DOCSLIB.ORG

Ben Maddow Papers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ben Maddow Papers http://oac.cdlib.org/findaid/ark:/13030/tf8n39p2g3 No online items Guide to the Ben Maddow Papers Processed by the Special Collections & Archives staff; machine-readable finding aid created by Gabriela A. Montoya Special Collections & Archives The UCR Libraries P.O. Box 5900 University of California Riverside, California 92517-5900 Phone: 951-827-3233 Fax: 951-827-4673 Email: [email protected] URL: http://library.ucr.edu/?view=collections/spcol © 1998 The Regents of the University of California. All rights reserved. Guide to the Ben Maddow Papers 113 1 Descriptive Summary Title: Ben Maddow papers Date (inclusive): circa 1950-1990, undated Date (bulk): circa 1950-1990 Collection Number: 113 Creator: Maddow, Ben Extent: 51.0 linear feet (61 document boxes, 9 record storage boxes, multiple containers) Repository: Rivera Library. Special Collections Department. Riverside, California 92517-5900 Abstract: Ben Maddow was a Columbia University educated screenwriter and documentarian from the 1930's through the 1970's. This collection consists of manuscripts, correspondence, scripts, magazines, photographs, and other artifacts related to Maddow's personal life and professional career. Languages: The collection is in English. Access This collection is open for research. Publication Rights Copyright has not been assigned to the University of California, Riverside Libraries, Special Collections & Archives. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections & Archives. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. Preferred Citation [Identification of item]. Ben Maddow papers, Collection 113. University of California, Riverside Libraries, Special Collections & Archives, University of California, Riverside. Boxes 1-6 Box 1, Folder 1 GAUNTLET OF FLOWERS Author: MADDOW, BEN Format: PHOTOCOPY Genre: MANUSCRIPT Memo: 4 PHOTOCOPIES OF "GAUNTLET OF FLOWERS". Box 1, Folder 2 MAN OF THE WEST 05/27/55 Author: YORDAN, PHILIP Genre: JOURNAL Subject: STORY IN COLLIER'S MAGAZINE Box 1, Folder 3 [NO TITLE AVAILABLE] Author: [NO AUTHOR GIVEN] Format: DRAWING Genre: DRAWING Subject: DRAWING OF ST. GEORGE REEF LIGHTHOUSE Guide to the Ben Maddow Papers 113 2 Collection Contents Box 1, Folder 3 [NO TITLE AVAILABLE] Author: [NO AUTHOR GIVEN] Format: PHOTOGRAPH Genre: PHOTOGRAPH Subject: PHOTO OF ST. GEORGE REEF LIGHTHOUSE Box 1, Folder 4 [NO TITLE AVAILABLE] Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Subject: ESSAY ON MARTIN LUBNER. Memo: 3 COPIES. Box 1, Folder 5 LIBERATOR 03/01/18 Author: [NO AUTHOR GIVEN] Genre: JOURNAL Subject: NEWSPAPER CLIPPING Memo: NEWSPAPER CLIPPING Box 1, Folder 6 SYSTEMATICS 09/01/70 Author: [NO AUTHOR GIVEN] Genre: JOURNAL Box 1, Folder 7 AN ALBUM FOR ROSE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Subject: ON THE 100TH BIRTHDAY OF ROSE FITZGERALD KENNEDY. Memo: SCREENPLAY FOR TELEVISION? TYPEWRITTEN, WITH HANDWRITTEN NOTES, UNSIGNED. Guide to the Ben Maddow Papers 113 3 Collection Contents Box 1, Folder 8 AN ALBUM FOR ROSE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Subject: ON THE 100TH BIRTHDAY OF ROSE FITZGERALD KENNEDY. Memo: TYPEWRITTEN SCREENPLAY. MANUSCRIPT "B". Box 1, Folder 9 AN IRONIC DISTANCE 01/31/14 Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: VERSION 1 OF "AN IRONIC DISTANCE". Box 1, Folder 10 AN IRONIC DISTANCE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: VERSION 2 OF "AN IRONIC DISTANCE". Box 1, Folder 11 AN IRONIC DISTANCE 05/15/87 Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: VERSION 3A OF "AN IRONIC DISTANCE". DATED AT END: 1-27-1987. REVISED 5-15-1987. Box 1, Folder 12 AN IRONIC DISTANCE 05/19/87 Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: VERSION 3B OF "AN IRONIC DISTANCE". 4 COPIES Box 1, Folder 13 AN IRONIC DISTANCE 01/01/87 Author: MADDOW, BEN Format: PRINTED Genre: GALLEY PROOF Subject: GALLEY PROOF OF "AN IRONIC DISTANCE" FROM EXPOSURE MAGAZINE. Memo: CORRESPONDENCE WITH GALLEY PROOF DATED 10-12-1987 AND 10-26-1987. Guide to the Ben Maddow Papers 113 4 Collection Contents Box 1, Folder 14 FORTY-FOUR GRAVEL ST Author: MADDOW, BEN Genre: BOOK JACKET Subject: BOOK JACKET FOR "FORTY-FOUR GRAVEL ST.". Memo: HANDWRITTEN NOTE ON VERSO: "NO. 1 LIMITED EDITION. 1 ONLY SPECIAL DESIGN 76 LEONG.". Box 1, Folder 15 O CARELESS LOVE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Subject: CHAPTER 16: VICTORIA SCOTT. Memo: VERSION (?) OF "O CARELESS LOVE". INCOMPLETE. NO DATE. WITH A NOTE. Box 1, Folder 16 [NO TITLE AVAILABLE] 10/01/80 Author: MADDOW, BEN Format: TYPED Genre: NOTES, REASEARCH Subject: FOREIGN TRAVEL, GREECE. Memo: SKETCHES OF PEOPLE ON GREEK JOURNEY, 10-1980; NOTES FOR "GRAND BLOODY TOUR". Box 1, Folder 17 O CARELESS LOVE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: VERSION "A" OF CHAPTER "THE GREAT DEPARTMENT STORE ROBBERY" IN NOVEL, "O CARELESS LOVE". Box 1, Folder 18 O CARELESS LOVE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: VERSION B OF CHAPTER "THE GREAT DEPARTMENT STORE LIBRARY" IN NOVEL, "O CARELESS LOVE". 3 COPIES. Guide to the Ben Maddow Papers 113 5 Collection Contents Box 1, Folder 19 A COUNTRY CATALOGUE Author: MADDOW, BEN Format: TYPED Genre: POETRY Memo: 4 COPIES. Box 1, Folder 20 CURRICULUM VITAE Author: MADDOW, BEN Format: TYPED Genre: RESUME Subject: BLACKLIST Memo: 3 PIECES OF CORRESPONDENCE DEALING WITH MADDOW'S OUTPUT, HIS BLACKLISTING DURING THE 1950'S, AND WHO GOT CREDIT FOR HIS WORK DURING THAT TIME. MULTIPLE COPIES Box 1, Folder 21 AN AMERICAN CRIME Author: MADDOW, BEN Format: TYPED Genre: NOTES, REASEARCH Memo: 2 COPIES. IN CHRONOLOGICAL SEQUENCE. Box 2, Folder 1 [UNTITLED] Author: MADDOW, BEN Format: HANDWRITTEN Genre: MANUSCRIPT Subject: LINCOLN'S BURIAL Box 2, Folder 2 AN AMERICAN CRIME Author: MADDOW, BEN FORMAT: TYPED Genre: MANUSCRIPT Box 2, Folder 3 A SUNDAY BETWEEN WARS Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: "A FIELD OF BLACKBERRIES". CHAPTER 2 OF "A SUNDAY BETWEEN WARS"? Guide to the Ben Maddow Papers 113 6 Collection Contents Box 2, Folder 4 [NO TITLE AVAILABLE] Author: [NO AUTHOR GIVEN] Format: PHOTOGRAPH Genre: PHOTOGRAPH Subject: 30 PHOTOGRAPHS OF VARIOUS SUBJECTS FROM MAGAZINES AND CALENDARS. Box 2, Folder 5 THE APOTHEOSIS OF EDWARD WESTON 05/09/86 Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: 2 COPIES. Box 2, Folder 6 THE APOTHEOSIS OF EDWARD WESTON 04/11/86 Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: 4 COPIES. Box 2, Folder 7 THE APOTHEOSIS OF EDWARD WESTON 07/07/87 Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Box 2, Folder 8 O CARELESS LOVE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Subject: INCOMPLETE CHAPTER OF "O CARELESS LOVE" CALLED "IDA". Memo: FOLDER INCLUDES NEWSPAPER CLIPPINGS Box 2, Folder 9 HELEN AND CHARLES Author: MADDOW, BEN Format: HANDWRITTEN Genre: NOTES, REASEARCH Subject: RESEARCH NOTES OF "HELEN AND CHARLES". Guide to the Ben Maddow Papers 113 7 Collection Contents Box 2, Folder 10 HELEN AND CHARLES Author: MADDOW, BEN Genre: RESEARCH Subject: RESEARCH FOR "HELEN AND CHARLES". Memo: NEWSPAPER CLIPPINGS AND MAGAZINE ARTICLES ON BLACKS AND INTERRACIAL COUPLES. Box 2, Folder 11 FACES Author: MADDOW, BEN Genre: REVIEWS Subject: REVIEWS OF "FACES". Memo: NEWSPAPER AND MAGAZINE CLIPPINGS AND PERSONAL NOTES RELATED TO "FACES". Box 2, Folder 12 [NO TITLE AVAILABLE] Author: MADDOW, BEN Format: TYPED Genre: CORRESPONDENCE Memo: A LIST OF MADDOW'S ESSAYS ON PHOTOGRAPHY, AND A LETTER PROPOSING A NEW PROJECT. Box 2, Folder 13 ETHEL Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Box 2, Folder 13 ETHEL Author: MADDOW, BEN Format: HANDWRITTEN Genre: NOTES, REASEARCH Subject: RESEARCH NOTES FOR "ETHEL". Box 2, Folder 14 UNTITLED Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Subject: "MR. W, MY GREAT-UNCLE". Memo: A MEMOIR? Guide to the Ben Maddow Papers 113 8 Collection Contents Box 2, Folder 15 ELEGY 10/01/89 Author: MADDOW, BEN Format: TYPED Genre: POETRY Memo: 5 COPIES (1 COPY HANDWRITTEN). Box 2, Folder 16 EMILY AND BEN: TRANSCRIPT 01/01/57 Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: TRANSCRIPT IS FROM ABOUT 1957. Box 2, Folder 16 EMILY AND BEN: TRANSCRIPT 01/01/57 Author: MADDOW, BEN Format: HANDWRITTEN Genre: MANUSCRIPT Memo: TRANSCRIPT IS FROM ABOUT 1957. Box 2, Folder 17 [NO TITLE AVAILABLE] Author: MADDOW, BEN Format: HANDWRITTEN Genre: NOTES Subject: NOTES ON AN UNKNOWN SUBJECT. Box 3, Folder 1 O CARELESS LOVE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: CHAPTER 1, "BITTER CHOCOLATE", OF "O CARELESS LOVE". Box 3, Folder 1 O CARELESS LOVE Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: CHAPTER 2, WITH CORRECTIONS, OF "O CARELESS LOVE". Guide to the Ben Maddow Papers 113 9 Collection Contents Box 3, Folder 2 [NO TITLE AVAILABLE] Author: [NO AUTHOR GIVEN] Format: PHOTOGRAPH Genre: PHOTOGRAPH Subject: 1 PHOTOGRAPH OF STERLING HAYDEN (?) AND A WOMAN. Box 3, Folder 3 [NO TITLE AVAILABLE] Author: MARCUS, ALAN Genre: CORRESPONDENCE Subject: PERSONAL Memo: LETTERS FROM ALAN MARCUS TO BEN MADDOW. Box 3, Folder 4 A SUNDAY BETWEEN WARS Author: MADDOW, BEN Format: PHOTOCOPY Genre: MANUSCRIPT Subject: "IRA S. PETTIT" FROM "A SUNDAY BETWEEN WARS"?. Box 3, Folder 5 A SUNDAY BETWEEN WARS Author: MADDOW, BEN Format: TYPED Genre: MANUSCRIPT Memo: "A FIELD OF BLACKBERRIES" FROM "A SUNDAY BETWEEN WARS". Box 3, Folder 6 [NO TITLE AVAILABLE] Author: [NO AUTHOR GIVEN] Format: ADVERTISEMENT Genre: ADVERTISEMENT Subject: CIVIL WAR ERA ADVERTISEMENTS. Memo: 2 ADVERTISEMENTS: 1 ADVERTISES THE WAR WITH A PHOTO OF JOHN BROBST; THE OTHER ONE ADVERTISES EYE PROTECTORS FOR CHICKENS AND IMPROVEMENT IN PRIVY-SEATS. Guide to the Ben Maddow Papers 113 10 Collection Contents Box 3, Folder 7 [NO TITLE AVAILABLE] Author: [NO AUTHOR GIVEN] Format: ADVERTISEMENT Genre: ADVERTISEMENT Subject: FILM: "SLOW FIRES" Memo: FLYER FOR THE FILM "SLOW FIRES", A FILM THAT BEN MADDOW WROTE.
Load more

Recommended publications
  • Documentary Movies
    Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460
    [Show full text]
  • FILMS DE FICTION Liste Actualisée En Mai 2017
    FILMS DE FICTION liste actualisée en mai 2017 Réalisateur Classement COTES Titre par ordre alphabétique des Année Durée réalisateurs les cotes en noir commençant par VD sont celles de VHS les autres cotes sont celles de DVD 791 ANGE Chacun son cinéma 33 réalisateurs 2007 33 x 3' Chantal ACKERMAN : Marianne LAMBERT 2015 1 h 08’ 791 AKER I don’t belong anywhere. Le cinéma de Chantal Ackerman 791.43 AKER 1972 Hôtel Monterey – Je tu il elle AKERMAN Chantal 1972 et 1975 60' et 82 ' 791.43 AKER 1975 Jeanne Dielman 23, quai du commerce, 1080 Bruxelles AKERMAN Chantal 1975 193 791.43 AKER 1976 News from home AKERMAN Chantal 1976 85' 791.43 AKER 1978 Rendez-vous (Les) d'Anna AKERMAN Chantal 1978 122' 791.43 AKIN 2005 Crossing the bridge AKIN Fatih 2005 107' 791.43 ALMO 2002 Parle avec elle ALMODOVAR Pedro 2002 1 h 49' 791.43 ALMO 2006 Volver ALMODOVAR Pedro 2006 1 h 56' 791.43 ALTM 2006 Short cuts ALTMAN Robert 2006 3 h 05' 791.43 AMAO 2009 Adieu Gary AMAOUCHE Nassim 2009 76' 791.43 ANGE 1962 voyage (Le) des comédiens ANGELOPOULOS Theo 1975 222' 791.43 ANTO 1961 La Notte ANTONIONI Michelangelo 1961 2 h 05' 791.43 ANTO 1980 Le mystère d'Oberwald ANTONIONI Michelangelo 1980 2 h 04 791.43 ANTO 1962 L'eclipse ANTONIONI Michelangelo 1962 2 h 00 FILMS DE FICTION Page 1 de 17 791.43 ANTO 1982 Identification d'une femme ANTONIONI Michelangelo 1982 2 h 05 791.43 ANTO 1964 Désert rouge (Le) ANTONIONI Michelangelo 1964 120' 791.43 ANTO 1960 Avventura (L') ANTONIONI Michelangelo 1960 143' + 73' 791.43 ANTO 1966 Blow-up ANTONIONI Michelangelo 1967 106' 791.43
    [Show full text]
  • William Faulkner, Legal Commentator: Humanity and Endurance in Hollywood's Yoknapatawpha
    University of Florida Levin College of Law UF Law Scholarship Repository UF Law Faculty Publications Faculty Scholarship Summer 2008 William Faulkner, Legal Commentator: Humanity and Endurance in Hollywood's Yoknapatawpha Michael Allan Wolf University of Florida Levin College of Law, [email protected] Follow this and additional works at: https://scholarship.law.ufl.edu/facultypub Part of the Civil Rights and Discrimination Commons, and the Law and Society Commons Recommended Citation Michael Allan Wolf, William Faulkner, Legal Commentator: Humanity and Endurance in Hollywood's Yoknapatawpha, 77 Miss. L.J. 957 (2008), available at http://scholarship.law.ufl.edu/facultypub/406 This Article is brought to you for free and open access by the Faculty Scholarship at UF Law Scholarship Repository. It has been accepted for inclusion in UF Law Faculty Publications by an authorized administrator of UF Law Scholarship Repository. For more information, please contact [email protected]. WILLIAM FAULKNER, LEGAL COMMENTATOR: HUMANITY AND ENDURANCE IN HOLLYWOOD'S YOKNAPATAWPHA Michael Allan Wolf I. INTRODUCTION: FAULKNER IN FILM AND LAW William Faulkner's relationship with Hollywood and the film industry was as complex as Benjy's narrative in The Sound and the Fury and as tempestuous as a Snopes family reunion. The Nobel-prize winning novelist summed up the plight of the literary artist in Tinseltown, where he plied the trade of screenwriter for more than two decades, as nobody else could. He told the young southern writer, Shelby Foote, "'Always take the people seriously, but never take the work seriously. Hollywood is the only place on earth where you can get stabbed in the back while you're climbing a ladder."'1 Included among Faulkner's film credits are such forgettable titles as "Slave Ship" (1937)2 and "The Land of the Pharaohs" (1955), 3 and classics * Richard E.
    [Show full text]
  • The History of Photography: the Research Library of the Mack Lee
    THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography.
    [Show full text]
  • Bortolami Gallery
    BORTOLAMI Barbara Kasten (b. 1936 in Chicago, Illinois) Lives and works in Chicago, Illinois Education 1970 M.F.A., California College of Arts and Crafts, Oakland, California 1959 B.F.A., University of Arizona, Tucson, Arizona Solo Exhibitions 2020 Barbara Kasten, Corbett vs. Dempsey, Chicago, IL Chroma, Hannah Hoffman at Kristina Kite, Los Angeles, CA (Forthcoming) Aspen Art Museum, Aspen, CO (Forthcoming) Kunstmuseum Wolfsburg, Wolfsburg, Germany (Forthcoming) 2019 Abstract Horizons, Kadel Willborn, Düsseldorf, Germany CONSTRUCTS 1981-1982, Bortolami viewing room, Bortolami, New York, NY 2018 Parallels I, Sammlung Philara, Düsseldorf, Germany Futuro, ARCOmadrid, Madrid, Spain Barbara Kasten/Chicago, Artist/City, Bortolami, S.R. Crown Hall, IIT, Chicago, IL 2017 PARTI PRIS, Bortolami, New York, NY Intervals, Thomas Dane, London, England Feature: Barbara Kasten, Kadel Wilborn, Art Basel, Switzerland 2016 “I want the eyes to open” – Josef Albers, Hannah Hoffman Gallery, Los Angeles, CA Staging Architecture, Kadel Willborn Gallery, Düsseldorf, Germany Barbara Kasten: Stages, organized by Alex Klein, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; The Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL; Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA, curated by Bennett Simpson 2015 Barbara Kasten: Stages, organized by Alex Klein, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; The Graham Foundation for Advanced Studies in the Fine Arts, Chicago,
    [Show full text]
  • Documentary Movies
    Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 500 Nations DVD-0778 10 Days to D-Day DVD-0690 500 Years Later DVD-5438 180 DVD-3999 56 Up DVD-8322 1-800-India: Importing a White-Collar Economy DVD-3263 60's DVD-0410 1930s (Discs 1-3) DVD-5348 Discs 7 Up/7 Plus Seven DVD-1056 1930s (Discs 4-5) DVD-5348 Discs 7 Years DVD-4399 1964 DVD-7724 70 Acres in Chicago: Cabrini Green DVD-8778 1968 with Tom Brokaw DVD-5235 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1983 Riegelman's Closing/2008 Update DVD-7715 70's Dimension DVD-1568 1993 World Trade Center Bombing DVD-1891 9/11 c.2 DVD-0056 c.2 20 Years Old in the Middle East DVD-6111 900 Women DVD-2068 DVD-4941 9500 Liberty DVD-8572 21 Up DVD-1061 Abandoned: The Betrayal of America's Immigrants DVD-5835 21 Up South Africa DVD-3691 Abolitionists DVD-7362 24 City DVD-9072 Aboriginal Architecture: Living Architecture DVD-3261 24 Hours 24 Million Meals: Feeding New York DVD-8157 Abraham and Mary Lincoln: A House Divided DVD-0001 28 Up DVD-1066 Absent from the Academy DVD-8351 3 Times Divorced DVD-5100 Absolutely Positive DVD-8796 30 Days Season 3 DVD-3708 Absolutely Positive c.2 DVD-8796 c.2 35 Up DVD-1072 Accidental Hero: Room 408 DVD-5980 4 Little Girls DVD-0051 Act of Killing DVD-4434 42 Up DVD-1079 Addicted to Plastic DVD-8168
    [Show full text]
  • 1961-62 Year Book Canadian Motion Picture Industry
    e&xri-i METRO-GOLDWYN-MAYERtl WITH THESE CURRENT AMD CANADIAN OPENING! TORO NTO—October 2t UNIVERSITY THEATRE MONTREAL—November 2 ALOUETTE THEATRE Metro-Golduyn-Mayer present. VANCOUVER-Dec. 21 Samuel Bronston's Proaua STANLEY THEATRE IRAMA TECHNICOLOR JEFFREY HUNTER'■ SIOBHAN McKENNA • HURD HATFIELD-RON RANDELL • VIVECA LINDFORS-RITA GAM • CARMEN SEVILLA • BRIGID BAZLEN HARRY GUARDINO • RIP TORN • FRANK THRING • GUY ROLFE • MAURICE MARSAC • GREGOIRE ASLAN • ROBERT RYAN^n,^. Screen Play by PHILIP YORDAN * Directed by NICHOLAS RAY • Produced by SAMUEL BRONSTON METRO GOLDWYN MAYER PRESENTS METRO GOLDWYN MAYER presents a JULIAN BLAUSTEIN production <cMy\KMFY HI</\NI)C) Starring AS FLETCHER CHRISTIAN ri<i-\OR Howard GLENN FORD AS CAPTAIN BUGH INGRID THULIN CHARLES BOYER RICHARD HARRIS AS JOHN mills IN AN ARCOLA PRODUCTION LEE J. COBB PAUL HENREID co starring QMUTluvy qjvT ui'HTt BcyujViy PAUL LUKAS YVETTE MIMIEUX KARL BOEHN co-sTunim HUGH GRIFFITH RICHARD HAYDN »»»TARITA screen play by ROBERT ARDREY and JOHN GAY BASED ON THf NOVEL BVCHARLES NOROHOff AND JAMS S NORMIN HAH based on the novel by directed by omcnm.LEWIS MILESTONE PRODUCE 0 BY AARON ROSENBERG VICENTE BLASCO IBANEZ • VINCENTE MINNELLI TECHNICOLOR • FILMED IN ULTRA PANAVISION in CINEMASCOPE and METROCOLOR 19 CONTINUES ITS SUCCESS STORY COMING BOX-OFFICE ATTRACTIONS! BRIDGE TO THE SUN BACHELOR IN PARADISE CARROLL BAKER, James Shigeta, BOB HOPE, LANA TURNER, James Yagi, Emi Florence Hirsch, Janis Paige, Jim Hutton, Paula Prentiss, Nori Elizabeth Hermann. Don Porter, Virginia Grey, Agnes Moorehead. A Cite Films Production. A Ted Richmond Production. ★ In CinemaScope and Metrocolor SWEET BIRD OF YOUTH ★ PAUL NEWMAN, GERALDINE PAGE, TWO WEEKS IN ANOTHER TOWN Shirley Knight, Ed Begley, Rip Torn, KIRK DOUGLAS, Mildred Dunnock.
    [Show full text]
  • Street Photography: an Approach to Strangers: Casual, Close and Personal Encounters
    Edith Cowan University Research Online Theses : Honours Theses 2003 Street photography: An approach to strangers: Casual, close and personal encounters Flavia M. Schuster Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Art Practice Commons, and the Photography Commons Recommended Citation Schuster, F. M. (2003). Street photography: An approach to strangers: Casual, close and personal encounters. https://ro.ecu.edu.au/theses_hons/576 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/576 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]
  • Overdrive Poster Aafi
    OVERDR IVE L.A. MOD ERN, 1960-2000 FEB 8-APR 17 CO-PRESENTED WITH THE NATIONAL BUILDING MUSEUM HARPER THE SAVAGE EYE In the latter half of the Feb 8* & 10 Mar 15† twentieth century, Los Angeles evolved into one of the most influ- POINT BLANK THE DRIVER ential industrial, eco- Feb 8*-11 Mar 16†, 21, 25 & 27 nomic and creative capitals in the world. THE SPLIT SMOG Between 1960 and Feb 9 & 12 Mar 22* 2000, Hollywood reflected the upheaval caused by L.A.’s rapid growth in films that wrestled with REPO MAN competing images of the city as a land that Feb 15-17 LOST HIGHWAY Mar 30 & Apr 1 scholar Mike Davis described as either “sun- shine” or “noir.” This duality was nothing new to THEY LIVE movies set in the City of Angels; the question Feb 21, 22 & 26 MULHOLLAND DR. simply became more pronounced—and of even Mar 31 & Apr 2 greater consequence—as the city expanded in size and global stature. The earnest and cynical L.A. STORY HEAT Feb 22* & 25 questioning evident in films of the 1960s and Apr 9 '70s is followed by postmodern irony and even- tually even nostalgia in films of the 1980s and LOS ANGELES PLAYS ITSELF JACKIE BROWN '90s, as the landscape of modern L.A. becomes Feb 23* Apr 11 & 12 increasingly familiar, with its iconic skyline of glass towers and horizontal blanket of street- THE PLAYER THE BIG LEBOWSKI lights and freeways spreading from the Holly- Feb 28 & Mar 6 Apr 11, 12, 15 & 17 wood Hills to Santa Monica and beyond.
    [Show full text]
  • EL DOCUMENTAL: Historia, Teoría Y Práctica
    EL DOCUMENTAL: Historia, Teoría y Práctica (Asignatura "Realización de Documental", 4º curso) Dr. Demetrio E. BRISSET Deptº de Comunicación Audiovisual y Publicidad Facultad de Ciencias de la Comunicación Universidad de Málaga TEMARIO 0. INTRODUCCIÓN a) Los nuevos activistas ...………………… 8 b) La credibilidad: ficción y no-ficción …………………… 10 c) Definiciones del documental …………………… 14 d) Ficha para analizar documentales …………………… 16 TEMA 1 a) El cine como representación de la realidad …………………… 22 b) El montaje como principio organizativo ………………..….. 30 c) Los 'modos de representación' de Nichols …………………… 35 TEMA 2 Bases teóricas y evolución histórica de los documentales ……………. 39 TEMA 3 El documentalismo en España I (orígenes, república, franquismo) ….. 51 TEMA 4 Influencia del cine sobre el documental moderno (marlowe62) …….. 59 TEMA 5 El documental como revelador y como ensayo …………………… 86 TEMA 6 El documentalismo en España II (el nuevo documentalismo) ……… 88 TEMA 7 Tendencias actuales: a) Los Web-docs (R. Arnau) …………………… 92 b) Los falsos o Mock documentaries (Univ. Berkeley) ………… 105 c) Found footage o Metraje encontrado (M. Alberdi) ………... 138 d) Nuevas tendencias formales en el siglo XXI (A. Vidal) ……. 140 BIBLIOGRAFÍA …………….. 152 Créditos de las ilustraciones …………….. 154 REALIZACIÓN DE DOCUMENTAL: Visionados Presentación de documental hecho por escolares: Massó no recordo (2014, 19’) 0. INTRODUCCIÓN “Fahrenheit 9/11” (Michael Moore, 2004): íntegro 0.b) “Semana Santa en Sevilla” (Hnos. Lumiérè, 1898) Films de T. A. Edison sobre la guerra España-USA (1898) Falso noticiero inicial en "Citizen Kane” (O. Welles, 1941) Trailer de ”F for or Fake" (O. Welles, 1973) Polémica sobre el falso docum. "Operación Palace" (2014) "Kuidado ke muerden" (Colectivo RuidoFoto, 2012): 17' "Human" (Yann Arthus-Bertrand, 2015): íntegro "7 billion others" (Y.
    [Show full text]
  • Download PDF to Read the Full Release
    For Immediate Release The Image Gallery Redux: 1959-1962 January 9– February 15, 2014 Simpson Kalisher, Untitled, 1961. New York –In 1959, a photographer named Larry Siegel opened a gallery dedicated exclusively to photography in a small storefront on East 10th Street in New York City. The Image Gallery, which remained open until 1962, showed the work of leading photographers including Rudy Burckhardt, Sid Grossman, Saul Leiter, Duane Michals, Charles Pratt, and Garry Winogrand, becoming one of the earliest models for exhibiting photography as an art form. Howard Greenberg Gallery will present The Image Gallery Redux: 1959-1962 from January 9 – February 15, 2014. The exhibition will feature the work of 22 photographers whose work was shown at that legendary gallery. An opening reception will be held on January 9 from 6-8 p.m. “In those days, photographic prints were not well known,” Larry Siegel notes. “People would walk in, point to the wall, and ask, ‘What’s that?’ They thought I had cut the images out of a magazine!” The early history of photography galleries in New York City is quite brief. Few had attempted to exhibit photographs commercially prior to the birth of the photography market in the 1970s. Helen Gee’s Limelight Gallery, with its adjoining coffeehouse, exhibited photographs from 1954 to 1961 in Greenwich Village. Roy DeCarava founded A Photographer’s Gallery on the Upper West Side, which was open from 1954 to 1957. Before then, Alfred Stieglitz’s Little Galleries of the Photo-Succession (1905-1908) and 291 Gallery (1908-1917), along with the Julien Levy Gallery (1931-1949) showed photographs alongside paintings, drawings, and sculptures, striving to elevate the medium of photography.
    [Show full text]
  • A. D. COLEMAN a Bibliography of His Writings on Photography, Art, and Related Subjects from 1968 to 1995
    A. D. COLEMAN A Bibliography of His Writings on Photography, Art, and Related Subjects from 1968 to 1995 NANCY SOLOMON Editor STEVEN ALBAHARI, EDWARD BRIDGES, & TANYA MURRAY Chief Compilers with Harris Fogel, JoAnn Frank, Harris Sibunruang, & Peter Walts Center for Creative Photography The University of Arizona Tucson Copyright © 2000 by the Center for Creative Photography, The Arizona Board of Regents and by A. D. Coleman, by permission of the author and Image/World Syndication Services, P.O.B. 040078, Staten Island, New York 10304-0002 USA All rights reserved. Library of Congress Catalog Card Number 99-080087 ISBN 0-938262-34-3—hardcover ISBN 0-938262--35-1—softcover To my mother, neé Frances Louise Allan, born in Elkins, West Virginia, June 6, 1915. Editor, writer, publisher, photographer, she gave me my first box camera, sat me beside her to leaf through The Family of Man and The Decisive Moment, encouraged me to write, and gave me my first electric typewriter, never guessing what all that would set in motion; and to Alan J. Marks, who introduced me to the ideas of William M. Ivins, and to aperture magazine, and who first taught me how to pay attention to a photo- graph; and to every editor and every publisher with whom I’ve ever worked, without whom this book wouldn't exist. “The real meaning of that misused word ‘inspiration’ is not that the writer waits for inspiration and then writes like crazy, but rather that it’s sweatingly, dreadfully hard work, and while you're writing, something drops from the study ceiling.” Mary Stewart,
    [Show full text]