Back Panel EMPTY HANDS 1. Grateful Feat. Daniel Nahmod 2
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lexia® Core5® Reading: Comprehension Passages for Levels 12-20
Lexia® Core5® Reading: Comprehension Passages for Levels 12-20 This document contains the full text of all comprehension passages in Levels 12 to 20 of the Lexia Core5 Reading student activities. This resource allows teachers to further scaffold comprehension instruction and activities for students. All comprehension passages in Lexia Core5 Reading have been measured using a number of tools to determine complexity, including Lexile® measures. Based on this analysis, the comprehension passages are appropriately complex for students reading at the grade-level of skills in each program level. For example, all comprehension passages in Levels 13 and 14 (Grade 3 skills) fall within the range of scores deemed appropriate for on-level Grade 3 reading skills. CORE5 LEVEL GRADE LEVEL OF SKILLS LEXILE RANGE 12 Grade 2 420L to 650L 13-14 Grade 3 520L to 820L 16-17 Grade 4 740L to 940L 19-20 Grade 5 830L to 1010L ©2019 Lexia Learning, a Rosetta Stone Company. All rights reserved. Lexile® is a trademark of MetaMetrics rev. 071219 Level 12 | Comprehension US Reading Passages LEVEL 12, UNIT 1 Mixed Up Bear (Narrative) Bear woke up. He had not slept well. “I feel mixed up,” he said with a yawn. He made breakfast. He drank his milk with a fork and used eggs to make a cup of tea. He also put toast on his jam. He washed his face with toothpaste and brushed his teeth with soap. He got dressed. He put his legs in his shirt and his pants on his head. He also put his socks on his hands. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
With One Voice Community Choir Program
WITH ONE VOICE COMMUNITY CHOIR PROGRAM We hope being part of this choir program will bring you great joy, new connections, friendships, opportunities, new skills and an improved sense of wellbeing and even a job if you need one! You will also feel the creative satisfaction of performing at some wonderful festivals and events. If you have any friends, family or colleagues who would also like to get involved, please give them Creativity Australia’s details, which can be found on the inside of the front cover of this booklet. We hope the choir will grow to be a part of your life for many years. Also, do let us know of any performance or event opportunities for the choir so we can help them come to fruition. We would like to thank all our partners and supporters and ask that you will consider supporting the participation of others in your choir. Published by Creativity Australia. Please give us your email address and we will send you regular choir updates. Prepared by: Shaun Islip – With One Voice Conductor In the meantime, don’t forget to check out our website: www. Kym Dillon – With One Voice Conductor creativityaustralia.org.au Bridget a’Beckett – With One Voice Conductor Andrea Khoza – With One Voice Conductor Thank you for your participation and we are looking forward to a very Marianne Black – With One Voice Conductor exciting and rewarding creative journey together! Tania de Jong – Creativity Australia, Founder & Chair Ewan McEoin – Creativity Australia, General Manager Yours in song, Amy Scott – Creativity Australia, Program Coordinator -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
The Dicks Top: the Dicks in the Early 1980S
The Dicks Top: The Dicks in the early 1980s. Photo: Mark Christal. Bottom: The Dicks in 2005. L to R: Buxf Parrot (bass), Gary Floyd (vocals), Pat Deason (drums). Photo: Carlos Lowry. 4 The Dicks The Dicks were confrontational right out of the gate. A seminal band, and not just because singer Gary Floyd sometimes threw condoms filled with fake cum into the crowd. By all accounts, the Dicks challenged their audiences and revealed new possibilities. They made their concerts a hell of an experience and created memorable political music with a sound that was completely their own. The Dicks formed in Austin in 1980. They relocated to San Francisco and changed personnel halfway through the duration of the group, before breaking up in 1986. When one thinks of early hardcore punk music in Texas, a small but critical list of bands comes to mind immediately: the Big Boys, Dirty Rotten Imbeciles (DRI), Butthole Surfers, Really Red, the Stains (later renamed MDC), the Offenders and the Dicks. The Dicks first came to the ears of many with a three song 7”, The Dicks Hate the Police . The band re - leased this 7” in 1980 on their own Radical Records label (by the way, no relation to the more well known R Radical label that Dave Dictor from Stains and MDC created soon after). The song “The Dicks Hate the Police” is an exceptionally memorable and passionate first statement for a band. These lyrics by guitarist Glen Taylor remain stinging and painful, especially while being delivered in a voice that is both mournful and pissed off at the same time: Daddy, Daddy, Daddy Proud of his son He’s got a good job Kills niggers and Mexicans We’ll tell you something and it’s true If you can’t find justice it’ll find you The popular Seattle-based band Mudhoney covered the song as “Hate the Police.” This brought the Dicks’ music to the attention of many thousands of people that might not have heard them otherwise. -
ALL-2016 \226 Bele\236Nica
ALL-2016 Index Good Short Total Song 1 274 0 274 X AMBASSADORS - RENEGADES 2 253 0 253 LUKAS GRAHAM - 7 YEARS 3 220 0 220 JASON DERULO - CHEYENNE 4 214 0 214 RED HOT CHILI PEPPERS - DARK NECESSITIES 5 206 0 206 ROBIN SHULTZ & FRANCESCO YATES - SUGAR 6 202 0 202 DNCE - CAKE BY THE OCEAN 7 198 0 198 ANIKA HORVAT - NOČEM BIT SAMA 8 193 0 193 LEONART - POJEM ZATE 9 183 0 183 SHAWN MENDES - STITCHES 10 181 0 181 MADCON & RAY DALTON - DON'T WORRY 11 179 0 179 ANNA NAKLAB & ALLE FARBEN & YOUNOTUS - SUPERGIRL 12 178 0 178 MARLON ROUDETTE & K STEWART - EVERYBODY FEELING SOMETHING 13 171 0 171 ALEX VOLASKO - PESEM IN POLJUB 14 170 0 170 ČEDAHUČI - ČE HOČEŠ GREM 15 170 1 171 MARY ROSE - RESNIČEN SVET 16 168 0 168 SIDDHARTA - LEDENA 17 165 0 165 MI2 - BELI GRAD 18 164 0 164 PANDA - NORO 19 163 0 163 CHARLIE PUTH & MEGHAN TRAINOR - MARVIN GAYE 20 158 0 158 ONE REPUBLIC - WHEREVER I GO 21 158 1 159 GWEN STEFANI - MAKE ME LIKE YOU 22 156 0 156 MIKE POSNER - I TOOK A PILL IN IBIZA(RNX-2016) 23 153 0 153 JAIN - COME 24 150 0 150 NEISHA - NAJINA SLIKA IN TI 25 150 0 150 DUA LIPA - BE THE ONE 26 149 0 149 AVICII - FOR A BETTER DAY 27 147 0 147 ALYA - SRCE ZA SRCE 28 147 0 147 BIRDY - KEEPING YOUR HEADUP 29 146 0 146 OMI & FELIX JAEHN - CHEERLEADER(RMX) 30 143 0 143 SHAWN MENDES - SOMETHING BIG 31 143 0 143 SHAKIRA - TRY EVERYTHING 32 142 0 142 SIMPLE PLAN & R CITY - SINGING IN THE RAIN 33 137 1 138 JUSTIN BIEBER - LOVE YOURSELF 34 136 0 136 COLDPLAY - ADVENTURE OF A LIFETIME 35 134 0 134 SANS SOUCI & PEARL ANDERSSON - SWEET HARMONY 36 134 0 134 FIRST AID -
Unification Church Camp Song Book
Contents A Miracle America . 86 Grace of the Holy Garden . 97 All the Lands That I Loved . .3 Happy Heart . 24 Amazing Grace . 89 Happy Sunny Side of Life . 30 America the Beautiful . 54 He’s Got the Whole World . 69 Annie’s Song . 15 Heart of My Country . 78 As the Deer . 73 Higher Ground . 88 Baby Beluga . 65 Hills and Valleys . 76 Battle Hymn of the Republic . 75 How Great Thou Art . 84 Be Kind to Your Web-Footed I Can See Clearly Now . 29 Friends . 63 Ideal World Song . .66 Belvedere Song . 15 If I Had a Hammer . 60 Be Thou My Vision . 87 If I Were Free . .5 Brother Sun, Sister Moon . 79 If Life Were Gracious Enough . 49 Bye and Bye . 6 If You Should Hear a Song . 51 By the Spring of Life . 80 I’ll Never Find Another You . 46 Christ Is Here! . 85 I’ll Never Leave You . 52 Country Roads . 55 Imagine . 45 Create in Me a Clean Heart . 72 Impossible Dream . 36 Day of Glory . 95 I Saw the Light . 74 Day of Hope . 31 I Want to Give You This World . 53 Down By the Riverside . 13 Joy . 37 Edelweiss . 71 Joyful Joyful We Adore Thee . 48 Father’s Dwelling Place . .90 Joy Is Like the Rain . 72 From a Distance . 43 Kumbaya . 61 Generation of Righteousness . 12 Lean on Me . 28 Get Together . 44 Let It Be . 50 God Bless America . 62 Light of Grace . 83 Go Down Moses . 4 Lord Is One . 94 God Sees the Little Sparrow Fall 68 Love . -
1970-05-23 Milwaukee Radio and Music Scene Page 30
°c Z MAY 23, 1970 $1.00 aQ v N SEVENTY -SIXTH YEAR 3 76 D Z flirt s, The International Music-Record-Tape Newsweekly COIN MACHINE O r PAGES 43 TO 46 Youth Unrest Cuts SPOTLIGHT ON MCA -Decca in Disk Sales, Dates 2 -Coast Thrust By BOB GLASSENBERG NEW YORK - The MCA - Decca was already well- estab- NEW YORK -Many campus at Pop -I's Record Room. "The Decca Records complex will be lished in Nashville. record stores and campus pro- strike has definitely affected our established as a two -Coast corn- In line with this theory, Kapp moters Records is being moved to the across the country are sales. Most of the students have pany, Mike Maitland, MCA Rec- losing sales and revenue because gone to the demonstrations in West Coast as of May 15. Sev- of student political activity. "The the city and don't have new ords president, said last week. eral employees have been students are concerned with records on their minds at the "There are no home bases any- shifted from Kapp's New York other things at the moment," moment. They are deeply moved more for the progressive record operation into the Decca fold according to the manager of the (Continued on page 40) company." He pointed out that and Decca will continue to be a Harvard Co -op record depart- New York -focused firm. The ment in Cambridge, Mass. The shift of Kapp to Los Angeles is record department does much a "rather modest change," business with students in the FCC Probing New Payola Issues Maitland said, as part of the Boston area. -
Illinipoetry192400univ.Pdf
iii- B LIBRARY OF THE ,^ UNIVERSITY OF ILLINOIS \ AT URBANA-CHAMPAICN IN MEMORY OF STEWART S. HOWE JOURNALISM CLASS OF 1928 STEWART S. HOWE FOUNDATION 511.08 1^61 1929 cop,4 I • H • S . --id^jo^^^MT e /^S3 mini Poetry mini I I I Poetry j ^ I924-I929 ^ ? Edited by i I Paul Landis | k %P k "I k 1929 I /| The of Illinois ^if University p \ Supply Store y '^ Champaign, Illinois ^ k k Copyright, 1929 U. OF I. Supply Store Champaign, Illinois Composed, Printed and Bound hf George Banta Publishing Company Menasha, Wisconsin 9^^ 0<^ ^ ^ ^M- Xjuo'v^ ' ^' ' INTRODUCTION T7IVE YEARS have passed since the Poetry -- Society of the University of lUinois pub- lished its first volume, Illini Poetry—ipi8-ip2j. That volume was a pioneer among collections of university poetry, and the success which it achieved fully justified the courage and re- warded the labor, which was great, of Professor Bruce Weirick in editing it. For some years now' the edition has been exhausted, and the book is permanently out of print. In coming before the public for the second time the Poetry Society stands less in need of introduction. Those who are familiar with the older book will recognize some of the authors in the new, we hope with pleasure; and we have no doubt that they will regret the absence of others. Still there would be little excuse for publishing this book were it not for the new names which here bear witness to the fact that the Poetry Society is a living institution. -
The Perfect Mango
the perfect mango Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press @ https://punctumbooks.com/support If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contributions from dedi- cated readers will also help us to keep our commons open and to cultivate new work that can’t find a wel- coming port elsewhere. Our adventure is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) the perfect mango. Copyright © 1994, 2019 by Erin Manning. This work carries a Creative Commons BY-NC-Sa 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the au- thors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transfor- mation, you distribute your rebuild under the same license. http://cre- ativecommons.org/licenses/by-nc-sa/4.0/ First published in 2019 by 3Ecologies Books/Immediations, an imprint of punctum books. https://punctumbooks.com ISBn-13: 978-1-950192-13-7 (print) ISBn-13: 978-1-950192-14-4 (epDf) lccn: 2019932679 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J. -
Sever Pederson
Westland Writes … 2012 Poetry and stories from local writers, as collected by the Westland Public Library. Editors: Andy Schuck Cheryl Vatcher-Martin Westland Public Library 6123 Central City Parkway Westland, MI 48185 www.westlandlibrary.org Westland Writes … 2012 Westland Writes … is in its 4th annual installment. We include new poets every year and have our cherished regulars. Poems are accepted during National Poetry Month (April) every year, so if you did not have a chance to include your work in this year’s book, please look for submission notices in the library next April. The rights of each poem and story in this collection revert back to the author. Poems included are in Century Gothic font. Poet names are in Brittanic Bold. 2 Westland Writes … 2012 Table of Contents Poems Eric Alder Haiku 10 Ode to a Wrecking Ball 10 LeeAnne Baumdraher This is a Party, But I’m not a Pinata 12 A Pugilist’s Pain 12 Regan Byers Dear Mary 14 My choice, my body 15 Tisha Cole Nature Haiku 17 Spanish Cinquain 17 Jesse Ewing Happiness 18 Escape 19 3 Westland Writes … 2012 Patrick Franks MUNDANE MIRACLES 20 GET AWAY 20 Rick Gallmeyer From all this … 22 Julissa 23 James Jeziorowski Finding Work 25 Tornado 25 John Kelly FATE 27 The Lovers in the Wind 28 Ralph Koschnitzke All about her 30 Why? 31 Tom Kozma Dreaming of You 32 Six Words 33 4 Westland Writes … 2012 Catherine McKenzie FAREWELL’S SIGH 35 DRIVIN’ DOWN GEDDES ROAD 35 Blair Miller Seussaholic 37 You 38 Julie Moffit PERCEPTION 39 ILLUSIONS 39 Tobi Nelson The Hurt Will Go Away 41 Even Though 41 Casheena -
Show Perusal
BKLYN THE MUSICAL BY MARK SCHOENFELD & BARRI MCPHERSON SHOW PERUSAL 02/06/19 Brooklyn The Musical Copyright © 2019 By Mark Schoenfeld & Barri McPherson ALL RIGHTS RESERVED Copyright Protection. This play (the “Play”) is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, and the Berne Convention. Reservation of Rights. All rights to this Play are strictly reserved, including, without limitation, professional and amateur stage performance rights; motion picture, recitation, lecturing, public reading, radio broadcasting, television, video, and sound recording rights; rights to all other forms of mechanical or electronic reproduction now known or yet to be invented, such as CD-ROM, CD-I, DVD, photocopying, and information storage and retrieval systems; and the rights of translation into non-English languages. Performance Licensing and Royalty Payments. Amateur and stock performance rights to this Play are controlled exclusively by Broadway Licensing. No amateur or stock production groups or individuals may perform this Play without obtaining advance written permission from Broadway Licensing. Such royalty fees may be subject to change without notice. Although this book may have been obtained for a particular licensed performance, such performance rights, if any, are not transferable. Required royalties must be paid every time the Play is performed before any audience, whether or not concerning amateur and stock performance rights should be addressed to Broadway Licensing (see contact information on opposite page).