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Rosena Hill Jackson Resume
ROSENA M. HILL JACKSON 941-350-8566 [email protected] www.RosenaHill.com BROADWAY/New York Carousel Nettie Jack O’Brien/Justin Peck Prince of Broadway swing Harold Prince/ Susan Stroman After Midnight Rosena Warren Carlyle/Daryl Waters/Wynton Marsalis Carousel Ensemble Avery Fisher Hall/PBS “Live at Lincoln Center” Cotton Club Parade Rosena Encores City Center Lost in the Stars Mrs. Mckenzie Encores Z City Center Come Fly Away Featured Vocalist Marriott Marqui Theatre/Twyla Tharp The Tin Pan Alley Rag Monisha/Miss Lee Roundabout Theatre Co./Stafford arima,dir Oscar Hammerstein II: The Song is You Soloist Carnegie Hall/New York Pops Color Purple Church Lady Broadway Theatre Spamalot Lady of the Lake/Standby Mike Nichols dir. Imaginary Friends Mrs. Stillman & others Jack O'Brien dir. Oklahoma Ellen Trevor Nunn mus dir./Susan Stroman chor. Riverdance on Broadway Amanzi Soloist Gershwin Theater Marie Christine Ozelia Graciela Daniele dir. Ragtime Sarah’s Friend u/s Frank Galati, Graciela Daniele/Ford’s Center REGIONAL The Toymaker Sarah NYMF/Lawrence Edelson,dir The World Goes Round Woman #1 Pittsburgh Public Theater/Marcia Milgrom Dodge,dir Ragtime Sarah White Plains Performing Arts Center Man of Lamancha Aldonza White Plains Performning Arts Center Baby Pam/s Papermill Playhouse Dreamgirls Michelle North Carolina Theater Ain’t Misbehavin’ Armelia Playhouse on the Green Imaginary Friends Smart women soloist Globe Theater 1001 Nights Sophie George Street Playhouse Mandela (with Avery Brooks) Winnie Steven Fisher dir./Crossroads Brief History -
The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
Alex Koch, Tenor Stephen Carey, Piano
presents Alex Koch, tenor Stephen Carey, piano Sunday, November 15th, 2020 7:00 PM TCU School of Music Wilkommen John Kander From Cabaret (1927-Present) Caro Mio Ben Giuseppe Giordani (1751-1798) The Juices Entwine Christopher Weiss and John de los Santos From Service Provider (1980-Present) (1981-Present) For Forever Benj Pasek and Justin Paul From Dear Evan Hansen (1985-Present) (1985-Present) Time Jeannie Miller (1996-Present) Love, Unrequited, Robs me of my Rest W.S. Gilbert and Arthur Sullivan (1836-1911) (1842-1900) Sure on this Shining Night Samuel Barber (1910-1981) Artwork by Elizabeth Gondolf Les Chemins de l’amour Francis Poulenc (1899-1963) Dance performed by Ali Honchell Freundliche Vision Richard Strauss (1864-1949) Artwork by Ian L. Mr. Koch’s portion of the recital is given in fulfillment of the requirements for Bachelor’s in Music Performance degree. Mr. Koch is a student of Professor Twyla Robinson, Dr. Corey Trahan, and Professor David Gately. The use of recording equipment or taking photographs is prohibited. Please silence all electronic devices. Wilkommen John Kander (1927 – Present) From Cabaret Based off of the 1951 play by queer playwright John Van Druten, Cabaret was written and premiered in 1966 by John Kander, Fred Ebb, and Joe Masteroff. The play by Van Druten, titled I Am a Camera, was inspired by the 1939 novel by Christopher Isherwood, Goodbye to Berlin. This novel is important in the inception of Cabaret as well as I Am a Camera, as it gives the plot, the conflict, and the characters used throughout the play and the musical. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
YCH Monograph TOTAL 140527 Ts
UCLA UCLA Electronic Theses and Dissertations Title Transformation of The Musical: The Hybridization of Tradition and Contemporary Permalink https://escholarship.org/uc/item/1hr7f5x4 Author Hu, Yuchun Chloé Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Transformation of The Musical: The Hybridization of Tradition and Contemporary A dissertation submitted in partial satisfaction of the requirement for the degree Doctor of Philosophy in Music by Yu-Chun Hu 2014 Copyright by Yu-Chun Hu 2014 ABSTRACT OF THE DISSERTATION Transformation of The Musical: The Hybridization of Tradition and Contemporary by Yu-Chun Hu Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair Music and vision are undoubtedly connected to each other despite opera and film. In opera, music is the primary element, supported by the set and costumes. The set and costumes provide a visual interpretation of the music. In film, music and sound play a supporting role. Music and sound create an ambiance in films that aid in telling the story. I consider the musical to be an equal and reciprocal balance of music and vision. More importantly, a successful musical is defined by its plot, music, and visual elements, and how well they are integrated. Observing the transformation of the musical and analyzing many different genres of concert music, I realize that each new concept of transformation always blends traditional and contemporary elements, no matter how advanced the concept is or was at the time. Through my analysis of three musicals, I shed more light on where this ii transformation may be heading and what tradition may be replaced by a new concept, and vice versa. -
An Afternoon on Broadway Marks the Beginning of the Band’S 33Rd Season
Purpose and History The Community Band of Brevard exists to educate its members, to entertain its audiences, and to serve its community. Our musical director is Mr. Marion Scott. Mr. Scott formed the Band in 1985 to provide a performance outlet for adult musicians in the area. Our membership, currently numbering about 80, includes people of all ages representing many occupations. Most of our concerts have a specific theme upon which the music focuses. Those themes have often led us to include exceedingly difficult works, which we willingly do, and to include special guest artists. The Band gives several concerts throughout the year. Our concerts include many diverse musical genres, composers, and often previously unpublished works for band. Each program is planned to please a variety of musical tastes. If you would like more information about the Band, or wish to join, send us a message to [email protected] or contact David Scarborough at (321) 338-6210. Like us on Facebook at Community Band of Brevard and visit our Web site at http://www.CommunityBandOfBrevard.com. CBOB’S FL DEPARTMENT OF AGRICULTURE & CONSUMER SERVICES REGISTRATION NUMBER IS CH35170. A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE (800- 435-7352) WITHIN THE STATE. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL, OR RECOMMENDATION BY THE STATE. Board of Directors Conductor .............................................................. Marion Scott Chairman ...................................................... -
Michael Jablonski's CV
Curriculum Vitae of Michael D. Jablonski 51-34 30th Avenue #E4P Woodside, NY 11377 [email protected] 917-749-2040 Fall 2020 EDUCATION Master of Fine Arts Florida State University (Spring 2021 candidate) Major - Directing Bachelor Of Arts State University of New York at Buffalo Major - Theatre and Dance Minor - Mathematics PROFESSIONAL TRAINING 2019 - Present Theatrical Intimacy Education - Workshop Intensives (Instructed by Founders - Laura Rikard & Chelsea Pace) 2018 - Present Violent Practice on Stage - Stage Combat Florida State University (SAFD Certified in Unarmed and Knife Technique) (Adjudicator - Mark Quinn) (Instructor - Jason Paul Tate) 2018 Program for Instructional Excellence (PIE) Teaching Training Recognition - Florida State University 1998 - Present Study in New York City at Broadway Dance Center & Steps on Broadway, & other locations with various master teachers including: Josh Bergasse, Andy Blankenbuehler, Ann Reinking, Joey McKneely, Diana Laurenson, Jim Cooney, Dana Moore, Carol Schuberg, Dorit Koppel, Chet Walker, Tony Stevens, A.C. Ciulla, Bob Richard, Phil Black, Richard J. Hinds, Al Blackstone, Chris Bailey, James Kinney 1 2010 - Present One on One Studio - New York City On Camera Workshops (Selection by Audition) Instructors - Bob Krakower & Marci Phillips EMPLOYMENT HISTORY 2020 - 2021 Fall & Spring Florida State University, Florida Instructor In The School of Theatre (Intro to Music Theatre Dance - New Course Developed) (Instructor of Record - Michael D. Jablonski) (Culminations - Senior Seminar Course) (Instructor - Michael D. Jablonski) 2019 - 2020 Fall & Spring Florida State University, Florida Instructor In The School of Theatre (Intro to Music Theatre Dance - New Course Developed) (Instructor of Record - Michael D. Jablonski) Graduate Teaching Assistant (Performance I - Uta Hagen Acting Class) (Instructor of Record - Chari Arespacochaga) (Performance I Lab - Uta Hagen Workshop class) (Instructor of Record - Michael D. -
At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers. -
SEMESTER at SEA COURSE SYLLABUS Voyage: Summer 2014
SEMESTER AT SEA COURSE SYLLABUS Voyage: Summer 2014 Discipline: Drama DRAM 3040: Musical Theatre History Upper Division Faculty Name: Nancy Carr Pre-requisites: None. COURSE DESCRIPTION: Whether you love the classic Rodgers and Hammerstein musicals like The Sound of Music, Stephen Schwartz’s sensation Wicked, the rock musicals American Idiot and Mamma Mia or the new movie musicals Rock of Ages and Les Misérables, this class will examine them all. Taught by a professional actress and professor who currently has a student on Broadway, this class will explore many of Broadway’s milestone musicals complimented by a collection of over 400 video clips, original Broadway cast albums, scores, librettos (scripts), audio clips and photographs. Students will immerse themselves in the world of the musical by studying some of the most influential composers, lyricists, directors, choreographers, and performers that have contributed to the historical development of this art form. By exploring the language of music, the art of drama and the beauty of dance, you will investigate what it takes to bring musicals from the page to the stage, and what makes them triumph or flop. Students will gain insight into what really happens at an audition for a musical, how the world of musical theatre functions and the effect television shows like Glee and Smash as well as the resurgent popularity of movie musicals are having on the future of both the Broadway musical and its audience. Also, we will examine composers from several of the countries visited during the voyage who have had an impact on the development of the musical theatre landscape including Andrew Lloyd Webber (England), Benny Anderson and Björn Ulvaeus (Sweden) and Irving Berlin (Russia), as well as the work of American composers and librettists who have used the countries we are visiting as settings for their musicals. -
Become a Season Member! Paid 17 N
PRSRT STD U.S. POSTAGE BECOME A SEASON MEMBER! PAID 17 N. STATE, SUITE 810 CHICAGO, ILLINOIS 60602 CAROL STREAM, IL SIX SHOWS FOR AS LOW AS $120 PERMIT #1369 ORDER ONLINE OR BY PHONE! BROADWAYINCHICAGO.COM • SUBSCRIPTION 312.977.1717 CONNECT WITH US ONLINE AT GROUPS 312.977.1710 • SINGLE TICKETS 800.775.2000 BROADWAYINCHICAGO.COM/SOCIAL WORLD PREMIERE WORLD PRE-BROADWAY PRE-BROADWAY SEASON SHOW SEASON SHOW PHOTOS: MATTHEW MURPHY PHOTOS: MATTHEW MARCH 8 - 20, 2016 The quintessential backstage musical comedy classic, 42ND STREET is the song-and-dance fable of Broadway with an American Dream story and includes some of the greatest songs ever written, such as “We’re In The Money,” “Lullaby of Broadway,” “Shuffle Off To Buffalo,” “Dames,” “I Only Have Eyes For You” and of course “42nd Street.” Based on a novel by Bradford Ropes and Busby Berkeley’s 1933 movie, 42ND STREET tells the story of a starry-eyed young dancer named Peggy Sawyer who leaves her Allentown home and comes to New York to audition for the new Broadway musical Pretty Lady. When the leading lady breaks her ankle, Peggy takes over and becomes a star. With a book by Michael Stewart and Mark Bramble, music by Harry Warren and lyrics by Al Dubin, this sparkling new production will be directed by co-author Mark Bramble and choreographed by Randy Skinner, the team who Written by staged the 2001 Tony Award®-winning Best Musical Revival. WOODY ALLEN Based on the Screenplay of the Film BULLETS OVER BROADWAY by “OLD-FASHIONED, LAVISH Woody Allen and Douglas McGrath Original Direction and Choreography by SHOWMANSHIP.” —VARIETY SUSAN STROMAN APRIL 19 – MAY 1, 2016 PHOTO: CHRIS BENNION Hailed by Time Magazine as, “Musical Theatre Gold!,” BULLETS OVER BROADWAY is the hilarious musical comedy about the making of a Broadway show. -
To Get a Job in a Broadway Chorus, Go Into Your Dance:" Education for Careers in Musical Theatre Dance
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Master's Theses Student Research 9-30-2019 "To Get a Job in a Broadway Chorus, Go into Your Dance:" Education for Careers in Musical Theatre Dance Lauran Stanis [email protected] Follow this and additional works at: https://digscholarship.unco.edu/theses Recommended Citation Stanis, Lauran, ""To Get a Job in a Broadway Chorus, Go into Your Dance:" Education for Careers in Musical Theatre Dance" (2019). Master's Theses. 108. https://digscholarship.unco.edu/theses/108 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Master's Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LAURAN STANIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School “TO GET A JOB IN A BROADWAY CHORUS, GO INTO YOUR DANCE:” EDUCATION FOR CAREERS IN MUSICAL THEATRE DANCE A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree of Master of Arts Lauran Stanis College of Performing and Visual Arts School of Theatre Arts and Dance Dance Education December 2019 This Thesis by: Lauran Stanis Entitled: “To Get a Job in a Broadway Chorus, Go into Your Dance:” Education for Careers in Musical Theatre Dance has been approved as meeting the requirement for the Degree of Masters in Arts in the College of Performing and Visual Arts in the School of Theatre and Dance, Program of Dance Education Accepted by the Thesis Committee: _________________________________________________ Sandra L. -
Broadside ISSN: 0068-2748, Published Quarter Archive, 149 West 45& St., NWK%FY 00F Editor: Ellen Truax, University of Nohh I! Ex%
. - .- NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION 2 -- - Vol. 29, No. 4-Vol. 30, No. 1 TLA's 65'h Anniversary Year SprindSummer 2002 .... TLA Celebrates 34thAnnual Book Awards - It was old home week as TLA presented its MrnAnnual Mr. Gurney recalled meeting Ron ~enkinsafter hiring Book Awards on Friday May 31,2002 at the newly him as a teaching assistant for a course on comedy at refurbish& Bruno Walter Auditorium at The New York M.I.T., and how impressed he was with Mr. Jenkins's Public Library for the Performing Arts. ability to incorporate the flashy, subversive nature of comedy with a disarmingly ingratiating quality, both of The George Freedley Memorial Award, named for the which are reflected in the book. Thanking A.R. Gurney first curator of The Billy Rose Theatre Collection, is and Dario Fo for all he learned from them, Ron Jenkins - awarded to the outstanding book in the area of theatre said his book attempts to put together art, text, and . or live performance. The TLA Award honors the analysis of Dario Fo's work. outstanding book in the area of film or broadcasting. Cabaret star and writer Mary Cleere Haran gave the TLA President Kevin Winkler thanked the Lincoln TLA Award to her longtime friend Gary Giddins for his Center Institute for offering the awards an elegant home book Bing Cmsby: A Pocketfulof Dreams-The Eady in the Kaplan Penthouse for the last three years, while Years 1903-1940 (Little, Brown & Co.). Ms. Haran . noting that there's no place like home. Serving as described first encountering Gary Giddins' work while Program Coordinator and Master of Ceremonies, Kevin researching a public television documentary.