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This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Immigration and Restaurants in Chicago During the Era of Chinese Exclusion, 1893-1933
University of South Carolina Scholar Commons Theses and Dissertations Summer 2019 Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933 Samuel C. King Follow this and additional works at: https://scholarcommons.sc.edu/etd Recommended Citation King, S. C.(2019). Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5418 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933 by Samuel C. King Bachelor of Arts New York University, 2012 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2019 Accepted by: Lauren Sklaroff, Major Professor Mark Smith, Committee Member David S. Shields, Committee Member Erica J. Peters, Committee Member Yulian Wu, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School Abstract The central aim of this project is to describe and explicate the process by which the status of Chinese restaurants in the United States underwent a dramatic and complete reversal in American consumer culture between the 1890s and the 1930s. In pursuit of this aim, this research demonstrates the connection that historically existed between restaurants, race, immigration, and foreign affairs during the Chinese Exclusion era. -
THE ALEXANDRIAN 2020 Volume 9 Issue 1
THE ALEXANDRIAN 2020 Volume 9 Issue 1 The Alexandrian Troy University Department of History and Philosophy & Phi Alpha Theta – Iota Mu In Remembrance of Professor Nathan Alexander Editor Faculty Editor Nola Aycock Karen Ross Faculty Review Board Copy Editor Tim Buckner Lauren Post Aaron Hagler Adam Hoose Nathan Alexander biography by Marty Olliff Alice Rivera Rob Kruckeberg Luke Ritter Templates courtesy of Robin O’Sullivan Zachary Henson David Carlson Jay Valentine Layout Nola Aycock Selection Committee Nola Aycock Front Cover Daniel McCray Hunter Irby Karen Ross i THE ALEXANDRIAN 2020 Volume 9 Issue 1 Alexandrian Submission Guidelines The Alexandrian accepts manuscripts pertaining to the subjects of history and philosophy. Accepted forms include book reviews, historiographic essays, and full-length articles. Format: All submissions should be in Microsoft Word. They should adhere to the Chicago Manual of Style. Please include footnotes instead of endnotes and refrain from using headers. Abstract: Any article submission must include an abstract of no more than 200 words. This is not necessary for submissions of book reviews or essays. Author biography: A short biography of any relevant information should be included for the contributors’ page of the journal. Such information includes your major and class designation, graduation date, research interests, plans after college, hometown, any academic honors of affiliations you deem relevant, etc. Author biographies should be no more than 100 words. Please be sure your name is written as you -
Fall 2015 Uchicago Arts Guide
UCHICAGO ARTS FALL 2015 EVENT & EXHIBITION HIGHLIGHTS IN THIS ISSUE The Renaissance Society Centennial UChicago in the Chicago Architecture Biennial CinéVardaExpo.Agnès Varda in Chicago arts.uchicago.edu BerlinFullPage.pdf 1 8/21/15 12:27 PM 2015 Randy L. and Melvin R. BERLIN FAMILY LECTURES CONTENTS 5 Exhibitions & Visual Arts 42 Youth & Family 12 Five Things You (Probably) Didn’t 44 Arts Map Know About the Renaissance Society 46 Info 17 Film 20 CinéVardaExpo.Agnès Varda in Chicago 23 Design & Architecture Icon Key 25 Literature Chicago Architecture Biennial event 28 Multidisciplinary CinéVardaExpo event C M 31 Music UChicago 125th Anniversary event Y 39 Theater, Dance & Performance UChicago student event CM MY AMITAV GHOSH The University of Chicago is a destination where ON THE COVER CY artists, scholars, students, and audiences converge Daniel Buren, Intersecting Axes: A Work In Situ, installation view, CMY T G D and create. Explore our theaters, performance The Renaissance Society, Apr 10–May 4, 1983 K spaces, museums and galleries, academic | arts.uchicago.edu F, H, P A programs, cultural initiatives, and more. Photo credits: (page 5) Attributed to Wassily Kandinsky, Composition, 1914, oil on canvas, Smart Museum of Art, the University of Chicago, Gift of Dolores and Donn Shapiro in honor of Jory Shapiro, 2012.51.; Jessica Stockholder, detail of Rose’s Inclination, 2015, site-specific installation commissioned by the Smart Museum of Art;page ( 6) William G W Butler Yeats (1865–1939), Poems, London: published by T. Fisher Unwin; Boston: Copeland and Day, 1895, promised Gift of Deborah Wachs Barnes, Sharon Wachs Hirsch, Judith Pieprz, and Joel Wachs, AB’92; Justin Kern, Harper Memorial Reading Room, 2015, photo courtesy the artist; page( 7) Gate of Xerxes, Guardian Man-Bulls of the eastern doorway, from Erich F. -
Folklife Today September 2019: Chicago Ethnic Arts Project
Folklife Today September 2019: Chicago Ethnic Arts Project Announcer: From the Library of Congress in Washington DC John Fenn: Welcome to the Folklife Today podcast. I’m John Fenn, and I’m here with my colleague Stephen Winick. Steve Winick: Hello! John Fenn: We’re both folklorists at the American Folklife Center here at the Library of Congress. I’m the head of Research and Programs, and Steve is the Center’s writer and editor, as well as the creator of the Folklife Today blog. Steve Winick: And today, we’re joined by several guests from the AFC to talk about an online collection of ours, the Chicago Ethnic Arts Project collection. This was the first of AFC's historic field projects, and the collection was digitized and then made available on the Library of Congress’s website just about two years ago. And a lot has been going on with it since, so, we've asked some of our colleagues to help us talk about it. Our first guest is our coordinator of Processing, Ann Hoog. Hi Ann! Ann Hoog: Hello! John Fenn: Ann, you know the collection quite well since you were involved in getting it ready for public online access. Where do we start? Ann Hoog: Well, let me first say that I do know it fairly well, but it is such an immense resource that I am still learning new things about it! But a good place to start is with the type of collection that it is – meaning, how it came to be. As you can tell by its name, the Chicago Ethnic Arts Project collection, represents materials from a cultural research and documentation project, or survey, that was undertaken in 1977. -
2021 Cityarts Grantees
2021 CITYARTS GRANTEES 2nd Story Chicago Jazz Philharmonic 3Arts, Inc. Chicago Kids Company 6018North Chicago Maritime Arts Center A.B.L.E. - Artists Breaking Limits & Expectations Chicago Media Project a.pe.ri.od.ic Chicago Public Art Group About Face Theatre Collective Chicago Shakespeare Theater Access Contemporary Music Chicago Sinfonietta Africa International House USA Chicago Tap Theatre Aguijon Theater Company Chicago West Community Music Center American Indian Center Chicago Youth Shakespeare Apparel Industry Board, Inc. Cinema/Chicago Art on Sedgwick Clinard Dance Arts Alliance Illinois Collaboraction Theatre Company Arts & Business Council of Chicago Collaborative Arts Institute of Chicago Arts of Life, Inc. Community Film Workshop of Chicago Asian Improv aRts: Midwest Community Television Network Avalanche Theatre Constellation Men's Ensemble Balzekas Museum of Lithuanian Culture Contextos Beverly Arts Center Court Theatre Beyond This Point Performing Arts Association Crossing Borders Music Black Alphabet Dance in the Parks, NFP Black Ensemble Theatre DanceWorks Chicago Black Lunch Table D-Composed Gives Cedille Chicago, NFP Definition Theatre Company Cerqua Rivera Dance Theatre Design Museum of Chicago Changing Worlds Erasing the Distance Chicago a cappella Fifth House Ensemble Chicago Architecture Foundation Filament Theatre Ensemble Chicago Art Department Forward Momentum Chicago Chicago Arts and Music Project Free Lunch Academy Chicago Arts Partnerships in Education Free Spirit Media Chicago Balinese Gamelan Free Street Theater Chicago Blues Revival FreshLens Chicago Chicago Cabaret Professionals Fulcrum Point New Music Project Chicago Childrens Choir Garfield Park Conservatory Alliance Chicago Composers Orchestra Global Girls Inc. Chicago Dance Crash Goodman Theatre Chicago Dancemakers Forum Guild Literary Complex Chicago Filmmakers Gus Giordano's Jazz Dance Chicago, Inc. -
City of Art“: Evaluating Singapore's Vision Of
CREATING A “CITY OF ART”: EVALUATING SINGAPORE’S VISION OF BECOMING A RENAISSANCE CITY by LEE, Wai Kin Bachelor of Arts (Honors) Geography National University of Singapore, 2000 Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE IN URBAN STUDIES AND PLANNING at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2003 © 2003 LEE, Wai Kin. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author:________________________________________________ Department of Urban Studies and Planning August 19, 2003 Certified by:_______________________________________________________ J. Mark Schuster Professor of Urban Cultural Policy Thesis Supervisor Accepted by:______________________________________________________ Dennis Frenchman Chair, Master in City Planning Committee Department of Urban Studies and Planning CREATING A “CITY OF ART”: EVALUATING SINGAPORE’S VISION OF BECOMING A RENAISSANCE CITY by LEE, Wai Kin Submitted to the Department of Urban Studies and Planning on August 19, 2003 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Urban Studies and Planning ABSTRACT The arts have been used by many cities as a way to regenerate their urban environments and rejuvenate their economies. In this thesis, I examine an approach in which city-wide efforts are undertaken to create a “city of art”’. Such attempts endeavor to infuse the entire city, not just specific districts, with arts and cultural activities and to develop a strong artistic inclination among its residents. Singapore’s recent plan to transform itself into a “Renaissance City” is an example of such an attempt to create a “city of art”. -
Songfest 2008 Book of Words
A Book of Words Created and edited by David TriPPett SongFest 2008 A Book of Words The SongFest Book of Words , a visionary Project of Graham Johnson, will be inaugurated by SongFest in 2008. The Book will be both a handy resource for all those attending the master classes as well as a handsome memento of the summer's work. The texts of the songs Performed in classes and concerts, including those in English, will be Printed in the Book . Translations will be Provided for those not in English. Thumbnail sketches of Poets and translations for the Echoes of Musto in Lieder, Mélodie and English Song classes, comPiled and written by David TriPPett will enhance the Book . With this anthology of Poems, ParticiPants can gain so much more in listening to their colleagues and sharing mutually in the insights and interPretative ideas of the grouP. There will be no need for either ParticiPating singers or members of the audience to remain uninformed concerning what the songs are about. All attendees of the classes and concerts will have a significantly greater educational and musical exPerience by having word-by-word details of the texts at their fingertiPs. It is an exciting Project to begin building a comPrehensive database of SongFest song texts. SPecific rePertoire to be included will be chosen by Graham Johnson together with other faculty, and with regard to choices by the Performing fellows of SongFest 2008. All 2008 Performers’ names will be included in the Book . SongFest Book of Words devised by Graham Johnson Poet biograPhies by David TriPPett Programs researched and edited by John Steele Ritter SongFest 2008 Table of Contents Songfest 2008 Concerts . -
Ideas Without Words Collage
Design Museum of Chicago 1917 N Elston Ave designchicago.org Chicago, Illinois 60642 1219 Great Ideas Poster Design Project Using collage and drawing techniques, create a poster that is inspired by a quote and represents what you value most about your community. Communicate your quote without words. Educational Goals • Build visual communication skills • Explain art and design work verbally to others • Grow understanding of composition • Apply limitations in a design project Materials list • Paper (multiple colors or single color will also work) • Stencil shapes (see last page of this PDF for printable shapes) • Highlighters/pencils/markers/crayons/pens • Scissors • Glue Design Museum of Chicago 1917 N Elston Ave designchicago.org Chicago, Illinois 60642 1219 — Phase 1: Collage Choose a quote. We've provided a few below, or choose your own favorite quote. You’ll be making a post- er that communicates your quote with shapes and lines only. Making a poster is like writing a story or speech. Before you start, answer these questions: · What is the message I want people to understand about the quote I selected when they look at my poster? · What will I show so they see what I mean? · How can I communicate without words? Keeping the answers to these questions in mind, create a collage that is inspired by the quote you chose. We've provided some shapes to get started, or you can make your own. Make as many versions of this as you please — there are no wrong answers or mistakes! — Phase 2: Drawing Next, you're going to create a continuous line drawing. -
2014 Budget Overview
City of Chicago 2014 Budget Overview Mayor Rahm Emanuel The Government Finance Officers Association of the United States and Canada (GFOA) presented a Distinguished Budget Presentation Award to City of Chicago, Illinois for their Annual Budget beginning January 1, 2013. In order to receive this award, a governmental unit must publish a budget document that meets program criteria as a policy document, as an operations guide, as a financial plan, and as a communications device. 2014 Budget Overview Letter from the Mayor Dear Fellows Chicagoans, When I became Mayor, this City faced a projected deficit of $790 million in 2014. In the last two budgets, we’ve managed to cut that structural deficit in half. We’ve accomplished this by making our government smaller, smarter, and simpler. We’ve coupled necessary reforms with improved services so City government works better. The 2014 proposed budget builds on the solid progress we have made in changing the way Chicago works. We must put our finances in order without adding to the burden that Chicago families face today. That’s why, for the third year in a row, we have balanced the City’s finances without raising property, sales, or gasoline taxes. At the same time, this proposed budget includes continued investments in our children and our neighborhoods, and encourages economic growth. I believe that we all share a vision for Chicago: a city with thriving neighborhoods, a prosperous economy for all, and where people enjoy the same level of safety – no matter where they live. The journey to this shared vision is not an easy one. -
Encyclopedia of African American Music Advisory Board
Encyclopedia of African American Music Advisory Board James Abbington, DMA Associate Professor of Church Music and Worship Candler School of Theology, Emory University William C. Banfield, DMA Professor of Africana Studies, Music, and Society Berklee College of Music Johann Buis, DA Associate Professor of Music History Wheaton College Eileen M. Hayes, PhD Associate Professor of Ethnomusicology College of Music, University of North Texas Cheryl L. Keyes, PhD Professor of Ethnomusicology University of California, Los Angeles Portia K. Maultsby, PhD Professor of Folklore and Ethnomusicology Director of the Archives of African American Music and Culture Indiana University, Bloomington Ingrid Monson, PhD Quincy Jones Professor of African American Music Harvard University Guthrie P. Ramsey, Jr., PhD Edmund J. and Louise W. Kahn Term Professor of Music University of Pennsylvania Encyclopedia of African American Music Volume 1: A–G Emmett G. Price III, Executive Editor Tammy L. Kernodle and Horace J. Maxile, Jr., Associate Editors Copyright 2011 by Emmett G. Price III, Tammy L. Kernodle, and Horace J. Maxile, Jr. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Encyclopedia of African American music / Emmett G. Price III, executive editor ; Tammy L. Kernodle and Horace J. Maxile, Jr., associate editors. p. cm. Includes bibliographical references and index. ISBN 978-0-313-34199-1 (set hard copy : alk.