Vita for Alan M. Wald
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S K E N È Journal of Theatre and Drama Studies
S K E N È Journal of Theatre and Drama Studies 1:1 2015 The Chorus in Drama Edited by Guido Avezzù SKENÈ Journal of Theatre and Drama Studies Executive Editor Guido Avezzù. General Editors Guido Avezzù, Silvia Bigliazzi, Alessandro Serpieri. Editorial Board Simona Brunetti, Lisanna Calvi, Nicola Pasqualicchio, Gherardo Ugolini. Managing Editors Lisanna Calvi, Ivan Valbusa. Copyeditors Christine Chettle, Marco Duranti, Lucia Nigri, Flavia Palma, Carlo Vareschi, Tobia Zanon. Layout Editor Alex Zanutto. Advisory Board Anna Maria Belardinelli, Anton Bierl, Enoch Brater, Jean-Christophe Cavallin, Marco De Marinis, Tobias Döring, Paul Edmondson, Keir Douglas Elam, Ewan Fernie, Patrick Finglass, Enrico Giaccherini, Mark Griffith, Stephen Halliwell, Robert Henke, Pierre Judet de la Combe, Russ McDonald, Luigina Mortari, Guido Paduano, Franco Perrelli, Didier Plassard. Copyright © 2015 SKENÈ All rights reserved. ISSN 2421-4353 No part of this book may be reproduced in any form or by any means without permission from the publisher. SKENÈ Theatre and Drama Studies http://www.skenejournal.it [email protected] Alessandra Calanchi∗ Of Men and Ghosts: Delmore Schwartz’s Re-visitation of the Greek Chorus Abstract Among the many elements of interest we encounter in Delmore Schwartz’s literary production, the re–visitation of the Greek chorus is particularly relevant. Its innov- atory appeal, in fact, never ignores the call of tradition, and is rooted on the main issues of American culture, from immigration and problematic assimilation to the rise of -
Ethnicity, Lyricism, and John Berryman's Dream Songs
Imaginary Jews and True Confessions: Ethnicity, Lyricism, and John Berryman’s Dream Songs ANDREW GROSS . Jews, who have changed much in the course of history, are certainly no race, [but] the anti‐Semites in a way are a race, because they always use the same slogans, display the same attitudes, indeed almost look alike. —Max Horkheimer1 John Berryman’s “The Imaginary Jew,” published in the Kenyon Review of 1945, is in some ways a rather programmatic account of one man’s conversion from parlor anti‐ Semitism to a feeling of solidarity with Jews. The climax occurs when a bigot accuses the narrator of being Jewish in order to discredit him in an argument over Roosevelt’s foreign policy prior to the American entry into World War II. The accusation completely unnerves the narrator in ways he does not immediately understand, and he is shocked to see that it discredits him in the eyes of the crowd, which has assembled at Union Square to hear impromptu debates. Later, after leaving the scene of his embarrassment, he decides to lay claim to this mistaken, or imaginary, identity, and comes to the following conclusion about the nature of prejudice: “My persecutors were right: I was a Jew. The imaginary Jew I was was as real as the imaginary Jew hunted down, on other nights and days, in a real Jew. Every murderer strikes the mirror, the lash of the torturer falls on the mirror and cuts the real image, and the real and the imaginary blood flow down together.”2 The story garnered some attention when it appeared in 1945. -
By Philip Roth
The Best of the 60s Articles March 1961 Writing American Fiction Philip Roth December 1961 Eichmann’s Victims and the Unheard Testimony Elie Weisel September 1961 Is New York City Ungovernable? Nathan Glazer May 1962 Yiddish: Past, Present, and Perfect By Lucy S. Dawidowicz August 1962 Edmund Wilson’s Civil War By Robert Penn Warren January 1963 Jewish & Other Nationalisms By H.R. Trevor-Roper February 1963 My Negro Problem—and Ours By Norman Podhoretz August 1964 The Civil Rights Act of 1964 By Alexander M. Bickel October 1964 On Becoming a Writer By Ralph Ellison November 1964 ‘I’m Sorry, Dear’ By Leslie H. Farber August 1965 American Catholicism after the Council By Michael Novak March 1966 Modes and Mutations: Quick Comments on the Modern American Novel By Norman Mailer May 1966 Young in the Thirties By Lionel Trilling November 1966 Koufax the Incomparable By Mordecai Richler June 1967 Jerusalem and Athens: Some Introductory Reflections By Leo Strauss November 1967 The American Left & Israel By Martin Peretz August 1968 Jewish Faith and the Holocaust: A Fragment By Emil L. Fackenheim October 1968 The New York Intellectuals: A Chronicle & a Critique By Irving Howe March 1961 Writing American Fiction By Philip Roth EVERAL winters back, while I was living in Chicago, the city was shocked and mystified by the death of two teenage girls. So far as I know the popu- lace is mystified still; as for the shock, Chicago is Chicago, and one week’s dismemberment fades into the next’s. The victims this particular year were sisters. They went off one December night to see an Elvis Presley movie, for the sixth or seventh time we are told, and never came home. -
Sam Gordon Bio-Bibliographical Sketch
Lubitz' TrotskyanaNet Sam Gordon Bio-Bibliographical Sketch Contents: • Basic biographical data • Biographical sketch • Selective bibliography • Notes on archives Basic biographical data Name: Sam Gordon Other names (by-names, pseud., etc.): Burton ; Drake ; Harry ; Joe ; Joad ; J.S. ; Paul G. Stevens ; J. Stuart ; J.B. Stuart ; J.E.B. Stuart ; Ted ; Tom Date and place of birth: May 5, 1910, ??? (Austria-Hungary) Date and place of death: March 12, 1982, London (Britain) Nationality: USA Occupations, careers, etc.: Printer, journalist, translator, seaman, organizer Time of activity in Trotskyist movement: 1929 - 1982 (lifelong Trotskyist) Biographical sketch Sam Gordon was an outstanding Trotskyist who during the 1940s played an eminent rôle as a liaison man between the American SWP and the European Trotskyists as well as within the leading bodies of the Fourth In ternational. The following biographical sketch is chiefly based on the material listed in the last paragraph of the Selective bibliography section below. Sam Gordon1 was born on May 5, 1910 as a son of Yiddish speaking Jewish parents living in that part of Poland which then belonged to the Austrian-Hungarian Empire. However, when Sam was still a baby, the family moved to Vienna, the Austrian capital, thus the boy grew up in a German speaking en vironment. In 1920, the family went to New York (USA) where Sam Gordon rapidly learnt English and got naturalized under the Americanized name of Gordon; as an adolescent he was fluent in three languages. In the early 1940s, Gordon got acquainted with Mildred Fellerman (b. 1923), a British teacher and Labour Party activist; when the two met again in Paris in 1947, they fell in love, and in 1948 they got married in the United States; in the 1950s they got a son. -
Open Shalkey Honors Thesis.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH THE CONFESSIONAL POETS: REMOVING THE MASK OF IMPERSONALITY WITH ALL THE SKILLS OF THE MODERNISTS VANESSA SHALKEY Spring 2012 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in English and International Politics with honors in English Reviewed and approved* by the following: John Marsh Assistant Professor of English Thesis Supervisor Lisa Sternlieb English Honors Advisor Honors Advisor Christopher Castiglia Liberal Arts Research Professor of English CALS Senior Scholar in Residence Second Reader *Signatures are on file in the Schreyer Honors College. !! ABSTRACT The pioneers of the frontier of new art forms have always made themselves vulnerable to the criticism of the previous generation; however, this criticism often overshadows and undermines the true success of these bold artists. The confessional poets were some of these trailblazers who took American poetry into areas untouched by previous generations and were criticized for breaking with the traditional methods of past poets--especially the modernists. Poets like Robert Lowell and John Berryman used their life events as subject matter for their poetry, which the New Critics thought was bad form. This controversial shift in style won these poets the name “confessional,” a title that many of the poets to whom it refers found disparaging. The label “confessional” gives the impression that these poets did little more than use their poems as diary entries, when in fact they wrote magnificent poetry with the same talent and technical skills that the modernist poets displayed. This thesis is an examination of the confessional poets’ use of effective poetic devices favored by the modernist poets to analyze whether or not the act of removing the mask of impersonality negatively impacted the ability of the confessional poets to develop complex themes and transmute feelings to the reader. -
Nathan Glazer—Merit Before Meritocracy - the American Interest
Nathan Glazer—Merit Before Meritocracy - The American Interest https://www.the-american-interest.com/2019/04/03/nathan-glazer-... https://www.the-american-interest.com/2019/04/03/nathan-glazer-merit-before-meritocracy/ WHAT ONCE WAS Nathan Glazer—Merit Before Meritocracy PETER SKERRY The perambulating path of this son of humble Jewish immigrants into America’s intellectual and political elites points to how much we have overcome—and lost—over the past century. The death of Nathan Glazer in January, a month before his 96th birthday, has been rightly noted as the end of an era in American political and intellectual life. Nat Glazer was the last exemplar of what historian Christopher Lasch would refer to as a “social type”: the New York intellectuals, the sons and daughters of impoverished, almost exclusively Jewish immigrants who took advantage of the city’s public education system and then thrived in the cultural and political ferment that from the 1930’s into the 1960’s made New York the leading metropolis of the free world. As Glazer once noted, the Marxist polemics that he and his fellow students at City College engaged in afforded them unique insights into, and unanticipated opportunities to interpret, Soviet communism to the rest of America during the Cold War. Over time, postwar economic growth and political change resulted in the relative decline of New York and the emergence of Washington as the center of power and even glamor in American life. Nevertheless, Glazer and his fellow New York intellectuals, relocated either to major universities around the country or to Washington think tanks, continued to exert remarkable influence over both domestic and foreign affairs. -
Introduction
Notes Introduction 1. Delmore Schwartz, Last & Lost Poems, ed. Robert Phillips (New York: Vanguard Press, 1979), 4. The poem is dated 1954, but it gathers preoccupations from over a decade earlier. 2. Walt Whitman, “Preface 1855—Leaves of Grass, First Edition,” in Leaves of Grass and Other Writings, ed. Michael Moon (New York: W. W. Norton, 2002), 616. 3. James Atlas, Delmore Schwartz: The Life of an American Poet (New York: Farrar, Straus and Giroux, 1976). The rock star Lou Reed, a former student, dedicated the song “European Son,” on the album The Velvet Underground & Nico, to Schwartz. 4. Delmore Schwartz, Genesis (New York: New Directions, 1943), 5. 5. Delmore Schwartz, “America! America!” in In Dreams Begin Responsibilities and Other Stories, 20. 6. Delmore Schwartz, “The Fiction of Ernest Hemingway: Moral Historian of the American Dream” (1955), in Selected Essays of Delmore Schwartz, 271. 7. Schwartz, “The Fiction of Ernest Hemingway,” 272. 8. Howe, “Foreword to Atlas, ed.,” in In Dreams Begin Responsibilities, and Other Stories, vii; Alfred Kazin, New York Jew (London: Secker and Warburg, 1978), 25. 9. Cited in DS & JL Letters, 47. 10. Atlas, Delmore Schwartz, 154. Eliot regretted that he was unable to bring out a British edition of Schwartz’s poems. 11. Atlas, Delmore Schwartz, 129. Wallace Stevens, Letters of Wallace Stevens, ed. Holly Stevens (New York: Knopf, 1981), December 27, 1940, 382. 12. John Berryman, The Dream Songs (London: Faber, 1990) (149), 168. 13. Delmore Schwartz, “Views of a Second Violinist” (1949), in Selected Essays of Delmore Schwartz, 25. 14. He was also film editor of The New Republic between 1955 and 1957. -
Library of Social History Collection, Date (Inclusive): 1894-2000 Collection Number: 91004 Creator: Library of Social History (New York, N
http://oac.cdlib.org/findaid/ark:/13030/kt900021c7 No online items Register of the Library of Social History Collection Prepared by Dale Reed Hoover Institution Archives Stanford University Stanford, California 94305-6010 Phone: (650) 723-3563 Fax: (650) 725-3445 Email: [email protected] © 2003 Hoover Institution Archives. All rights reserved. Register of the Library of Social History 91004 1 Collection Register of the Library of Social History Collection Hoover Institution Archives Stanford University Stanford, California Contact Information Hoover Institution Archives Stanford University Stanford, California 94305-6010 Phone: (650) 723-3563 Fax: (650) 725-3445 Email: [email protected] Prepared by: Dale Reed Date Completed: 2000 Encoded by: ByteManagers using OAC finding aid conversion service specifications © 2003 Hoover Institution Archives. All rights reserved. Descriptive Summary Title: Library of Social History collection, Date (inclusive): 1894-2000 Collection number: 91004 Creator: Library of Social History (New York, N. Y.) Extent: 299 manuscript boxes, 2 card file boxes, 2 oversize boxes157 linear feet Repository: Hoover Institution on War, Revolution, and Peace Stanford, California 94305-6010 Abstract: Serial issues, pamphlets, leaflets, internal bulletins, other internal documents, and electoral and convention material, issued by Trotskyist groups throughout the world, and especially in the United States, Latin America and Western Europe, and including some materials issued by non-Trotskyist left-wing groups; speeches and writings by Fidel Castro and other Cuban leaders, and printed matter relating to Cuba, with indexes thereto; speeches and writings by Nicaraguan Sandinista leaders; and public and internal issuances of the New Jewel Movement of Grenada and its leaders, and printed and other material relating to the movement and its overthrow. -
Congress Is Weak Because Its Members Want It to Be
CommentaryJULY/AUGUST 2018 DOUBLE ISSUE Congress Is Weak Because Its Members Want It to Be BY YUVAL LEVIN Game of Peacock Thrones BY SOHRAB AHMARI Should Jews Flee Europe? BY MELANIE PHILLIPS Commentary How Israel Became a JULY/AUGUST 2018 : VOLUME 146 NUMBER 1 146 : VOLUME 2018 JULY/AUGUST TV Powerhouse BY HANNAH BROWN Philip Roth’s My Time Among Joyless the Exuberance Anti-Israelites BY RUTH R. WISSE CANADA $7.00 : US $5.95 BY ARDIE GELDMAN We join in celebrating Israel’s 70 years. And Magen David Adom is proud to have saved lives for every one of them. Magen David Adom, Israel’s largest and premier emergency medical response agency, has been saving lives since before 1948. Supporters like you provide MDA’s 27,000 paramedics, EMTs, and civilian Life Guardians — more than 90% of them volunteers — with the training, equipment, and rescue vehicles they need. In honor of Israel’s 70th anniversary, MDA has launched a 70 for 70 Campaign that will put 70 new ambulances on the streets of Israel this year. There is no better way to celebrate this great occasion and ensure the vitality of the state continues for many more years. Please give today. 352 Seventh Avenue, Suite 400 New York, NY 10001 Toll-Free 866.632.2763 • [email protected] www.afmda.org Celebrate Israel’s 70th anniversary by helping put 70 new ambulances on its streets. FOR SEVENTY Celebrate Israel’s 70th anniversary by putting 70 new ambulances on its streets. please join us for the ninth annual COMMENTARY ROAST this year’s victim: JOE LIEBERMAN monday, october 8, 2018, new york city CO-CHAIR TABLES: $25,000. -
Marxist Politics Or Unprincipled Combinationism?
Prometheus Research Series 5 Marxist Politics or Unprincipled Combinationism? Internal Problems of the Workers Party by Max Shachtman Reprinted from Internal Bulletin No. 3, February 1936, of the Workers Party of the United States With Introduction and Appendices , ^3$ Prometheus Research Library September*^ Marxist Politics or Unprincipled Combinationism? Internal Problems of the Workers Party by Max Shachtman Reprinted from Internal Bulletin No. 3, February 1936, of the Workers Party of the United States With Introduction and Appendices Prometheus Research Library New York, New York September 2000 Prometheus graphic from a woodcut by Fritz Brosius ISBN 0-9633828-6-1 Prometheus Research Series is published by Spartacist Publishing Co., Box 1377 GPO, New York, NY 10116 Table of Contents Editorial Note 3 Introduction by the Prometheus Research Library 4 Marxist Politics or Unprincipled Combinationism? Internal Problems of the Workers Party, by Max Shachtman 19 Introduction 19 Two Lines in the Fusion 20 The "French" Turn and Organic Unity 32 Blocs and Blocs: What Happened at the CLA Convention 36 The Workers Party Up To the June Plenum 42 The Origin of the Weber Group 57 A Final Note: The Muste Group 63 Conclusion 67 Appendix I Resolution on the Organizational Report of the National Committee, 30 November 1934 69 Appendix II Letter by Cannon to International Secretariat, 1 5 August 1935 72 Letter by Glotzer to International Secretariat, 20 November 1935 76 Appendix III National Committee of the Workers Party U.S., December 1934 80 Glossary 81 Digitized by the Internet Archive in 2013 http://archive.org/details/marxistpoliticsoOOshac Editorial Note The documents in this bulletin have in large part been edited for stylistic consistency, particularly in punctuation, capitalization and emphasis, and to read smoothly for the modern reader. -
© Copyrighted by Charles Ernest Davis
SELECTED WORKS OF LITERATURE AND READABILITY Item Type text; Dissertation-Reproduction (electronic) Authors Davis, Charles Ernest, 1933- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 00:54:12 Link to Item http://hdl.handle.net/10150/288393 This dissertation has been microfilmed exactly as received 70-5237 DAVIS, Charles Ernest, 1933- SELECTED WORKS OF LITERATURE AND READABILITY. University of Arizona, Ph.D., 1969 Education, theory and practice University Microfilms, Inc., Ann Arbor, Michigan © COPYRIGHTED BY CHARLES ERNEST DAVIS 1970 iii SELECTED WORKS OF LITERATURE AND READABILITY by Charles Ernest Davis A Dissertation Submitted to the Faculty of the DEPARTMENT OF SECONDARY EDUCATION In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY .In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Charles Ernest Davis entitled Selected Works of Literature and Readability be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy PqulA 1- So- 6G Dissertation Director Date After inspection of the final copy of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:" *7-Mtf - 6 7-So IdL 7/3a This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination; The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination. -
CENTURY AMERICAN POETRY a Dissertation Presented to the Faculty
APPARATUS POETICA: THE QUESTION OF TECHNOLOGY IN MID-TWENTIETH- CENTURY AMERICAN POETRY A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Avery Slater August 2014 © 2014 Avery Slater APPARATUS POETICA: THE QUESTION OF TECHNOLOGY IN MID-TWENTIETH- CENTURY AMERICAN POETRY Avery Slater, Ph.D. Cornell University 2014 “Apparatus Poetica” considers how four poets in the late modernist tradition reconceive the potentials of poetic language in order to address the question of advanced technology. Outlining challenges posed to language by communications industries, information theory, computation, and the threat of nuclear war, I show how four poets—James Merrill, Muriel Rukeyser, H.D., and Jack Spicer—explore affinities and crucial distinctions between poetry and technology. Through their experiments in what I call “apparatus poetics,” these poets denaturalize culturally embedded assumptions surrounding technology’s “neutrality” and poetry’s expressive “purity.” They do so through procedural innovations in the genre of the poetic epic, that form not coincidentally deemed by modernist anthropologists as the earliest human memory-technology. I begin with a discussion of how the montage apparatus of testimonial poetry in Rukeyser’s The Book of the Dead works to indict industrial capital’s technological tactics of historical effacement. I next discuss how Jack Spicer, working as a structural linguist in the age of IBM, uses a late modernist method, the “serial lyric,” to set up a confrontation between poetic consciousness and language. Spicer casts the old predicament of thought’s alienation from language in a new light defined by contemporary forms of technological emergence (especially computational intelligence).