Oscar Wilde, the Story of an Unhappy Friendship
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Oscar Wilde Society Newsletter
Oscar Wilde Society Newsletter Edited by Aaron Eames No. 50. March 2018 The Importance of Being Earnest: The Original Theatre Company Touring Production The Original Theatre Company’s The Importance of Being Earnest is the most recent production by its Artistic Director, Alastair Whatley. The Company provides a valuable service by producing plays for small theatres, particularly away from London, which may otherwise find it hard to attract producers. The production started its four months’ provincial tour at the Yvonne Arnaud Theatre in Guildford, Surrey. The tour continues at Theatre Royal, Winchester (5-10 March), Manchester Opera House (13-17 March), Salisbury Playhouse (20-24 March), Garrick Theatre, Lichfield (27-31 March), Churchill Theatre, Bromley (3-7 April), Cambridge Arts Theatre (9-14 April), Theatre Royal, York (17-21 April), Devonshire Park Theatre, Eastbourne (24-28 April), Theatre Royal, Windsor (30 April-5 May), and Royal & Derngate Theatre, Northampton (8-12 May). It is an excellent production with some interesting new ideas. When Thomas Howes appears as Algy, full of vanity, confidence and cynicism, and with splendidly clear diction, it is immediately evident that this is going to be a faithful and enjoyable production. He and Peter Sandys-Clarke as Jack, in an equally accomplished performance, make a delightful double act. Gwen Taylor as Lady Bracknell wears a striking lilac and yellow ensemble and a majestic hat to match. When she interrogates Jack and hears his account of how he was found, she successfully combines indignation with amusement at the absurdity of Jack’s answers. Kerry Ellis’s Gwendolen wears a blue and orange outfit rather like a younger version of that worn by her Lady Bracknell; she is formidable and clearly will become like her mother in much less than a hundred and fifty years. -
INTERDISCIPLINARY JOURNAL of DECADENCE STUDIES Volume 3, Issue 2 Winter 2020 Review: Michèle Mendelssohn, Making Oscar Wilde (O
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 3, Issue 2 Winter 2020 Review: Michèle Mendelssohn, Making Oscar Wilde (Oxford University Press, 2018) & Matthew Sturgis, Oscar: A Life (Head of Zeus Ltd, 2018) Richard Haslam ISSN: 2515-0073 Date of Acceptance: 1 December 2020 Date of Publication: 21 December 2020 Citation: Richard Haslam, ‘Michèle Mendelssohn, Making Oscar Wilde (Oxford University Press, 2018) & Matthew Sturgis, Oscar: A Life (Head of Zeus Ltd, 2018)’, Volupté: Interdisciplinary Journal of Decadence Studies, 3.2 (2020), 143–149. DOI: 10.25602/GOLD.v.v3i2.1457.g1570 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Michèle Mendelssohn, Making Oscar Wilde (Oxford: Oxford University Press, 2018), 360 pp. ISBN 9780198802365 Matthew Sturgis, Oscar: A Life (London: Head of Zeus Ltd, 2018), 890 pp. ISBN 9781788545976 Richard Haslam Saint Joseph’s University, Philadelphia In ‘The Critic as Artist’ (1890; 1891), Oscar Wilde’s spokesperson Gilbert declares ‘Every great man nowadays has his disciples, and it is always Judas who writes the biography.’1 One book that bears out Gilbert’s claim is Lord Alfred Douglas’ Oscar Wilde and Myself (1914), but many later biographers have served Wilde more charitably, and none more so than Richard Ellmann, whose influential 1987 account concludes that Wilde was ‘so generous, so amusing, and so right’.2 Of course, as Horst Schroeder and others have argued, Ellmann’s book (although itself ‘generous’ and ‘amusing’) was not always ‘right’ about the details of Wilde’s life, and Matthew Sturgis mentions this deficiency as one justification for producing another biography. -
Michelle Branch the Spirit Room 2001 320Kbps
Michelle Branch - The Spirit Room (2001) 320kbps - Michelle Branch - The Spirit Room (2001) 320kbps - 1 / 2 Download Goodbye To You - Michelle Branch MP3 music file at 320kbps audio ... "The Spirit Room" I DO NOT OWN ANY ON THIS VIDEO (c) 2001 Maverick .... Season 1, 2 & specials on their way here. d65d7be546 ultrasurf 13 1 free carbrain c168 crack.rar Michelle Branch - The Spirit Room (2001) .... Buy 'The Spirit Room by Michelle Branch' MP3 download online from 7digital United States - Over 30 million high quality tracks in our store.. Michelle Branch - The Spirit Room (Bonus Track Version) 2001 Pop: 137.5 MB.. Michelle Branch Discography. Michelle Branch. Real Name: .... Michelle Branch - The Spirit Room [Deluxe Edition] (2001). Saturday, June 21, 2014 No comments . Bit rate: 320kbps Size: 132MB . Genres: Pop, rock, pop.. Michelle Branch - The Spirit Room - Amazon.com Music. ... The Spirit Room by Michelle Branch (2001-08-14). Michelle Branch. 5.0 out of 5 stars 4. Audio CD.. Michelle Branch - The Spirit Room [Deluxe Edition] (2001). All You Wanted ... Bit rate: 320kbps | Size: 132MB |. Genres: Pop, rock, pop rock, .... ... branch the spirit room zip from 4shared.com (70 MB), Michelle Branch - The Spirit Room[2001].rar from mediafire.com 69.85 MB free from TraDownload.. Download everywhere mp3 file at 320kbps audio quality. ... Michelle Branch - Everywhere [Official Music Video] ... to YouTube by Maverick Everywhere · Michelle Branch The Spirit Room ℗ 2001 ... (c) 2001 Maverick Recording Company.. The Spirit Room is the major-label debut album by singer-songwriter Michelle Branch, released by the Maverick Recording Company and Warner Bros. Records in the United States on August 14, 2001. -
EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908 II 1111[ III.IIIIIII111I111I11II11I11III I II...11 #90807GEE374EM002# BLBD 897 A06 B0098 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A Overview LONG BEACH CA 90807 -3402 Page 10 New Features l3( AUGUST 2, 2003 Page 57 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com HOT SPOTS New Player Eyes iTunes BuyMusic.com Rushes Dow nload Service to PC Market BY BRIAN GARRITY Audio -powered stores long offered by Best Buy, Tower Records and fye.com. NEW YORK -An unlikely player has hit the Web What's more, digital music executives say BuyMusic with the first attempt at a Windows -friendly answer highlights a lack of consistency on the part of the labels to Apple's iTunes Music Store: buy.com founder when it comes to wholesaling costs and, more importantly, Scott Blum. content urge rules. The entrepreneur's upstart pay -per-download venture,' In fact, this lack of consensus among labels is shap- buymusic.com, is positioning itself with the advertising ing up as a central challenge for all companies hoping slogan "Music downloads for the rest of us." to develop PC -based download stores. But beyond its iTunes- inspired, big -budget TV mar- "While buy.com's service is the least restrictive [down- the new service is less a Windows load store] that is currently available in the Windows keting campaign, SCOTT BLUI ART VENTURE 5 Trio For A Trio spin on Apple's offering and more like the Liquid (Continued on page 70) Multicultural trio Bacilos garners three nominations for fronts the Latin Grammy Awards. -
Oscar Wilde Against the Marquess of Bannard, 1899
CHAPTER 5 ‘I HAVE GOT AS FAR AS THE HOUSE OF DETENTION’ LEFT: The Boulevard from Quelques On 5 April 1895, the jury at the Old Bailey returned a verdict of ‘not aspects de la vie de Paris, by Pierre guilty’ in the libel trial brought by Oscar Wilde against the Marquess of Bannard, 1899. On his release from prison Queensberry. The verdict indicated that Queensberry had been justified in in May 1897, Oscar Wilde settled for a calling Wilde a sodomite in the public interest. The packed court room time in Berneval-sur-Mer, claiming: ‘If I had cheered and the judge passed Queensberry’s counsel, Edward Carson, live in Paris I may be doomed to things I a note congratulating him on his ‘searching crossXam’ and having ‘escaped don’t desire. I am afraid of big towns.’ Less the rest of the filth’. Within minutes of the collapse of the case, the trial than a year later, however, a letter to the papers had been sent to the Director of Public Prosecutions. publisher Leonard Smithers from Naples The press almost universally crowed at the result: announced ‘I shall be in Paris on Sunday next. It is my only chance of working. I There is not a man or woman in the English-speaking world possessed of the miss an intellectual atmosphere, and I am treasure of a wholesome mind…not under a deep debt of gratitude to the tired of Greek bronzes...My life has gone to Marquess of Queensberry for destroying the High Priest of the Decadents. -
Oscar Wilde and His Literary Circle Collection: Wildeiana MS.Wildeiana
http://oac.cdlib.org/findaid/ark:/13030/kt867nf36t No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Wildeiana MS.Wildeiana Finding aid created by Rebecca Fenning Marschall William Andrews Clark Memorial Library © 2017 2520 Cimarron Street Los Angeles 90018 [email protected] URL: http://www.clarklibrary.ucla.edu/ Finding Aid for the Oscar Wilde MS.Wildeiana 1 and his Literary Circle Collection: Wildeiana MS.Wildeia... Contributing Institution: William Andrews Clark Memorial Library Title: Oscar Wilde and his Literary Circle Collection: Wildeiana Creator: William Andrews Clark Memorial Library Identifier/Call Number: MS.Wildeiana Physical Description: 19 Linear Feet27 boxes Date (inclusive): 1858-1998 Abstract: This finding aid describes a wide-ranging collection of material relating to Oscar Wilde and to his literary and artistic circle in late nineteenth- and early twentieth-century Great Britain. Clark Library. Language of Material: English . Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. It appears that large segments of the Wildeiana collection were likely originally part of the collection assembled by Wilde bibliographer Christopher Millard. The actual date the Clark acquired these materials is unknown and any documentation about the source of these items has been lost. -
Robert Harborough Sherard Collection MS 1047
University Museums and Special Collections Service Robert Harborough Sherard Collection MS 1047 The collection contains around 650 personal and business letters written to Sherard 1908-1943 by over 200 correspondents, including Lord Alfred Douglas and Robert Ross. There are copies of three letters from Oscar Wilde. In addition, there are around 200 letters written by Sherard 1906-1937 (mainly copies), around 70 letters to Alice Muriel Fiddian, Sherard's third wife, and 35 other items of correspondence. There are two of Sherard's diaries, one covering the period July 22 - December 31 1934 and consisting chiefly of a record of letters written, and the other relating to Oscar Wilde twice defended and covering the period 1933-1939. The collection also contains newspaper cuttings 1887-1943, mainly relating to Sherard's work. There are around 60 typescripts and manuscripts of his articles, novels and short stories. Other items include photographs and prints of people and places c. 1920-1939, two family wills, documents relating to legal disputes, notes and other sundry papers. The collection is supported by around 40 printed books by Sherard, plus pamphlets, periodicals and offprints containing his work. The Collection covers the year’s 1868-1957. The physical extent of the collection is 12 boxes and 3 oversize items. Introduction Robert Harborough Sherard was born in London on 3 December 1861, the fourth child of the Reverend Bennet Sherard Calcraft Kennedy. His father was the illegitimate son of the sixth and last Earl of Harborough and his mother, Jane Stanley Wordsworth, granddaughter of the poet. In 1880 he went up to New College, Oxford but after a quarrel with his father, who cut him off from the expected family inheritance, was forced to leave for financial reasons. -
Robert Ross Memorial Collection: Envelopes Box 1: Ross Env
Robert Ross Memorial Collection: Envelopes Box 1: Ross Env b.2 - Ross Env b.10; Ross Env c.1 - Ross Env c.35 Ross Env b.2 (Ross b.2: Pan, Vols. 19, 31, 32). Contents (5 items): 4 letters, 1 set of notes. Ross Env b.2.i A letter (1 leaf, manuscript) from H.V.S. [Hedley Vicars Storey, author and bookseller, manager of the Shelley Book Agency, 1870-1929] to Christopher Millard [Christopher Sclater Millard, author and bookseller, 1872- 1927]; dated 14th February 1912. Storey writes that he has been unwell and has gone to Brighton to recover. He explains that he has written to a friend in Oxford who will look at Pan and get the information Millard wants, noting that he was not well enough to go to the Bodleian before he left Oxford but will write again when he hears more. He also writes that he has something to send to Millard and that he recently read Millard’s letter about Oscar Wilde’s letters [the title of the publication not deciphered] and that he bought one of Wilde’s letters two years ago and, although he sold it, kept a copy which he asks if Millard would like to see. He concludes by sympathising with Millard over his financial situation and explaining that he too has yet to make his fortune, noting that his partnership was the ‘biggest trouble of my life’ [the name of Storey’s partner could not be deciphered]. Ross Env b.2.ii A letter (1 leaf, manuscript) from Hedley Storey to Christopher Millard; dated 3rd March 1912; written on headed stationery: “Shelley Book Agency for social reform literature…books, pamphlets, blue books, and periodicals…Gloucester Street, Oxford”. -
Balancing Business and Art in Music: Gazing Into the Star Texts of Michelle Branch and Regina Spektor Max Neibaur University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2015 Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor Max Neibaur University of Wisconsin-Milwaukee Follow this and additional works at: http://dc.uwm.edu/etd Part of the Communication Commons, and the Music Commons Recommended Citation Neibaur, Max, "Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor" (2015). Theses and Dissertations. Paper 823. This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. BALANCING BUSINESS AND ART IN MUSIC: GAZING INTO THE STAR TEXTS OF MICHELLE BRANCH AND REGINA SPEKTOR by Max Neibaur A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin-Milwaukee May 2015 ABSTRACT BALANCING BUSINESS AND ART IN MUSIC: GAZING INT O THE STAR TEXTS OF MICHELLE BRANCH AND REGINA SPEKTOR by Max Neibaur The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Professor Michael Newman This research builds on literature presenting ideas on the tension between business and art in the music industry and literature defining what a star is by analyzing star texts. Specifically, it looks at how business and art is balanced in the star texts of Michelle Branch and Regina Spektor and what tension this balancing creates. -
Ernest Dowson : the Language of Poetry at the Victorian Fin De Siecle
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Dowson, Caroline Heather Title: Ernest Dowson : the language of poetry at the Victorian Fin de Siecle. General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Ernest Dowson: The Language of Poetry at the Victorian Fin de Siècle by Caroline Heather Dowson A thesis submitted to the University of Bristol in accordance with the requirements of the degree of Ph.D. -
Michelle Branch Hotel Paper Full Album Download Michelle Branch
michelle branch hotel paper full album download Michelle Branch. Michelle Jacquet DeSevren Branch (named after the song "Michelle" by The Beatles) was born in Phoenix, Arizona, United States on the 2nd of July, 1983. She is an American singer, songwriter and guitarist. She received a guitar from her parents for her 14th birthday. Three years later, after sending a demo tape to Hanson and opening for them on tour, had signed a deal with Maverick Records. She subsequently had four top ten hits. The inspiration for writing her own songs can be found by The Beatles and other bands. Songs like "Something to Sleep To" are musically inspired by The Beatles. She received a guitar from her parents for her 14th birthday. Three years later, after sending a demo tape to Hanson and opening for them on tour, had signed a deal with Maverick Records. She subsequently had four top ten hits. The inspiration for writing her own songs can be found by The Beatles and other bands. Songs like "Something to Sleep To" are musically inspired by The Beatles. She made her debut in 2000 and released the platinum-selling albums The Spirit Room and Hotel Paper in later years. The Spirit Room was released in 2001. The album, which was produced by John Shanks (Melissa Etheridge, Chris Isaak), was an immediate hit. The Spirit Room sold 2.5 million copies and earned Branch a Grammy and an MTV Viewer's Choice Award. The album also spawned three top ten hits. Michelle performed a duet with Carlos Santana on the album Shaman. -
Historicaljesustext New:Royal
The Historical Jesus and the Literary Imagination, 1860–1920 ENGLISH ASSOCIATION STUDIES, 3 JENNIFER STEVENS The Historical Jesus and the Literary Imagination, 1860–1920 LIVERPOOL UNIVERSITY PRESS THE ENGLISH ASSOCIATION First published in 2010 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2010 Jennifer Stevens The right of Jennifer Stevens to be identified as the author of this book has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photo- copying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 978-1-84631-470-4 cased Typeset by XL Publishing Services, Tiverton Printed and bound by the MPG Books Group Contents Acknowledgements vii Author’s Note viii Introduction 1 1 The Victorians and the Bible 9 2 Nineteenth-Century Lives of Jesus 34 3 The Rise of the Fictional Jesus 84 4 The Fifth Gospel of Oscar Wilde 139 5 The Afterlife of Oscar Wilde’s Oral Tales 183 6 A Peculiar Protestant: The Gospels According to George Moore 217 7 George Moore’s Life of Jesus 247 Conclusion 282 Bibliography 291 Index 304 Acknowledgements First and foremost, I would like to thank Warwick Gould for his expert guidance and unfailing support for this project. I must also acknowledge a special debt to my friend, Pamela Bickley, whose example and encouragement have proved invaluable over the years.