DOCSLIB.ORG

• September 15, 2003 Q1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
• September 15, 2003 Q1 www.ExpressGayNews.com • September 15, 2003 Q1 Q_COVERstory Scene from Sordid Lives Queer TV Is here! New Pay-Per-View Gay Channel Is a Hit By Mary Damiano we’re involved with, the care and love we give Arts & Entertainment Editor to our community, the care and love we give “I know a lot of gay men with bad taste,” to each other and our families. These are the says filmmaker Paul Colichman, referring characteristics of our community that I’d like to the unreality of the reality show Queer to see.” Eye for the Straight Guy. In fact, Colichman There has been a lot of buzz in the last isn’t thrilled by most of the gay images year or so about a cable channel with all gay currently on TV, especially on Queer Eye programming. Showtime and MTV were and its Bravo companion, Boy Meets Boy. going to start one, but that project has been “By advancing these stereotypes that gay shelved for now. “We were looking at doing men are out to redecorate the world and sleep a gay and lesbian full-fledged channel,” says with straight men, you are going to upset Colichman, “but the costs for a full-fledged people and cause a backlash.” channel are so high, we decided that rather risk. “Trevor stands for all the values we gay and lesbian film festivals, including Colichman considers such programs as than wait two or three years, we would get the stand for, which is building self-esteem in Outfest in Los Angeles, and scouts the shows designed for straight people, not the service started, show everyone its success and our community and fighting stereotypes,” festival circuit for new independent films. gay community. That’s where here! Pay Per then expand it to a channel later on.” Colichman says. Colichman says that here! has a high View comes in. Although at the moment the service is Colichman seems the perfect person to standard for its programming. Movies must The channel, which debuted last month available only on the DirecTV, Colichman head up this groundbreaking channel. He has not have been already shown on television, on DirecTV, features all gay and lesbian says that within six months, here will be been involved in the production of over 125 and films must have high-production values. programming designed for gay and lesbian available everywhere. “DirecTV was the first feature films, including Gods and Monsters, Adult films will not be shown. “We’re audiences. The network, which can be found distributor, and I think they get major points Tom and Viv, Twilight of the Golds, One looking for high-quality motion pictures that on DirecTV channel 170, hit the airwaves in the community for signing up first,” False Move and My New Gun. In addition to are of interest to our community either with the television premiere of the cult Colichman says. his position at here!, Colichman is president because of gay characters, or gay people comedy Sordid Lives. Current movies So far, the channel is a success. “The and partner of Regent Entertainment, a behind the scenes or because of the include It’s in the Water and The Night Larry response has been quite extraordinary,” says leading independent film company, and at sensibilities of the movie,” Colichman says. Kramer Kissed Me and upcoming films Colichman. “We don’t know yet if it’s just the age of 25, co-founded I.R.S. Media and Here! is most interested in films that include Circuit, Friends & Family, Food of the initial flurry of interest or if its long-term served as that company’s president. show people in the real world. “We want to Love and The Brotherhood. Subscribers to massive success, but we are significantly Colichman also produced MTV’s first series, see people’s interactions with families, like DirecTV, which services over 11 million exceeding our expectations. We really need The Cutting Edge, and the Emmy-nominated Sordid Lives, and how their sexuality affects homes, can order movies on here! Pay Per everybody’s support to show the straight Sting at the Hollywood Bowl, which was the their interaction in the greater world,” View for $3.99 per film. community that our community will get first satellite broadcast in high-definition Colichman says. “We try not to treat people Colichman, president of the channel, says behind gay products and gay ventures and technology. in a ghettoized or isolated way.” that the main reason for beginning here! Pay make them successful.” Here! is building its movie library in There are also special events in the Per View is to show positive images of the Here! will be giving back to the several ways. In addition to producing their works, beginning in the spring of next year. gay community. I want to see our community community as well. Its Christmas promotion own films, they acquire rights to films, and Original series are also planned. being recognized for all of the wonderful work will benefit the Trevor Project, the only 24- sometimes simply serve as a service to show See Queer TV on page Q8 that we do, men and women——the charities hour hotline to help gay and lesbian teens at the films. Here! has already sponsored major Q2 www.ExpressGayNews.com • September 15, 2003 Q_CULTURAL COCKTAIL By Mary Damiano Cultural Scene Is Something to Celebrate Miami Book Fair Announces Authors; Singers Present Cabaret Last week, I attended students and seniors. To purchase Toast to Spain Fundraiser “Invitation to the Arts” at tickets and for more information, The film KmO will receive a special the Jackie Gleason Theatre, call 305.673.2440 or e-mail advance screening and party this Tuesday, an event which showcased [email protected]. Sept. 16, at Cinema Paradiso in Fort the many arts organizations Lauderdale. KmO is a comedy about how Miami-Dade County, and Womenfest Wrap-Up the lives of 14 people all converge one especially Miami Beach, I spent last weekend in Key evening in Spain. After the 7 p.m. has to offer. There were West, taking in the parties, events screening, enjoy Toast to Spain, a food dozens and dozens of and eye candy that is Womenfest. and wine pairing party featuring Spanish booths spotlighting Local recording artist Bev wines, paella, as well as experts who will upcoming museum McClellen delivered a spectacular explain to guests how to make paella and exhibits, film festivals, new performance at She magazine’s how to pair the perfect wine with a meal. theatre seasons, the opera, annual Sunset Beach T-Dance, so The evening is a fundraiser for the Fort ballet as well as the myriad much so that guys were coming Lauderdale International Film Festival of other wonderful cultural up to the gate of the women-only and Toast to Humanity. Tickets are $20 arts that South Florida has party just to listen and see if they for film fest members and $25 for non- to offer. After the could buy Bev’s CD. Other treats members. To reserve tickets, call showcase, there were of the weekend included the 954.760.9898 ext. 107. For more performances by the performance by Distant Echo, a information, visit www.fliff.com. Miami City Ballet, Live in Central Florida trio who got the Color and a mini-concert party going at She’s Beach Nunsense Fundraiser by the great Arturo Blanket Butch and Beach Blanket If you’re looking for a way to see a Sandoval. Mark Akens, Elliott Pilshaw and David Vance have teamed Babe contest, and Suzanne fun piece of theatre and help out a great up for the musical revue Taking a Chance on Love Now, I know how Westenhoefer’s sold-out organization, buy your tickets now for lucky we all are to live in a performance, which was going on AIDS Project Florida’s theatre night place where the cultural at the same time at Halcyon’s concert. Another benefit of the classic hit comedy by Dan landscape is energetic and vibrant, yet there Spiritual Messages on Sex and Love, crowd-pleaser was the Pirate’s Ball, featuring Goggins, Nunsense. The event, which will was still a unique electricity in the air at the Creativity and Wisdom), Tatiana de la Tierra DJ Pride. One of the most popular sights feature a wine and cheese reception before Gleason that night, when all of these diverse (A Lesbian Phemonenology) former Q cover during Womenfest were the T-shirts sported the play, takes place at the Broadway people came together and shared their boy Augusten Burroughs (Running With by some girls from Orlando, which featured Theatre, 1455 SE 17 St. Causeway in Fort passion for the arts. And you know that story Scissors) David Leavitt (Collected Stories the photo of the Madonna-Britney kiss framed Lauderdale. Nunsense is a funny play and we ran a few weeks ago, “69 Ways to be of David Leavitt) and Karen Yapalater (An by a “Wanted” poster with several different APFL is a terrific organization, so how Entertained”? Well, that was just a taste of Hour to Kill.) For more information on the captions, including “Slave 4 U” and “Girl can you go wrong? Tickets are only $25 what’s in store to keep you busy and happy Miami Book Fair International, visit Toy.” I wonder if Christina Aguilera, who and can be purchased by calling in the next few months. www.miamibookfair.com. Madonna kissed seconds after Britney, is 954.537.4111 ext. 108. See you at the feeling slighted by all the attention.
Load more

Recommended publications
  • Download Dallas Voice PDF to My Hard Drive
    COMMMUNITY | MARRIAGE | ARTS | FAMILY | HEALTH | FAITH | EQUALITY BLACK TIE DINNER NOVEMBER 15, 2014 $ ' "" #"! ! " ""!# # ! $ ' ! %$ "'! $! ( " "" ("!"" "" ( &!# '&!#! ( ! $! ( "'! $! #"& ! " ! " # 2 dallasvoice.com • 11.14.14 toc11.14.14 | Volume 31 | Issue 27 9 headlines • TEXAS NEWS 8 Anglin talks about BTD’s history 9 Alex Newell plans to steal the show 10 TDOR honors trans murder victims 12 FWPD’s Chief Halstead resigns • LIFE+STYLE 18 Melissa Etheridge talks about M.E. 18 20 Anne Rice discusses Lestat’s future 22 Rusty Bell designs for boys and bears • ON THE COVER Cover design by Kevin Thomas departments 20 6 Pet of the Week 27 Calendar 8 News 31 Cassie Nova 16 Texas Voices 32 Scene 18 Life+Style 35 Classifieds %#)"% " "! " ' "(#" $#& % ! %$"% #! 11.14.14 • dallasvoice 3 instantTEA DallasVoice.com/Category/Instant-Tea Guns, God and gays: first day free account on actorsaccess.com. Shooting for Mamma Dallas begins March 2015. of prefiling for upcoming Lege (And given recent news about a scammer work- Monday, Nov. 10, was the first day for Texas ing Oak Lawn and posing as a “modeling agent,” legislators and members-elect to pre-file legislation let me include this info to establish Vicky Boone for the 84th legislative session. This means you get Casting’s bona fides: The agent has done regional to see just how crazy some of your new and return- casting for such films as The Tree of Life starring ing elected officials really are. Don’t worry everyone, Brad Pitt, Ain’t Them Bodies Saints starring Rooney the first day of pre-filing didn’t bring out the worst of Mara, Parkland starring Paul Giamatti, Men, your electeds just yet.
    [Show full text]
  • A Cognitive Approach to Gestural Life in Stephen Sondheim's Musical Genres
    “MY ARM IS COMPLETE”: A COGNITIVE APPROACH TO GESTURAL LIFE IN STEPHEN SONDHEIM’S MUSICAL GENRES by Diana Louise Calderazzo AB, Smith College, 1999 MA, University of Central Florida, 2005 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES DEPARTMENT OF THEATRE ARTS This dissertation was presented by Diana Louise Calderazzo It was defended on July 11, 2012 and approved by Marlene Behrmann, Professor, Department of Psychology, Carnegie Melon University Atillio Favorini, Professor, Department of Theatre Arts, University of Pittsburgh Kathleen George, Professor, Department of Theatre Arts, University of Pittsburgh Dissertation Director: Bruce McConachie, Professor, Department of Theatre Arts, University of Pittsburgh ii Copyright by Diana Louise Calderazzo 2012 iii “MY ARM IS COMPLETE”: A COGNITIVE APPROACH TO GESTURAL LIFE IN STEPHEN SONDHEIM’S MUSICAL GENRES Diana Louise Calderazzo, PhD University of Pittsburgh, 2012 Traditionally, musical theatre has been accepted more as a practical field than an academic one, as demonstrated by the relative scarcity of lengthy theory‐based publications addressing musicals as study topics. However, with increasing scholarly application of cognitive theories to such fields as theatre and music theory, musical theatre now has the potential to become the topic of scholarly analysis based on empirical data and scientific discussion. This dissertation seeks to contribute such an analysis, focusing on the implied gestural lives of the characters in three musicals by Stephen Sondheim, as these lives exemplify the composer’s tendency to challenge traditional audience expectations in terms of genre through his music and lyrics.
    [Show full text]
  • The Dark Side of the Tune: a Study of Villains
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 The Dark Side Of The Tune: A Study Of Villains Michael Biggs University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Biggs, Michael, "The Dark Side Of The Tune: A Study Of Villains" (2008). Electronic Theses and Dissertations, 2004-2019. 3811. https://stars.library.ucf.edu/etd/3811 THE DARK SIDE OF THE TUNE: A STUDY OF VILLAINS by MICHAEL FREDERICK BIGGS II B.A. California State University, Chico, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2008 © 2008 Michael Biggs ii ABSTRACT On “championing” the villain, there is a naïve quality that must be maintained even though the actor has rehearsed his tragic ending several times. There is a subtle difference between “to charm” and “to seduce.” The need for fame, glory, power, money, or other objects of affection drives antagonists so blindly that they’ve no hope of regaining a consciousness about their actions. If and when they do become aware, they infrequently feel remorse.
    [Show full text]
  • Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory.
    [Show full text]
  • Sweeney Todd the Demon Barber of Fleet Street a Musical Thriller
    Reboot Theatre Company Presents Sweeney Todd The Demon Barber of Fleet Street A Musical Thriller Music and Lyrics by Stephen Sondheim Book by Hugh Wheeler From an adaptation by Christopher Bond. Originally directed on Broadway by Harold Prince. Orchestrations by Jonathan Tunic. Originally produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in association with Dean and Judy Manos Directed Music Direction by by Julia Griffin Aimee Hong With (In alphabetical order) ​ ​ Brittany Allyson, Justine Davis, Kylee Gano, Alyssa Keene, Vincent Milay, Mandy Rose Nichols, Jessica Robins, Cammi Smith, Kevin Tanner, Karin Terry, Harry Turpin, and Emily Welter Setting: LONDON Time: TODAY TWO ACTS ONE 15 MINUTE INTERMISSION Running Time: 2:45 Please turn off all cell phones during the show. The videotaping or photographing of this production is strictly prohibited. WARNINGS BLOOD, VIOLENCE, GUN SHOTS, & MEAT PIES “Sweeney Todd” is presented by special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTISHOWS.com ​ Director’s Note "In this day and age it is so very easily to be #literallyobsessed with the #blessed lives that we all watch through our instagrams and behind the safety of a screen. #nofilter It's easy to turn something into what you want it to be with enough of a filter. It's easy to get swept up in a trend. #fomo #yolo The tale of Sweeney Todd is in direct result of obsession, and possession, and seeing what you want to see. #lemmestopforaselfie A person of power wanting what they can't have, though they have no concept of what that "thing" is or means, destroys lives to get to his idea.
    [Show full text]
  • From Real Time to Reel Time: the Films of John Schlesinger
    From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative.
    [Show full text]
  • Oscar Wilde, the Story of an Unhappy Friendship
    oscn WILD JL'H;5H€RftRD lll *Mmm 1ifml.mf »i!u'<WW»t«i«M ma iihmmii ii 1 OSCAR WILDE Epigram Books By Mr Monkshood WOMAN AND THE WITS. THE CYNIC'S POSY. WIT AND WISDOM OF EDGAR SALTUS. THE WORLDLING'S WIT. frirfiirimiiM I -.. • "£ *i en "Fkrtographed 'by W&1; Downey Oscar Wilde. OSCAR WILDE The Story of\An XJnhaffy Friendship BY ROBERT H. SHERARD Author of "Emile Zola: A Biography, ** "Alphonse Daudet: A Biography," etc, etc. Nessun maggior dolore Che ricordarsi del tempo felice Nella miseria .... " I have saved the bird in my bosom." —Last Words of Sir Hugh Percy. 8EC0ND IMPRESSION LONDON GREENING & CO., LTD. 1905 [All rights reserved"] oS ffz. R.R. In Remembrance of His Noble Conduct Towards The Unhappy Gentleman Who is The Subject of This Memoir, Whom In Affliction He Comforted, In Prison He Visited, and In Poverty He Succoured, Thus Showing an Elevation of Heart and a Loyalty of Character Gbte JSoofc is Dedicated 448045 LIST OF ILLUSTRATIONS autographed portrait of oscar wilde, 1 892, Frontispiece PORTRAIT OF OSCAR WILDE WHEN AT OXFORD, ABOUT 1878 To face page 48 PORTRAIT OF OSCAR WILDE, FROM A DRAWING, ABOUT 1882 .... To face page 92 PORTRAIT OF OSCAR WILDE WHEN IN AMERICA, ABOUT 1883 . To face page 140 PORTRAIT OF OSCAR WILDE IN iESTHETIC DRESS, ABOUT 1884 To face page 184 portrait OF oscar wilde, 1892 To face page 232 PREFATORY NOTE TO ORIGINAL EDITION PRIVATELY PRINTED The discreet method ofpublication which has been adopted for this book will, itjs hoped, be accepted as deference to its opinion by that section of the public who, because in a man ofgenius the allied madness once got the upper hand, would consign him and the works which that genius created to the eternal night of eternal oblivion.
    [Show full text]
  • Michelle Branch the Spirit Room 2001 320Kbps
    Michelle Branch - The Spirit Room (2001) 320kbps - Michelle Branch - The Spirit Room (2001) 320kbps - 1 / 2 Download Goodbye To You - Michelle Branch MP3 music file at 320kbps audio ... "The Spirit Room" I DO NOT OWN ANY ON THIS VIDEO (c) 2001 Maverick .... Season 1, 2 & specials on their way here. d65d7be546 ultrasurf 13 1 free carbrain c168 crack.rar Michelle Branch - The Spirit Room (2001) .... Buy 'The Spirit Room by Michelle Branch' MP3 download online from 7digital United States - Over 30 million high quality tracks in our store.. Michelle Branch - The Spirit Room (Bonus Track Version) 2001 Pop: 137.5 MB.. Michelle Branch Discography. Michelle Branch. Real Name: .... Michelle Branch - The Spirit Room [Deluxe Edition] (2001). Saturday, June 21, 2014 No comments . Bit rate: 320kbps Size: 132MB . Genres: Pop, rock, pop.. Michelle Branch - The Spirit Room - Amazon.com Music. ... The Spirit Room by Michelle Branch (2001-08-14). Michelle Branch. 5.0 out of 5 stars 4. Audio CD.. Michelle Branch - The Spirit Room [Deluxe Edition] (2001). All You Wanted ... Bit rate: 320kbps | Size: 132MB |. Genres: Pop, rock, pop rock, .... ... branch the spirit room zip from 4shared.com (70 MB), Michelle Branch - The Spirit Room[2001].rar from mediafire.com 69.85 MB free from TraDownload.. Download everywhere mp3 file at 320kbps audio quality. ... Michelle Branch - Everywhere [Official Music Video] ... to YouTube by Maverick Everywhere · Michelle Branch The Spirit Room ℗ 2001 ... (c) 2001 Maverick Recording Company.. The Spirit Room is the major-label debut album by singer-songwriter Michelle Branch, released by the Maverick Recording Company and Warner Bros. Records in the United States on August 14, 2001.
    [Show full text]
  • Tori Amos Winter Mp3, Flac, Wma
    Tori Amos Winter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Winter Country: UK Released: 1992 Style: Acoustic MP3 version RAR size: 1629 mb FLAC version RAR size: 1217 mb WMA version RAR size: 1115 mb Rating: 4.6 Votes: 681 Other Formats: AHX AUD AC3 AU ASF MPC DMF Tracklist Hide Credits Winter (Radio Edit) A Mixed By – Jon KellyProducer – Davitt Sigerson The Pool B Producer – Ian Stanley Companies, etc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Warner Music UK Ltd. Copyright (c) – WEA International Inc. Record Company – Time Warner Published By – Sword And Stone Distributed By – WEA Records Ltd. Credits Art Direction, Photography By – Cindy Palmano Other [Tori Thanks] – Issey Miyake Written-By – Tori Amos Notes Record in card sleeve. Identified as a promotional release by one of two stickers on the rear sleeve: (i) 'Promotional Copy Only Not For Resale' (ii) 'Radio Edit A7504 DJ' and also by the addition of 'DJ' to the Side A runout (Side B also has this addition but it has been struck out): 'A7504DJ-A1'. Barcode and Other Identifiers Barcode (Text): 0 7567 87504 7 2 Matrix / Runout (Side A, Etched): A7504DJ-A1 Matrix / Runout (Side B, Etched): A7504D̶J̶-B1 Other versions Category Artist Title (Format) Label Category Country Year Tori Winter (CD, 85799-2 Atlantic 85799-2 US 1992 Amos Maxi, Ltd, Dig) Tori Winter (CD, 85799 Atlantic 85799 Netherlands 1992 Amos Promo) A7504CD, Tori Winter (CD, EastWest, A7504CD, UK 1992 7567-85885-2 Amos Single, CD1) EastWest 7567-85885-2 A7504C, Tori Winter (Cass,
    [Show full text]
  • EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908
    $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908 II 1111[ III.IIIIIII111I111I11II11I11III I II...11 #90807GEE374EM002# BLBD 897 A06 B0098 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A Overview LONG BEACH CA 90807 -3402 Page 10 New Features l3( AUGUST 2, 2003 Page 57 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com HOT SPOTS New Player Eyes iTunes BuyMusic.com Rushes Dow nload Service to PC Market BY BRIAN GARRITY Audio -powered stores long offered by Best Buy, Tower Records and fye.com. NEW YORK -An unlikely player has hit the Web What's more, digital music executives say BuyMusic with the first attempt at a Windows -friendly answer highlights a lack of consistency on the part of the labels to Apple's iTunes Music Store: buy.com founder when it comes to wholesaling costs and, more importantly, Scott Blum. content urge rules. The entrepreneur's upstart pay -per-download venture,' In fact, this lack of consensus among labels is shap- buymusic.com, is positioning itself with the advertising ing up as a central challenge for all companies hoping slogan "Music downloads for the rest of us." to develop PC -based download stores. But beyond its iTunes- inspired, big -budget TV mar- "While buy.com's service is the least restrictive [down- the new service is less a Windows load store] that is currently available in the Windows keting campaign, SCOTT BLUI ART VENTURE 5 Trio For A Trio spin on Apple's offering and more like the Liquid (Continued on page 70) Multicultural trio Bacilos garners three nominations for fronts the Latin Grammy Awards.
    [Show full text]
  • The Bulletin O F T H E So C I E T Y F O R Am E R I C a N Mu S I C F O U N D E D in H O N O R O F Os C a R G
    The Bulletin OF THE SOCIETY FOR AMERIC A N MU S IC FOUNDED IN HONOR OF OS C A R G. T. SONNECK Vol. XXXIV, No. 2 Spring 2008 SAM’s Mission Statement Rationale and Discussion for recognition, that was enough of a task of South America. Is a study of their tours The Board, taking into account the SAM to contemplate. Over the years, with a not appropriate for a SAM conference? listserv discussion on the new proposed mis- steady growth of Canadian members, the Our current mission statement, while sion statement, has approved a new version that combines aspects of both the current Society quietly redefined the meaning of providing an umbrella for much of what and proposed statements. SAM President “American” to mean “North American” the Society does, relegates South America John Graziano explains the thinking music. This change allowed the inclusion to “cultures everywhere in the world.” This behind the new statement below; selected of Canadian topics. omission has created some concern from comments from the SAM listserv follow. It has become increasingly clear over prospective and current members. In an SAM members are asked to vote for their the last decade that American music is effort to respond to stated concerns, the preference by 15 June, on the SAM web- not limited to North America. As was Board requested our past President to pro- site: http://www.american-music.org/ demonstrated at our last conference, there pose a new mission statement. It is briefer were, and are, many kinds of “music(s) and somewhat more general, and at our Since the inception of our Society, there in America.” Some is from Mexico, and last meeting in San Antonio, the Board felt has been a continuing debate among its some from South America.
    [Show full text]
  • Dallas I Program
    STARQUEST INTERNATIONAL Allen ISD Performing Arts Center Dallas I, TX Age 13 Friday, February 15, 2019 17. Dance Like Nobody's Watching [Classic] Callie Campanella 18. Mama Makes Three [Classic] Zoe Lehman Nova/Classic Teen Solo Competition 19. Run [Classic] 4:30 PM Raelyn Segovia 20. Dem Beats On The Runway [Classic] Teen Solo Sarah Fish Contemporary Age 14 21. Come Here For Love [Classic] Age 12 1. You're Gonna Be Ok [Nova] Catherine Sorrels Lindsay Brill 22. You Don't Own Me [Classic] Amanda Hare Tap Age 12 Lyrical 2. Lips Are Moving [Nova] Age 12 Madison Smith 23. I Will Sing [Classic] Alexandra Badough Lyrical 24. One Life [Classic] Age 13 Emily Vilmur 3. Gravity [Nova] 25. Skyscraper [Classic] Rylee Bush Kayleigh Brown Contemporary Age 13 Age 12 26. Colours [Classic] 4. Steetcar [Classic] Marissa Ommodt Allison Zebroski 27. It's Quiet Uptown [Classic, Teen Miss] 5. Towards The Sun [Classic] Mckenna Sullivan Rylee Keith Modern 6. Young Folks [Classic] Age 12-14 Whitney Goodman 28. Heavy Hearted [Classic] Age 13 Raemi Gonzalez 7. Antidote [Classic, Teen Miss] Ali Hawkins Open 8. Atlas: Two [Classic] Age 12-14 29. I Got It [Classic] Callie Campanella 9. Half Light [Classic] Tyler Star Toups 30. Madness [Classic] Amy Gayle 10. Hey Jupiter [Classic, Teen Miss] Grace Stephens 31. When Doves Cry [Classic] Azlin Kaler 11. You Lost Me [Classic, Teen Miss] Gracie Nolasco Lisa Adams Tap Age 14 Age 12 12. Even If [Classic] 32. Shake The Room [Classic] Lily Jornod Emily'lyn Brooks 13. Roses [Classic] Age 13 Sydney Kapllaj 33.
    [Show full text]