DOCSLIB.ORG

Read Ebook {PDF EPUB} Art of Poetry Writing by William Packard Appliance

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Ebook {PDF EPUB} Art of Poetry Writing by William Packard Appliance Read Ebook {PDF EPUB} Art of Poetry Writing by William Packard Appliance. Thanks to the wide availability of the Internet all over the world, it is now possible to instantly share any file with people from all corners of the globe. On the one hand, it is a positive development, but on the other hand, this ease of sharing makes it tempting to create simple websites with badly organized databases which make users confused or even frustrated. We want you to feel “at home” here, so we took our time to make this website as user-friendly as possible. Whether you are looking for a handbook or a rare ebook, the chances are that they are available for downloading from our website in txt, DjVu, ePub, PDF formats. You no longer need to visit the local libraries or browse endless online catalogs to find The Art Of Poetry Writing: A Guide For Poets, Students, & Readers by William Packard. Here you can easily download The Art Of Poetry Writing: A Guide For Poets, Students, & Readers pdf with no waiting time and no broken links. If you do stumble upon a link that isn’t functioning, do tell us about that and we will try to answer you as fast as possible and provide a working link to the file you need. Is there any particular reason why you should use our website to download The Art Of Poetry Writing: A Guide For Poets, Students, & Readers pdf file? For starters, if you are reading this, you have most likely found what you need here, so why go on to browse other websites? Even if your search has been fruitless yet, we have an impressive database of various ebooks, handbooks, and manuals, so if you are looking for a rare title, your chances of finding it here are quite high. In addition, we do our best to optimize your user experience and help you download necessary files quickly and efficiently. We make sure that all our files are available in PDF format, which is currently one of the most popular document formats for computers and mobile devices. Finally, we are always ready to help you if you are having trouble using the website or are unable to find a particular title. Language: English Category: Poetry Publish: May 11, 2021 Source: PDF. Art of Poetry Writing by William Packard. From and To can't be the same language. That page is already in . Something went wrong. Check the webpage URL and try again. Sorry, that page did not respond in a timely manner. Sorry, that page doesn't exist or is preventing translations. Sorry, that page doesn't exist or is preventing translations. Sorry, that page doesn't exist or is preventing translations. Something went wrong, please try again. Try using the Translator for the Microsoft Edge extension instead. The Art of Poetry Writing : A Guide For Poets, Students, & Readers. Poet, novelist, scholar, translator, playwright, and teacher, William Packard has known every side of a writer's life. As founder and editor of The New York Quarterly, a national magazine devoted to the craft of poetry, he reads some 50,000 poems each year-most of them sadly deficient in sound, metrics, form, voice, and quality. This book is written to help poets address the central concerns of their craft and art. Lively, inspiring, opinionated, and sometimes curmudgeonly, The Art of Poetry Writing covers a broad range of topics, both technical and personal, that all poets need to consider: -Poetic devices and diction -Verse forms and free verse -Rhyme and metrics -Creative vision and revision -The benefits and problems of workshops and writing classes -30 writing challenges to develop form and style and technique -When to seek publication-and when not to -What to read while writing -The life of the poet, including keeping a journal, giving readings, applying for grants, and more. Remarks by and excerpts from the work of Coleridge, Wordsworth, Keats, Dickinson, Yeats, Auden, Stevens, Moore, Thomas, Ginsberg, Sexton, Plath, Dickey, Bukowski, Ashbery, and dozens of other poets make this an essential companion for students, teachers and anyone who writes or reads poetry. Art of Poetry Writing by William Packard. Your support is critical to our existence. Posts Tagged: William Packard. The Rumpus Poetry Book Club Chat with Kaveh Akbar. October 10th, 2017. Kaveh Akbar discusses his new collection Calling a Wolf a Wolf , finding community in poetry, books on craft, and mining the supernatural for poems. Hello. Welcome to The Rumpus! We’re thrilled you’re here. At The Rumpus, we know how easy it is to find pop culture on the Internet, so we’re here to give you something more challenging, to show you how beautiful things are when you step off the beaten path. The Rumpus is a place where people come to be themselves through their writing, to tell their stories or speak their minds in the most artful and authentic way they know how. We strive to be a platform for marginalized voices and writing that might not find a home elsewhere, and to lift up new voices alongside those of more established writers we love. We work to shine a light on stories that build bridges, tear down walls, and speak truth to power. © 2020, Rumpus Inc. Navigation. The Rumpus Newsletter Get Our Overly Personal Email Newsletter. 9780312076412 - The Art of Poetry Writing: a Guide for Poets, Students, & Readers by Packard, William. The Art of Poetry Writing: A Guide For Poets, Students, & Readers. William Packard. Published by St. Martin's Press (1992) Used - Hardcover Condition: GOOD. Quantity available: 1. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included. St. Martin's Press, 1992. Hardcover. Condition: GOOD. William Packard, 69, Author and Editor. William Packard, a poet, novelist, playwright, editor and founder of The New York Quarterly, a national poetry magazine, died on Nov. 3 at his home in Manhattan. He was 69. He died of heart disease, said Raymond Hammond, executive editor of the quarterly. Mr. Packard founded The New York Quarterly in 1969. It published both poems and interviews, and contributors included prominent poets like W. H. Auden, John Ashbery, Paul Blackburn, Richard Eberhart, Stanley Kunitz, Anne Sexton and W. S. Merwin, among many others. The magazine suspended publication in 1996 when Mr. Packard had a stroke, but he was sufficiently recovered earlier this year to help bring out the fall issue, which has just been published. The magazine will continue, Mr. Hammond said. Mr. Packard also taught creative writing at New York University, the New School, Cooper Union and elsewhere and wrote in a variety of forms. Mr. Packard's six volumes of poetry include ''To Peel an Apple'' (1963) and ''Voices: I Hear Voices'' (1972). His adaptation of Racine's ''Phèdre'' won the Outer Critics Circle Award when it was produced Off Broadway in 1966. He also wrote textbooks on writing and published three collections of one-act plays. Born on Sept. 2, 1933, and raised in New York City, Mr. Packard graduated from Stanford University..
Load more

Recommended publications
  • Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
    Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R.
    [Show full text]
  • Imc Robert Creeley
    ^IMC ROBERT CREELEY: A WRITING BIOGRAPHY AND INVENTORY by GERALDINE MARY NOVIK B.A., University of British Columbia, 1966 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA February, 1973 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ENGLISH The University of British Columbia Vancouver 8, Canada Date February 7, 1973 ABSTRACT Now, in 1973, it is possible to say that Robert Creeley is a major American poet. The Inventory of works by and about Creeley which comprises more than half of this dissertation documents the publication process that brought him to this stature. The companion Writing Biography establishes Creeley additionally as the key impulse in the new American writing movement that found its first outlet in Origin, Black Mountain Review, Divers Books, Jargon Books, and other alternative little magazines and presses in the fifties. After the second world war a new generation of writers began to define themselves in opposition to the New Criticism and academic poetry then prevalent and in support of Pound and Williams, and as these writers started to appear in tentative little magazines a further definition took place.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy sutimitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorged copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9* black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Leaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMÏ EIHETORICAL HYBRIDITY: ASHBERY, BERNSTEIN AND THE POETICS OF CITAHON DISSERTATION Presented in. Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy m the Graduate School o f The Ohio State University By \fatthew Richardson^ hlA . ***** The Ohio State Unwersity 2001 Dissertation Committee: Approved by Professor Jon Erickson. Adviser Professor Jessica Prinz .
    [Show full text]
  • DICKEY, JAMES. James Dickey Papers, Circa 1924-1997
    DICKEY, JAMES. James Dickey papers, circa 1924-1997 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Dickey, James. Title: James Dickey papers, circa 1924-1997 Call Number: Manuscript Collection No. 745 Extent: 204 linear feet (421) boxes), 11 oversized papers boxes and 18 oversized papers folders (OP), 2 extra-oversized papers (XOP), 21 bound volumes (BV), 1 oversized bound volume (OBV), and AV Masters: 1.75 linear feet (2 boxes and LP1) Abstract: Personal and literary papers of American poet and novelist James Dickey, including correspondence, manuscripts, personal notebooks, printed material, photographs, and sound recordings. Language: Materials entirely in English. Administrative Information Restrictions on access Special restrictions apply: Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Due to the fragile nature of the World War II correspondence in Subseries 1.4, researchers are required to use the photocopies. Use copies have not been made for all of the audiovisual series at this time. Researchers must contact the Rose Library in advance for access to these materials. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository.
    [Show full text]
  • William Packard Autobiography 2
    William Packard's plays include THE LIGHT OF LIFE (1981) and THE KILLER THING (directed by Otto Preminqer in 1980); his FOUR PLAYS (LIVING POETS PRESS) includes SANDRA AND THE JANITOR (published in BEST SHORT PLAYS OF 1971); THE FUNERAL (staqed by The Dove Company, by Jose Ferrer, later translated and produced in Paris as CEUX QUI RESTENT); THE MARRIAGE and WAR PLAY (produced and directed by Gene Frankel). William Packard has published several collections of poetry and prose, including THE CONDITION FOR ALL POETRV, GENIUS IS DESIRE, WHALES & TOMBS, TO PEEL AN APPLE, VOICES/I HEAR/VOICES, WHAT HANDS ARE THESE, and THE AMERICAN EXPERIENCE. Of his FIRST SELECTED POEMS, 1977, James Dickey wrote: "William Packard's poems are firm, concise, and deep. He has a fine ear and a marvelous sense of imagery. American literature is praised to have him." Richard Eberhart wrote: "William Packard's poems are disturbing, powerful, full of dark truth. They are keen, immediate, display tactile energy, pierce through barriers to show many kinds of reality, and spread before us in generosity the zeal of a fearless poet. It is action poetry of acclaim, insight, total realization." Muriel Rukeyser wrote: "These poems are the acrid smoky lyrics of the love that haunts our nightwalking. They have the murderous drama of Ty Cobb, along with the laugh saving the suburbs - the fine life line. They are the life of the energy in the eye of William Packard." Packard's poetry has been recorded at the Library of Congress in Washington, D.C., and was used on the sound track of Tinto Brass's film THERMIDOR, spoken by Irene Worth and Ben Gazzara.
    [Show full text]
  • Appendix Sources, Selection, Classification of Metaphors
    Appendix Sources, Selection, Classification of Metaphors Sources The metaphors I examine are drawn from a wide range of literary interviews of the type made famous by The Paris Review. I examined some 3000 interviews with contemporary authors. The interviews were all published from 1965–1995, the majority in the 1970s and 1980s. As I indicate in the chapter on authorship, there have been historical changes in the role of the authorship, writing, and conceptions of the writing process, and my concern is only with contemporary “cultures of writing.” I focus, then, on interview discourse published during the recent past; I suspect that future interviews will reflect changing conditions for writing, particular changing technology. In only about half of the interviews did writers discuss their writing processes—some 1460 interviews with about 1035 different writers. In a few cases, the interview was a translation; such interviews were still used because they represent a contribution to the “cultures of writing” of English speakers. Once translated, they become part of the discourse of writers’ inter- views in English—one discursive arena for demonstrating conceptions of composing. My own definition of “author” in this project is both simple and “opera- tional”: authors, for the purposes of this project, are those writers interviewed about their writing activities and ideas, with their interviews subsequently pub- lished in journals or books. They are a subset of published writers perhaps most accurately described as “interviewed authors.” Because my interest here is to examine authors’ discourse on the activities of intellectual labor, I sidestep con- sideration of the quality of the texts authored by those interviewed (whether considered “literary” or not, for example).
    [Show full text]
  • Title of Thesis Or Dissertation, Worded
    “THE STEP OF IRON FEET”: FORMAL MOVEMENTS IN AMERICAN WORLD WAR II POETRY by RACHEL LYNN EDFORD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2011 DISSERTATION APPROVAL PAGE Student: Rachel Lynn Edford Title: “The Step of Iron Feet”: Formal Movements in American World War II Poetry This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Karen Jackson Ford Chairperson John Gage Member Paul Peppis Member Cecilia Enjuto Rangel Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2011 ii © 2011 Rachel Lynn Edford iii DISSERTATION ABSTRACT Rachel Lynn Edford Doctor of Philosophy Department of English September 2011 Title: “The Step of Iron Feet”: Formal Movements in American World War II Poetry Approved: _______________________________________________ Karen Jackson Ford We have too frequently approached American World War II poetry with assumptions about modern poetry based on readings of the influential British Great War poets, failing to distinguish between WWI and WWII and between the British and American contexts. During the Second World War, the Holocaust and the bombings of Hiroshima and Nagasaki obliterated the line many WWI poems reinforced between the soldier’s battlefront and the civilian’s homefront, authorizing for the first time both civilian and soldier perspectives. Conditions on the American homefront—widespread isolationist and anti-Semitic attitudes, America’s late entry into the war, the bombing of Pearl Harbor, the Japanese internment, and the African American “Double V Campaign” to fight fascism overseas and racism at home—were just some of the volatile conditions poets in the US grappled with during WWII.
    [Show full text]
  • Rare Books and Manuscripts Collection
    Rare Books and Manuscripts Collection The Rare Books and Manuscripts Department is a repository for a number of research materials - books, manuscripts, newspapers, maps and photographs - which are organized in collections, rather than as individual titles. The materials in a collection may be associated with a particular person or group, or they may have other qualities in common, such as great age, rarity, or distinctive physical attributes. It is the focus of the particular collection, rather than the subject matter of the individual items, which gives the collection its identity. These materials complement the circulating collection and form the basis for specialized teaching and research. Hofstra University Library Special Collections Department / Rare Books & Manuscripts 123 Hofstra University | 032 Axinn Library | Hempstead, New York | 11549-1230 Voice: (516) 463-6411 | Fax (516) 463-6442 Adams, John Davis Correspondence Newspaper Collection Ader, Clément Aviation Sketches New York Quarterly Collection Aron, Lisa, Manuscripts Pinter, Harold Collection Auchincloss, Louis Collection Politics Collection Authors Collection Popular Culture Collection Avant Garde Literature Collection Powys Family Collection Belmont Correspondence Presidential Conference Collection Berman, Saul Collection Private Press Collection Blampied, Edmund Collection Radin, Paul Collection Bookplate Collection Rounds, Archer C. World War I Scrapbook Chesterton, G.K., Scrapbook Roxburghe Club of San Francisco Collection Dance Band Music Scores
    [Show full text]
  • MERCHANTS of PATHOS: Confessional Poetry, Publicity, and Privacy in Cold-War America
    MERCHANTS OF PATHOS: Confessional Poetry, Publicity, and Privacy in Cold-War America. Tyne Daile Sumner Submitted in total fulfilment of the requirements of the degree of Master of Arts February 2013 The School of Culture and Communication The University of Melbourne ABSTRACT The relationship between confessional poetry and cold-war culture in America is structurally important to our understanding of ongoing debates over the authenticity of the textual voice in confessional verse. Exploring the work of poets Robert Lowell, John Berryman, Sylvia Plath and Anne Sexton, this thesis provides an explanation for the tendency among both readers and critics to conflate the roles of poet and persona in assessments of confessional poetry. It is argued that the confessional poets deliberately manipulated the status of truth in their work to create the illusion of a publicly legitimate, yet authentically private self. This thesis does not, however, reduce confessional verse to simply poetic artifice. Rather, in the process of conflating poet and persona, the confessional poets fashioned an unprecedentedly complex culture of postmodern poetics. This thesis divides the poetic voice of confessional poetry into three sites of poetics, detailing how each complicates the status of truth in confessional verse. The first site, the ambiguity of confessional poetics, is characterized by the still-contested definition of confessional poetry and the indeterminate nature of persona in confessional verse. By blurring the distinction between autobiographical fact and poetic fiction, confessional poetry directly participated in national tensions over privacy by questioning the status of truth in acts of apparent revelation. Additionally, by applying rhetoric characteristic of the modern age of publicity, confessional poetry repeatedly advertises itself within the poetic text, acting to further blur the distinction between poet and persona.
    [Show full text]
  • Guide to the Layle Silbert Papers 1910-2003
    University of Chicago Library Guide to the Layle Silbert Papers 1910-2003 © 2009 University of Chicago Library Table of Contents Acknowledgments 4 Descriptive Summary 4 Information on Use 4 Access 4 Citation 4 Biographical Note 4 Scope Note 6 Related Resources 8 Subject Headings 8 INVENTORY 8 Series I: Biographical 8 Series II: Correspondence 9 Series III: Photography 74 Subseries 1: Portraits 75 Subseries 2: Jewish-American Writers 88 Subseries 3: Groups and Events 95 Subseries 4: Travel 100 Subseries 5: Special Projects 104 Subseries 6: Books 107 Subseries 7: Periodicals 118 Subseries 8: Exhibitions 133 Subseries 9: Oversize 138 Series IV: Poetry 145 Subseries 1: Publications 146 Subseries 2: Manuscripts 153 Subseries 3: Workshops and Courses 184 Subseries 4: New York Poets' Cooperative 186 Series V: Short Stories and Essays 190 Series VI: Novels, Novellas and Prose Anthologies 221 Series VII: Research, Reference and Technical Writing 233 Series VIII: Civil Service and Social Work 234 Series IX: China 236 Subseries 1: A China Journal 237 Subseries 2: Articles 239 Subseries 3: Organizations and Publications 240 Subseries 4: Clippings 242 Subseries 5: General 243 Series X: Activism 243 Series XI: Personal 245 Subseries 1: Diaries and Personal Writing 246 Subseries 2: Education 257 Subseries 3: Travel 258 Subseries 4: Writings by Others 259 Subseries 5: Appointments, Schedules and Contacts 260 Subseries 6: Periodicals and Clippings 261 Subseries 7: Silbert Family 262 Subseries 8: Abraham Aidenoff 265 Subseries 9: Artifacts 265 Subseries 10: Restricted 266 Descriptive Summary Identifier ICU.SPCL.SILBERTL Title Silbert, Layle. Papers Date 1910-2003 Size 145.75 linear feet (230 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A.
    [Show full text]
  • The Lyric in the Age of the Brain
    The Lyric in the Age of the Brain The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Skillman, Nikki Marie. 2012. The Lyric in the Age of the Brain. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9876089 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 Nikki Skillman All rights reserved.!! ! ! Professor Helen Vendler Nikki Skillman The Lyric in the Age of the Brain Abstract This dissertation asks how the physiological conception of the mind promoted by scientific, philosophical and cultural forces since the mid-twentieth century has affected poetic accounts of mental experience. For the cohort of poets I identify here—James Merrill, Robert Creeley, A.R. Ammons, John Ashbery, and Jorie Graham—recognition that fallible, biological mechanisms determine the very structure of human subjectivity causes deep anxiety about how we perceive the world, exercise reason, and produce knowledge. These poets feel caught between the brain sciences’ empirical vision of the mind, which holds the appeal of a fresh and credible vocabulary but often appears reductive, and the literary tradition’s overwhelmingly transcendental vision of the mind, which bears intuitive resonance but also appears increasingly
    [Show full text]
  • Five Oceans in a Teaspoon Written by Dennis J Bernstein Visualization by Warren Lehrer
    For Immediate Release Contact: Suzanne Williams, Shreve Williams Public Relations, LLC 908.375.8159 [email protected] New Book Visualizes Dyslexia, Alzheimer’s, Patterns independent publisher of War and Relationships—Through Visual Poetry of art and literature Five Oceans in a Teaspoon Written by Dennis J Bernstein Visualization by Warren Lehrer Introduction by Steven Heller. Paper Crown Press, hardcover; $35 ISBN: 978-0-9969506-3-3 AdvAnce PrAise for Five OceAns in A TeAsPOOn: “Brilliant and beautiful. I love it! Thank you for bringing in the new.” Alice Walker, Pulitzer Prize-winning poet and author of The Color Purple “Bernstein and Lehrer—the Lennon and McCartney of viz-lit—have reunited at the height of their creative powers. The gutsiness and raw emotion of the writing, revelatory appeal of the visual compositions, and brevity of the form creates an intensely moving experiential journey.” steven Heller, design and visual culture historian, columnist, author of over 180 books on design “Imagine Portnoy’s Complaint rendered into Guillaume Apollinaire’s Calligrammes and you get some idea of the surprising combination of rich recollections and graphic scoring that animate the pages of Five Oceans in a Teaspoon. This completely virtuosic work pairs two perfectly matched talents: Bernstein’s detailed descriptions of childhood, family, love, life and death, and Lehrer’s typographic compositions combine in a wonderfully rich, broad, truly moving work that embodies precisely what it means to figure the word and render the multiple
    [Show full text]