The-Producers-Playbill
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Program Design: Tim Osborne
MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A. -
Great Offers for Your Employees
Email not displaying correctly? View it in your browser. SEPTEMBER 2017 Great offers for your employees SCHOOL OF ROCK From Only EXCLUSIVE OFFER: $79 ORCHESTRA SEATS New York, NY - The Winter Garden Theatre $59 Reg. Price: $79 - $155 FROZEN THE BROADWAY MUSICAL From Only GET ACCESS TO TICKETS New York, NY - St. James Theatre $93 BANDSTAND From Only FINAL WEEKS! LAST PERFORMANCE SEPTEMBER 17 - SAVE 30% $59 New York, NY - Bernard B Jacobs Theatre Reg. Price: $89 - $159 ALADDIN From Only TICKETS FROM $65.50 New York, NY - New Amsterdam Theatre $65.50 Reg. Price: $77 - $170 ANASTASIA From Only WEEKDAY OFFER: $94 ORCHESTRA SEATS New York, NY - Broadhurst Theatre $69 Reg. Price: $69 - $143 THE PHANTOM OF THE OPERA From Only SAVE OVER $45 New York, NY - The Majestic Theatre $69 Reg. Price: $89 - $135 BEAUTIFUL - THE CAROLE KING MUSICAL From Only SEE THE TONY WINNING MUSICAL AND SAVE $40 $60 New York, NY - Stephen Sondheim Theatre Reg. Price: $79 - $249 CATS From Only SAVE OVER 45% New York, NY - Neil Simon Theatre $61.50 TIME AND THE CONWAYS From Only SEE ELIZABETH MCGOVERN AND ANNA CAMP ON BROADWAY $59 New York, NY - American Airlines Theatre Reg. Price: $79 - $139 KINKY BOOTS From Only BILLY PORTER AND STARK SANDS RETURN 9/26 - SAVE OVER $45 $62 New York, NY - Al Hirschfeld Theatre Reg. Price: $79 - $137 Just a reminder that you're receiving this email because you subscribed via our website or provided your email during your last visit. You may Unsubscribe if you're no longer interested. *Prices and Offers are subject to availability and subject to change without notice. -
Stanley Chase Papers LSC.1090
http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. -
Threepenny Opera by Bertolt Brecht Music by Kurt Weill Stage Director Thomas Riccio Musical Director John Hopkins
UAF Music PLAYBILL Department Proudly Presents Threepenny Opera By Bertolt Brecht Music by Kurt Weill Stage Director Thomas Riccio Musical Director John Hopkins Scenic Designer Costume & Makeup Designer Bud Jet Kutz Tara Maginnis Lighting Designer Technical Director Dale F. Kohlmetz Kade Mendelowitz Sound Designer Stage Manager Dustin C. Grimes Karen Gaborik April 11-20, 1997 Lee H. Salisbury Theatre playbill.pm6 1 5/17/99, 1:31 AM Special Thanks Patricia Watts, Fairbanks Daily News-Miner Laura Lee Potrikus Ginger Stack, Magic FM 101.1 Pianos Unlimited Board of Regents, University of Alaska 101.1 MAGIC FM Aramark KWLF / KFAR Gambardella's Pasta Bella KTVF 11 Home Port Submarine Sandwich Shop KSUA Pizza Bella KUAC Souvlaki The UAF Student Drama Association Wood Center Pub Whole Earth Deli Angel Contributors AND 101.1 Magic FM Ted and Mary Ann Fathauer Gorden O. Hedahl and Jean Louden Gerald and Patricia Shields Thomas Riccio Donors Friends Jim and Susie Hackett Vivian L. Ames Dick and Jo Scott Julie Scott and John Ryer Theatre UAF's production program is income based. Our budget for sets, costumes, props, advertising, etc. is based on revenues from ticket sales, advertisements, and donations. We appreciate your support, and we hope you enjoy our work. We thank our program advertisers for their generous support, and hope that you will patronize these community-minded companies and mention that you saw their advertisement in our program. FOR THE AUDIENCE PAGERS: Please leave them with the house manager. CELLULAR PHONES: Please leave them with the house manager. SMOKING: Permitted outside the building only. -
SWALI.ACK-8 THEATRE. V
v NEW-YORK DAILY TRIBUNE, SUNDAY, MARCH 7, 1900. iNEVV PLAYS THIS WEEK STAGE AFFAIRS MONDAY NIGHT. NEW AMSTERDAM THEATRE ACADEMY OF MUSIC.MUSIC Bnaasi W ACADEMY Mant^li begins engagement with revival of Frederic Thompson's production at "Bre»Eter> "KingJohn." rMillions" willb* the attraction at the Academy for night. LJ- RETURN ENGAGEMENTS. X ailianii period, beginning to-morrow \u25a0-,,,: Abel** Is the chief actor In that drama It ACADEMY OF MUSlC—Edward Abelea, In " ago. and " hod to. lor.p run hi this city two \u25a0"\u25a0\u25a0 "Prewster's Millions." In other Basana fr-.r.j successful engagements WEST END THEATRE -Mr. Faversham, In parts of Use tsottntry- to-night, "The World and His \Vlf<\" Hurr Slclntosh mta give a lecture here on "Cur Country." It w!l!be amply illustrated. LEADING PERFORMERS ON VARIETY STAGE- L< ASTOR THEATRE. Hodpe as the AMERICAN MUSIC HALL—Laurenc* Irvir*. "The Man from Hcme." with Mr. play, that have In "The Kin** and the Vagabond." principal actor, is one of the few beginning of the oe*- COLONIAL THEATRE- Mny Imin. In been on the boards since the "Mr?. favorite, Caraajsa-." wn. Itis BtHIa Pscknasa'a LINCOLN SQUARE THEATRE Jarri^s J. BELASCO THEATRE. Jeffries. Bau-^ »nU The FigLtir.K Hope" are *t'.V. VICTORIA THEATRE— Eva Tanguay and JilM nc*s at the Belasco. Afternoon performs Wllla Hoit \Vaken>!d Viialar of |!m t*if< a week. t:. 2UHh performance >U 'hat drama w-i!! occur shortly. RINGLING BROTHERS' CIRCUS. BIJOU THEATRE la Another "World's Greatest Due at Those r.h. -
Norfolk Theatre Festival Fall in Love with Theatre! February 14 – 17, 2019
Norfolk Announces a Theatre Celebration! Norfolk Theatre Festival Fall in love with theatre! February 14 – 17, 2019 Norfolk is one of the most theatre-rich cities in Virginia, a diverse community full of spirited audiences in venues large and small. February 14-17, the Norfolk Theatre Festival will mark Norfolk’s role as a cultural destination and celebrate the performing arts organizations that enliven the scene here. “As the arts and culture destination of Hampton Roads, Norfolk is excited to bring the highest caliber of theatrical performances to our city for residents, visitors and the community to celebrate,” said Norfolk Mayor Kenneth Cooper Alexander. Norfolk is home to a gifted performing arts community, vibrant theatre companies, multiple universities with theatre programs, and a nurturing environment for new works. Norfolk also hosts a robust touring Broadway series which draws tens of thousands of residents and regional visitors per season. In addition, the venues that house some of the liveliest performances in Norfolk are among the most beautiful and historic places in this architecturally distinguished city. Experience unforgettable shows, behind-the-scenes events, and more. Discover the riches of the Norfolk theatre scene in a whirlwind weekend in February 2019—the perfect Valentine’s getaway or staycation! Performances during Norfolk Theatre Festival include: Once On This Island presented by Norfolk State University Theatre Company Thursday, February 14, 7:30pm Saturday, February 16, 2:00pm Sunday, February 17, 2:00pm Norfolk State University's G.W.C. Brown Memorial Hall Mainstage Theater Once On This Island is the big, bold and breathtaking tale of Ti Moune, a fearless Caribbean girl who is ready to risk it all for love. -
Terri-Nicole Singleton
Terri-Nicole Singleton Height: 5’4” Weight:135 (617) 955-9462 Eyes: Ebony Hair: Brown [email protected] PRINT Anniversary Greeting Card Wife American Greetings Collection RADIO Recreational Magazine Weekly Broadcast Host Georgia Radio Reading Service Droppin’ Knowledge Featured Artist WABQ Cleveland, Ohio VOICE OVERS University of Alabama Nursing Video Narrator Birmingham, Alabama McDonalds McPick 2 - Radio Spot Narrator Birmingham, Alabama Huntsville Int’l Airport - Radio Spot Julie Birmingham, Alabama Doctor Word Vocabulary Game Narrator Mudambi Admissions Counseling, Cambridge 7Cs Teacher Community Webinar Narrator Memphis City Schools COMMERCIALS Walmart See for Yourself Real Mom Birmingham, Alabama Ohio Lottery Ten-O Game Featured Cleveland, Ohio Summa Health Care Head Emergency Nurse Akron, Ohio INDUSTRIAL VIDEOS National Training Video Lead, Store Manager Kay Jewelers Customer Relations Training Mrs. Washington PNC Bank Transportation Safety Video Bus Driver Laidlaw Bus Company THEATER Spunk Leading Lady Karamu Theater Reggie Kelly, director Yerma Chorus Cleveland Playhouse Pavel Dobrusky, director From the Mississippi Delta Woman One Karamu Theater Sheila Ramsey, director A Midsummer Night’s Dream Peaseblossom Ohio Theater Gerald Friedman, director Once on This Island Ti Moune Cain Park Victoria Bussert, director Oak and Ivy Laura Karamu Theater Sarah May, director La Rosa de Papél La Esposa Instituto Internacional Madrid, Spain As You Like it, The Bakkhai, A Rosalind, Celia, Ohio Theater Understudied roles for Great Lakes Christmas Carol Chorus, Crachit Theater Festival RELATED EXPERIENCE: Great Lakes Theater Festival Shakespeare School Residency: A student-centered outreach. Roles performed include: Juliet/Tybalt; Ophelia/Gertrude; Cassius/Portia; Lady Macbeth, etc. TRAINING Columbia University: BA Comp. Literature • NYU in Spain; Lit. -
Download the La Cage Aux Folles Playbill
AUGUST 23 - SEPTEMBER 9 Sales Exchange Co., Inc. Jewelers and Collateral Loanbrokers The Pine Grove Inn has served generations of guests since its establishment in 1910. Our seasonal menus emphasize prime beef, fresh local seafood and the traditional German fare which made us famous. The Palm Bar & outdoor patio overlooks the Swan River. Enjoy Live Music Thursday through Saturday Classic and $6 Martinis Tuesday through Friday Open for Lunch and Dinner Wednesday through Sunday Contemporary from 4-7 at the bar Available for Parties Monday & Tuesday Choose us for your next special event – Platinum our catering department will be pleased to work with you to design your affair and Gold Wednesday Lobsterfest Thursday Prime Rib Night Jewelry designs that will excite your senses. Chapel Avenue & First St., Patchogue, NY 11772 • 631.475.9843 www.pinegroveinn.com PRESENT THIS VOUCHER FOR PRESENT THIS VOUCHER FOR One East Main St., Patchogue 631.289.9899 www.wmjoneills.com $5 OFF LUNCH $10 OFF DINNER on checks of $30 or more on checks of $60 or more Mention this ad for 10% discount on purchase Expires September 15, 2006. Reservations suggested. Expires September 15, 2006. Reservations suggested. 2 May not be combined with any other promotional offer. May not be combined with any other promotional offer. Specialists in Family Owned & Quality & Service Operated Since 1976 European-style Desserts and Espresso Drinks Open Late 6 Nights per Week Signature Martini Bar 1135 Montauk Hwy., Mastic • 399-1890/653-RUGS Outdoor Café Seating 721 Rte. 25A (next to Personal Fitness), Rocky Point • 631-744-1810 Open 7 Days Live Jazz Every Thursday & Restaurant Late Night Friday We love it when you love what you’re walking on. -
Download This Volume In
Sederi 29 2019 IN MEMORIAM MARÍA LUISA DAÑOBEITIA FERNÁNDEZ EDITOR Ana Sáez-Hidalgo MANAGING EDITOR Francisco-José Borge López REVIEW EDITOR María José Mora PRODUCTION EDITORS Sara Medina Calzada Tamara Pérez Fernández Marta Revilla Rivas We are grateful to our collaborators for SEDERI 29: Leticia Álvarez Recio (U. Sevilla, SP) Adriana Bebiano (U. Coimbra, PT) Todd Butler (Washington State U., US) Rui Carvalho (U. Porto, PT) Joan Curbet (U. Autònoma de Barcelona, SP) Anne Valérie Dulac (Sorbonne U., FR) Elizabeth Evenden (U. Oxford, UK) Manuel Gómez Lara (U. Seville, SP) Andrew Hadfield (U. Sussex, UK) Peter C. Herman (San Diego State U., US) Ton Hoensalars (U. Utrecth, NL) Douglas Lanier (U. New Hampshire, US) Zenón Luis Martínez (U. Huelva, SP) Willy Maley (U. Glasgow, UK) Irena R. Makaryk (U. Ottawa, CA) Jaqueline Pearson (U. Manchester, UK) Remedios Perni (U. Alicante, SP) Ángel Luis Pujante (U. Murcia, SP) Miguel Ramalhete Gomes (U. Lisboa, PT) Katherine Romack (U. West Florida, US) Mary Beth Rose (U. Illinois at Chicago, US) Jonathan Sell (U. Alcalá de Henares, SP) Alison Shell (U. College London, UK) Erin Sullivan (Shakespeare Institute, U. Birmingham, UK) Sonia Villegas (U. Huelva, SP) Lisa Walters (Liverpool Hope U., UK) J. Christopher Warner (Le Moyne College, US) Martin Wiggins (Shakespeare Institute, U. Birmingham, UK) R. F. Yeager (U. West Florida, US) Andrew Zurcher (U. Cambridge, UK) Sederi 29 (2019) Table of contents María Luisa Dañobeitia Fernández. In memoriam By Jesús López-Peláez Casellas ....................................................................... 5–8 Articles Manel Bellmunt-Serrano Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation .......................................................................................................... -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
Cabaret Playbill
Cabaret Playbill This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture and the State of Florida. Pictured left to right: Nick Anastasia, Nygel Robinson, Emily Dennis, and Mike Backes. Photo by Matthew Holler. THAT’S AMORE!' By Richard Hopkins and Rebecca Hopkins, Arrangements by Jim Prosser. CAST NICK ANASTASIA MIKE BACKES EMILY DENNIS NYGEL D. ROBINSON with ANDREW DEEB on drums JIM PROSSER on piano Music Director Costume Designer Lighting Designer DARREN SERVER SUSAN ANGERMANN MICHAEL CUMMINGS Sound Designer Sound and Light Board Operator THOMAS KORP AMANDA BALTER Directed by CATHERINE RANDAZZO Season Underwriters Gaele Barthold, Wendy & Bob Grady, Dennis & Graci McGillicuddy, Patrick & Mary Mulva, Anne H.S. Nethercott Series Underwriters Joan & Larry Castellani, The Exchange of Sarasota, Dr. Ty Gardner & Liza McKeever-Gardner, Gulf Coast Community Foundation, Robert & Bonny Israeloff Co-Producers Jan & Larry Coleman, SCENE Magazine That’s Amoré! will be performed The taking of photographs and in two acts with one 15-minute the use of recording devices during the intermission. show is strictly prohibited. Florida Studio Theatre is a Constituent of Theatre Communications Group (TCG), the national organization for the American Theatre. ARTIST PROFILES NICK ANASTASIA is multi-instrumentalist thrilled to be returning based in NYC. His recent to FST for That’s Amoré! theatre credits include Five FST: Unchained Melodies, Guys Named Moe (Nomax) Burt & Me, and Laughing at Opera House Theatre Matters (vol. 5). Other Company, Godspell (Jesus/ professional credits: Hair Musician) at St. Michael’s (Claude, International Playhouse, Beau (Larry/ Tour), Voca People (Tenoro, Off-Broadway*/ Musician) at MTF and Lincoln Center, and The All National/International Tours, *Lucille Lortel Night Strut (Actor/Musician) at Milwaukee Rep.