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The Case for Reconnecting Southeast Washington DC
1 Reimagining DC 295 as a vital multi modal corridor: The Case for Reconnecting Southeast Washington DC Jonathan L. Bush A capstone thesis paper submitted to the Executive Director of the Urban & Regional Planning Program at Georgetown University’s School of Continuing Studies in partial fulfillment of the requirements for Masters of Professional Studies in Urban & Regional Planning. Faculty Advisor: Howard Ways, AICP Academic Advisor: Uwe S. Brandes, M.Arch © Copyright 2017 by Jonathan L. Bush All Rights Reserved 2 ABSTRACT Cities across the globe are making the case for highway removal. Highway removal provides alternative land uses, reconnects citizens and natural landscapes separated by the highway, creates mobility options, and serves as a health equity tool. This Capstone studies DC 295 in Washington, DC and examines the cases of San Francisco’s Embarcadero Freeway, Milwaukee’s Park East Freeway, New York City’s Sheridan Expressway and Seoul, South Korea’s Cheonggyecheon Highway. This study traces the history and the highway removal success using archival sources, news circulars, planning documents, and relevant academic research. This Capstone seeks to provide a platform in favor DC 295 highway removal. 3 KEYWORDS Anacostia, Anacostia Freeway, Anacostia River, DC 295, Highway Removal, I-295, Kenilworth Avenue, Neighborhood Planning, Southeast Washington DC, Transportation Planning, Urban Infrastructure RESEARCH QUESTIONS o How can Washington’s DC 295 infrastructure be modified to better serve local neighborhoods? o What opportunities -
Toni Braxton Announces North American Fall Tour
FOR IMMEDIATE RELEASE TONI BRAXTON ANNOUNCES NORTH AMERICAN FALL TOUR Detroit (August 8, 2016) – Seven-time GRAMMY Award-winning singer, songwriter and actress Toni Braxton announces her North American tour. Kicking off on Saturday, October 8 in Oakland, Braxton will tour more than 20 cities, ending with a show in Atlantic City, NJ on Saturday, November 12. Most recently, Braxton released “Love, Marriage & Divorce,” a duets album with Kenny “Babyface” Edmonds. The album took off behind “Hurt You,” the Urban AC #1 duet hit co-written by Toni Braxton & Babyface (with Daryl Simmons and Antonio Dixon), and produced by Babyface. The two also shared the win for Best R&B Album at the 2015 GRAMMY Awards. Today, with over 67 million in sales worldwide and seven GRAMMY Awards, Braxton is recognized as one of the most outstanding voices of this generation. Her distinctive sultry vocal blend of R&B, pop, jazz and gospel became an instantaneous international sensation when she came forth with her first solo recording in 1992. Braxton stormed the charts in the 90’s with the releases of “Toni Braxton” and “Secrets,” which spawned the hit singles and instant classics; “Another Sad Love Song,” “Breathe Again,” “You’re Makin’ Me High,” and “Unbreak My Heart.” Today, Braxton balances the demands of her career with the high priorities of family, health and public service as she raises her two sons Denim and Diezel. This year Toni was the Executive Producer of the highly-rated Lifetime movie “Unbreak My Heart” which was based on her memoir and she is the star of the WEtv hit reality series Braxton Family Values in its fifth season. -
Copyright by Ashley N. Mack 2013
Copyright by Ashley N. Mack 2013 The Dissertation Committee for Ashley N. Mack Certifies that this is the approved version of the following dissertation: DISCIPLINING MOMMY: RHETORICS OF REPRODUCTION IN CONTEMPORARY MATERNITY CULTURE Committee: Dana L. Cloud, Supervisor Joshua Gunn Barry Brummett Sharon J. Hardesty Christine Williams DISCIPLINING MOMMY: RHETORICS OF REPRODUCTION IN CONTEMPORARY MATERNITY CULTURE by Ashley N. Mack, B.A.; B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2013 Dedication To Tiffany—for being an awesome lady, thinker, worker, “true” sister, daughter, and mother. Acknowledgements My family has something of a “curse”: Multiple generations of women have been single, working mothers. Therefore, the social pressures, expectations and norms of motherhood have always permeated my experiences of reproduction and labor. Everything I do has been built on the backs of the women in my family—so it is important that I thank them first and foremost. I would be remised if I did not also specifically thank my big sister, Tiffany, for sharing her experiences as a mother with me. Hearing her stories inspired me to look closer at rhetorics of maternity and this project would not exist if she were not brave enough to speak up about issues that produce shame and fear for many moms. Dana Cloud, my advisor, is a shining light at the end of the many dark tunnels that academic work can produce. -
The Lilac Cube
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-21-2004 The Lilac Cube Sean Murray University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Murray, Sean, "The Lilac Cube" (2004). University of New Orleans Theses and Dissertations. 77. https://scholarworks.uno.edu/td/77 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. THE LILAC CUBE A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Drama and Communications by Sean Murray B.A. Mount Allison University, 1996 May 2004 TABLE OF CONTENTS Chapter 1 1 Chapter 2 9 Chapter 3 18 Chapter 4 28 Chapter 5 41 Chapter 6 52 Chapter 7 62 Chapter 8 70 Chapter 9 78 Chapter 10 89 Chapter 11 100 Chapter 12 107 Chapter 13 115 Chapter 14 124 Chapter 15 133 Chapter 16 146 Chapter 17 154 Chapter 18 168 Chapter 19 177 Vita 183 ii The judge returned with my parents. -
Read Excerpt
ROARING BROOK PRESS . NEW YORK 121-76898_ch00_6P.indd 3 02/14/19 10:08 am Copyright © 2019 by Harriet Reuter Hapgood Published by Roaring Brook Press Roaring Brook Press is a division of Holtzbrinck Publishing Holdings Limited Partnership 175 Fifth Ave nue, New York, NY 10010 fiercereads . com All rights reserved Library of Congress Control Number: 2018955863 ISBN: 978-1-62672-375-7 Our books may be purchased in bulk for promotional, educational, or business use. Please contact your local bookseller or the Macmillan Corporate and Premium Sales Department at (800) 221-7945 ext. 5442 or by e mail at MacmillanSpecialMarkets@macmillan . com. First edition, 2019 Book design by Elizabeth H. Clark Printed in the United States of Amer i ca 1 3 5 7 9 10 8 6 4 2 121-76898_ch00_6P.indd 4 02/14/19 10:08 am There’s no such thing as true black. This is one of the very first art lessons. Squeezing black ready- made from a tube makes a painting look artificial, so instead, you mix the three primary hues: red, yellow, and blue. Because even the darkest shadow or deepest sorrow has a glimmer of color at its heart. But I know there’s another kind of black. I see it when I close my eyes, and become a paint palette. This black is a bottomless ocean of dark. I dip my fin gers in it, smear it across a canvas. Use a paintbrush and flick my fin ger over the bristles, splattering tiny constellations onto the paper. Each small, lonely speck the color of sadness. -
11/20/17–11/26/17
Notre Dame Law School NDLScholarship Monday Morning Update Law School History 11-20-2017 MMU: 11/20/17–11/26/17 Notre Dame Law School, Student Bar Association Follow this and additional works at: https://scholarship.law.nd.edu/monday_morning_update Part of the Law Commons Recommended Citation Notre Dame Law School, Student Bar Association, "MMU: 11/20/17–11/26/17" (2017). Monday Morning Update. 98. https://scholarship.law.nd.edu/monday_morning_update/98 This Newsletter is brought to you for free and open access by the Law School History at NDLScholarship. It has been accepted for inclusion in Monday Morning Update by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. Fwd: MMU: 11/20 - 11/26 1 message Peter Horvath <[email protected]> Mon, Nov 20, 2017 at 9:27 AM To: [email protected] ---------- Forwarded message ---------- From: Andrew Magee <[email protected]> Date: Mon, Nov 20, 2017 at 9:06 AM Subject: MMU: 11/20 - 11/26 To: [email protected] Monday Morning Update November 20 - November 26 Hello Notre Dame Law School, Well, the last home game for the 3Ls has come and gone :( . Outside of the Georgia loss, it was a pretty great showing at home for the Irish. Against Navy, we did not look like our normal, dominant home-selves, however we still were able to grind out a hard-fought victory vs a rival on a cold, rainy day in South Bend. Marshmallows were everywhere which prompted me to ask a lot of people where this tradition started from and I could not get an answer. -
CD 1: Disc One 1. Back to Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back and Forth-Aaliyah 4
CD 1: Disc One 1. Back To Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back And Forth-Aaliyah 4. You’re Making Me High-Toni Braxton 5. Down That Road-Shara Nelson 6. On And On-Erykah Badu 7. My Destiny-Lionel Richie 8. Return Of The Mack-Mark Morrison 9. You Might Need Somebody-Shola Ama 10. Heard It All Before-Sunshine Anderson 11. Get Here-Oleta Adams 12. Sensitivity-Ralph Tresvant 13. Emotion-Destiny’s Child 14. Bump N’ Grind-R. Kelly 15. Creep-TLC Disc Two 1. No Diggity-Blackstreet 2. Hey Mr. Dj-Zhane 3. Apparently Nothing-Young Disciples 4. Angel Of Mine-Monica 5. Never Ever-All Saints 6. Boy You Knock Me Out-Tatyana Ali 7. Oh Baby I-Eternal 8. Move Closer-Phyllis Nelson 9. Video-India Arie 10. Shoulda, Woulda, Coulda-Beverly Knight 11. Mama Said-Carleen Anderson 12. Giving Him Something He Can Feel-En Vogue 13. I Wanna Be Down-Brandy 14. Poison-Bel Biv Devoe 15. Bomb Diggy-Another Level ∆ιάρκεια µουσικής συνολικού χρόνου του CD: 126 λεπτά CD 2: Disc One 1. The Boy Is Mine-Brandy & Monica 2. Incomplete-Sisqo 3. Tell Me What You Want Me To Do-Tevin Campbell 4. Last Night-Az Yet 5. Never Make A Promise-Dru Hill 6. So Anxious-Ginuwine 7. Lately-Tyrese 8. They Don’t Know-Jon B 9. Take You Out-Luther Vandross 10. Promise-Jagged Edge 11. Secret Love-Kelly Price 12. Who Can I Run To-Xscape 13. -
1424 Fighting with at Least Two Hands Tied (Conservative
#1424 Figh*ng with at least two hands *ed (Conserva*ve Democrats Manchin and Sinema) JAY TOMLINSON - HOST, BEST OF THE LEFT: [00:00:00] Welcome to this episode of the award-winning Best of the Le* podcast, in which we shall take a look at the poli;cs of obstruc;on in the service of big donors' interests while sacrificing the ability to run a func;oning democracy in the process, to win-win. Clips today are from The BradCast, Start Making Sense, The Majority Report, The Takeaway, Deconstructed and the Thom Hartmann Program. West Virginia's Robyn Kincaid on the maddening Joe Manchin - The BradCast - Air Date 6-9-21 BRAD FRIEDMAN - HOST, THE BRADCAST: [00:00:26] Ac;on Funds Survey found that the bill was extremely popular among all voters in the state, Republicans, Democrats, Independents alike. In West Virginia, respondents supported the bill, the For The People Act, by 79%! 79 to 15% in favor of the For The People Act, which Joe Manchin opposes. The Democra;c proposal also enjoys high levels of support among Republicans, specifically, despite ongoing efforts from several right wing, dark money groups to have the state senators vote against it because, well, among other things, it gets their dark money out of our elec;ons, and it helps prevent billionaires that run those dark money groups from buying elec;ons. That's why, of course not a single Republican member is suppor;ng the bill, nor will they support it. That's their money, as they see it, that's their way to buy elec;ons. -
Blended 2018
Blended 2018 The Literary Arts Magazine of Olympic College © 2018 Olympic College Blended Cover Art by Gretchen Lund Inside Logo by Daniel Chung Cover Design by Lou Faulkner Faculty Advisors Lynn Hovde Nicholas Schuur Student Staff Catherine Leger TABLE OF CONTENTS SUNSET AT THE MARINA — Vivian Benge Page 2 ALONG FOR THE RIDE — Kira Sabini Page 3 A STROLL THROUGH ZURICH — Vivian Benge Page 4 WHERE THE HEART IS — Kira Sabini Page 5-6 SCORPIO — Daniel Chung Page 7 CHAPTER ONE — Victoria Olds Page 8-9 COLORS — Avery Hoyt Page 10 IT REQUIRES OPPOSITES — Kira Sabini Page 11 HANDS — Daniel Chung Page 12 TEN LIMERICKS — Christina Calden Page 13 WITHIN WALKING DISTANCE — Alexandra Fetters Page 14 HOME — Tammy Burnham Page 15 FACES — Daniel Chung Page 16 LIKE THE RAIN — Abigail Logudice Page 17 MT. RAINIER SUNRISE — Anthony Estes Page 18 FINDING STRENGTH — Elisha Elam Page 19-20 DRAGON FRUIT MANDALA — Daniel Chung Page 21 THE OWL IN THE MAZE — Brenden Gay Page 22 BARN OWL — Gretchen Lund Page 23 WINTER WATERS —Vivian Benge Page 24 DESCHUTES — Kira Sabini Page 25 THE SOUL OF A PEBBLE — Anna Dunbar Page 26 THE SOUL OF A PEBBLE — Anna Dunbar Page 27-28 SUMMER COLORS —Alexandra Fetters Page 29 TIDE POOLS —Anthony Estes Page 30 KYOTO — Kaleob Archambeau Page 31-33 MOUNT RAINIER — Alex Dunbar Page 34 DRAGONS AND DEMONS — Bridget Grim Page 35-37 ADOBE ILLUSTRATOR ART — Kohl Vanhorn Page 38 MY LAST BREATH OF AIR — Juvy Christensen Page 39-40 MADISON FALLS — Jonah and Joseph Criswell Page 41 BANALATA — Gretchen Lund Page 42 HEART BROKEN BUT DRESSED — Kira Sabini Page 43 MADISON FALLS — Jonah and Joseph Criswell Page 44 THE HOLOCAUST: THE ULTIMATE ANTI-SEMANTIC ACT — Jehuda Zabari Page 45-48 HELIUM HEARTS — Gretchen Lund Page 49 THE PICTURE — Rhiannon Dowling Page 50-57 SUNSET AT THE MARINA - Vivian Benge 2 ALONG FOR THE RIDE Kira Sabini Melodic notes glide upon the air waves playing intimately within me. -
How to Use This Songfinder
as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22. -
Lyrics Molten Rock
SUPERMARKET LINE and as we both call him back he LEAD ME ON Lead me on, lift me up turns and smiles and says he’s sorry Take me home, I will follow They’re making babies on the to the supermarket line I seek shelter from the rain between In your arms, I belong television I can see the bombs drop the houses, I hide far away from cold I have known it for so long in the intermission someone tries to I mimic that’s okay, not in a hurry and bitter streets. Don’t know if I will sell me a new lipgloss while I’m anyway while the students behind me reach my destination, I have so much Christine Oele: vocals, acoustic guitar waiting in the supermarket line keep on discussing how to best get to going against me Reyer Zwart: bass guitar, piano, backing vocals the party after the supermarket line Rowin Tettero: drums Marjolein van der Klauw: backing vocals The alcoholic in front of me buys a But I keep my eyes fixed on a far Sander Donkers: electric guitar, backing vocals salad to go with his bottle of red and And the candy wrappers shine like horizon and I keep my hands tied to the two beers that he needs early in jewels that you don’t notice anymore the steering wheel. Even if I didn’t the morning before the Mama said there ain’t nothing to it make much of my assets, maybe one supermarket line These are the ways my girl day you will set me free I am thinking about my babies need These are the ways of the world Lead me on, lift me up to hurry home and maybe fix them There ain’t nothing you can do about Take me home, I will follow something fast to eat and not forget it girl. -
Music Ally Report on Startups and Licensing in September 2019
thereport ISSUE 424 | 02 SEPTEMBER 2019 Fresh start Rightsholders want to nurture the next generation of inventive music/tech startups – so how well are they doing? 1 After bumpy times in the past, ISSUE 424 30.08.19 STARTUPS REPORT 2019 is a good time to be a music/ tech startup… isn’t it? ver since music:)ally was founded in famous line about Hollywood – ”Nobody 2002, one of the key pillars in our knows anything” – applies just as well to editorial coverage has been our the task of spotting successful music/tech curiosity about new tech startups startups. But what music:)ally does know is Eoperating in and around music. that whenever we’ve been curious about One of those startups is now a $26bn+ startups in the present, it’s given us useful public company, but in the run-up to its insights into the future of this industry. launch in 2008 it was still an under-the- Countless features that are core to radar Swedish startup happy to give its today’s music-streaming and social- CEO’s mobile number to music:)ally when media platforms, for example, were first we emailed to find out what the company dreamt up by startups whose names was up to. “If tomorrow at 3 UK time if are long forgotten now, or developed by good for you please call Dan on +46…” people who’d honed their ideas in the It’s not just the likes of SoundCloud, music/tech sector. Plus, talking to those Deezer and Kickstarter who we first founders and developers has always given covered as fledgling startups with us a useful, external perspective on the big ideas: in our lifetime, Facebook music industry’s responses to the last two (founded: 2004), YouTube (2005), Twitter decades worth of digital disruption.