave the family farm in Illinois and find adventure, Earp tried several times to join his two older brothers, Virgil and James, in the Union army. But each time, Wyatt was caught before he ever reached the battlefield, and was returned home. At the age of 17 he finally left his family, now living in California, for a new life along the frontier. He worked hauling freight, and then later was hired to grade track for the Union Pacific Railroad. In his downtime he learned to box and became a respectable gambler. In 1869, Earp returned to the fold of his family, who had made a home in Lamar, Missouri. A new, more settled life seemed to await Earp. After his father resigned as constable of the township, Earp replaced him. By 1870 Wyatt married Urilla Sutherland, the daughter of the local hotel owner, built a house in town and was an expecting father. Suddenly, everything changed. Within a year of their marriage Urilla contracted typhus and died, along with her unborn child. Broken and devastated by his wife's death, Wyatt left Lamar, Missouri and set off on a new life devoid of any kind of discipline. In Arkansas, he was arrested for stealing a horse, but managed to avoid punishment by escaping from his jail cell. -
Masculinity, Aging, Illness, and Death in Tombstone and Logan
ORIGINAL SCIENTIFIC PAPER 791-51 DOI:10.5937/ ZRFFP48-18623 DANIJELA L J. P ETKOVIĆ1 UNIVERSITY OF N IŠ FACULTY OF P HILOSOPHY ENGLISH D EPARTMENT (IM)POSSIBLE MARTYRDOM: MASCULINITY, AGING, ILLNESS, AND DEATH IN TOMBSTONE AND LOGAN ABSTRACT. The title of this paper alludes to Hannah Arendt’s famous claim that in Nazi concentration camps martyrdom was made impossible, for the first time in Western history, by the utter anonymity and meaninglessness of inmates’ deaths (Arendt, 2000, p. 133): the paper, in contrast, examines two contem- porary films which, while intersecting normative/heroic masculinity with debilitating illness and death, allow for the possibility of martyrdom. Tomb- stone and Logan , directed by George P. Cosmatos and James Mangold respectively, depict the last days of such pop culture icons of masculinity as John Henry “Doc” Holliday and James Howlett, aka Logan/Wolverine. The films’ thematic focus on the (protracted) ending of life, which is evident not only in the storylines and dialogues but also in the numerous close-ups of emaciated, bleeding, scarred and prostrate male bodies, afflicted with tuberculosis and cancer-like adamantium poisoning, invites, first, a discus- sion of the relationship between the cinematic representations of normative and disabled masculinities. Specifically, since normative masculinity, as opposed to femininity, is synonymous with physical and mental strength, power and domination – including the control of one’s own body – the focus of this discussion is if, and how, the films depict Doc Holliday and Wolverine as feminized by their failing/disobedient bodies, thus contribut- ing to the cultural construction of gender. Secondly, the paper discusses the halo of martyrdom with which the films’ dying men are rewarded as emo- tionally deeply satisfying to the viewer: in Logan and Tombstone , death is not averted but hastened for the sake of friendship, family, and the protec- tion of the vulnerable and the marginalized.