Fiscal Year 2019

Total Page:16

File Type:pdf, Size:1020Kb

Fiscal Year 2019 ·1 2949i3060021Q 9 Return of Private Foundation OMS No 1545-0052 Form 99.Q.-PF . or Sectaon 4947(a)(1) Trust Treated as Provate Foundataon Dep'I'illnent 01 Ih:TreaSury ~ Do not enter socIal securoty numbers on thIs form as It may be made public lQ02J 2018 Inlernal Revenue Serv,ce ~ Go to www Irs gov/Form990PF for Instructaons and the latest Informataon en 10 U Ie ns ee Ion For calendar year 2018 or lax year beginning MAR 1 2018 and ending FEB 28 2019 Name of foundation /? A Employer IdentlflcalfOn number ALP~AWOOD FOUNDATION 36-3805338 Number and street (or PObox number II maillS nol delivered to street address) I Room/su,te B Telephone number 2401 N. HALSTED ST, SUITE 200 (773) 975-0401 City or town, state or province, country, and ZIP or foreign postal code C If exemption application IS pending check here ~D CHICAGO IL 60614 G Check all that apply D Imtlal return D Imtlal return of a former public charity D 1 Foreign orgamzatlons, check here ~D D Final return D Amended return 2 Foreign organlzallons meeting the 85% lest, D Address change D Name change .,;. ~. check here and attach computation ~D H Check type of orgamzatlon- [KJ Secllon 501(c)(3) exempt private foundalton E If private foundation status was terminated D Section 4947(a)( 1) nonexempt charitable trust D Other taxable Private foundation 04- under section 507(b)(I)(A), check here ~D I Fair market value of all assets at end of year J Accounting method: D Cash [KJ Accrual F If the foundation IS In a 50-month termination (from Part II, col (c), line 15) D Other (specify) under secllon 507(b)(I)(8), check here ~D ~$ 104, 528 ,922. (Part I, column (d) must be on cash basIs) I Part II AnalYSIS of Revenue and Expenses (a) Revenue and (b) Net Investment (c) Adlusted net (d) Disbursements (The tolal of amounts In columns (b), (e), and (d) may not for charitable purposes necessarily equal the amounts In column (a) ) expenses per books Income Income (cash baSIS only) 1 Contributions, giftS, grants, etc, receIved . N/A I 2 Check ~ [KJ ,llhe 10undal'On ,s nOI reqUired 10 attach Sch B I Interest on savings and temporary 3 cash Investments I 4 DIVidends and Interest from seCUrities 1,844,834. 2,059,255. STATEMENT 1 I 5a Gross rents ! b Net rental Income or (loss) I 6a Net gain or (loss) from sale of assets nol on hne 10 3,693,443. I Q) ::::t b Gross sales price for all 11,520,992. c: assets on hne 6a I Q) > Capital gam net Income (from Part IV, hne 2) 3,693,443. Q) 7 I a: 8 Net short-term capital gain I 9 I ncome modifications I 1Oa ~~~~I~~:~:S returns I I b Less Cost of goods sold I c Gross profit or (loss) I 11 Other Income 197,726. 455,938. STATEMENT 2 I 12 Total Add hnes 1 throuah 11 5,736,003. 6,208,636. I 13 Compensalron of olflcers, directors, trustees, etc 299,999. O. 299,999. 14 Other employee salaries and wages 481,250. O. 476 ,453. 46 ,781. O. 46,781. i}1 ~ e~~~'C5Ployee benefits l'1i 11" gal· e _ STMT 3 13,981. O. 13,981. ~~, J::O b Accounting fees (f) STMT 4 67 ,850. O. 91,673. TOt~r tra184lSnal f~e's, . STMT 5 1,500. O. 1,500. o UJ)( oG: Q) -'1.. .!nterest _,_ _.. _ J > E- ~ . -Q8' raxe.sN I tT , STMT 6 368,694. 13,648. 52,133. ~ ,P..,J,..J:"_ • ...., j 1 >~ 15,056. O. ~ j:lLD.ep.r.walJ.Qn andjgll.l1!.t!9n I ZS E 20 Occupancy Q" 21 Travel, conferences, and meetings 20,551. o . 26 ,200. W~ 22 Printing and publications Z~ 23 Other expenses STMT 7 2,472,374. 167 ,708. 2,419,472. '~ Zg (3~ 24 Total operating and admlntstraltve (,J).e expenses Add lines 13 through 23 3,788,036. 181,356_ 3,428,192. 0 25 Contributions, giftS, grants paid 11,645,829. 15,217,583. 26 Total expenses and dIsbursements Add lines 24 and 25 15, 433 ,865. 181,356. 18,645,775. 27 Subtrart line 26 from line 12. a Excess of revenue over expenses and disbursements -9 697 ,862. b Net Investment Income (,, negal,ve, enler -0-) 6,027,280. c Adjusted net Income (,I negalove enlOl -0-) N/A 823501 1211-18 LHA For Paperwork Reduction Act Noltce, see Instrucltons Form 990-PF (2018) <j5Q} /0 " fit f, Form 990-PF (2018), ALPHAWOOD FOUNDATION 36 - 3805338 Page 2 Allached schedules and amounlS '" Ihe descllpllon Begmnlng of year End of year Part II I Balance Sheets I column should be lor end 01 year amounls only (a) Book Value (b) Book Value (c) Fair Market Value 1 Cash - non-mterest-bearmg 2 Savmgs and temporary cash mvestments 12,332,638. 9,809,466. 9,809,466. 3 Accounts receivable ~ I . -- - ~ - - - - Less: allowance for doubtful accounts ~ 22,624. 4 Pledges receivable ~ • > - -- -- - ., - --- J Less allowance for doubtful accounts ~ 5 Grants receivable 6 Receivables due from officers, directors, trustees, and other disqualified persons 7 Olher nOles and loans recervable ~ I --- -- ~~- --- Less allowance for doubtful accounts ~ .l!l 8 InventOries for sale or use Q) CIl 9 Prepaid expenses and, deferred charges 3,793. 5,422. 5,422. CIl « IDa Investments - U S and state government obligatIOns STMT 9 23,281,315. 12,999,881. 12,999,88l. b Investments - corporate stock STMT 10 61,878,798. 57,253,819. 57,253,819. c Investments - corporate bonds 11 InveSlmenlS land burldrngs and equrpmenl basrs ~ ------- I Less accumulaled depreerallon ~ 12 Investments - mortgage loans 13 Investments - other STMT 11 11,177,727. 12,248,996. 12,248,996. 14 Land, bUlldmgs, and equipment baSIS ~ 53,15l. -- I Less accumulaled depreerallon STMT 8 ~ 18,932. 44 ,347. 34,219. 34,219. 15 Other assets (describe ~ STATEMENT 12 ) 12,485,454. 12,177,119. 12,177,119. 16 Total assets (to be completed by all filers - see the mstructlons Also see paoe 1 Item II 121,226,696. 104,528,922. 104,528,922. 17 Accounts payable and accrued expenses 73,350. 86,126. I 18 Grants payable 5,236,343. 1,264,589. I CIl 19 Deferred revenue I Q) ~ 20 Loans from officers. directors, trustees, and other disqualified persons I .c 21 Mortgages and other notes payable I .J'" 22 Other liabilities (deSCribe ~ ACCRUED EXCISE AND INCOME T) 285,139. 79,840. J 23 Total liabilities (add lines 17 throuoh 221 5,594,832. 1,430,555. I Foundallons that follow SFAS 117, check here ~D and complete tines 24 through 26, and lines 30 and 31 CIl Q) 24 Unrestricted <.> c: Temporarily restricted .!!! 25 ! [II'" 26 Permanently restricted I "0 c: Foundallons that do not follow SFAS 117, check here ~ITJ ::l u..... and complete lines 27 through 31 0 27 Capital stock, trust prmclpal, or current funds O. o. CIl !i Pald-m or capital surplus, or land, bldg, and equipment fund O. o. CIl 28 I «CIl 29 Retamed earnmgs, accumulated mcome, endowment, or other funds 115,631,864. 103,098,367. 1 ...Q) 115,631,864. 103,098,367. z 30 Total net assets or fund balances I 31 Total liabilities and net assets/fund balances 121,226,696. 104,528,922. ! I Part III I AnalYSIS of Changes In Net Assets or Fund Balances 1 Total net assets or fund balances at begmnmg of year - Part II, column (a), line 30 (must agree With end-of-year figure reported on prior year's return) 1 115,631,864. 2 Enter amount from Part I, Ime 27a 2 -9,697,862. 3 Other mcreases not mcluded mime 2 (Itemize) ~ REFUND OF PRIOR YEAR GRANTS 3 70,061. 4 Add Imes 1, 2, and 3 4 106,004,063. 5 Decreases not mcluded mime 2 (Itemize) ~ UNREALIZED DEPRECIATION IN MARKET VALUE OF INVESTMENTS 5 2,905,696. 6 Total net assets or fund balances at end of vear lime 4 mmus line 5) - Part II column (b),lme 30 6 103,098,367. Form 990-PF (2018) 823511 12- 11-18 1.0 Form 990-PF (2018) ALPHAWOOD FOUNDATION 36-3805338 Page 3 I Part IV I Capital Gains and Losses for Tax on Investment Income , (a) List and describe the klnd(s) of property sold (for example, real estate, (b ~ How acqUired (e~ Date acqUired (d) Date sold - Purchase (mo., day, yr.) 2-story brick warehouse; or common stock, 200 shs. MLC Co ) D - Donation mo., day, yr.) 1a 19,688 SHARES OF VANGUARD INSTITUTIONAL INDEX FUND P VARIOUS 03/14/18 b US TRESURY INFLATED NOTE (TIP) 1.375% 7/15/18 P 11/17/08 07/15/18 e WHITEHALL PARALLEL REAL ESTATE PARTNERHSIP XIII P VARIOUS 10/10/18 d WHITEHALL STREET REAL ESTATE LIMITED PARTNERSHIP XI/XII P VARIOUS 10/10/18 e (e) Gross sales price (f) DepreCiation allowed (g) Cost or other baSIS (h) Gain or (loss) (or allowable) plus expense of sale ((e) plus (f) minus (g)) a 5,000,000. 2,197,897. 2,802,103. b 6,518,680. 5,600,000. 918,680. e 130. 12,719. -12,589. d 2,182. 16,933. -14,751. e Complete only for assets shOWing gain In column (h) and owned by the foundation on 12131/69 (I) Gains (Col (h) gain minus (j) Adlusted baSIS (k) Excess of col.
Recommended publications
  • 2021 Cityarts Grantees
    2021 CITYARTS GRANTEES 2nd Story Chicago Jazz Philharmonic 3Arts, Inc. Chicago Kids Company 6018North Chicago Maritime Arts Center A.B.L.E. - Artists Breaking Limits & Expectations Chicago Media Project a.pe.ri.od.ic Chicago Public Art Group About Face Theatre Collective Chicago Shakespeare Theater Access Contemporary Music Chicago Sinfonietta Africa International House USA Chicago Tap Theatre Aguijon Theater Company Chicago West Community Music Center American Indian Center Chicago Youth Shakespeare Apparel Industry Board, Inc. Cinema/Chicago Art on Sedgwick Clinard Dance Arts Alliance Illinois Collaboraction Theatre Company Arts & Business Council of Chicago Collaborative Arts Institute of Chicago Arts of Life, Inc. Community Film Workshop of Chicago Asian Improv aRts: Midwest Community Television Network Avalanche Theatre Constellation Men's Ensemble Balzekas Museum of Lithuanian Culture Contextos Beverly Arts Center Court Theatre Beyond This Point Performing Arts Association Crossing Borders Music Black Alphabet Dance in the Parks, NFP Black Ensemble Theatre DanceWorks Chicago Black Lunch Table D-Composed Gives Cedille Chicago, NFP Definition Theatre Company Cerqua Rivera Dance Theatre Design Museum of Chicago Changing Worlds Erasing the Distance Chicago a cappella Fifth House Ensemble Chicago Architecture Foundation Filament Theatre Ensemble Chicago Art Department Forward Momentum Chicago Chicago Arts and Music Project Free Lunch Academy Chicago Arts Partnerships in Education Free Spirit Media Chicago Balinese Gamelan Free Street Theater Chicago Blues Revival FreshLens Chicago Chicago Cabaret Professionals Fulcrum Point New Music Project Chicago Childrens Choir Garfield Park Conservatory Alliance Chicago Composers Orchestra Global Girls Inc. Chicago Dance Crash Goodman Theatre Chicago Dancemakers Forum Guild Literary Complex Chicago Filmmakers Gus Giordano's Jazz Dance Chicago, Inc.
    [Show full text]
  • Ideas Without Words Collage
    Design Museum of Chicago 1917 N Elston Ave designchicago.org Chicago, Illinois 60642 1219 Great Ideas Poster Design Project Using collage and drawing techniques, create a poster that is inspired by a quote and represents what you value most about your community. Communicate your quote without words. Educational Goals • Build visual communication skills • Explain art and design work verbally to others • Grow understanding of composition • Apply limitations in a design project Materials list • Paper (multiple colors or single color will also work) • Stencil shapes (see last page of this PDF for printable shapes) • Highlighters/pencils/markers/crayons/pens • Scissors • Glue Design Museum of Chicago 1917 N Elston Ave designchicago.org Chicago, Illinois 60642 1219 — Phase 1: Collage Choose a quote. We've provided a few below, or choose your own favorite quote. You’ll be making a post- er that communicates your quote with shapes and lines only. Making a poster is like writing a story or speech. Before you start, answer these questions: · What is the message I want people to understand about the quote I selected when they look at my poster? · What will I show so they see what I mean? · How can I communicate without words? Keeping the answers to these questions in mind, create a collage that is inspired by the quote you chose. We've provided some shapes to get started, or you can make your own. Make as many versions of this as you please — there are no wrong answers or mistakes! — Phase 2: Drawing Next, you're going to create a continuous line drawing.
    [Show full text]
  • Does Street Art Make Communities Better?
    SUMMIT LEARNING AND C3 TEACHERS ​ ​ ​ ​ ​ ​ ​ Street Art and Communities Inquiry Does Street Art Make Communities Better? Protestors pass the Pilsen neighborhood mural “Declaration of Immigration,” in May of 2011. Accessed from: https://www.vamonde.com/posts/the-declaration-of-immigration/2455 ​ Supporting Questions 1. What is the history and tradition of street art in Latinx communities? 2. Why is street art created? 3. How do people react to street art? THIS WORK IS LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION-NONCOMMERCIAL-SHAREALIKE 4.0 INTERNATIONAL LICENSE. 1 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ SUMMIT LEARNING AND C3 TEACHERS ​ ​ ​ ​ ​ ​ ​ Street Art and Communities Inquiry Does Street Art Make Communities Better? D2.Geo.6.6-8. Explain how the physical and human characteristics of places and regions are connected to ​ ​ C3 Framework human identities and cultures. Indicators D4.1.6-8. Construct arguments using claims and evidence from multiple sources, while acknowledging the ​ ​ strengths and limitations of the arguments. Making Connections and Inferences, Informational/Explanatory Thesis, Selection of Evidence, Explanation Cognitive Skills of Evidence Staging the Compelling Participate in a class discussion that explores the “artistic legitimacy” of a series of street art images. Question Supporting Question 1 Supporting Question 2 Supporting Question 3 What is the history and tradition of street Why is street art created? How do people react to street art? art in Latinx communities? Formative Performance Task Formative Performance Task Formative Performance Task Write a paragraph describing the history Create a detailed list of reasons why Create an evidence-based claim and and tradition of street art in Latinx street art is created. counterclaim that answers the communities.
    [Show full text]
  • Your Next Big Idea Is Here
    Your next big idea is here. harris.uchicago.edu Welcome to the University of Chicago Harris School of Public Policy. What sets the University of Chicago apart? We lead with a focus on inquiry and a commitment to impact. We empower individuals to challenge conventional thinking in pursuit of original ideas. UChicago research has led to revolutionary theories of economics and tools to effect social change. In all we do, we are driven to dig deeper, push further, and ask bigger questions—and to leverage our knowledge to enrich all human life. 92 140+ 100+ Nobel Laureates affiliated Interdisciplinary Research Programs, initiatives, with the University, including Centers and Institutes and partnerships in six Nobel Prize winners currently over 48 nations and on faculty at UChicago on every continent 1 1 The University of Chicago CHICAGO HIGHLIGHTS American Writers Museum The 606 / Bloomingdale Trail Center for Intuitive and Outsider Art Chicago is: The Windy City. Bahá’í Temple The City of Big Shoulders. The Plant vertical farm The City that Works. Design Museum of Chicago National Museum of Mexican Art Chicago is known by many names Garfield Park Conservatory but its spirit is singular. One of River cruise architecture tours The Second City comedy club the great American cities and the largest city in the Midwest, TO-DO LIST Chicago offers all the perks of an Cubs or White Sox game international metropolis. Lakefront beach barbecue Free music and movies in Millennium Park And the University of Chicago campus, with its dramatic mixture of Gothic and Postmodern Live jazz at the Green Mill architecture, its world-famous Frank Lloyd Wright Free contemporary art exhibitions home, quirky student-run cafés, and more Nobel at Hyde Park Art Center Prize winners than just about anywhere else in Talks and exhibitions at the DuSable the world, is the setting for your next big idea.
    [Show full text]
  • Designing a Better Chicago Announces Riverwalk Design Team and Grant Program for 2020 Launch
    DESIGNING A BETTER CHICAGO ANNOUNCES RIVERWALK DESIGN TEAM AND GRANT PROGRAM FOR 2020 LAUNCH (Chicago, IL, November 2019) Designing a Better Chicago, a collaborative initiative organized and supported by NeoCon and theMART, the Chicago Department of Cultural Affairs and Special Events (DCASE), and the Design Museum of Chicago, is pleased to announce the selection of the design team for its large-scale Chicago Riverwalk installation. Chicago-based design firms Kwong Von Glinow and UB Studio will unveil their project in June 2020. Aimed at highlighting, leveraging and supporting Chicago’s vast design legacy, talent and resources, Designing a Better Chicago will also include the Design Impact Grant Program, which will recognize individuals or organizations using design for civic good. The annual initiative will be complemented by a series of special talks and events coinciding with NeoCon next June. Give me a minute, please!, the inaugural Chicago Riverwalk installation by Kwong Von Glinow and UB Studio for Designing a Better Chicago, will visually anchor the 2020 edition. The award- winning Chicago architects and designers will bring their unique creative vision to the project site, a space which will feature a new installation each year and is set to become a hallmark of the program. Situated on the Chicago Riverwalk between Franklin and Lake Streets, the 6,000-square-foot- area is located at the confluence of the North, South and main branches of the Chicago River. “The question we asked ourselves when approaching the request for proposal was, ‘What more can we give to this site as architects?’” explains Alison Von Glinow, Founding Partner at Kwong Von Glinow.
    [Show full text]
  • The Honorable Pat Dowell Chairman, Committee on the Budget and Government Operations
    DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS CITY OF CHICAGO MEMORANDUM To: The Honorable Pat Dowell Chairman, Committee on the Budget and Government Operations From: Mark Kelly Commissioner Department of Cultural Affairs and Special Events CC: Tiffany Sostrin Mayor’s Office of Intergovernmental Affairs Date: November 8, 2019 Re: Request for Information from Annual Appropriation Committee Hearing ID#: 23-01 Foundations Supporting DCASE The attached information is in response to questions posed at our department’s hearing on November 7, 2019, to discuss the proposed 2020 budget. Alderman Reboyras asked for a list of foundations that provide support to DCASE. Attached please find the listing of foundations. As always, please let me know if you have any further questions. Foundation/Funder Status Funding Type Allstate Received Grant Alphawood Foundation n/a Prospect/volunteer Ariel Investments Declined Grant AWF n/a Prospect Bayless Family Foundation Received Grant BCBS IL Award Declined Grant Beverly Arts Center In‐Kind Received In‐Kind Blues Heaven Foundation at Chess Records n/a Volunteer BMO Harris Received Grant Boeing n/a Prospect Chicago Community Trust Received Grant Chicago Cultural Alliance In‐Kind Received In‐Kind Chicago Foundation for Women n/a Prospect Chicago Loop Alliance n/a Volunteer Chicago Park District Received Grant and in‐kind Chicago Urban League Declined Grant Chinese Ministry of Culture In‐Kind Received In‐Kind Choose Chicago In‐Kind Received In‐Kind City Church of Chicago Declined Grant ComEd, An Exelon Company
    [Show full text]
  • Cartoon Remix! Suggested by Zach Bartz, Chicago Artist
    Design Museum of Chicago 1917 N Elston Ave designchicago.org Chicago, Illinois 60642 1219 Cartoon Remix! Suggested by Zach Bartz, Chicago artist Use some of your favorite cartoon or comic characters to inspire a character of your own! Learning objectives · Observe and replicate elements of a drawing · Practice fine motor skills · Develop a character's backstory · If developing a comic, graphic story, or film, practicing language skills Materials needed · Paper · Pens, pencils, crayons, markers – something to draw with · Computer/tablet/phone, comic books, advertisements, toys –something with a picture of a cartoon character on it A cartoon is a funny drawing or illustration. Cartoonists and animators rely on design principles to develop characters and their stories. Is the character a good guy or a bad guy? Are they smart? Are they brave? Are they from a fantasy world? How does the design of their hair, eyes, mouth, and clothing communicate these important characteristics? How does where they live or work also show (or disguise) their personality? All of these design choices help the audience better understand the character and the choices the character makes. Are you ready to design your own character? Design Museum of Chicago 1917 N Elston Ave designchicago.org Chicago, Illinois 60642 1219 — Step 1: Pick your characters and do some research. Make a list of your favorite cartoon characters. Pick three, then Google images of them to use as a reference. Can't Google it? No problem! You can use comic, advertisements, cereal boxes, anything with a picture of a cartoon character. — Step 2: Imitation is the sincerest form of flattery.
    [Show full text]
  • FOR IMMEDIATE RELEASE December 18, 2019
    FOR IMMEDIATE RELEASE December 18, 2019 CONTACT: Mayor’s Press Office 312.744.3334 [email protected] MAYOR LIGHTFOOT APPOINTS NEW MEMBERS TO THE CULTURAL ADVISORY COUNCIL OF THE DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS CHICAGO—Mayor Lori E. Lightfoot today introduced the new members of the local arts community to the Cultural Advisory Council of the Department of Cultural Affairs and Special Events (DCASE), including Council Chair Amina J. Dickerson and Vice Chair Alison Cuddy. The Mayor will submit these appointments for City Council approval in January. “A robust Chicago arts community inspires us, engages us, questions the status quo, and has the power to bring our diverse city together in conversation around the critical challenges of our day,” said Mayor Lightfoot. “I am grateful to the outgoing members of the Council and excited to bring these new voices to the table, who will work with us to ensure that Chicago remains a vibrant and innovative cultural hub – and that all Chicagoans have equitable access to the arts.” The entirely new slate of Cultural Advisory Council members will advocate for a vital Chicago arts community and help advance the Mayor’s arts and culture priorities, which include making Chicago livable and affordable for artists and creative professionals, expanding public arts programming to help drive the economic life of our neighborhoods, collaborating with communities and creative industries to engage our artists and expand quality jobs, and expanding equitable access to high-quality arts education for all young people in Chicago. The proposed appointees are a diverse group of Chicagoans from across the city representing a broad cross-section of arts genres.
    [Show full text]
  • Business Interruption Insurance Task Force Report to the Governor and General Assembly December 2020 Appendix
    Business Interruption Insurance Task Force Report to the Governor and General Assembly December 2020 Appendix A. Dr. Robert Hartwig NAIC Whitepaper B. September 14th Meeting Minutes C. NAIC Letter to Congress D. Restore Illinois Plan E. Department of Insurance BII FAQ F. September 28th Meeting Minutes G. Dr. Hartwig Biography H. SBA Paycheck Protection Presentation I. State of Illinois COVID-19 Website J. November 30th Meeting Minutes K. Insurance Information Institute Website L. BIG Awards by Legislative District M. Chubb Associated Materials N. Zurich Associated Materials O. APCIA-NAMIC Presentation on Future Pandemics and Solutions P. BCPP Overview Presentation Q. October 13th Meeting Minutes R. October 26th Meeting Minutes 1 Appendix A Dr. Robert Hartwig NAIC Whitepaper Appendix A May 29, 2020 Raymond G. Farmer, President Dean L. Cameron, Vice President National Association of Insurance Commissioners National Association of Insurance Director of Insurance Commissioners South Carolina Department of Insurance Director of Insurance Capital Center Idaho Department of Insurance 1201 Main Street, Suite 1000 700 W. State Street, 3rd Floor Columbia, SC 29201 Boise, ID 83720-0043 David Altmaier, President-Elect Chlora Lindley-Myers, Secretary-Treasurer National Association of Insurance Commissioners National Association of Insurance Commissioner of Insurance Commissioners Florida Office of Insurance Regulation Director of Insurance 200 E. Gaines Street Missouri Department of Commerce and Tallahassee, FL 32399-0305 Insurance 301 W. High Street, Suite 530 Jefferson City, MO 65101 Dear NAIC Leaders: As you know, pandemic risk protection has been largely unavailable in the private marketplace because the underlying peril is inherently uninsurable. Despite this, there have been efforts in some legislatures and the courts to impose liability on insurers for risks they did not, and could not responsibly, write, while some in Congress are considering prospective proposals that would ask insurers to accept future risks that are not insurable.
    [Show full text]
  • 2020 Cityarts Grantees
    2020 CITYARTS GRANTEES 3Arts, Inc. Chicago Danztheatre Ensemble 826CHI Chicago Film Society A.B.L.E. Chicago Humanities Festival About Face Theatre Collective Chicago Independent Radio Project (CHIRP) Access Contemporary Music Chicago Jazz Philharmonic Adventure Stage Chicago Chicago Latino Theater Alliance Africa International House USA Chicago Metamorphosis Orchestra Project Alliance Française de Chicago Chicago Moving Company American Blues Theater Chicago Printers Guild ARC Educational Foundation Chicago Public Media Art on Sedgwick Chicago Shakespeare Theater ArtReach Chicago Chicago Sinfonietta Arts & Business Council of Chicago Chicago Tap Theatre Arts Alliance Illinois Chicago Theatre Group, Inc. Arts of Life, Inc. Chicago West Community Music Center Asian Improv aRts: Midwest Chicago Youth Shakespeare Association for the Advancement of Chicago Architecture Biennial. Creative Musicians Cinema/Chicago Auditorium Theatre CircEsteem Awakenings Art Clinard Dance Babes with Blades Theatre Company Collaboraction Theatre Company Balzekas Museum of Lithuanian Culture Comfort Station Beyond This Point Performing Arts Community TV Network Association Court Theatre Fund Black Ensemble Theater Creative Chicago Reuse Exchange (CCRX) Blair Thomas & Company Culture/Math Blues Kids Foundation Dance in the Parks Cedille Chicago DanceWorks Chicago Changing Worlds Deeply Rooted Dance Theater Chicago Architecture Foundation Design Museum of Chicago Chicago Art Department Eighth Blackbird Performing Arts Chicago Arts and Music Project Association
    [Show full text]
  • 2019 Annual Report
    WELCOME LETTER FROM THE CO-EXECUTIVE DIRECTORS SONIA SHANKMAN ORTHOGENIC SCHOOL BOARD OF DIRECTORS Dear Friends, JANET GOELZ HOFFMAN We are pleased to present you with the Sonia Shankman Orthogenic School’s 2019 Annual Report. The For more than 100 years, the Sonia Shankman Orthogenic School (the O-School) has been Chair of the Board of Directors O-School works with some of the most vulnerable children in the greater Chicago area and from across providing a safe haven and a path to hope for bright, creative children and young adults with the country. Prior to arriving at the O-School, many of our students struggled with their mental health and significant social-emotional needs, typically due to a mental health challenge or being on the JAMES STEINBACK social-emotional challenges to the point that these needs impacted their schooling, their families, and their autism spectrum. The O-School’s immersive approach to care is characterized by: Chair of the Foundation for friendships. Often, they arrived feeling alone and hopeless. • A highly skilled and committed staff Educational Development • Relationally based care in a home-like setting Yet, while O-School students struggle, they are also bright, creative, and full of potential. That is why we • A rigorous and fully accredited curriculum of Children (FEDC) believe they deserve an exceptional program, one that is designed with the intensive opportunities and • A diverse and affirming community supports to help them address their academic, clinical, and social-emotional needs. In this issue, you will Members of the see a snapshot of the immersive and comprehensive nature of our program, from the clinical expertise of Board of Directors: our staff, to our robust student work program, to our rigorous curriculum.
    [Show full text]
  • Welcome to the Full Conference Schedule Wednesday A.M. Committee on Diversity Practices Meeting Committee on Intellectua
    108th CAA Annual Conference Welcome to the Full Conference Schedule Wednesday A.M. WORKSHOP ◼ EVENT △ MEETING ⊛ IDEA EXCHANGE 8:00 AM –10:00 AM WEDNESDAY The Student Center, Columbia College Chicago, 754 South Wabash Avenue – 4th Floor – Room 430 △ Committee on Diversity Practices Meeting 8:00 AM –10:00 AM WEDNESDAY The Student Center, Columbia College Chicago, 754 South Wabash Avenue – 3rd Floor – Room 357 △ Committee on Intellectual Property Meeting 8:00 AM –10:00 AM WEDNESDAY The Student Center, Columbia College Chicago, 754 South Wabash Avenue – 3rd Floor – Room 329 △ Museum Committee Meeting 8:00 AM –10:00 AM WEDNESDAY The Student Center, Columbia College Chicago, 754 South Wabash Avenue – 3rd Floor – Room 314 △ Services to Artists Committee Meeting Current as of: 01/28/20 https://collegeart.org/ 1 of 77 108th CAA Annual Conference 8:00 AM –10:00 AM WEDNESDAY Craft will set us free. Artisan labor as decolonial internationalism in the Bienal de La Habana., Paloma The Student Center, Columbia College Chicago, 754 Checa-Gismero South Wabash Avenue – 3rd Floor – Room 358 △ Services to Historians of Visual Arts Committee Decolonizing the Arts and Crafts movement, Imogen Hart, Meeting University of California, Berkeley [Whose Modernism? – can fashion unpick colonial legacies?], 8:00 AM –10:00 AM WEDNESDAY Leopold CJ Kowolik, York University / Sheridan College The Student Center, Columbia College Chicago, 754 South Wabash Avenue – 4th Floor – Room 429 8:30 AM –10:00 AM WEDNESDAY △ Students and Emerging Professionals Hilton Chicago – Lobby Level – Continental C Committee Meeting Expanding Dialogues of Diaspora: Examining Manifestations of Middle Eastern Art, Architecture 8:30 AM –10:00 AM WEDNESDAY and Patronage in the Americas Hilton Chicago – Lower Level – Salon C-5 Chair: Caroline Olivia Wolf, University of Tennessee at "My Kind of Town": Chicago, Civics, and the Built Chattanooga Environment Discussant: Fernando Luis Martinez Nespral, University of Chairs: Lindsay E.
    [Show full text]