Last Tsar of Russia
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History 251 Medieval Russia
Medieval Russia Christian Raffensperger History 251H/C - 1W Fall Semester - 2012 MWF 11:30-12:30 Hollenbeck 318 Russia occupies a unique position between Europe and Asia. This class will explore the creation of the Russian state, and the foundation of the question of is Russia European or Asian? We will begin with the exploration and settlement of the Vikings in Eastern Europe, which began the genesis of the state known as “Rus’.” That state was integrated into the larger medieval world through a variety of means, from Christianization, to dynastic marriage, and economic ties. However, over the course of the twelfth and thirteenth centuries the creation of the crusading ideal and the arrival of the Mongols began the process of separating Rus’ (becoming Russia) from the rest of Europe. This continued with the creation of power centers in NE Russia, and the transition of the idea of empire from Byzantium at its fall to Muscovy. This story of medieval Russia is a unique one that impacts both the traditional history of medieval Europe, as well as the birth of the first Eurasian empire. Professor: Christian Raffensperger Office: Hollenbeck 311 Office Phone: 937-327-7843 Office Hours: MWF 9:00–11:00 A.M. or by appointment E-mail address: [email protected] Assignments and Deadlines The format for this class is lecture and discussion, and thus attendance is a main requirement of the course, as is participation. As a way to track your progress on the readings, there will be a series of quizzes during class. All quizzes will be unannounced. -
The Historical Afterlife of Two Capetian Co- Kings Who
Chapter 7 The Historical Afterlife of Two Capetian Co- Kings Who Predeceased Their Fathers William Chester Jordan One of the Capetians’ greatest successes was the smooth and largely unchal- lenged transfers of authority after Hugh Capet until the accession of Philip II Augustus. Every king after Hugh down to and including Philip II had two cor- onations, one as the king’s eldest son and while his father lived, the other after the older man died. This system, co-kingship or associative kingship, has been well- studied by a number of scholars, including notably Andrew Lewis, who have been interested in determining its roots and parallels in other royal and aristocratic traditions of inheritance.1 What it attempted to do was to assure that no king’s death left a power vacuum, since the new king would already be a reigning and anointed monarch. Of course, to what extent any junior king had responsibilities depended on the senior king’s personality, on his health, and on the political conditions in the interval between the son’s accession and his father’s demise. But it is pretty clear that the Capetians were luckier in this respect than several other dynasties that sporadically practiced associative kingship contemporary with them or later on. For example, in the twelfth century Henry II of England’s son, Henry the Young King, was willful, resentful, peevish, stupid, and altogether charming. These are my words, but they mirror W. L. Warren’s in his magisterial 1973 biography of Henry II: “He [the Young King] was gracious, benign, affable, courteous, the soul of liberality and generosity. -
USAF Counterproliferation Center CPC Outreach Journal #952
Issue No. 952, 28 October 2011 Articles & Other Documents: Featured Article: U.S. Releases New START Nuke Data 1. 'IAEA Report Can Stymie Iran-P5+1 Talks' 2. German Wavers over Sale of Sub to Israel: Report 3. Armenian Nuclear Specialists Move to Iran for Better Life 4. Seoul, US Cautiously Move on 6-Party Talks 5. N. Korea Remains Serious Threat: US Defence Chief 6. Seoul, Beijing Discuss NK Issues 7. Pentagon Chief Doubts N. Korea Will Give Up Nukes 8. U.S.’s Panetta and South Korea’s Kim Warn Against North Korean Aggression 9. Pakistan Tests Nuclear-Capable Hatf-7 Cruise Missile 10. Libya: Stockpiles of Chemical Weapons Found 11. U.S. Has 'Nuclear Superiority' over Russia 12. Alexander Nevsky Sub to Be Put into Service in Late 2012 13. New Subs Made of Old Spare Parts 14. Successful Test Launch for Russia’s Bulava Missile 15. Topol Ballistic Missiles May Stay in Service until 2019 16. U.S. Releases New START Nuke Data 17. Army Says Umatilla Depot's Chemical Weapons Mission Done 18. Iran Dangerous Now, Imagine It Nuclear 19. START Treaty: Never-Ending Story 20. The "Underground Great Wall:" An Alternative Explanation 21. What’s Down There? China’s Tunnels and Nuclear Capabilities 22. Visits Timely and Important 23. Surgical Strikes Against Key Facilities would Force Iran to Face Military Reality 24. KAHLILI: Iran Already Has Nuclear Weapons Welcome to the CPC Outreach Journal. As part of USAF Counterproliferation Center’s mission to counter weapons of mass destruction through education and research, we’re providing our government and civilian community a source for timely counterproliferation information. -
EMR 12029 Alexander Nevsky
Alexander Nevsky Russia under the Mongolian yoke / Arise, you Russian people / The Battle On Ice The Field of the Dead / Alexander’s Entry Into Pskov Wind Band / Concert Band / Harmonie / Blasorchester Arr.: John Glenesk Mortimer Sergeï Prokofiev EMR 12029 st 1 Score 2 1 Trombone + nd 1 Piccolo 2 2 Trombone + 8 Flute 1 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass st 5 1 B Clarinet 1 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Timpani 1 B Bass Clarinet (optional) 1 1st Percussion (Xylophone / Glockenspiel / Snare Drum 1 B Soprano Saxophone (optional) Wood Block) 2 1st E Alto Saxophone 1 2nd Percussion (Cymbals / Bass Drum / Triangle) 2 2nd E Alto Saxophone 1 3rd Percussion (Tam-Tam / Tambourine / Suspended 2 B Tenor Saxophone Cymbal) 1 E Baritone Saxophone (optional) 1 E Trumpet / Cornet (optional) Special Parts 2 1st B Trumpet / Cornet 1 1st B Trombone 2 2nd B Trumpet / Cornet 1 2nd B Trombone 2 3rd B Trumpet / Cornet 1 B Bass Trombone 2 1st F & E Horn 1 B Baritone 2 2nd F & E Horn 1 E Tuba 2 3rd F & E Horn 1 B Tuba Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Cinemagic 39 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Terminator (Fiedel) 5’34 EMR 12074 EMR 9718 2 Robocop 3 (Poledouris) 3’39 EMR 12131 EMR 9719 3 Rio Bravo (Tiomkin) 4’22 EMR 12085 EMR 9720 4 The Poseidon (Badelt) 4’02 EMR 12116 EMR 9721 5 Another Brick In The Wall (Waters) 4’14 EMR 12068 EMR 9722 6 Alexander Nevsky (Prokofiev) 9’48 EMR 12029 - 7 I’m Dreaming Of Home (Rombi) 4’38 EMR 12115 EMR 9723 8 Spartacus (Vengeance) (LoDuca) 4’13 EMR 12118 EMR 9724 9 The Crimson Pirate (Alwyn) 5’08 EMR 12041 EMR 9725 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. -
History Is Made in the Dark 4: Alexander Nevsky: the Prince, the Filmmaker and the Dictator
1 History Is Made in the Dark 4: Alexander Nevsky: The Prince, the Filmmaker and the Dictator In May 1937, Sergei Eisenstein was offered the opportunity to make a feature film on one of two figures from Russian history, the folk hero Ivan Susanin (d. 1613) or the mediaeval ruler Alexander Nevsky (1220-1263). He opted for Nevsky. Permission for Eisenstein to proceed with the new project ultimately came from within the Kremlin, with the support of Joseph Stalin himself. The Soviet dictator was something of a cinephile, and he often intervened in Soviet film affairs. This high-level authorisation meant that the USSR’s most renowned filmmaker would have the opportunity to complete his first feature in some eight years, if he could get it through Stalinist Russia’s censorship apparatus. For his part, Eisenstein was prepared to retreat into history for his newest film topic. Movies on contemporary affairs often fell victim to Soviet censors, as Eisenstein had learned all too well a few months earlier when his collectivisation film, Bezhin Meadow (1937), was banned. But because relatively little was known about Nevsky’s life, Eisenstein told a colleague: “Nobody can 1 2 find fault with me. Whatever I do, the historians and the so-called ‘consultants’ [i.e. censors] won’t be able to argue with me”.i What was known about Alexander Nevsky was a mixture of history and legend, but the historical memory that was most relevant to the modern situation was Alexander’s legacy as a diplomat and military leader, defending a key western sector of mediaeval Russia from foreign foes. -
The Rise of a Superpower, Foundation of the Russian Empire
Russian History: The Rise of a Superpower, Foundation of the Russian Empire Part II. From the Reinforcement of Tsardom to the Congress of Vienna By Julien Paolantoni Region: Russia and FSU Global Research, March 08, 2018 Theme: History 15 December 2012 Relevant article selected from the GR archive, first published on GR in December 2012 Introduction Part 1 of this series Russian History: From the Early East Slavs to the Grand Duchy of Moscow was aimed at explaining the foundation of the Russian state, by discussing its early influences in the cultural and political fields. As the subject of the present part is to provide insight on how Russia reached the status of superpower, it is necessary to briefly get back to the reign of Ivan III. Although the reign of the tsars started officially with Ivan IV, Ivan III (“Ivan the Great”) played a critical role in the centralization of the Russian state, after having defeated the Mongol army in 1480. Meanwhile, the extension of the Russian land was eased by the death of Casimir IV, the king of Poland, in 1492 and the fact that Casimir’s son, Alexander, was willing to cooperate with the Russians, so he wedded Ivan’s daughter Helena soon after accessing the throne of Lithuania, as an attempt to avoid open conflict with his powerful neighbor. Unfortunately for him, Ivan III’s clear determination to appropriate as much of Lithuania as possible, finally obliged Alexander to wage war against his father-in-law in 1499. It was a complete disaster for Lithuania and in 1503 Alexander eventually purchased peace by ceding to Ivan III Novgorod-Seversky, Chernigov and seventeen other cities. -
Boris Godunov
Boris Godunov and Little Tragedies Alexander Pushkin Translated by Roger Clarke FE<NFIC; :C8JJ@:J ONEWORLD CLASSICS LTD London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.oneworldclassics.com Boris Godunov first published in Russian in 1831 The Mean-Spirited Knight first published in Russian in 1836 Mozart and Salieri first published in Russian in 1831 The Stone Guest first published in Russian in 1839 A Feast during the Plague first published in Russian in 1832 This translation first published by Oneworld Classics Limited in 2010 English translations, introductions, notes, extra material and appendices © Roger Clarke, 2010 Front cover image © Catriona Gray Printed in Great Britain by MPG Books, Cornwall ISBN: 978-1-84749-147-3 All the material in this volume is reprinted with permission or presumed to be in the public domain. Every effort has been made to ascertain and acknowledge the copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Boris Godunov 1 Introduction by Roger Clarke 3 Boris Godunov 9 Little Tragedies 105 Introduction by Roger Clarke 107 The Mean-Spirited Knight 109 Mozart and Salieri 131 The Stone Guest 143 A Feast during the Plague 181 Notes on Boris Godunov 193 Notes on Little Tragedies 224 Extra Material 241 Alexander Pushkin’s Life 243 Boris Godunov 251 Little Tragedies 262 Translator’s Note 280 Select Bibliography 282 Appendices 285 1. -
2257-AV-Venice by Night Digi
VENICE BY NIGHT ALBINONI · LOTTI POLLAROLO · PORTA VERACINI · VIVALDI LA SERENISSIMA ADRIAN CHANDLER MHAIRI LAWSON SOPRANO SIMON MUNDAY TRUMPET PETER WHELAN BASSOON ALBINONI · LOTTI · POLLAROLO · PORTA · VERACINI · VIVALDI VENICE BY NIGHT Arriving by Gondola Antonio Vivaldi 1678–1741 Antonio Lotti c.1667–1740 Concerto for bassoon, Alma ride exulta mortalis * Anon. c.1730 strings & continuo in C RV477 Motet for soprano, strings & continuo 1 Si la gondola avere 3:40 8 I. Allegro 3:50 e I. Aria – Allegro: Alma ride for soprano, violin and theorbo 9 II. Largo 3:56 exulta mortalis 4:38 0 III. Allegro 3:34 r II. Recitativo: Annuntiemur igitur 0:50 A Private Concert 11:20 t III. Ritornello – Adagio 0:39 z IV. Aria – Adagio: Venite ad nos 4:29 Carlo Francesco Pollarolo c.1653–1723 Journey by Gondola u V. Alleluja 1:52 Sinfonia to La vendetta d’amore 12:28 for trumpet, strings & continuo in C * Anon. c.1730 2 I. Allegro assai 1:32 q Cara Nina el bon to sesto * 2:00 Serenata 3 II. Largo 0:31 for soprano & guitar 4 III. Spiritoso 1:07 Tomaso Albinoni 3:10 Sinfonia to Il nome glorioso Music for Compline in terra, santificato in cielo Tomaso Albinoni 1671–1751 for trumpet, strings & continuo in C Sinfonia for strings & continuo Francesco Maria Veracini 1690–1768 i I. Allegro 2:09 in G minor Si 7 w Fuga, o capriccio con o II. Adagio 0:51 5 I. Allegro 2:17 quattro soggetti * 3:05 p III. Allegro 1:20 6 II. Larghetto è sempre piano 1:27 in D minor for strings & continuo 4:20 7 III. -
Russia in the Accounts of Sixteenth-Century English Voyagers, Ed
Rude and Barbarous Kingdom: Russia in the Accounts of Sixteenth-Century English Voyagers, ed. Lloyd E. Berry and Robert O. Crummey, Madison, Milwaukee and London: University of Wisconsin Press, 1968. xxiii, 391 pp. $7.50. This attractively-presented volume is yet another instance of the work of publishers in making available in a more accessible form primary sources which it was hitherto necessary to seek among dusty collections of the Hakluyt Society publications. Here we have in a single volume accounts of the travels of Richard Chancellor, Anthony Jenkinson and Thomas Randolph, together with the better-known and more extensive narrative contained in Giles Fletcher's Of the Russe Commonwealth and Sir Jerome Horsey's Travels. The most entertaining component of this volume is certainly the series of descriptions culled from George Turberville's Tragicall Tales, all written to various friends in rhyming couplets. This was apparently the sixteenth-century equivalent of the picture postcard, through apparently Turberville was not having a wonderful time! English merchants evidently enjoyed high favour at the court of Ivan IV, but Horsey's account reflects the change of policy brought about by the accession to power of Boris Godunov. Although the English travellers were very astute observers, naturally there are many inaccuracies in their accounts. Horsey, for instance, mistook the Volkhov for the Volga, and most of these good Anglicans came away from Russia with weird ideas about the Orthodox Church. The editors have, by their introductions and footnotes, provided an invaluable service. However, in the introduction to the text of Chancellor's account it is stated that his observation of the practice of debt-bondage is interesting in that "the practice of bondage by loan contract did not reach its full development until the economic collapse at the end of the century and the civil wars that followed". -
Jan Sobczak Alexei Nikolaevich, Tsarevich of Russia
Jan Sobczak Alexei Nikolaevich, Tsarevich of Russia Echa Przeszłości 12, 143-156 2011 ECHA PRZESZŁOŚCI XII, 2011 ISSN 1509-9873 Jan Sobczak ALEXEI NIKOLAEVICH, TSAREVICH OF RUSSIA This article does not aspire to give an exhaustive account of the life of Alexei Nikolaevich, not only for reasons of limited space. The role played by the young lad who was much loved by the nation, became the Russian tsesarevich and was murdered at the tender age of 14, would not justify such an effort. In addition to delivering general biographical information about Alexei that can be found in a variety of sources, I will attempt to throw some light on the less known aspects of his life that profoundly affected the fate of the Russian Empire and brought tragic consequences for the young imperial heir1. Alexei Nikolaevich was born in Peterhof on 12 August (30 July) 1904 on Friday at noon, during an unusually hot summer that had started already in February, at the beginning of Russia’s much unfortunate war against Japan. Alexei was the fifth child and the only son of Nicholas II and Alexandra Feodorovna. He had four older sisters who were the Grand Duchesses: Olga (8.5 years older than Alexei), Tatiana (7 years older), Maria (5 years older) and Anastasia (3 years older). In line with the law of succession, Alexei automatically became heir to the throne, and his birth was heralded to the public by a 300-gun salute from the Peter and Paul Fortress. According to Nicholas II, the imperial heir was named Alexei to break away from a nearly century-old tradition of naming the oldest sons Alexander and Nicholas and to commemorate Peter the Great’s father, Alexei Mikhailovich, the second tsar of the Romanov dynasty that had ruled over Russia for nearly 300 years from the 17th century. -
The End of Boris. Contribution to an Aesthetics of Disorientation
The end of Boris. ConTriBuTion To an aesTheTiCs of disorienTaTion by reuven Tsur The Emergence of the Opera–An Outline Boris Godunov was tsar of russia in the years 1598–1605. he came to power after fyodor, the son of ivan the terrible, died without heirs. Boris was fyodor's brother-in-law, and in fact, even during fyodor's life he was the omnipotent ruler of russia. ivan the Terrible had had his eldest son executed, whereas his youngest son, dmitri, had been murdered in unclear circumstances. in the 16–17th centuries, as well as among the 19th-century authors the prevalent view was that it was Boris who ordered dmitri's murder (some present-day historians believe that dmitri's murder too was ordered by ivan the Terrible). in time, two pretenders appeared, one after the other, who claimed the throne, purporting to be dmitri, saved miraculously. Boris' story got told in many versions, in history books and on the stage. Most recently, on 12 July 2005 The New York Times reported the 295-year-late premiere of the opera Boris Goudenow, or The Throne Attained Through Cunning, or Honor Joined Happily With Affection by the German Baroque composer Johann Mattheson. Boris' story prevailed in three genres: history, tragedy, and opera. in the nineteenth century, the three genres culminated in n. M. Karamzin's monumental History of the Russian State, in alexander Pushkin's tragedy Boris Godunov, and in Modest Mussorgsky's opera Boris Godunov. each later author in this list liberally drew upon his predecessors. in her erudite and brilliant 397 reuven tsur the end of boris book, Caryl emerson (1986) compared these three versions in a Pimen interprets as an expression of the latter's ambition. -
Musically Russian: Nationalism in the Nineteenth Century Joshua J
Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2016 yS mposium Apr 20th, 3:40 PM - 4:00 PM Musically Russian: Nationalism in the Nineteenth Century Joshua J. Taylor Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Musicology Commons Taylor, Joshua J., "Musically Russian: Nationalism in the Nineteenth Century" (2016). The Research and Scholarship Symposium. 4. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2016/podium_presentations/4 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Musically Russian: Nationalism in the Nineteenth Century What does it mean to be Russian? In the eighteenth and early nineteenth centuries, Russian nobility was engrossed with French culture. According to Dr. Marina Soraka and Dr. Charles Ruud, “Russian nobility [had a] weakness for the fruits of French civilization.”1 When Peter the Great came into power in 1682-1725, he forced Western ideals and culture into the very way of life of the aristocracy. “He wanted to Westernize and modernize all of the Russian government, society, life, and culture… .Countries of the West served as the emperor’s model; but the Russian ruler also tried to adapt a variety of Western institutions to Russian needs and possibilities.”2 However, when Napoleon Bonaparte invaded Russia in 1812, he threw the pro- French aristocracy in Russia into an identity crisis.