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12 AUGUST 2017 “For There Is Nothing Either Good Or Bad, but Thinking Makes It So.“ Hamlet, Act II, Scene 2
29 JUNE – 12 AUGUST 2017 “For there is nothing either good or bad, but thinking makes it so.“ Hamlet, Act II, Scene 2. Ramsey Island, Dargonwater. Friday. June. DIRECTOR ASSISTANT DIRECTOR MARK KILMURRY SHAUN RENNIE CAST CREW ROY DESIGNER ANDREW HANSEN HUGH O’CONNOR NEVILLE LIGHTING DESIGNER DAVID LYNCH BENJAMIN BROCKMAN ANGUS SOUND DESIGNER DARYL WALLIS CRAIG REUCASSEL DRAMATURGY GORDON JANE FITZGERALD CHRIS TAYLOR STAGE MANAGER STEPHANIE LINDWALL WITH SPECIAL THANKS TO: ASSISTANT STAGE MANAGER SLADE BLANCH / DANI IRONSIDE Jacqui Dark as Denise, WARDROBE COORDINATOR Shaun Rennie as DJ Kirk, ALANA CANCERI Vocal Coach Natasha McNamara, MAKEUP Kanen Breen & Kyle Rowling PEGGY CARTER First performed by Stephen Joseph Theatre, Scarborough in May 1992. NEVILLE’S ISLAND @Tim Firth Copyright agent: Alan Brodie Representation Ltd. www.alanbrodie.com RUNNING TIME APPROX 2 HOURS 10 MINUTES INCLUDING INTERVAL 02 9929 0644 • ensemble.com.au TIM FIRTH – PLAYWRIGHT Tim’s recent theatre credits include the musicals: THE GIRLS (West End, Olivier Nomination), THIS IS MY FAMILY (UK Theatre Award Best Musical), OUR HOUSE (West End, Olivier Award Best Musical) and THE FLINT STREET NATIVITY. His plays include NEVILLE’S ISLAND (West End, Olivier Nomination), CALENDAR GIRLS (West End, Olivier Nomination) SIGN OF THE TIMES (West End) and THE SAFARI PARTY. Tim’s film credits include CALENDAR GIRLS, BLACKBALL, KINKY BOOTS and THE WEDDING VIDEO. His work for television includes MONEY FOR NOTHING (Writer’s Guild Award), THE ROTTENTROLLS (BAFTA Award), CRUISE OF THE GODS, THE FLINT STREET NATIVITY and PRESTON FRONT (Writer’s Guild “For there is nothing either good or bad, but thinking makes it so.“ Award; British Comedy Award, RTS Award, BAFTA nomination). -
Julian Morrow
Julian Morrow Co-founder of The Chaser; Entertaining MC and speaker Julian Morrow is a comedian and television producer and is best known for being a member of the satirical team The Chaser. Julian has made a career of public nuisance in various forms, co-founding satirical media empire The Chaser and joke company Giant Dwarf, as well as making TV shows including The Election Chaser, CNNNN, The Chaser’s War on Everything, The Hamster Wheel and The Checkout. His work has been nominated, unsuccessfully, for many awards, and prosecuted successfully in many courts. More about Julian Morrow: In recent years, he was taken to claiming credit for the work of others as Executive Producer of Lawrence Leung’s series Choose Your Own Adventure and Unbelievable, Eliza and Hannah Reilly’s Growing Up Gracefully and Sarah Scheller & Alison Bell’s The Letdown (which on the 2018 AACTA Award for Best TV Comedy). In 2012 and 2013 he lowered standards at ABC Radio National as host of Friday Drive, a program which led to huge career opportunities for its Monday-Thursday host, Waleed Aly. In 2015, Julian founded Giant Dwarf theatre at 199 Cleveland Street Redfern, a venue which has been described as “absolutely hilarious” by his accountant. Over the years, Julian has interviewed countless people whose cache he tries to cash in on in his CV including Edward Snowden, Christopher Hitchens, Sting, Nobel Peace Prize winner Leymah Gbowee, Marc Newsome and the curator of TED Chris Anderson. Due to the unavailability of several respected media commentators, in 2009 Julian was invited to give the Andrew Olle Media Lecture, an honour he later demeaned by creating The Annual Inaugural Chaser Lecture. -
Commercial Radio Australia
MEDIA RELEASE 22 September 2016 Chris Taylor and Andrew Hansen to host the 28th annual Australian Commercial Radio Awards Chris Taylor and Andrew Hansen, best known as members of the comedy group The Chaser, will host the 28th annual Australian Commercial Radio Awards (ACRAs) in Melbourne. Chris and Andrew were part of the full Chaser team that made their radio debut on Triple M (2003) with The Friday Chaser. They have worked on radio throughout their careers and in 2015 toured their live show, a parody of celebrity Q&As entitled In Conversation with Lionel Corn. Chris is currently a regular co-host of the Merrick & Australia national drive show on Triple M and presenter of the We Was Robbed, alongside HG Nelson on Kinderling Kids Radio on DAB+ digital radio. Writers, producers and stars of the TV shows Media Circus (2014-15), The Hamster Wheel (2011- 2013), Yes We Canberra! (2010), The Chaser’s War On Everything (2006-9), The Chaser Decides (2004, 2007), CNNNN (2002-3) and The Election Chaser (2001). Their shows won two AFI awards and two Logies. The ACRAs recognise excellence in radio broadcasting across news, talk, sport, music and entertainment. Commercial Radio Australia chief executive officer, Joan Warner said: “The ACRAs are the highlight of the year for the radio industry and we look forward to Chris and Andrew hosting the awards this year in Melbourne.” Radio announcers joining Chris and Andrew on stage to present awards will include: Hamish & Andy – Hit Network (Hamish Blake & Andy Lee) Jonesy & Amanda – WSFM (Brendan Jones & Amanda Keller) Kate, Tim & Marty – Nova Network (Kate Ritchie, Tim Blackwell & Marty Sheargold) Neil Mitchell – 3AW Rove & Sam – 2Day FM (Rove McManus & Sam Frost) Merrick Watts – Triple M, Southern Cross Austereo Jo & Lehmo – Gold 104.3 (Jo Stanley & Anthony Lehmann) Mike E & Emma – The Edge (Michael Etheridge & Emma Chow) The list of ACRA finalists is available here. -
Andrew Hansen
Andrew Hansen Comedian, musician, MC and The Chaser star Andrew Hansen is a comedian, pianist, guitarist, composer and vocalist as well as a writer and performer who is best known as a member of the Australian satirical team on ABC TV’s The Chaser. Andrew is very versatile on the corporate stage too. He can MC an event, give a custom-written comedy presentation or even compose and perform a song if inspired to do so. Andrew’s radio work includes shows on Triple M as well as composing and starring in the musical comedy series and ARIA Award winning album The Blow Parade (triple j, 2010). The Chaser’s TV shows include Media Circus (2014-15), The Hamster Wheel (2011-2013), Yes We Canberra! (2010), The Chaser’s War On Everything (2006-9), The Chaser Decides (2004, 2007) and CNNNN (2002-3). On the Seven network, Andrew produced The Unbelievable Truth (2012). He has also appeared as a guest on most Australian TV shows that have guests. In print he wrote for the humorous fortnightly newspaper The Chaser (1999-2005), eleven Chaser Annuals (Text Publishing, 2000-10), and for the recently launched Chaser Quarterly (2015). On stage Andrew composed and starred in the musical Dead Caesar (Sydney Theatre Company), did two national tours with The Chaser, and two live collaborations with Chris Taylor (One Man Show, 2014 and In Conversation with Lionel Corn, 2015). The Chaser team also runs a cool theatre in Sydney called Giant Dwarf. Andrew composed all The Chaser’s songs as well as the theme music for Media Circus and The Chaser’s War On Everything. -
Thursday & Friday, 29 & 30 November 2018
South Australian Local Government Financial Management Group WORKSHOP AND CONFERENCE THE Thursday & Friday, 29 & 30 November 2018 Adelaide Oval War Memorial Drive, North Adelaide Keynote Speaker: Craig Reucassel Register online at www.salgfmg.com.au The Labyrinth 10:45am LTFPs and AMPs - What You Can Achieve When Engineers and Accountants Manage to Communicate 9:30am Registrations Presenters: 9:50am Introduction Corinne Garrett, Manager Government Consulting, UHY Haines Norton MC: Lisa McAskill Ashay Prabhu, Co-Founder, Director, Assetic 10:00am Welcome Description: President: Kate George, SA Local Government This session will discuss Asset Management Plans Financial Management Group and Long Term Financial Plans and how to make the LTFP a ‘live’ document that helps with decision making. Councils can save considerable amounts of money 10:05am Long Term Financial Plan compared to their previous projections by defining their Model Update & Demonstration AMP and LTFP. Council case studies will be included. Presenter: 11:25am Morning Tea Kate George, President, SALGFMG Manuel Schuldt, Manager, LG Solutions 11:55am Panel Session - Description: Model Financial Statements The SALGFMG has been working together with our Facilitator: Gold Sponsor LG Solutions to develop a new LTFP for SA Councils, which has been made possible through Lisa McAskill, MC LGR&DS funding from the LGA. The model is termed ‘LTFP Lite’, and combines the best elements of the Panelists: current LG Solutions ‘LTFP Max’ model with a desire Tim Muhlhausler, Partner, Galpins to keep things simple. The model provides flexibility Andrew Tickle, Director Audit, BDO at each income and expenditure category, allows Samantha Creten, Partner, Dean Newbery & Partners global and discrete level indexations, enables new initiatives to be detailed with financial results if they Description: are included, and even converts cash deficits to a This session will provide an opportunity to provide Cash Advance Debentures and calculates interest. -
A Study Guide by Katy Marriner
Based on the television series Randling, produced by Zapruder’s other films and the ABC © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-171-3 http://www.theeducationshop.com.au randle. n. A nonsensical poem recited by Irish schoolboys as an apology for farting at a friend. Randling – created for ABC1 by Andrew Denton and Jon Casimir, the creators of The Gruen Transfer – is a game show about words. The game show pits ten teams, with two players a side, against each other over twenty-seven rounds of fiery and fierce word play. Each team is vying for a place in the 2012 Randling Grand Final and the chance to take home the Randling premiership trophy. Designed to enlighten, educate and amuse viewers, Randling is the only game show that comes with a guarantee that every episode will leave you at least 1 per cent smarter and 100 per cent happier. Learn more about Randling, the randlers and how to randle online at <http://www.abc.net.au/tv/randling/>. How to make an English lesson funner-er. One of the stated aims of The understanding and skills within the LEARNING OUTCOMES Australian Curriculum: English is to strand of Language and within this ensure that students appreciate, enjoy strand to examine the substrands Students learn that language is and use the English language in all its of: language variation and change; constantly evolving due to historical, variations and develop a sense of its language for interaction; expressing social and cultural changes, richness and power to evoke feelings, and developing ideas; and sound and demographic movements and technological innovations; convey information, form ideas, facili- letter knowledge. -
USYD and Animal I’D Been Over There for Half a Year
l week twelve semester one YOU 2013 ARE HERE honi soit honi Elections are over! Our streets are safe again pg 4 Woroni and the censorship of student media Pg 7 Tamam Shud: Australia’s unsolvable mystery pg 9 An interview with Julian Assange pg 11 DISCONTENTS The life of Honi to come At the end of March, I came back Nazis, the Dalai Lama, Courtney Love, from the static of mainstream media. HONI NEWS from Europe to edit a newspaper. missiles, homelessness, grief. The expe- But what Honi does, it does well. It gives 6. USYD and animal I’d been over there for half a year. I rience of adult ADHD, the politics of students the voice that other publica- missed a flight in Dubai, from London, cross-dressing, the ethics of charity, the tions can’t or won’t provide. It gives us a testing by five minutes, so I had to sleep in the sad passivity of our generation. We’ve platform for trenchant discourse, story- Georgia Behrens food-court. Because there were no di- received, for our work, some valid criti- telling, art, and sentiment. It’s an oppor- 8. Yoga and depression rect flights, I had to go through Perth. I cism and some humbling praise. tunity for us to say what we like before Tamasin Young got an apologetic drink voucher at Perth I like to think that, as an editorial team, we start waking up to severe jobs and International, and a 5am flight home. It we strive to create something salient and baffling calendars. -
ABC Annual Report 2013 Part 2
Margaret – by ABC Open producer Suzannah Lyons, South Coast, Western Australia. As an audience- focussed media organisation, the ABC is constantly evolving, remaking itself to ensure the benefits of digital media are freely available to all Australians. FOR ALL OF US FOR ALL 2 Audience trends Radio Television News Online International audiences ABC Commercial AUDIENCE EXPERIENCES 25 EXPERIENCES AUDIENCE million % RADIO 22.9 Total downloads of 85Percentage of Australians Radio National programs who believe the ABC plays a valuable role 51 Number of 1.5 million RN programs Number of votes % available by 73 received for the triple j Combined national podcast Hottest 100 audience reach across television, radio and online TELEVISION 1.9 million Audience for the highest million rating Australian program on 19 3 million ABC1—The Dr Blake Mysteries Number of times Peppa Pig Streams of ABC News 24 via the was played on iview ABC News 24 website 32% Metropolitan free-to-air 1.1 million share of the most popular 71% Average audience Australian program on ABC1 Percentage of for Four Corners —The Dr Blake Mysteries NEWS people who watched Peppa Pig on iview using an 1.5 million 5.3 million iOs device Audience for the highest rating Average monthly iview plays Four Corners episode in 2012–13 (“The World According to Lance”) ONLINE 1.0 5 million Average number of domestic and international Number of ABC for Kids visitors each week to ABC Online DVDs purchased COMMERCIAL 13,902 Number that were 4.6 million purchased online 26 AUDIENCE EXPERIENCES Audience trends 2 The ABC measures THE ABC’S COMBINED national audience reach across television, radio and online was estimated to community perceptions be 73% in 2013. -
Ja Ck O F H E a R
David Williamson’s JACK OF HEARTS 29 JANUARY – 2 APRIL 2016 David Williamson’s JACK OF HEARTS PLAYWRIGHT AND DIRECTOR DAVID WILLIAMSON ASSISTANT DIRECTOR SUSANNA DOWLING CREW CAST DESIGNER EMMA ANNA GARDINER PAIGE GARDINER LIGHTING DESIGNER CARL MATTHEW MARSHALL PETER MOCHRIE SOUND DESIGNER KELLI ALISTAIR WALLACE CHRISTA NICOLA STAGE MANAGER STU DANI IRONSIDE CRAIG REUCASSEL WARDROBE COORDINATOR DENYS ALANA CANCERI BROOKE SATCHWELL ASSISTANT STAGE MANAGER (Secondment) NIKKI ERIN SHAW ISABELLA TANNOCK MAKEUP JACK PEGGY CARTER CHRIS TAYLOR RUNNING TIME: 2 HOURS 30 MINUTES INCLUDING INTERVAL DAVID WILLIAMSON – PLAYWRIGHT / DIRECTOR David Williamson has been and Washington (THE CLUB in 1979 and RUPERT in Australia’s best known and most 2013 at the Kennedy Center). UP FOR GRABS went widely performed playwright for on to a West End production starring Madonna in over forty years. His more than the lead role. David’s screen adaptations of his own fifty produced plays include THE REMOVALISTS, plays include THE REMOVALISTS, DON’S PARTY, DON’S PARTY, THE CLUB, TRAVELLING NORTH, THE CLUB, TRAVELLING NORTH, EMERALD CITY, THE PERFECTIONIST, SONS OF CAIN, EMERALD along with his original screenplays for feature films CITY, MONEY AND FRIENDS, BRILLIANT LIES, including LIBIDO, PETERSEN, GALLIPOLI, PHAR LAP, DEAD WHITE MALES, AFTER THE BALL, THE JACK THE YEAR OF LIVING DANGEROUSLY, and BALIBO MANNING TRILOGY, THE GREAT MAN, UP FOR (as co-writer) and for television he adapted ON THE GRABS, SOULMATES, SCARLETT O’HARA AT THE BEACH. David’s many awards include 12 Australian CRIMSON PARROT, NOTHING PERSONAL, WHEN Writers’ Guild Awards, 5 Australian Film Institutes’ DAD MARRIED FURY, MANAGING CARMEN, RUPERT, Award for Best Screenplay and, in 1996, the United CRUISE CONTROL and most recently DREAM Nations Association of Australia Media Peace Award. -
Playful Politicians and Serious Satirists
This article was downloaded by: [115.187.238.16] On: 26 April 2015, At: 08:19 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Comedy Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rcos20 Playful politicians and serious satirists: comedic and earnest interplay in Australian political discourse Rebecca Higgiea a Department of Communication and Cultural Studies, Curtin University, Western Australia Published online: 09 Apr 2015. Click for updates To cite this article: Rebecca Higgie (2015): Playful politicians and serious satirists: comedic and earnest interplay in Australian political discourse, Comedy Studies, DOI: 10.1080/2040610X.2015.1026077 To link to this article: http://dx.doi.org/10.1080/2040610X.2015.1026077 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Speaking Truth: the Play of Politics and Australian Satire
School of Media, Culture and Creative Arts Department of Communication and Cultural Studies Speaking Truth: The Play of Politics and Australian Satire Rebecca Louise Higgie This thesis is presented for the Degree of Doctor of Philosophy of Curtin University October 2013 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signature: …………………………………………. Date: ………………………... Abstract This thesis examines the contemporary interplay between satire and politics, focusing on texts that envisage and engage with politics in unconventional and often mischievous ways. There is a long tradition of scholarship concerned with issues such as satire’s ability to promote subversion, awareness, apathy or even cynicism; the potential, or lack thereof, of satire to influence any change in political or journalistic discourse; and the relationship between satire and “truth,” particularly in satire’s capacity to “speak truth to power.” My research expands on this tradition, asking, how does televisual and online political satire contribute to shifting political discourses? Focusing primarily on the under-researched relationship between satire and Australian politics, this question is considered through textual and discursive analysis. Firstly, I examine the difference between cynicism and its ancient counterpart kynicism in order to illustrate how different types of satire approach the idea of truth and truth-telling. I then explore how the larrikin, the carnivalesque and a cultural “distaste for taste” play an important role in the way satirists are given legitimacy to speak on political issues in Australia. -
Lost in the System the University Is Far from Adept at Dealing with Students’ Mental Feature Health, Findsnatalie Czapski
Week 9, Semester 1, 2014 HONI SOIT QUI MAL Y PENSE Deregulating Pot USU p.4-5 university p.6 Politics p.12 Elections Lost in the system The University is far from adept at dealing with students’ mental FEATURE health, findsNatalie Czapski “It’s hard to come to grips with university when she began Ultimately, she deferred that an assignment, I had to go to the fact that depression isn’t struggling with poor mental semester, and transferred from three different places [with] necessarily related to your health.“Arriving at university her Agricultural Economics degree a medical certificate.” life conditions. Sometimes it’s in the morning,” she tells me, “I into the Education Faculty. Now inexplicable - you don’t necessarily would get panic attacks … I was in her fourth year of her new She felt deeply uncomfortable with have to have experienced crying all the time, sometimes I degree, Maddison is a much better the bureaucratic, dehumanised something terrible to have would start crying in my lectures.” place, but still vividly recalls her nature of her interactions with depression. When I first started struggles from several years ago. the university. feeling depressed I kept thinking She sought professional help, and, ‘Just snap out of it, what do you when her panic attacks continued, She believes that University “You never actually deal with any have to depressed about, you have she asked for medication. bureaucracy exacerbated her person face to face, you just hand everything you could want’.” mental health condition. in a form.” “The anxiety I was experiencing *** was so debilitating that I really “Organising special consideration needed to take something just to was stressful in itself for me.