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The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
Public Speaking Project by Various Authors Is Licensed Under a Creative Commons Attribution- Noncommercialnoderivs 3.0 Unported License
Fundamentals of Public Speaking Version 1 Spring 2017 College of the Canyons Unless otherwise noted, content in this book is licensed under the Creative Commons Attribution - N onCommercial -NoDerivs 3.0 Unported License. Attributions The Public Speaking Project by Various Authors is licensed under a Creative Commons Attribution- NonCommercialNoDerivs 3.0 Unported License. Saylor.org – Comm101: Public Speaking is licensed under a Creative Commons Attribution License. Reviewed and Edited By Tammera Stokes Rice Special Thank You to Natalie Miller and Victoria Leonard This Material is a College of the Canyons Open Educational Resource (OER). To find out more about Open Educational Resources at College of the Canyons please visit: www.canyons.edu/OER or email [email protected]. 2 | F u n d a m e n t a l s o f P u b l i c S p e a k i n g - C o l l e g e o f t h e C a n y o n s Contents Welcome To Public Speaking .................................................................................... 4 Chapter 1: Introduction To Public Speaking .......................................................... 3 Chapter 2: Ethics .......................................................................................................... 27 Chapter 3: Speaking With Confidence ................................................................ 54 Chapter 4: Listening Effectively ............................................................................... 73 Chapter 5: Audience Analysis ................................................................................ -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
Reference Manual
REFERENCE MANUAL BERNINA Quilter COPYRIGHT 1997-2016 BY WILCOM PTY LTD, WILCOM INTERNATIONAL PTY LTD. ALL RIGHTS RESERVED. No parts of this publication or the accompanying software may be copied or distributed, transmitted, transcribed, stored in a retrieval system or translated into any human or computer language, in any form or by any means, electronic, mechanical, magnetic, manual, or otherwise, or disclosed to any third party without the express written permission of: Wilcom Pty Ltd. (A.B.N. 62 062 621 943) Level 3, 1-9 Glebe Point Rd, Glebe Sydney, New South Wales, 2037, Australia PO Box 1094 Broadway NSW 2007 Phone: +61 2 9578 5100 Fax: +61 2 9578 5108 Web: http://www.wilcom.com © 2016 Corel Corporation. All rights reserved. CorelDRAW® Essentials X6 is provided under an enclosed license agreement that defines what you may do with the product and contains limitations on warranties and your remedies. © Copyright 1997-2016 Wilcom Pty. Ltd., Sydney Australia. All rights reserved. Portions of the imaging technology of this product are copyrighted by AccuSoft Corporation. Some portions of this program are copyright Codejock Software © 2006. All rights reserved. NOTE The screen illustrations in this publication are intended to be representations, not exact duplicates of the screen layouts generated by the software. PRINTED USER MANUAL Registered owners of BERNINA® Embroidery Software are permitted to create one (1) copy of the BERNINA® Embroidery Software Reference Manual for their personal use. This can be printed with a personal printer or through a commercial printing company. LIMITED WARRANTY BERNINA International AG warrants for a period of 90 days, commencing from the date of delivery of the software to you, that the products are free from defects in materials and workmanship. -
The New in Music
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1929 The new in music Alma Lowry Williams University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Music Commons Recommended Citation Williams, Alma Lowry. (1929). The new in music. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/887 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. i ·THE NEW IN r.ms I C A Thesis Presented to the Department of Music College of the Pacific In partial fulfillment of the Requirements• for the Degree of !Ja~-~~r of Music By Alma Lowry Viilliams I {I June 1, 1929 !,' Approved and accepted, June, 1929. i f ; ' \ ,,________ _ Dean of the Conservatory, College ot the Pacific. Librarian, College of the Pacific. Gratefully inscribed and dedicated To r:y MOTHJ~R ~:ihoae enduring love has encompassed me with a golden circle of understanding, whose faith has strengthened me and inspired me to labor and to achieve • .. _/ 0 '-' ;~· iii CONTm:TS Chapter Page Int ro duct ion I. The Nature and Es sene e of Huai c •••., , •• , •••••••••••••••••••• , 1 1-Definitions, a-physical phenomena •••••••••••••••••••••••••••••• 2 b-psycho-physical react.ions ••••••••••••••••••••••• -
Osteopathy, A. T. Still (1828–1917), His Acolytes and Patients,” Presented by Matthew A
MAKING THE FRONTIER’S ANATOMICAL ENGINEERS: OSTEOPATHY, A. T. STILL (1828–1917), HIS ACOLYTES AND PATIENTS A DISSERTATION IN History and Humanities Consortium Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY By MATTHEW ARTHUR REEVES B. A., Central Methodist University, 2008 M. A., University of Missouri-Kansas City, 2014 Kansas City, Missouri 2020 © 2020 MATTHEW ARTHUR REEVES ALL RIGHTS RESERVED MAKING THE FRONTIER’S ANATOMICAL ENGINEERS: OSTEOPATHY, A. T. STILL (1828–1917), HIS ACOLYTES AND PATIENTS Matthew Arthur Reeves, Candidate for the Degree Doctor of Philosophy University of Missouri-Kansas City, 2020 ABSTRACT This project seeks to understand osteopathy as patients, students, and doctors did during the late nineteenth century. A. T. Still’s osteopathic medical theories proclaimed manual therapeutics to treat disease. Still’s explanation for illness drew heavily on his learnings from the natural world, which he captured in his autobiography. These were teachings from a distant but divine creator who made man a “a perfect machine, that was made and put in running order, according to God's judgment.” Still imbued osteopathy with a humility and simplicity that invited patients to understand and evaluate their treatments as active participants. The first students at Still’s American School of Osteopathy profoundly shaped the discipline. Founded in 1892 in Kirksville, Missouri, the school saw massive growth during the period from 1892 to 1898. Using student ledger books, I analyze the first students to iii determine who became osteopaths. Many of these students came to osteopathy as a second career, after having worked as farmers or teachers, and most of them would not have sought training nor been accepted into a traditional medical school. -
What's Inside?
PROJECT QUILTING What’s Inside? Page 18 • BERNINA® News • My Grandma’s Quilt - An Interview with Alex Anderson • Quality Quilts • Quilters Love BERNINA® Loves Quilters • Wearable Edges • My Favorite Quilting Notions • Featured Foot: Patchwork Foot #37 • The Intelligent Cat’s Guide to the Care & Feeding of a Quilting Companion • Floral Delights Desk Calendar Cover • Sawtooth Star Quilt • Machine Quilting Pointers • Labels, Labels, Labels SPECIAL • Designing with the BERNINA® Quilter EDITION: • To Steam or Not to Steam? Keep Quilting Ironing for Quilters with Alex Anderson The power to follow your inspiration. Quilt by Alex Anderson Visit your Bernina Dealer and experience the new lightweight and powerful activa machines. Introducing the new activa 145S and 135S Patchwork Edition. Both are lightweight for easy portability and power-packed to penetrate the heaviest of fabrics. With the attachable accessory case, all of your sewing tools can easily follow you to kitchen to class to garden—wherever your inspiration blooms. Starting at just $999.* No one supports the creative sewer like a Bernina Dealer • www.berninausa.com *At participating dealers • ©2003 Bernina of America ISSUE 9 My Grandma’s Quilt, Page 4 The Intelligent Cat’s Guide, Page 14 Labels, Labels, Labels, Page 24 WHO WE ARE... WEARABLE EDGES SAWTOOTH STAR QUILT Meet the talented staff and stitchers who Get the ins and outs and ups and downs of Great for the confident beginner, the contribute tips, project ideas, and stories to binding a quilted garment. Sawtooth Star is one of Alex Anderson’s Through the Needle. Page 10 favorite blocks so she used it when Page 2 designing this project to keep you quilting. -
The Government Machine a Revolutionary History of the Computer
The Government Machine History of Computing I. Bernard Cohen and William Aspray, editors Jon Agar, The Government Machine: A Revolutionary History of the Computer William Aspray, John von Neumann and the Origins of Modern Computing Charles J. Bashe, Lyle R. Johnson, John H. Palmer, and Emerson W. Pugh, IBM’s Early Computers Martin Campbell-Kelly, From Airline Reservations to Sonic the Hedgehog: A History of the Software Industry Paul E. Ceruzzi, A History of Modern Computing I. Bernard Cohen, Howard Aiken: Portrait of a Computer Pioneer I. Bernard Cohen and Gregory W. Welch, editors, Makin’ Numbers: Howard Aiken and the Computer John Hendry, Innovating for Failure: Government Policy and the Early British Computer Industry Michael Lindgren, Glory and Failure: The Difference Engines of Johann Müller, Charles Babbage, and Georg and Edvard Scheutz David E. Lundstrom, A Few Good Men from Univac René Moreau, The Computer Comes of Age: The People, the Hardware, and the Software Emerson W. Pugh, Building IBM: Shaping an Industry and Its Technology Emerson W. Pugh, Memories That Shaped an Industry Emerson W. Pugh, Lyle R. Johnson, and John H. Palmer, IBM’s 360 and Early 370 Systems Kent C. Redmond and Thomas M. Smith, From Whirlwind to MITRE: The R&D Story of the SAGE Air Defense Computer Raúl Rojas and Ulf Hashagen, editors, The First Computers—History and Architectures Dorothy Stein, Ada: A Life and a Legacy John N. Vardalas, The Computer Revolution in Canada: Building National Technological Competence Maurice V. Wilkes, Memoirs of a Computer Pioneer The Government Machine A Revolutionary History of the Computer Jon Agar The MIT Press Cambridge, Massachusetts London, England © 2003 Massachusetts Institute of Technology All rights reserved. -
Les Nouveautés Musique (Pdf)
LO GRIYO MUS MUSIQUES DU MONDE Mogador 011.2 Lo Griyo Association LOG Le trio réunionnais ne laisse jamais trop longtemps l'eau Afrique couler sous les ponts avant de se remettre à fureter toujours plus loin aux frontières des genres. Si le chapitre premier décrivait la cosmogonie Lo MUS Griyo, le second volet marque l'affirmation de leur AFRICAN HEAD CHARGE identité. Désormais, machines avant toute, Lo Griyo 010.2 Off the beaten track se propulse à l'électro. Le trio surfe les déferlantes de On-U Sound AFR groove, explore les contrées mystiques des maîtres de la poésie gnawa, se laisse glisser doucement sous A l’origine, African Head Charge le souffle d'un soliloque cuivré chuchoté, avant de était un projet de studio, né en jeter l'ancre dans criques apaisées à peine ventées par 1981 de la rencontre entre les le souffle léger d'un zéphyr de kora et puis de talents de percussioniste de repartir portés par les percussives alizées indiennes Bonjo Iyabinghi Noah et vers l'horizon des frontières musicales à repousser. l’inventivité du sorcier des studios qu’est Adrian Sherwood. Ils ont d’abord sorti « My Life in a Hole in the Ground » sur le tout nouvel label On U Sound. Dans le courant des années 80, d’autres albums ont MUS suivi, tous très expérimentaux : « Environmental Ethiopiques 08 : Swinging Addis 013.2 Studies » , « Drastic Season » et le plus accessible (1969-1971) A. « Off the Beaten Track ». Buda ETH Années 60. Il y eut un Swinging Addis comme il y eut un MUS Swinging London : en Ethiopie, Zanmari BARE comme en Europe ou aux USA, 011.2 Mayok flér irruption bruyante et colorée, Cobalt BAR inédite, des premières générations nées après-guerre. -
Catalogo Jazz Para Llevar
[email protected] c/u-04142791332 / 02125242660 Cosmic Trilogy 1597 Guillaume Connesson 1. Aleph (8:44) 7. The Shining One (9:07) 2. Une Lueur dans l'age sombre - I (8:07) 3. Une Lueur dans l'age sombre - II (5:30) 4. Une Lueur dans l'age sombre - III (5:53) 5. Supernova - I (8:28) 6. Supernova - II (6:24) A Nova Cara do Velho Choro - Dois de Ouro 1598 Hamilton de Holanda 1. Fantasias Sobre Te…(4:16) 7. Noites Cariocas (3:52) 13. Os 8 Batutas (2:34) 2. Delicado (3:34) 8. Czardas (4:36) 14. Um a Zero - Brasil… (5:27) 3. Aquarela na Quixa…(4:37) 9. Pedacinhos do Céu (4:52) 4. Sampa (3:50) 10. Tico-Tico no Fubá (2:49) 5. Doce de Coco (4:58) 11. Inesquecível (3:51) 6. Flor de Liz (3:19) 12. Apanhei-te Cavaq… (3:40) Brasilianos 1599 Hamilton de Holanda 1. Pedra da Macumba (3:42) 7. Trenzinho do Caip…(7:29) 13. Hermeto Tá Brinca…(4:54) 2. Brasilianos (4:36) 8. Saudade do Futuro (4:22) 3. Baião Brasil (4:49) 9. Valsa em Si (4:37) 4. Caçuá (5:13) 10. Procissão (3:50) 5. Byte 10 Cordas (6:23) 11. Pra Sempre (4:22) 6. Pra Você Ficar (4:29) 12. Dor Menor (4:52) Brasilianos 2 1600 Hamilton de Holanda 1. Ano Bom (3:51) 7. Tamanduá (7:04) 2. A Vida Tem Dessas Coisas (4:49) 8. Estrela Negra (6:18) 3. Mundo Não Acabou (5:12) 9. -
Norlhrijge Review Spring 2009
NorlhriJge Review Spring 2009 Northridge Review Ackno�ledgements The Northridge Review gratefully acknowledges the Associated Students of CSUN and the English Department faculty and staff (Karin Castillo, Marjie Seagoe, Jennifer Lu, Kavi Bowerman, Karen Perez, Anita Likhliyan, Maeve Curran, and Jessica Benitez) for all their help. Thanks also to Bob Meyer and Color Trend for their continued assistance and support. Awards The Northridge Review Fiction Award, given annually, recognizes excellent fiction by a CSUN student published in the Northridge Review. The Northridge Review will announce the winner of this award in the Fall of 2009. The Rachel Sherwood Award, given annually in the memory of Rachel Sherwood, recognizes excellent poetry by a CSUN student publishedin the Northridge Review. The recipient of this award will be published in the Fall of 2009. The Northridge Review is also honored to publishthe winner of the Academy of American Poets Award. The recipient of thisaward will be acknowledged in the Fall of 2009. Submissions The Northridge Review accepts submissions throughout the year. Manuscripts should be accompanied by a cover page that includes the writer's name, address, email, and telephone number as well as the titles of the works submitted. The writer's name should not appear on the manuscript itself. Manuscripts and allother correspondence should be delivered to: Northridge Review Department of English California State University, Northridge 18111 Nordhoff St. Northridge, CA 91330-8248 *Manuscripts will be recycled Staff -
The Comforter Crosstown Quilters September 2016
The Comforter Crosstown Quilters September 2016 PRESIDENT'S MESSAGE Executive Board Greetings to all the Crosstown members. President – Jane Matthews Vice-President – Janice Smith I hope that you're enjoying the remaining days of Secretary – Susan Riley summer. A friend of mine used to say that as she moved Treasurer – Sharon Ducey through the summer days she'd look for colors and Programs Co-Chairs- Linda Austin & Pam Kinsman images that could be transformed and created into beautiful quilts during the following fall and winter Standing Committees months. Membership – Carol Fisher Sunshine – Joanne Fruzzetti During the past few weeks I had an opportunity to meet with the Crosstown Board and Guild Committees to Hospitality – Coni Wessman discuss and plan this year's agenda. We are truly Block of the Month – Laurie Gozzo fortunate enough to have a wonderful group of women Newsletter – Cyndi Meaney who are looking forward to sharing their thoughts, ideas Charity – Etta Forti & Linda Nicholson and talents with the guild in the coming year and they Website – Laurie Gozzo hope you're ready to have fun and be inspired to learn new things. Members-at-Large- Patty Cross & Shirley MacLeod Ad Hoc Committees I look forward to seeing you in September with the N.E.Q.M. Liaison – Barbara Greland anticipation of renewing old friendships and starting new ones. One of my goals as your president in the next Sale of Batting – Etta Forti two years is to focus on members getting to know their Sale of Muslin – Barbara Greland fellow quilters and that includes me. It is important that Show & Tell – Tracey Mackenzie our new members who joined us for the first time also be Monthly Raffle – Nancy McLain included and allowed to feel welcomed.