Bibliography for Jacques Audiard
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A Film Watcher's Guide to Multicultural Films
(Year) The year stated follows the TPL catalogue, based on when the film was released in DVD format. DRAMA CONTINUED Young and Beautiful (2014) [French] La Donation (The Legacy) (2010) [French] Yureru (Sway) (2006) [Japanese] Eccentricities of a Blonde-Haired Girl (2010) FAMILY [Portuguese] Amazonia (2014) [no dialogue] Ekstra (2014) [Tagalog] Antboy (2014) [English] Everyday (2014) [English] A Film Watcher’s The Book of Life (2014) [English/Spanish/French] Force Majeure (2014) [Swedish/English/French] Jack and the Cuckoo-Clock Heart (2013) Gerontophilia (2014) [French/English] Guide To Gett: The Trial of Viviane Amsalem (2015) [English/French] Khumba (2013) [English] [French/Hebrew/Arabic] Song of the Sea (2015) [English/French] Girlhood (2015) [French] Happy-Go-Lucky (2009) [English] HORROR The hundred year-old man who climbed out of a (*includes graphic scenes/violence) window and disappeared (2015) [Swedish/English] Berberian Sound Studio (2012) [English] The Hunt (2013) [Danish] *Borgman (2013) [Dutch/English] I am Yours (2013) [Norwegian/Urdu/Swedish] *Kill List (2011) [English] Ida (2014) [Polish] The Loved Ones (2012) [English] In a Better World (2011) [Danish/French] The Wild Hunt (2010) [English/French] The Last Sentence (2012) [Swedish] Les Neiges du Kilimanjaro (The Snows of ROMANCE Kilimanjaro) (2012) [French] All about Love (2006) [Cantonese/Mandarin] Leviathan (2015) [Russian/English/French] Amour (2013) [French] Like Father, Like Son (2014) [Japanese] Cairo Time (2010) [English/French] Goodbye First Love (2011) [French] -
Film & Event Calendar
1 SAT 17 MON 21 FRI 25 TUE 29 SAT Events & Programs Film & Event Calendar 12:00 Event 4:00 Film 1:30 Film 11:00 Event 10:20 Family Gallery Sessions Tours for Fours: Art-Making Warm Up. MoMA PS1 Sympathy for The Keys of the #ArtSpeaks. Tours for Fours. Daily, 11:30 a.m. & 1:30 p.m. Materials the Devil. T1 Kingdom. T2 Museum galleries Education & 4:00 Film Museum galleries Saturdays & Sundays, Sep 15–30, Research Building See How They Fall. 7:00 Film 7:00 Film 4:30 Film 10:20–11:15 a.m. Join us for conversations and T2 An Evening with Dragonfly Eyes. T2 Dragonfly Eyes. T2 10:20 Family Education & Research Building activities that offer insightful and Yvonne Rainer. T2 A Closer Look for 7:00 Film 7:30 Film 7:00 Film unusual ways to engage with art. Look, listen, and share ideas TUE FRI MON SAT Kids. Education & A Self-Made Hero. 7:00 Film The Wind Will Carry Pig. T2 while you explore art through Research Building Limited to 25 participants T2 4 7 10 15 A Moment of Us. T1 movement, drawing, and more. 7:00 Film 1:30 Film 4:00 Film 10:20 Family Innocence. T1 4:00 Film WED Art Lab: Nature For kids age four and adult companions. SUN Dheepan. T2 Brigham Young. T2 This Can’t Happen Tours for Fours. SAT The Pear Tree. T2 Free tickets are distributed on a 26 Daily. Education & Research first-come, first-served basis at Here/High Tension. -
The Reel World: Contemporary Issues on Screen
The Reel World: Contemporary Issues on Screen Films • “Before the Rain” (Macedonia 1994) or “L’America” (Italy/Albania 1994) • “Earth” (India 1998) • “Xiu-Xiu the Sent Down Girl” (China 1999) • (OPTIONAL): “Indochine” (France/Vietnam 1992) • “Zinat” (Iran 1994) • “Paradise Now” (Palestine 2005) • “Hotel Rwanda” (Rwanda 2004) • (OPTIONAL): “Lumumba” (Zaire 2002) • “A Dry White Season” (South Africa 1989) • “Missing” (US/Chile 1982) • “Official Story” (Argentina 1985) • “Men With Guns” (Central America 1997) Books • We Wish to Inform You That Tomorrow We Will be Killed With Our Families: Stories from Rwanda by Philip Gourevitch • (OPTIONAL/RECOMMENDED): A Dry White Season by André Brink Course Goals There are several specific goals to achieve for the course: Students will learn to view films historically as one of a number of sources offering an interpretation of the past Students will acquire a knowledge of the key terms, facts, and events in contemporary world history and thereby gain an informed historical perspective Students will take from the class the skills to critically appraise varying historical arguments based on film and to clearly express their own interpretations Students will develop the ability to synthesize and integrate information and ideas as well as to distinguish between fact and opinion Students will be encouraged to develop an openness to new ideas and, most importantly, the capacity to think critically Course Activities and Procedures This course is taught in conjunction with “The Contemporary World,” although that course is not a prerequisite. We will use material from that course as background and context for the films we see. Students who have already taken “The Contemporary World” can review the material to refresh their memories before watching the relevant titles if they feel the need to do so. -
Marion Cotillard Matthias Schoenaerts RUST AND
RustnBone1.indd 1 6/5/12 15:12:51 Why Not Productions and Page 114 present Marion Cotillard Matthias Schoenaerts RUST AND BONE A film by Jacques Audiard Armand Verdure / Céline Sallette / Corinne Masiero Bouli Lanners / Jean-Michel Correia France / Belgium / 2012 / color / 2.40 / 120 min International Press: International Sales: Magali Montet Celluloid Dreams [email protected] 2, rue Turgot - 75009 Paris Tel: +33 6 71 63 36 16 Tel: +33 1 4970 0370 Fax: +33 1 4970 0371 Delphine Mayele [email protected] [email protected] Tel: +33 6 60 89 85 41 Contact in Cannes Celluloid Dreams 84, rue d’Antibes 06400 Cannes Hengameh Panahi +33 6 11 96 57 20 Annick Mahnert +33 6 37 12 81 36 Agathe Mauruc +33 6 82 73 80 04 Director’s Note There is something gripping about Craig Davidson’s short story collection “Rust and Bone”, a depiction of a dodgy, modern world in which individual lives and simple destinies are blown out of all proportion by drama and accident. They offer a vision of the United States as a rational universe in which the physical needs to fight to find its place and to escape what fate has in store for it. Ali and Stephanie, our two characters, do not appear in the short stories, and Craig Davidson’s collection already seems to belong to the prehistory of the project, but the power and brutality of the tale, our desire to use drama, indeed melodrama, to magnify their characters all have their immediate source in those stories. -
A Prophet of Grace a Prophet of Grace an Expository'& Devotional Study of the Life of Elisha
A PROPHET OF GRACE A PROPHET OF GRACE AN EXPOSITORY'& DEVOTIONAL STUDY OF THE LIFE OF ELISHA BY THE REV. ALEXANDER STEWART EDINBURGH W. F. HENDERSON 19 GEORGE IV BRIDGE Prl,.ted t"n Great JJritain by T1<rnhull & Spears, Edinburgh TO THE CONGREGATION OF ST COLUMBA AND FOUNTAINBRIDGE FREE OHURCH, EDINBURGH THIS VOLUME IS AFFECTIONATELY DEDICATED PREFACE THE following pages deal with a portion of the Old Testament Scriptures which can scarcely be supposed to offer any special attraction to the modern mind, and which therefore, as a matter of fact, is to a great extent neglected alike by preachers and by. writers on Bible themes. It is indeed not too much to say. that in many quarters to-day the claim that the recorded events of the life of Elisha should be regarded as serious history would be dismissed with a derisive smile as the survival of a discredited doctrine of Scripture. This attitude is of course due to the miraculous element which occupies so large a place in the narrative. In an age when a daring challenge is being offered to the miracles of Jesus Christ Himself, it is hardly to be expected that the marvels associated with a shadowy figure which looms out from the mists of a much more distant past should be accepted as literal historical happenings. In those far off days, we are told, men's minds were more credulous than they are in this scientific age ; they were accordingly disposed to invest with supernatural significance every phenomenon of the natural world which they were unable to understand ; and in this way a fertile soil was provided for the propagation of myth and legend. -
Thomas Vinterberg Film
LUC BESSON PRESENTS MATTHIAS LÉA COLIN SCHOENAERTS SEYDOUX FIRTH A THOMAS VINTERBERG FILM COMING SOON SYNOPSIS Kursk is inspired by the unforgettable true story of the K-141 Kursk, a Russian flagship nuclear-powered submarine that sank to the bottom of the Barents Sea in August 2000. As 23 sailors fought for survival aboard the disabled sub, their families desperately battled bureaucratic obstacles and impossible odds to find answers and save them. 2 THE KURSK TRAGEDY On August 10, 2000, Kursk — a submarine twice the size of a jumbo jet and longer than two football fields, the “unsinkable” pride of the Russian Navy’s Northern Fleet — embarked upon a naval exercise. It was their first exercise in a decade and the maneuvers entailed 30 ships and three submarines. Two days later, two internal explosions, powerful enough to register on seismographs as far away as Alaska, sent the ship to the bottom of the Arctic waters of the Barents Sea. At least 23 of the 118 sailors aboard survived the explosions. Over the next nine days, the entire world was on tenterhooks, as rescue operations faltered and foreign assistance was refused. The fate of the men aboard hung in the balance. Journalist Robert Moore’s book A Time to Die: The Untold Story of the Kursk Tragedy scrupulously dissects all the forensic evidence and every agonizing moment on the final hours in the lives of those doomed sailors. 3 PRODUCTION NOTES FROM BOOK TO SCREEN recalls. “But one thing that stayed with me, from the what happened. They all died. So we surrounded news coverage, was the tapping. -
Contemporary World Cinema Brian Owens, Artistic Diretor – Nashville Film Festival
Contemporary World Cinema Brian Owens, Artistic Diretor – Nashville Film Festival OLLI Winter 2015 Term Tuesday, January 13 Viewing Guide – The Cinema of Europe These suggested films are some that will or may come up for discussion during the first course. If you go to Netflix, you can use hyperlinks to find further suggestions. The year listed is the year of theatrical release in the US. Some films (Ida for instance) may have had festival premieres in the year prior. VOD is “Video On Demand.” Note: It is not necessary to see any or all of the films, by any means. These simply serve as a guide for the discussion. You can also use IMDB.com (Internet Movie Database) to search for other works by these filmmakers. You can also keep this list for future viewing after the session, if that is what you prefer. Most of the films are Rated R – largely for language and brief nudity or sexual content. I’ve noted in bold the films that contain scenes that could be too extreme for some viewers. In the “Additional works” lines, those titles are noted by an asterisk. Force Majeure Director: Ruben Östlund. 2014. Sweden. 118 minutes. Rated R. A family on a ski holiday in the French Alps find themselves staring down an avalanche during lunch. In the aftermath, their dynamic has been shaken to its core. Currently playing at the Belcourt. Also Available on VOD through most services and on Amazon Instant. Ida Director: Pawel Pawlikowski. 2014. Poland. 82 minutes. Rated PG-13. A young novitiate nun in 1960s Poland, is on the verge of taking her vows when she discovers a dark family secret dating back to the years of the Nazi occupation. -
December 2012 Table of Contents
NEWSLETTER DECEMBER 2012 TABLE OF CONTENTS Table is hyperlinked to each article! WELCOME – by Martyn Sibley ...............................................................................................................................................................................................3 Differently abled through digital art .....................................................................................................................................................................................4 Viewing disability and difference through the eye of a lens ................................................................................................................................................7 Disability art and Turning Points ...........................................................................................................................................................................................9 Accessibility with style .........................................................................................................................................................................................................11 The British Paraorchestra: recruiting new talents ..............................................................................................................................................................13 Q&A with one-handed pianist Nicholas McCarthy .............................................................................................................................................................14 -
Jacques Audiard
J A C Q U E S AUDIARD J A C Q U E S AUDIARD French director Jacques Audiard’s latest feature Dheepan won Cannes’ Palme d’Or in 2015 and his critically acclaimed prison film A Prophet (2009) and romantic drama Rust and Bone (2012) made him that rare thing: an internationally renowned filmmaker not in the English language. Despite an auspicious personal heritage, Audiard came late to directing, a writer first and foremost. His stories, wildly varying in subject matter, have in common a fascination with the struggle for identity and the reforging of a self after or through trauma. They are shocking, beautiful and have captivated both audiences and actors like Marion Cotillard and Vincent Cassel. He is soon to make the move to anglophone cinema. Interview Joshua Bullock 82 83 © Jean-Claude Lother Joshua Bullock: The name Audiard is now well known in the world of I don’t know if it is symbolic or poetic; it’s very natural. I don’t say, “Hey, French cinema. How did you get into the film business? bring me a symbol!” These are the things I do. I did fades. I used to put my hand over the lens and take shots like that. I do the same today. Jacques Audiard: My father was a very well known scriptwriter and director in France who left behind a huge legacy. Cinema for him was JB: There’s a scene where Emmanuelle Devos looks in the mirror in Read a job, a way to earn a living. He was of a literary bent. -
Beyond the Asylum: Colonial Psychiatry in French Indochina, 1880-1940
Beyond the asylum: Colonial psychiatry in French Indochina, 1880-1940 Claire Ellen Edington Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 2013 Claire Ellen Edington All rights reserved ABSTRACT Beyond the asylum: Colonial psychiatry in French Indochina, 1880-1940 Claire Ellen Edington This dissertation looks beyond the asylum to consider the development of psychiatry in French Indochina as the product of everyday exchanges between lay people and experts. Drawing on archival research conducted over two years in Vietnam and France - including hundreds of patient case files - I trace the movements of patients in and out of asylums and between prisons, poor houses, youth reformatories, hospitals and family homes. Together, these individual patient itineraries challenge our notion of the colonial asylum as a closed setting where patients rarely left, run by experts who enjoyed broad and unquestioned authority. Instead, they reveal how ideas about what it meant to be abnormal, as well as normal enough to return to social life, were debated between psychiatrists, colonial authorities and the public throughout the early decades of twentieth century. By examining the dynamics of patient movements in and out of psychiatric care, this study shifts our perspective from the asylum itself to its relationship with the world beyond its walls. Colonial scholars have focused on the way psychiatry provided a new scientific discourse of racial difference and how it figured within a wider biopolitics of colonial rule. However the social histories of the asylums themselves, and how they functioned within colonial political systems, remain little explored. -
Community Exhibitor Survey
Community Exhibitor Survey 2018 — 2019 Table of Contents Table of Contents 1 Summary 2 Introduction 4 Background 4 Aims 4 Timescale 4 Sector 4 Methods 4 Results 5 Administration 6 Audience, Membership and Admission 8 Provision 13 Programming 15 Cinema For All 19 The Sector 24 1 Summary Survey The questionnaire was sent out to all full, associate and affiliate Cinema For All members and other community cinema organisations on the Cinema For All mailing list. 137 organisations responded to the survey. Administration • 80% of respondents were established in the year 2000 or later. • 82% of respondents describe themselves as a Community Cinema or Film Society. • Community Cinemas and Film Societies were seen as different by 60% of respondents, with the main cited differences being in administration (open vs membership organisations) and programming. • Staff or volunteers from just under two thirds (64%) of responding organisations attended an event aimed at film exhibitors. • 18% of respondents had paid members of staff. • Most respondents (80%) used just one venue for all of their screenings, and almost half (45%) of respondents’ primary venues were village halls or community centres. • Over a third (35%) of responding groups purchased equipment during the relevant period. Audience, Membership and Admission • The average audience size was 56, which is a decrease from 75 reported in both 2009 and 2014. • Despite the lower average audience size, admissions seem to have risen; the average total number of admissions this year was 2,383, up from 1,360 in 2009 and 1,891 in 2014. • Just 15% of groups reported a decrease in their audience size. -
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company.