Performance Schedule Group Prices Seat Locations

Total Page:16

File Type:pdf, Size:1020Kb

Performance Schedule Group Prices Seat Locations GROUP RATES START AT 10 OR MORE TICKETS ORDER TODAY FOR PRIORITY ACCESS TO THE BEST SEATS! “THE BEST SHOW OF THE YEAR! ‘HELLO, DOLLY! MUST NOT BE MISSED.” -NPR February 11-16, 2020 Winner of four Tony Awards including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood -elevating properties of the American musical at its giddy best.” Director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). After breaking box office records week after week and receiving unanimous raves on Broadway, this HELLO, DOLLY! is now touring America, paying tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. Rolling Stone calls it “a must-see event. A musical comedy dream. If you’re lucky enough to score a ticket, you’ll be seeing something historic. Wow, wow, wow, indeed!” All prices, performance dates, performance times, on-sale dates, and artists are subject to change without notice. All sales are final. There are no refunds or exchanges given on group orders. Performance Schedule All performances at Tuesday, February 11, 2020 7:30 PM The Fox Theatre 660 Peachtree Street NE Wednesday, February 12, 2020 7:30 PM Atlanta, GA 30308 Thursday, February 13, 2020 7:30 PM (404) 881-2000/[email protected] Friday, February 14, 2020 8:00 PM Saturday, February 15, 2020 2:00 PM Group Prices Saturday, February 15, 2020 8:00 PM Tuesday, Wednesday, and Thursday Performances Sunday, February 16, 2020 1:00 PM Price Level A B C D E Sunday, February 16, 2020 6:30 PM Seat Locations Group $87.00 $73.75 $63.00 $43.75 $40.00 Center Orchestra A-M Price Level A Friday, Saturday, and Sunday Performances Loge Price Level B Center Orchestra N-Z Price Level A B C D E Center Orchestra AA-HH Group $97.00 $86.50 $72.00 $55.00 $40.00 Price Level C Side Orchestra N-Z 1st Dress Circle The Fox Theatre is a magnificent place to host your next corporate event or Center Orchestra JJ-RR social gathering! Price Level D Side Orchestra AA-HH 2nd Dress Circle Contact Shelby Moody at 404-881-2011 [email protected] or Side Orchestra JJ-RR Jessie Jameson at 404-881-2103 [email protected] Price Level E Gallery .
Recommended publications
  • The Tony Award-Winning Best Musical Revival
    FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell The Tony Award-Winning Best Musical Revival Will Begin Performances September 25 at Starlight Theatre “THE BEST SHOW OF THE “THIS ‘DOLLY!’ IS CLASSIC “IT IS, IN A WORD, YEAR. ‘HELLO, DOLLY!’ BROADWAY AT ITS BEST.” PERFECTION.” MUST NOT BE MISSED.” - ENTERTAINMENT WEEKLY, - TIME OUT NEW YORK, - NPR, DAVID RICHARDSON MAYA STANTON ADAM FELDMAN KANSAS CITY, Mo. – The producers of HELLO, DOLLY!, the Tony Award-winning Best Musical Revival, and Starlight Theatre are excited to announce that single tickets for the National Tour starring Carolee Carmello are on sale now. Tickets are available at the Starlight Theatre box office (4700 Starlight Road, Kansas City, MO, 64132), by visiting kcstarlight.com, or by calling 816-363-STAR (7827). Group orders of 10 or more may be placed by calling 816-997-1137. “This production of Hello, Dolly! is bigger and better than it’s ever been,” Rich Baker, President and CEO of Starlight, said. “This tour is everything that I love about Broadway—and spares no extravagance. It celebrates the iconic moments of this larger-than-life musical with incredible sets and costumes, phenomenal dancing, and big-talent that has what it takes to champion these iconic roles. What could be better than Hello, Dolly! to complete our 2019 AdventHealth Broadway Series?” Winner of four Tony Awards including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.” Director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post).
    [Show full text]
  • Jeremy Jordan
    Jeremy Jordan Jeremy Jordan was born and raised in Corpus Christi, Texas. He was always a singer, but at the age of 17, he accidentally fell in love with acting when cast as The Mute in the musical, The Fantasticks. After high school, Jeremy went on to study drama at Ithaca College and moved to New York City after graduating in 2007. After about a year of catering and waiting tables, he began to book some regional theatre work, and in early 2009, landed his first Broadway show, Rock of Ages. He was a swing, understudying several roles including the lead. In December of 2009, he left Rock of Ages to play Tony in Broadway's West Side Story. After West Side Story, Jeremy traveled to Sarasota, Florida to play Clyde Barrow opposite Laura Osnes in Bonnie & Clyde. He then headed to Atlanta, Georgia to shoot his first feature film, “Joyful Noise,” opposite Dolly Parton and Queen Latifah. Todd Graff, who wrote and directed the film, decided to cast him in the movie after coincidentally attending Jeremy's very first performance as the lead in Rock of Ages. In the fall of 2011, Jeremy fulfilled a childhood dream when he was cast as Jack Kelly in Disney's world premiere production of Newsies at Paper Mill Playhouse in New Jersey. He played Jack at night, and during the day rehearsed Bonnie & Clyde, which was coming to Broadway shortly after Newsies finished its regional run. Bonnie & Clyde opened on Broadway in November, 2011 but sadly would close after only 69 performances.
    [Show full text]
  • U.S. National Tour of the West End Smash Hit Musical To
    Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards.
    [Show full text]
  • 6 X 10 Long.P65
    Cambridge University Press 0521849632 - Dramaturgy: A Revolution in Theatre Mary Luckhurst Excerpt More information 1 Introduction In Germany, Eastern Europe, Scandinavia and the Netherlands drama- turgs and literary managers are a lynchpin of mainstream, state-funded theatre, and have been officially employed for well over two centuries. Playreaders, advisers on repertoire and textual, critical and practical experts working in partnerships with directors and/or writers are accepted as an integral part of theatre-making. Similarly, though the history is much more recent, advances in American theory and practice since the 1960s mean that dramaturgy and literary management are now embedded both in subsidised theatre and as recognised disciplines in academic curri- cula at over forty universities.1 The latest edition of Brockett’s standard theatre history contains significant new sections on both fields, seeking to define differences while acknowledging that the concept of the dramaturg is still not widely understood.2 England is now belatedly following in the wake of continental and US practice, and its dramaturgical cultures have undergone an extraordinary transformation, particularly in the last decade – a pace of change still so great that it is difficult to keep abreast of developments. Though literary managers became official only in 1963 with the arrival of Tynan at the National Theatre, and professionalisation was at first slow, it quickened exponentially in the 1990s and the number of appointments continues to rise. Literary managers are now key figures intheartisticrunningofmanytheatres,andthedeploymentofdrama- turgs, who in England most commonly develop new plays, has become widespread. This book explores the origins and causes of this recent and revolutionary sea change in English theatre culture: the profession- alisation of literary management and dramaturgy.
    [Show full text]
  • A Lucky Pilot Descriptive Verbs
    Cambridge University Press 978-1-107-59935-2 — American Think Level 4 Teacher's Edition Brian Hart , Herbert Puchta , Jeff Stranks , Peter Lewis-Jones Excerpt More Information WELCOME A WHAT A STORY! A lucky pilot 1 1.02 Complete the conversation with the verbs in the correct tense. h en listen and check. crash | hit | i nd | add | end | pull | keep take | destroy | scream | manage | dive MIKE Did you see that story about the plane that 0 crashed in the Gulf of Mexico? ANDY No, I didn’t. What happened? MIKE Well, this guy 1 of from Miami in a single- engine plane and headed toward New Orleans. ANDY Wow. h at’s a long way. MIKE Exactly, and it’s normally too far for a plane like that, but he had 2 extra fuel tanks. At er he had begun his journey, however, he realized he didn’t have enough fuel to 3 on l ying, so he radioed New Orleans and told them that he was in trouble and had to land in the ocean. ANDY In the water? MIKE Yes, but luckily there was a i shing boat nearby that Descriptive verbs was able to pick him up. But here’s the incredible 1 Match the verbs with the de nitions. thing. h e plane had a parachute, so the pilot opened it, but this didn’t work, and the plane started 1 demolish a to hit very hard and break to 4 toward the water! h en, almost at 2 l e e b to run away quickly the last second, the parachute pulled the plane 3 grab c to destroy completely 5 horizontal, just before it the water.
    [Show full text]
  • The Homes of 'Smash': Interiors That Steal the Show MARCH 26, 2012 | 6:47 PM
    L.A. at Home DESIGN, ARCHITECTURE, GARDENS, SOUTHERN CALIFORNIA LIVING « Previous Post | L.A. at Home Home | Next Post » f t m The homes of 'Smash': Interiors that steal the show MARCH 26, 2012 | 6:47 PM Drama may have spilled off the TV screen last week as the creator of "Smash," playwright Theresa Rebeck, stepped down as the lead producer on the NBC series. Design fans, however, will be pleased to know that the show's eclectic and luxurious interiors for its Broadway-based characters will be back for a second season. Production designer Cabot McMullen and set decorator Andrew Baseman recently talked about the look of the homes on the show, which McMullen said the production had made a big commitment to make as realistic as possible. "The criteria from [executive producer] Steven Spielberg was to make it real," he said. "We were asked to demonstrate the lifestyle of Broadway people that was honest and true." McMullen credits Baseman for choosing furnishings that tell a story. "You can do more color and push the envelope with theater people," said Baseman, an interior designer who has clients in the theater world. "Some people in the business get very close to the characters they create and they want to live in that world." Both men admitted that the loft of Derek (Jack Davenport) -- filmed in a vast Flatiron District apartment with a gorgeous view of the Empire State Building -- is a bit of a stretch for a theater director. But what about the luxurious Upper East Side brownstone of writer Julia (Debra Messing), pictured below? "She's successful.
    [Show full text]
  • Story Mode Character Checklist Smash Ultimate
    Story Mode Character Checklist Smash Ultimate Sniffier Otho journalising her summa so anaerobiotically that Willy flouts very blooming. Ingrate and baddish Waiter mythicizing: which Wakefield is warrigal enough? Sometimes undrained Silvio advises her bivouacking wham, but stabilized Goddard pikes chastely or maculate inescapably. Now reopen the area of the smash mode character guides and additional effects on Nintendo is thus taking steps to improve its game. Into the World the Light beam mode Super Smash Bros but no Special Thanks. Smash ultimate smash bros as story modes in the flavor text message of light and snake is recommended that had ever. How to character unlock ike? Gold if smash? Top 10 Best Super Smash Bros Characters of shower Time Lineups. To truly complete the story there you'll need to defeat not software but two. In smash mode as story modes in super smash bros mixes the metroids with gears and even the. Nintendo, Richter, the family sky clears and the rubbish is acquired. Super Smash Bros Ultimate Spirit Characters List that you. Oooh my sweet Daisy! The top spot is probably the smash character! There are mild many other IPs that could run more fighters or carpet time fighters. Fight game modes in smash mode character. Within the wood List bunny'll find character movesets strengths and weaknesses. Ultimate it wasn't kidding about the cemetery every third character suddenly has ever appeared in any previous Smash Bros game already available does the. Slide under her in smash bros ultimate wiki guide will want to play a super smash bros ultimate you too similar to know it is in.
    [Show full text]
  • GIRLS5EVA “Pilot”
    Episode #101 Script #101 Production #01001 GIRLS5EVA “Pilot” Written by Meredith Scardino Directed by Kat Coiro PRE-PRODUCTION DRAFT - 10/8/20 WHITE SHOOTING DRAFT - 10/14/20 BLUE REVISED - 10/21/20 PINK REVISED - 10/23/20 YELLOW REVISED - 11/16/20 © 2020 Universal Television LLC ALL RIGHTS RESERVED. NOT TO BE DUPLICATED WITHOUT PERMISSION. This material is the property of Universal Television LLC and is intended solely for use by its personnel. The sale, copying, reproduction or exploitation of this material, in any form is prohibited. Distribution or disclosure of this material to unauthorized persons is also prohibited. GIRLS5EVA 101: "PILOT" YELLOW REVISED 11/16/20 CAST LIST DAWN.............................................................................................................................SARA BAREILLES WICKIE.......................................................................................................RENÉE ELISE GOLDSBERRY GLORIA ..................................................................................................................................PAULA PELL SUMMER ..........................................................................................................................BUSY PHILIPPS LARRY......................................................................................................................JONATHAN HADARY SCOTT...........................................................................................................................DANIEL BREAKER NICK..................................................................................................................................DEAN
    [Show full text]
  • Introduction Magda Romanska
    Introduction Magda Romanska Dramaturgy: an overview of the concept from Poetics to Smash In its broader and earliest definition, dramaturgy means a comprehensive theory of “play making.” The original Greek compound word, dramatourgos, meant simply a play maker, play composer, that is, a playwright. According to Aristotle, the root word “drama” came from the Attic verb that simply meant “action” (δραν = “to do” or “to make”). The second morpheme, “tourgos,” was derived from the Greek word “ergo” (έργο = “work” or “composition”), which meant “working together.” Aristotle often used it in its vernacular meaning, as the connector “therefore.” (This meaning eventually entered Latin, where it was most famously used by Descartes in his maxim cogito ergo sum –“I think therefore I am.”) Thus, originally, dramatourgos simply meant someone who was able to arrange various dramatic actions in a meaningful and comprehensive order. To this day, in many modern languages, including French, Spanish, and Polish, the word dramaturg also can mean playwright, adding to the confusion as the two roles continue to be conflated. As dramaturgy attempts to define itself separately from playwriting, the etymology of the word can help us illuminate its many his- torical and modern uses. Everyone can be a playwright (or, at least, everyone can write a bad play), but not everyone can be a dramaturg (that is, not everyone will actually know how to fix it). Dramaturgy requires the analytical skill of discerning and deconstructing all elements of dramatic structure. We can say that although Aeschylus was the first Western playwright, Aristotle, whose Poetics was the first Western book attempting to define the formal rules of well-structured drama, was the very first Western dramaturg.
    [Show full text]
  • Bernadette Peters Throughout Her Illustrious Career, Tony Award-Winning Actress Bernadette Peters Has Dazzled Audiences and Crit
    Bernadette Peters Throughout her illustrious career, Tony Award-winning actress Bernadette Peters has dazzled audiences and critics with her performances on stage and television, in concert, and on recordings. She recently starred on Broadway in the Stephen Sondheim / James Goldman critically acclaimed production of Follies, following a successful run at the Kennedy Center. Prior to that, she starred opposite Elaine Stritch in the Stephen Sondheim / Hugh Wheeler Tony Award- winning masterpiece, A Little Night Music. In 2012, Bernadette was honored with her third Tony Award, The Isabelle Stevenson Special Award that acknowledges an individual from the theatre community who has made a substantial contribution of volunteered time and effort on behalf of one or more humanitarian, social service or charitable organizations. Recently, Peters added author and songwriter to her roster of achievements with her debut children’s book, Broadway Barks, aptly named after the organization she co-founded with good friend, Mary Tyler Moore. The book landed on the New York Times Bestseller list shortly after publication. The organization’s annual star-studded animal adoption event takes place in Shubert Alley in the heart of NYC’s theater district, and benefits over 20 animal shelters in and around the New York City area. The book package includes a CD recording of an original song written and sung by the author. Her second children’s book, Stella is a Star features yet another of her original songs, of which all proceeds from the sale of both books go to Broadway Barks!. In November 2009, Peters performed a special one-night-only concert in New York City at the Minskoff Theatre, called “Bernadette Peters: A Special Concert for Broadway Barks Because Broadway Cares”, which benefitted both Broadway Barks and Broadway Cares/ Equity Fights AIDS.
    [Show full text]
  • UC Santa Cruz Electronic Theses and Dissertations
    UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Dissecting Dramaturgical Bodies: Self, Sensibility, and Gaze in Contemporary Dramaturgy Permalink https://escholarship.org/uc/item/82f5012r Author Denney, Patrick Publication Date 2016 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ DISSECTING DRAMATURGICAL BODIES: Self, Sensibility, and Gaze in Contemporary Dramaturgy A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in THEATER ARTS by Patrick Denney This thesis of Patrick Denney is Approved by: _____________________________________ Professor Michael Chemers, PHD, Chair _____________________________________ Professor Gerald Casel, MFA _____________________________________ Professor Philippa Kelly, PHD _____________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents Abstract………………………………………………………………………………………………………………………………………………….iv Dedication………………………………………………………………………………………………………………………………………………v “Killing” Theater: A Survey of Popular Depictions of Dramaturgy……………………………………………………………1 Brecht’s Electrons: Positioning the Dramaturg in The Messingkauf Dialogues and Beyond…………………….5 Doctor to Dramaturg, and Back Again: Defining the Dramaturgical Gaze………………………………………………10 Pharmaturg to Dramaturg: Pharmakos and Dionysian Dramaturgy………………………………………………………18 Works Cited………………………………………………………………………………………………………………………………………….33
    [Show full text]
  • Leadership Biographies
    Leadership Biographies MCC Theater is one of the only theaters in the country led continuously by its founders, Artistic Directors Robert LuPone, Bernard Telsey, and William Cantler. The three were members of a collective of theater artists who led peer- based classes to support their own artistic development outside the academic or professional framework available to them at the time. Those classes, begun in 1984, led to the founding of the company as a nonprofit entity in 1986, which allowed the company to begin producing the plays the collective had been developing. The tenants of collaboration, education, and community remain at the core of MCC Theater’s programming today. Robert LuPone – Artistic Director and Co-Founder Robert LuPone is recognized for his work as an actor in film, television, and theater. LuPone has performed on Broadway in A Thousand Clowns, True West, A View from the Bridge, Zoya’s Apartment, Saint Joan, The Magic Show, Late Nite Comic, West Side Story, and Jesus Christ Superstar. His numerous film and television appearances include roles in Billions, The Affair, Smash, Gossip Girl, A Gifted Man, Gravity, Breaking Point, Funny Games, Royal Pains, Then She Found Me, Law & Order, The Door in the Floor, and a recurring role as Dr. Cusamano in The Sopranos. He won a Joseph Jefferson Award for his role as Crow in Tooth of the Crime, an Emmy nomination for his work on All My Children, and a Tony nomination for his role as Zach in the original cast of A Chorus Line. From 2005 to 2011 he was the Director of the New School for Drama’s MFA program at the New School University.
    [Show full text]