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German Films Quarterly 1/2021
GFQGERMAN FILMS QUARTERLY WITH ARTICLES AND PORTRAITS ON FACE TO FACE WITH GERMAN FILMS – THE FILMMAKERS DIVERSITY IN GERMAN FILMMAKING DIRECTORS BARBARA OTT & JULIAN RADLMAIER PRODUCER MARTIN HEISLER ISSUE 1-2021 ACTOR & EUROPAN SHOOTING STAR ALBRECHT SCHUCH efp_ESS2021_Anzeige_GERMANFILM_148x210_pfad_druck.indd 1 18.01.21 11:23 GFQ 1-2021 INTRODUCTION © Kurt Krieger © Kurt Dear Readers, The pandemic has changed the film industry to a great extent, bringing it close to a standstill at times in 2020. Despite the challenges we and the industry are facing, we are optimistic about 2021. This is because we love cinema and good films and series – and particularly in these difficult times, they are also some thing that is needed by audiences around the world. Time and again in recent years, German feature films and series have succeeded in captivating viewers abroad, and we are confident that this will be the case in 2021 as well. In particular, the new wave of German documentaries is establishing itself increasingly as a favourite with international audiences. We are just as proud of the German Films campaign FACE TO FACE, which has been in existence for six years now, and delighted that we will be able to continue it with a great new pool of talent in 2021 – despite the difficult current conditions. Films and series are created through the work of a large team, which is why we have decided to highlight a greater diversity of film professions in 2021 and are proudly presenting the premiere of our new faces in this issue of GFQ. German Films Quarterly will broaden its format in 2021: We will also open our publication to contri butions dealing with internationally controversial topics in the film industry. -
Interim Report for the Second Quarter and First Half-Year of 2015 1
Interim Report for the Second Quarter and First Half-Year of 2015 1 Content 02 PROSIEBENSAT.1 AND Q2 2015 AT A GLANCE INTERIM CONSOLIDATED 03 ACTUAL FIGURES AND FORECASTS FINANCIAL STATEMENTS INTERIM GROUP 44 Income Statement MANAGEMENT REPORT 45 Statement of Comprehensive Income 05 Explanatory Notes on Reporting Principles 46 Statement of Financial Position 06 IMPORTANT EVENTS H1 2015 48 Cash Flow Statement 08 Our Group: Basic Principles 50 Statement of Changes in Equity 08 Report on Economic Position: Q2 2015 51 Notes 08 Business and Industry Environment 71 Responsibility Statement by Management 14 CONTENT HIGHLIGHTS Q2 2015 15 Comparison of Actual and Expected Business 72 Review Report Performance 16 Major Influencing Factors on Financial Position and ADDITIONAL INFORMATION Performance 18 Group Earnings 74 Group Key Figures: 23 Group Financial Position and Performance Multi-Year Overview 29 Business Development of Segments 75 Segment Key Figures: 32 Employees Multi-Year Overview 33 The ProSiebenSat.1 Share 76 Editorial Information 35 Events after the Reporting Period 77 Financial Calendar 37 Risk and Opportunity Report 40 Outlook 40 Future Business and Industry Environment 42 Company Outlook 2 PROSIEBENSAT.1 AT A GLANCE The ProSiebenSat.1 Group is one of the largest independent media corporations in Europe. Free TV fi- nanced by advertising is our core business. With the stations SAT.1, ProSieben, kabel eins, sixx, SAT.1 Gold, and ProSieben MAXX, we are the number one in the German TV advertising market. We have tapped into an attractive new business area with the distribution of our television channels in HD quality. We are also Germany’s leading online video marketer. -
Racko – No Better Friend!
LEON AND LINUS JOLINE LAETITIA INES SIEGFRIED MONIKA DE GREIFF SCHWÄRZLER HOLLINGER TERPOORTEN MANZ AND CHEWAKKA AS »RACKO« DIRECTED BY ULI MÖLLER WRITTEN BY NICOLE WALTER-LINGEN AND KONSTANTIN FERSTL RACKO – NO BETTER FRIEND! HERE COMES A TRUE FRIEND FOR RACKO – EIN HUND FÜR ALLE FÄLLE ALL LIFE’S ADVENTURES – Series | 13 x 25’ | Family Entertainment | Filmbüro Münchner Freiheit/BR, FAMILY ENTERTAINMENT AT ITS BEST! ARD, Das Erste | GER (OV), ENG ST (eps 1 + 2) Flori had never met his grandfather or his sole heir to the farm subject to the condition A contemporary family story starring a loyal grandfather’s dog Racko, but for some reason the that the 12-year old looks after Racko! A big city four-legged friend set against the picturesque loveable dog singled Flori out as his new master on apartment building is no place for a Bavarian backdrop of the Alps. It has been a long time the day they first met, the day his grandfather farm dog but could Flori and his mother really coming but now finally this generation has an died. When the will was read, Flori and his mother give up their lives to go and live on a farm? animal hero of its own that the whole family were shocked to discover that he Flori was the Things start to change pretty quickly... will love. CHRISTMAS IS IN DANGER! STRANGE THINGS ONLY 24 DAYS LEFT HAPPEN IN TO FIND THE REAL BEKKEBAKKEN... SANTA CLAUS… 2ND SEASON2 COMINGSEASON SOON LET IT GLOW – HOW PAULINE SAVED CHRISTMAS ZOMBIELARS BEUTOLOMÄUS UND DER WAHRE WEIHNACHTSMANN ZOMBIELARS Event Series | 24 x 15’ | WunderWerk in co-production with KiKA | GER (OV), ENG ST Series | 26 x 15’ | Dramedy | Tordenfi lm/NRK | NORWEGIAN (OV), ENG ST When an impostor is chosen as the new Santa Claus, Santa’s gift bag sets out to When 12-year-old Lars comes to town, he is immediately perceived as a threat. -
Press, Radio and Television in the Federal Republic of Germany
DOCUMENT RESUME ED 353 617 CS 508 041 AUTHOR Hellack, Georg TITLE Press, Radio and Television in the Federal Republic of Germany. Sonderdienst Special Topic SO 11-1992. INSTITUTION Inter Nationes, Bonn (West Germany). PUB DATE 92 NOTE 52p.; Translated by Brangwyn Jones. PUB TYPE Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Developing Nations; Foreign Countries; Freedom of Speech; *Mass Media; *Mass Media Effects; *Mass Media Role; Media Research; Professional Training; Technological Advancement IDENTIFIERS *Germany; Historical Background; Journalists; Market Analysis; Media Government Relationship; Media Ownership; Third World; *West Germany ABSTRACT Citing statistics that show that its citizens are well catered for by the mass media, this paper answers questions concerning the media landscape in the Federal Republic of Germany. The paper discusses: (1) Structure and framework conditions of the German media (a historical review of the mass media since 1945); (2) Press (including its particular reliance on local news and the creation of the world status media group, Bertelsmann AG);(3) News agencies and public relations work (which insure a "never-ending stream" of information);(4) Radio and Television (with emphasis on the Federal Republic's surprisingly large number of radio stations--public, commercial, and "guest");(5) New communication paths and media (especially communication and broadcasting satellites and cable in wideband-channel networks);(6) The profession of journalist (which still relies on on-the-job training rather than university degrees); and (7) Help for the media in the Third World (professional training in Germany of journalists and technical experts from underdeveloped countries appears to be the most appropriate way to promote Third World media). -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. -
Downloaded from Brill.Com09/30/2021 03:47:12PM Via Free Access of That Period Was Dominated by Magazine-Type Formats
Gesnerus 76/2 (2019) 172–191, DOI: 10.24894/Gesn-en.2019.76009 “Because every recipient is also a potential patient” – TV Health Programmes in the FRG and the GDR, from the 1960s to the 1980s Susanne Vollberg Abstract In the television programme of West Germany from the 1960s to the 1980s, health magazines like Gesundheitsmagazin Praxis [Practice Health Maga- zine] (produced by ZDF)1 or ARD-Ratgeber: Gesundheit [ARD Health Ad- visor] played an important role in addressing health and disease as topics of public awareness. With their health magazine Visite [Doctor’s rounds], East German television, too relied on continuous coverage and reporting in the fi eld. On the example of above magazines, this paper will examine the his- tory, design and function of health communication in magazine-type for- mats. Before the background of the changes in media policy experienced over three decades and the different media systems in the then two Germanys, it will discuss the question of whether television was able to move health rele- vant topics and issues into public consciousness. health magazine, GDR television, FRG television, Gesundheitsmagazin Praxis Health-related programmes were, right from the early days of television, part of the common TV repertoire in both German countries but it was in the health, disease and medicine, which was well-received by the audience. The- coverage of medicine and health issues in East and West German television 1 Abbreviation for Zweites Deutsches Fernsehen – Second German Television; public-service broadcaster. Apl. Prof. Dr. Susanne Vollberg, Martin-Luther-Universität Halle-Wittenberg, Institut für Musik, Medien- und Sprechwissenschaften, Abt. -
Mala Emde Luisa-Céline Gaffron Andreas Lust Noah Saavedra Tonio Schneider
MALA EMDE LUISA-CÉLINE GAFFRON ANDREAS LUST NOAH SAAVEDRA TONIO SCHNEIDER www.undmorgendieganzewelt-film.de undmorgendieganzewelt UndMorgenDieGanzeWelt.film a film by Julia von Heinz with Mala Emde, Noah Saavedra, Tonio Schneider, Luisa-Céline Gaffron and Andreas Lust 2020 - Germany/France - Drama - 2.39 - 110 min International sales International PR German PR Films Boutique claudiatomassini+associates Just Publicity tel: +49 30 6953 7850 Claudia Tomassini Kerstin Böck & Annalena Brandelik [email protected] cell: +49 1732055794 tel: +49 89 20 20 82 60 www.filmsboutique.com [email protected] [email protected] www.claudiatomassini.com AND TOMORROW THE ENTIRE WORLD Cast Luisa MALA EMDE Alfa NOAH SAAVEDRA Lenor TONIO SCHNEIDER Batte LUISA-CÉLINE GAFFRON Dietmar ANDREAS LUST CREW Director JULIA VON HEINZ Screenwriters JULIA VON HEINZ & JOHN QUESTER Producers FABIAN GASMIA, JULIA VON HEINZ Coproducers JOHN QUESTER, THOMAS JAEGER, ANTOINE DELAHOUSSE DoP DANIELA KNAPP Editor GEORG SÖRING Set design CHRISTIAN KETTLER Costumes MAXI MUNZERT Music NEONSCHWARZ Composer MATTHIAS PETSCHE Sound BETTINA BERTÓK Mix VALENTIN FINKE Make-up SILKE DOTZAUER Casting MAI SECK Production companies SEVEN ELEPHANTS GmbH KINGS & QUEENS FILMPRODUKTION GmbH HAIKU FILMS SARL Co-produced by SWR, WDR, BR & ARTE Supported by FFF Bayern, MFG Baden-Württemberg, FFA Filmförderungsanstalt, Medienboard Berlin-Brandenburg, French-German Minitraité, CNC Centre national du cinema et de l’image animée, DFFF Deutscher Filmförderfonds Germany, France 2020 TRT: 111 Min The Federal Republic of Germany is a democratic and social federal state. All Germans have the right to resistance against anybody trying to abolish this order if other remedies are not possible. Art. 20, Par. 4 German Constitution AND TOMORROW THE ENTIRE WORLD SYNOPSIS When Luisa leaves her wealthy parents to study law, her best friend introduces her to a rag-tag collective of Antifa activists drawn together by their will to fight for the cause and a disdain of conventions. -
Hindenburg - the Last Flight
MIPCOM 2010 Line-Up Booth R31.01A Phone: +33 (0) 4 92 99 88 53 www.betafilm.com Visit our Screeningroom! Miniseries (2 x two hours, HD) Hindenburg - The Last Flight An awe-inspiring airship. A murderous conspiracy. A devastating catastrophe. Frankfurt, May 1937. The Hindenburg, the world's largest airship, is getting ready to fly to New York. A vehicle of staggering dimensions, it is the pride of Nazi Germany. But it has one serious flaw: due to an American embargo preventing the sale of helium to Germany, the Hindenburg is filled with highly combustible hydrogen gas instead. To Merten Kröger, an engineer who helped design the Hindenburg, the ship is a stick of dynamite waiting for a spark. The young man of great charm but modest means has fallen in love with the wealthy Jennifer van Zandt, the daughter of an American industrialist who wants to sell helium to the Germans. Just before the ship takes off, Merten learns how far the industrialist will go: he has had a bomb placed on the airship. What van Zandt didn't know is that his wife and daughter would be on board. Merten sneaks aboard the airship without a minute to spare. The young couple is reunited, and despite the great difference in class and social status between them, Jennifer, too, avows her love for Merten. He tells her of the bomb hidden somewhere on the airship. But there is little time for explanations, since Merten must flee: he is being sought for a murder he says he did not commit. -
Production List 2002 Bulgarian Symphony Orchestra / Sif309
PRODUCTION LIST 2002 BULGARIAN SYMPHONY ORCHESTRA / SIF309 PROJECT TITLE COMPOSER DATES DIRECTOR AWARDS AND NOMINATIONS Album A FILETTA Bruno Coulais/ A FILETTA Dec/2002 Film Pontormo Pino Donaggio Giovanni Nov/2002 Italian National Syndicate of Fago Film Journalists 2005 • Nominated, Silver Ribbon/Best Costume Design (Migliori Costumi)/Lia Francesca Morandini/• Also for L'amore di Màrja Tv series Père et maire Frédéric Porte Nov/2002 Film La tranchée des espoirs Marc Marder Jean-Louis Nov/2002 Luchon International Film Lorenzi Festival 2003 • Won, Best Young Actor/Jean- Jérôme Esposito • Also for Fragile • Won, Best Music/Marc Marder • Won, Audience Award Animation Les enfants de la pluie Didier Lockwood Philippe Nov/2002 Leclerc Film La leggenda di Al, John e Jack Andrea Guerra Aldo / Nov/2002 Italian National Syndicate of Giacomo/ Film Journalists Giovanni / 2003 Massimo • Nominated, Silver Ribbon/Best Venier Cinematography (Migliore Fotografia)/Arnaldo Catinari/• Also for Happiness Costs Nothing • Nominated, Silver Ribbon/Best Production Design (Migliore Scenografia)/Eleonora Ponzoni Film Il cane e il suo generale /a.k.a. Le chien, le Andrea Guerra Francis Nov/2002 Chicago International général et les oiseaux/ Nielsen Children's Film Festival 2004 • 2nd place, Adult's Jury Award/ Animated Feature Film or Video/ Francis Nielsen Venice Film Festival 2003 • Won, Rota Soundtrack Award/ Andrea Guerra Tv series Sospetti 2 Pino Donaggio Gianni Nov/2002 Lepre Film La maison des enfants Jean-Claude Petit Nov/2002 Album Sacha Distel – Jazz -
Quarterly 3 · 2009
cover_GFQ_3_2009heller.qxp:cover_GFQ_3_2009heller 24.07.2009 15:06 Uhr Seite 1 German Films Quarterly 3 · 2009 AT LOCARNO THE TWO HORSES OF GENHIS KHAN by Byambasuren Davaa AT MONTREAL ALIAS by Jens Junker ANNE PERRY-INTERIORS by Dana Linkiewicz CEASEFIRE by Lancelot von Naso AT VENEDIG DESERT FLOWER by Sherry Hormann SOUL KITCHEN by Fatih Akin PORTRAITS Almut Getto, Niko von Glasow, UFA Cinema, Alice Dwyer Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 1 German Films Quarterly 3 · 2009 directors’ portraits 4 A STROKE OF LUCK A portrait of Almut Getto 6 SHAKING AND STIRRING A portrait of Niko von Glasow producers’ portrait 8 NEW KIDS ON THE BLOCK A portrait of UFA Cinema actress’ portrait 12 SENSUALITY WITH PRINCIPLES A portrait of Alice Dwyer 14 news in production 18 BIS AUFS BLUT Oliver Kienle 18 BLACK DEATH Christopher Smith 20 FRECHE MAEDCHEN 2 Ute Wieland 20 GLUECKSRITTERINNEN Katja Fedulova 21 HABERMANN Juraj Herz 22 DER HUNGERWINTER 1946/47 Gordian Maugg 23 DIE JAGD NACH DER HEILIGEN LANZE Florian Baxmeyer 24 LUKS GLUECK Ayse Polat 25 NANGA PARBAT Joseph Vilsmaier 26 ORIENT EXPRESS THEATRE TRAIN Martin Andersson, Steffen Duevel 27 ORLY Angela Schanelec 27 RUMPE & TULI Samy Challah, Till Nachtmann, Stefan Silies 29 DER SANDMANN Jesper Moeller, Sinem Sakaoglu, Helmut Fischer 30 SATTE FARBEN VOR SCHWARZ Sophie Heldman 31 DAS SCHWEIGEN Baran bo Odar 32 THEMBA Stefanie Sycholt new german films 34 ALIAS Jens Junker 35 ANNE PERRY – INTERIORS Dana Linkiewicz 36 AYLA Su Turhan Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 2 37 BERLIN ’36 Kaspar Heidelbach 38 CHI L’HA VISTO Claudia Rorarius 39 DEUTSCHLAND NERVT MADE IN DEUTSCHLAND Hans-Erich Viet 40 DER ENTSORGTE VATER THE DISCARDED FATHER Douglas Wolfsperger 41 FLIEGEN FLY Piotr J. -
Gisela Schneeberger (Anne)
PRÄSENTIERT: BUCH UND REGIE: RALF WESTHOFF EINE PRODUKTION VON: WESTHOFF FILM IN KO-PRODUKTION MIT: DRIFE FILMPRODUKTION UND BAYERISCHER RUNDFUNK DEGETO FILM MIT UNTERSTÜTZUNG VON: FFF – FILMFERNSEHFONDS BAYERN DFFF – DEUTSCHERFILMFÖRDERFONDS FFA – FILMFÖRDERUNGSANSTALT BKM – DIE BEAUFTRAGTE DER BUNDESREGIERUNG FÜR KULTUR UND MEDIEN KINOSTART: 17. JULI 2014 IM VERLEIH VON: X VERLEIH www.wirsinddieneuenx-verleih.de INHALTSVERZEICHNIS KURZINHALT UND PRESSENOTIZ .............................................................................. 3 BESETZUNG UND STAB ............................................................................................. 4 INTERVIEW MIT AUTOR, REGISSEUR UND PRODUZENT RALF WESTHOFF ....................................................................................................... 5 DIE WOHNGEMEINSCHAFTEN DIE NEUEN .................................................................................................................... 7 DIE JUNGEN .................................................................................................................. 8 VOM BABY BIS ZUM RENTNER – MEHRGENERATIONENHÄUSER ERSETZEN DIE GROßFAMILIE ........................... 9 WIR SIND DIE NEUEN UND IHRE BESTEN WG-KOCHREZEPTE VON FRÜHER .................................................................................................................................... 10 VOR DER KAMERA GISELA SCHNEEBERGER (ANNE) .................................................................................. 12 HEINER LAUTERBACH (EDDI) -
Michael Hajek Luc Marteling Week 14 the RTL Group Intranet
week 14 the RTL Group intranet Newsletter 3 April 2008 Concentrated Creativity Thomas Valentin on the first group-wide format event Pitch & Meet United Kingdom Leona Lewis conquers the worldwide charts France Diana inspires dreams... in France United Kingdom Top sports bidder: Five Germany Educational magazine for children People Michael Hajek Luc Marteling week 14 the RTL Group intranet ‘‘This is a unique opportunity’’ For the first time, executives from RTL Group’s subsidiaries and from several production com- panies met up at M6’s headquarter in Paris for a day in early March to discuss new ideas, for- mats and concepts. Backstage spoke to Thomas Valentin, General Director Networks & Content at M6. France - 3 April 2008 The RTL Group Pitch & Meet provides a unique To ensure a successful meeting forum for exchanges of fresh format concepts for all participants, the day’s pro- between the creative directors of Europe’s lea- ceedings were broken down into ding production companies and programming two parts. During the daytime directors in RTL Group’s European network. It pitching session, the audience was the first time that RTL Group had invited consisted of RTL Group content around 40 of its senior executives to an exclusi- executives. The focus was on ve meeting. Representatives from seven leading presenting formats that appeal European production companies also joined the to various markets, taking meeting for a day of ideas, discussion and direct advantage of the Pitch & Meet’s feedback. The production companies that took international profile. Each pro- part were All3Media, BBC Worldwide duction company was allotted Productions, Endemol, FremantleMedia, ITV an exclusive 45-minute slot, Jane Milichip, COO of RDF Rights Productions, RDF Media Group and Shine including around 20 to 30 minutes to pitch their Group.