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Nabokov and the Detective Novel
CATHARINE THEIMER NEPOMNYASHCHY NABOKOV AND THE DETECTIVE NOVEL atharine Theimer Nepomnyash- was left unfinished at her death. Cathy chy, Ann Whitney Olin Profes- proposed to investigate more thoroughly sor of Russian Literature and and inventively Nabokov’s enemies (Freud, C Culture, Barnard College, and Pasternak, the detective novel) to see former director of the Harriman Institute, whether his blistering invective obfuscated died on March 21 of this year. (An obitu- a deeper engagement with said enemies. ary is printed at the end of the magazine.) Although we can only guess at the work’s Cathy first taught the Nabokov survey at final shape, conference papers from 2010 Columbia in the fall of 2007 (I remember onwards offer glimpses of a potential table because I taught the second class), and the of contents: Nabokov and Pasternak; following year she published her first arti- Pale Fire and Doctor Zhivago: A Case of cle on Nabokov, “King, Queen, Sui-mate: Intertextual Envy; Ada and Bleak House ; Nabokov’s Defense Against Freud’s Un- Nabokov and Austen; Nabokov and the canny” (Intertexts, Spring 2008), the first Art of Attack. brick of what was planned to be “Nabokov The essay that follows is what we and His Enemies,” which unfortunately have of the second brick of Cathy’s 48 | HARRIMAN FEATURED INTRODUCTION BY RONALD MEYER work-in-progress, “Revising Nabokov needs to keep in mind that what follows is Revising the Detective Novel: Vladimir, a conference presentation and that Cathy Agatha, and the Terms of Engagement,” was writing within the constraints of time which Cathy presented at the 2010 Inter- and length, but one cannot but regret its national Nabokov Conference, sponsored preliminary state and wonder what was to by the Nabokov Society of Japan and the come in a fully expanded version. -
A Humble Protest a Literary Generation's Quest for The
A HUMBLE PROTEST A LITERARY GENERATION’S QUEST FOR THE HEROIC SELF, 1917 – 1930 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jason A. Powell, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Steven Conn, Adviser Professor Paula Baker Professor David Steigerwald _____________________ Adviser Professor George Cotkin History Graduate Program Copyright by Jason Powell 2008 ABSTRACT Through the life and works of novelist John Dos Passos this project reexamines the inter-war cultural phenomenon that we call the Lost Generation. The Great War had destroyed traditional models of heroism for twenties intellectuals such as Ernest Hemingway, Edmund Wilson, Malcolm Cowley, E. E. Cummings, Hart Crane, F. Scott Fitzgerald, and John Dos Passos, compelling them to create a new understanding of what I call the “heroic self.” Through a modernist, experience based, epistemology these writers deemed that the relationship between the heroic individual and the world consisted of a dialectical tension between irony and romance. The ironic interpretation, the view that the world is an antagonistic force out to suppress individual vitality, drove these intellectuals to adopt the Freudian conception of heroism as a revolt against social oppression. The Lost Generation rebelled against these pernicious forces which they believed existed in the forms of militarism, patriotism, progressivism, and absolutism. The -
THE LITERARY CRITICISM of EDMUND WILSON by Mervin
TRADITION AND ISOLATION: THE LITERARY CRITICISM OF EDMUND WILSON by Mervin Butovsky A the sis submitted to the Faculty of G r aduate Studies and Research in partial fulfilment of the requirements for the degree of Mas ter of Arts. D e partment of English, M c Gill Univer s ity, M ontreal. A p r il 1961 TABLE OF CONTENTS Page Introduction 1 Chapter I Wilson's Cultural Tradition and Li.terary Career 13 Chapter II The Cost of Aestheticism: Llterature and Social Responsibility 47 Chapter III The Context of History: Marxism and Literary Values 67 Chapter IV The Context of Biography: Psychology and Literary Creation 86 Conclusion 111 Notes 121 List of Works Consulted 139 1 INTRODUCTION The position of Edmund Wilson is unique among critics on the American literary scene. For over three decades he has been considered one of America's leading critics of literature and i.s doubtless, as Stanley Edgar Hyman observes, "the most widely known 1 of our critics. " In an age when literary criticism has become greatly specialized and has tended to find its audience for the most part in academie circles, Edmund Wilson stands out as the only critic whose reputation is based upon critical acceptance by both the intellectuals and the broad literate reading public. Through the years his writings have been published in the avant-garde literary "little magazines" as well as the mass-circulated popular publications, 2 and unlike other prominent critics of literature, the majority of whom are teachers by profession, Wilson sees his writings as "the record of a journalist"3 and speaks of himself as belonging to the "serious profession of journalism. -
To the Finland Station Edmund Wilson
TO THE FINLAND STATION EDMUND WILSON INTRODUCTION BY LOUIS MENAND NEW YORK REVIEW BOOKS CLASSICS TO THE FINLAND STATION EDMUND WILSON (1895–1972) is widely regarded as the preeminent American man of letters of the twentieth century. Over his long career, he wrote for Vanity Fair, helped edit The New Republic, served as chief book critic for The New Yorker, and was a frequent contributor to The New York Review of Books. Wilson was the author of more than twenty books, including Axel’s Castle, Patriotic Gore, and a work of fiction, Memoirs of Hecate County. LOUIS MENAND is Distinguished Professor of English at the Graduate Center of the City University of New York and a staff writer at The New Yorker. He is the author of The Meta- physical Club, which won the Pulitzer Prize for History and the Francis Parkman Prize in 2002, and American Studies, a collection of essays. TO THE FINLAND STATION A STUDY IN THE WRITING AND ACTING OF HISTORY EDMUND WILSON Foreword by LOUIS MENAND new york review books nyrb New York This is a New York Review Book Published by The New York Review of Books 1755 Broadway, New York, NY 10019 Copyright 1940 by Harcourt Brace & Co., Inc., renewed 1967 by Edmund Wilson. New introduction and revisions copyright © 1972 by the Estate of Edmund Wilson. Published by arrangement with Farrar, Straus and Giroux, LLC. Introduction copyright © 2003 by Louis Menand All rights reserved Marxism at the End of the Thirties, from The Shores of Light, copyright 1952 by Edmund Wilson Farrar, Straus & Young, Inc., Publishers. -
Edmund Wilson's Chronicles Edwin Honig
New Mexico Quarterly Volume 24 | Issue 1 Article 15 1954 Edmund Wilson's Chronicles Edwin Honig Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Honig, Edwin. "Edmund Wilson's Chronicles." New Mexico Quarterly 24, 1 (1954). https://digitalrepository.unm.edu/nmq/vol24/ iss1/15 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Honig: Edmund Wilson's Chronicles BOOKS and COMMENT Edwin Honig EDMUND WILSON'S CHRONICLES1 DMUNDWIL SON is that rare sort of American writer, a master of prose style. This can probably be proved at E length from any of his ten books of critical and discursive pros~. His writing has no crotchets. It reads easily; it is often bril liant without being simply slick. He seems unwilling to let a dead or merely dull sentence slip by. Though occasionally his periods seem protracted. they easily pass scrutiny because they are not densely freighted or rhetorical and carry their weight of modifi ers and parentheses squarely. The right sense of conviction and discriminative zeal keeps them afloat. Such qua~ities are remark able enough even in a critic ofdeliberate intent who publishes only infrequently. But the example of Edmund Wilson, a literary journalist of thirty years standing whose work 'was composed for \ weeklies like The New Republicand The New Yorketr, has quali- tatively almost no precedent in our literature. -
The Literary Heroes of Fitzgerald and Hemingway ; Updike and Bellow Martha Ristine Skyrms Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1979 The literary heroes of Fitzgerald and Hemingway ; Updike and Bellow Martha Ristine Skyrms Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Skyrms, Martha Ristine, "The literary heroes of Fitzgerald and Hemingway ; Updike and Bellow " (1979). Retrospective Theses and Dissertations. 6966. https://lib.dr.iastate.edu/rtd/6966 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The literary heroes of Fitzgerald and Hemingway; Updike and Bellow by Martha Ristine Skyrms A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major: English Approved: Signatures have been redacted for privacy Iowa State University Ames, Iowa 1979 11 TABLE OF CONTENTS Page INTRODUCTION 1 The Decades 1 FITZGERALD g The Fitzgerald Hero 9 g The Fitzgerald Hero: Summary 27 ^ HEMINGWAY 29 . The Hemingway Hero 31 ^ The Hemingway Hero; Summary 43 THE HERO OF THE TWENTIES 45 UPDIKE 47 The Updike Hero 43 The Updike Hero: Summary 67 BELLOW 70 The Bellow Hero 71 The Bellow Hero: Summary 9I THE HERO OF THE SIXTIES 93 ir CONCLUSION 95 notes , 99 Introduction 99 Fitzgerald 99 Hemingway j_Oi The Hero of the Twenties loi Updike 1Q2 Bellow BIBLIOGRAPHY 104 INTRODUCTION 9 This thesis will undertake an examination of the literary heroes of the nineteen-twenties and the nineteen-sixties, emphasizing the qualities which those heroes share and those qualities which distinguish them. -
Vita for Alan M. Wald
1 July 2016 VITA FOR ALAN M. WALD Emeritus Faculty as of June 2014 FORMERLY H. CHANDLER DAVIS COLLEGIATE PROFESSOR OF ENGLISH LITERATURE AND AMERICAN CULTURE UNIVERSITY OF MICHIGAN, ANN ARBOR Address Office: Prof. Alan Wald, English Department, University of Michigan, 3187 Angell Hall, Ann Arbor, Mi. 48109-1003. Home: 3633 Bradford Square Drive, Ann Arbor, Mi. 48103 Faxes can be received at 734-763-3128. E-mail: [email protected] Education B.A. Antioch College, 1969 (Literature) M.A. University of California at Berkeley, 1971 (English) Ph. D. University of California at Berkeley, 1974 (English) Occupational History Lecturer in English, San Jose State University, Fall 1974 Associate in English, University of California at Berkeley, Spring 1975 Assistant Professor in the English Department and in the Program in American Culture at the University of Michigan, 1975-81 Associate Professor in the English Department and in the Program in American Culture at the University of Michigan, 1981-86 Professor in the English Department and in the Program in American Culture at the University of Michigan, 1986- Director, Program in American Culture, University of Michigan, 2000-2003 H. Chandler Davis Collegiate Professor, University of Michigan, 2007-2014 Professor Emeritus, University of Michigan, 2014- Research and Teaching Specialties 20th Century United States Literature Realism, Naturalism, Modernism in Mid-20th Century U.S. Literature Literary Radicalism in the United States Marxism and U.S. Cultural Studies African American Writers on the Left Modernist Poetry and the Left The Thirties New York Jewish Writers and Intellectuals Twentieth Century History of Socialist, Communist, Trotskyist and New Left Movements in the U.S. -
We Love Big Brother: an Analysis of the Relationship Between Orwell's Nineteen Eighty-Four and Modern Politics in the United S
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-4-2018 We Love Big Brother: An Analysis of the Relationship between Orwell’s Nineteen Eighty- Four And Modern Politics in the United States and Europe Edward Pankowski [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Literature in English, North America Commons, and the Political Theory Commons Recommended Citation Pankowski, Edward, "We Love Big Brother: An Analysis of the Relationship between Orwell’s Nineteen Eighty-Four And Modern Politics in the United States and Europe" (2018). Honors Scholar Theses. 559. https://opencommons.uconn.edu/srhonors_theses/559 We Love Big Brother: An Analysis of the Relationship between Orwell’s Nineteen Eighty-Four And Modern Politics in the United States and Europe By Edward Pankowski Professor Jennifer Sterling-Folker Thesis Adviser: Professor Sarah Winter 5/4/2018 POLS 4497W Abstract: In recent months since the election of Donald Trump to the Presidency of the United States in November 2016, George Orwell’s Nineteen Eighty-Four has seen a resurgence in sales, and terms invented by Orwell or brought about by his work, such as “Orwellian,” have re- entered the popular discourse. This is not a new phenomenon, however, as Nineteen Eighty-Four has had a unique impact on each of the generations that have read it, and the impact has stretched across racial, ethnic, political, and gender lines. This thesis project will examine the critical, popular, and scholarly reception of Nineteen Eighty-Four since its publication 1949. Reviewers’ and commentators’ references common ideas, themes, and settings from the novel will be tracked using narrative theory concepts in order to map out an understanding of how the interpretations of the novel changed over time relative to major events in both American and Pankowski 1 world history. -
The Library of America Interviews Lewis M. Dabney About Edmund Wilson
The Library of America Interviews Lewis M. Dabney about Edmund Wilson In connection with the publication in October 2007, of Edmund Wilson: Literary Essays and Reviews of the 1920s and 30s and Edmund Wilson: Literary Essays and Reviews of the 1930s and 40s , both volumes edited by Lewis M. Dabney, Rich Kelley conducted this exclusive interview for The Library of America e-Newsletter. Sign up for the free monthly e-Newsletter at www.loa.org . Was Edmund Wilson, in the words of The New York Review of Books , “the preeminent American man of letters of the twentieth century”? That’s true. Wilson wrote important essays and reviews, reportage, mem - oirs, journals, and history as well as his own fiction, poetry, and plays. But it may not be the most useful characterization. This literary journalist produced more influential and apparently more permanent criticism than have a good many of the then reigning American academic critics and their successors, the theorists. I prefer to think of Edmund Wilson as the major critic of the twentieth century, which includes his work as cultural and social historian. Because he wrote for the general reader, not for specialists, English departments have often denied him that title, and since so much criticism since the 1940s has been close reading or abstract analysis, Wilson was happy to call himself a writer and a journalist. He started life as a cub reporter and worked up stories as journal - ists do. As a man of letters, he wanted people to be interested in his poetry, fic - tion, and plays, as well as his autobiographical writings. -
The Literary Criticism of the New York Intellectuals a Defense and Appreciation Eric Glaberson
the literary criticism of the new york intellectuals a defense and appreciation eric glaberson In the flurry of commentary these past few years on the New York Intel lectuals, much of what has been written suggests that while they engaged in criticism of literature, their political concerns essentially subsumed their other interests, that criticism for them was an outlet for extraliterary impulses. Even a book favorable to the group's early critical work, Alan Wald's The New York Intellectuals, finds its ultimate worth residing in their courageously left-wing yet Anti-Stalinist attitudes of the late thirties. However, such responses tend to obscure what was perhaps the most significant intellectual contribution of the New York Intellectuals: their exploration of the emotional resonances brought about through the social and historical dimensions of literature. In this process, they have over most of the last fifty years refused to compromise the integrity of works of literature for political purposes. This essay, then, will argue that the New York Intellectuals' later critical work was largely nonpolitical. It will attempt to demonstrate as well that 1) the dialectical nature of their work helped to illuminate much of the literature of the last two centuries; 2) to a large extent their dialectic grew out of the Jewish immigrant experience, strengthening rather than narrowing their work; 3) they followed in a tradition of American cultural criticism stemming from Van Wyck 71 Brooks and Edmund Wilson; and 4) their emphasis on the historical, cultural and moral elements of literature served a humanizing function in American critical practice. -
George Orwell As a Public Choice Economist
Munich Personal RePEc Archive George Orwell as a Public Choice Economist Makovi, Michael Loyola University, New Orleans 5 May 2015 Online at https://mpra.ub.uni-muenchen.de/67426/ MPRA Paper No. 67426, posted 26 Oct 2015 19:59 UTC GEORGE ORWELL AS A PUBLIC CHOICE ECONOMIST by Michael Makovi* Abstract George Orwell is famous for his two final fictions, Animal Farm (Orwell 1945a) and Nineteen Eighty- Four (Orwell 1949a). These two works are sometimes understood to defend capitalism against socialism. But as Orwell was a committed socialist, this could not have been his intention. Orwell’s criticisms were directed not against socialism per se but against the Soviet Union and similarly totalitarian regimes. Instead, these fictions were intended as Public Choice-style investigations into which political systems furnished suitable incentive structures to prevent the abuse of power. This is demonstrated through a study of Orwell’s non-fiction works, where his opinions and intentions are more explicit. Keywords: Orwell, Public Choice, socialism, totalitarianism, Neoconservatism JEL Codes: B24, B31, D72, P20, P30, Z11 I. Introduction socialist, Orwell could not possibly have intended to condemn collectivism outright. Therefore, any Perhapsnoauthorismorefamousforhisanti- reading of Animal Farm and Nineteen Eighty-Four communist writings than George Orwell. Two of his which interprets these works as criticizing collec- novels in particular – Animal Farm (Orwell 1945a) tivism and extolling the market economy, must and Nineteen Eighty-Four (Orwell -
From Confession to Exposure Transitions in 1940S Anticommunist Literature Alex Goodall
chapter 6 From Confession to Exposure Transitions in 1940s Anticommunist Literature Alex Goodall On August 23, 1939, the Soviet regime signed the pact with Nazi Germany that ripped apart the Popular Front alliance of communists and left-wing progressives that had dominated radical politics in the second half of the 1930s. The betrayal was especially painful for the radical American artists who had believed themselves to be working on the “cultural front,” and their tools of trade ensured that they were well placed to give cogent expres- sion to their feelings.1 The result was a literature of alienation in the early 1940s that formed a precursor to the larger shift toward anticommunism in American culture in the Cold War. Since ex-communists and disappointed fellow travelers moved across the political spectrum over the coming decade, their influence was felt in left- wing, liberal, and conservative circles alike. Politicians and public figures of all stripes in the Cold War deployed arguments that had been initially artic- ulated by these disappointed radicals. Nevertheless, the initial literary prod- ucts of what Alfred Kazin called the “Great Disillusionment” were written at a time when anticommunism had not yet become an all-consuming cul- tural force in American life.2 The United States and Soviet Union fought as allies between 1941 and 1945, and while there was little love for communism in the American mainstream, Nazism and Japanese militarism were seen as greater dangers to world peace. New Deal liberals highlighted the work that the Red Army was doing to hold back the Nazis.