CC20 Airline Dupont™ Tychem® Hood Series

Total Page:16

File Type:pdf, Size:1020Kb

CC20 Airline Dupont™ Tychem® Hood Series CC20 Airline DuPont™ Tychem® Hood Series SIMPLE, EFFECTIVE, ULTRA-LIGHT The CC20 Series DuPont™ Tychem® Hoods provide a wide variety of simple, effective and economical options for on-the-job respiratory protection. The result is better protection, improved productivity and greater comfort that combines to produce the best value on the market. These hoods are NIOSH approved for use in a CC20 Series Airline Respirator configuration or Powered Air Purifying Respirator configuration. APPLICATIONS • Pharmaceutical Manufacturing • Chemical and Pesticide Handling • Spray Painting and Coating Operations • Nuclear Operations PROVEN PERFORMANCE In a 1996 study of hood-style respirators coordinated by the Organization Resources Counselors (ORC), the Bullard 20TIC model hood was surveyed to be the number one hood used in the pharmaceutical industry. The most commonly used hoods were then used in a simulated workplace protection factor study (SWPF). The Bullard 20TIC model hood was also the top-performing loose-fitting hood among a variety of competitors. All measurements in the SWPF study were above 150,000 resulting in a study Assigned Protection Factor (APF) of 1,000! For a summary of this research, call Bullard customer service at 1-800-827-0423. www.bullard.com FEATURES AND BENEFITS UNIQUE AIR DELIVERY SYSTEM A patented neck cuff design helps maintain positive pressure inside the hood to aid in keeping contaminants out. As air enters the hood, the inner collar inflates, providing a snug, comfortable fit around the neck and continuous flow of air to the worker’s breathing zone. LIGHTWEIGHT, COMFORTABLE AND ECONOMICAL CC20 Series hoods are lighter and more comfortable than tight- fitting full facepiece respirators. Covering the entire head, face and neck, the hood provides splash/overspray protection and makes clean-up quick and easy. A wide angle lens offers the largest field of vision among Tychem hood-style respirators on the market, optimizing worker productivity and safety. Available in a variety of styles, the hood is constructed of either Tychem QC or Tychem SL depending on the job application. Taped and sealed seams are also available to provided additional protection for liquid penetration encountered on-the-job or during decontamination. REUSABLE OR DISPOSABLE CC20/PA20 Series respirator hoods are durable enough to reuse, yet economical enough to discard after each use, depending on the work application. NO FIT TESTING The hood does not require fit testing nor extensive recordkeeping. It easily accommodates beards, prescription eyewear or safety glasses. POWERED AIR OR SUPPLIED AIR The hood is available for use as a supplied air respirator (CC20 Series) or powered air respirator (EVA, EVAHL, PA20, PA30 or PA30IS Series). A versatile hood suitable for almost any application. CC20 Airline Tychem® Hood Series Hood style respirator does not require fit testing and also allows for facial hair and eyewear. Replaceable snap-in suspension provides Wide angle lens offers the best ultimate comfort, and maintains the field visibility in the industry. of vision during activities. Bullard CC20 and PA20 Respirators WARNING This hood is only one component of a CC20 or PA20 respirator system. By itself, the hood does not constitute a complete respirator. Read all instructions and warnings before using this respirator hood. Improper respirator use could result in death or Optional taped and sealed seams for serious injury, or may cause certain delayed lung diseases such as silicosis, pneumo- coniosis or asbestosis. These diseases may cause death. If you have questions on how to use this respirator, ask your employer. Do not wear this respirator in any atmosphere immediately dangerous to life or health (IDLH), or from which you cannot escape without the aid of the respirator. Do not wear the PA20 respirator in any atmosphere containing less than 19.5% oxygen. If you are added protection. not sure whether the atmosphere is IDLH or oxygen deficient, ask your employer. Prior to each use of this respirator system, BE CERTAIN of the following: FOR CC20 AIRLINE RESPIRATORS AIR SUPPLY: Grade “D” Breathable Air, as described in the Compressed Gas Association Commodity Specifications G7.1, must be continuously supplied to the point- of-attachment. The point-of-attachment is the point at which the air supply hose connects to the air source. A pressure gauge attached to the air source is used to monitor the pressure of air provided to the respirator wearer. AIR SOURCE: Be sure to locate the source of compressed breathing air in a clean air environment. Locate the air source far enough from your work site to ensure the air remains contaminant free. AIR PRESSURE at the point-of-attachment must be continuously maintained within the pressure ranges certified on the NIOSH Approval Label that appears in the User Manual supplied with the original factory packaged system and on the table on the reverse side of this label. NIOSH-APPROVED BULLARD AIR HOSE(S) must be used between the breathing tube connection fitting on the wearer’s belt and the point-of-attachment to the air supply system. APPROVED FITTINGS must be used to connect hose lengths together. Total connected hose lengths and number of sections must be within the ranges specified on the NIOSH Approval Label and on the table on the reverse side of this label. BELT AIR CONNECTION FITTINGS must be attached to your belt or the separate belt Patented inflatable neck cuff design supplied with the system to help keep the air supply hose from snagging, disconnecting or pulling the hood off your head. PROTECTION HEAD – Only the respirator models 20TICH and 20SICH provides head protection when used with a Bullard hard hat. EARS – CC20 and PA20 respirators DO NOT provide hearing protection. Use properly provides superior, comfortable fitted earmuffs, earplugs or other protection when exposed to high noise levels. EYES – CC20 and PA20 respirators DO NOT provide eye protection. Wear approved safety glasses or goggles at all times. TYCHEM® – There are uses, environments and chemicals for which this garment is not suitable. It is the responsibility of the user and the employer to determine that this gar- ment is appropriate for the intended use. This material should not be used around heat, open flames, sparks or in any potentially flammable or explosive environment. This mate- protection, while delivering airflow rial will burn and will melt. DuPont Tychem spunbonded olefin apparel fabrics have “Class 1- Normal Flammability” characteristics, as tested according to the Flammable Fabrics Act. “Class 1” fabrics will burn and do not provide thermal protection if a fire or explosion should occur. This material may create static electricity under low relative humidity. Surface resistance and charge dissipation are proportional to the amount of anti-static agent on the fabric and the ambient relative humidity. Since the anti-static agent is water soluble, it can be directly into the worker’s washed off with water. In addition, other clothing items that are not anti-static treated might be a potential source of static formation and discharge. If you have questions regarding this material, contact your employer or DuPont at 1-800- 44-TYVEK. USE AND CARE ADJUST HEADBAND for proper fit. breathing zone. “PonyCLEAN THE tail”AIR HOSE(S) AND FITTINGS by blowingtag clear before connecting to belont every air connection fittings. CONTAMINATION - DO NOT put on, remove or store respirator components where haz- ardous materials may be deposited on or build up inside the respirator. Hazardous material inside your hood may be inhaled or absorbed by you upon reuse. INSPECT daily all respirator components for signs of wear, tear or damage, and replace hood provideswith approved Bullard CC20 or PA20 components. information WARNING LEAVE WORK AREA IMMEDIATELY IF: –Any respirator component becomes damaged. – Airflow into respirator hood stops or slows down. –Air pressure gauge drops below the minimum specified in on replacementthe Breathing Air Pressure table for CC20 on the reverse side.parts, user – Low battery alarm on PA20 activates. – Breathing becomes difficult. –You become dizzy, nauseous, too hot, too cold or ill. –You taste, smell or see contaminants inside the respirator hood. –Your vision becomes impaired. DO NOT reach your hand into the hood head cover in atmospheres containing air con- guidelines,taminants. Leave the contaminated area and cleanand hands before reaching inside therequired hood. Failure to observe these warnings could result in death or serious injury. When reordering or inquiring about this respirator hood, refer to the model number indi- cated below. pressures. Date of Manufacture: J 20TJ J 20TIC J 20TICH J 20TP J 20SIC J 20SICH J 20TICS J 20TPC J 20LFL J 20LFS SEE OTHER SIDE Optional inner bib provides added protection and some cooling of the torso Climate control options (supplied air only) allow the user to heat or cool the incoming air by as much as 30º F for comfort and productivity. Ordering Information CATALOG CATALOG CATALOG NUMBER DESCRIPTION NUMBER DESCRIPTION NUMBER DESCRIPTION Respirator Hoods Constant Flow Breathing Tube Assemblies for use with Replacement Parts for Climate Control Assemblies Basic Style Hoods Bullard Free-Air Pumps MV2400 Muffler/valve assembly for HC2400 20TJN Tychem QC, no suspension V35 With 1/2” Industrial Interchange, steel (Hansen CH60 Connector hose for use with DC5040 compatible) quick-disconnect nipple 20TPN Tychem QC, no suspension, solvent resistant lens Climate Control Assembly for use with Bullard EDP30 or Hood with inner bib, for use with headband Adjustable Flow Breathing Tube Assembly for use with ADP20 Free-Air Pump 20TICN Tychem QC, no suspension Breathing Air Compressors (Schrader and Snap-Tite also Cool Tube - Adjustable Flow 20TPCN Tychem QC, no suspension, solvent resistant lens available) Frigitron® With 1/2” Industrial Interchange steel Hood with inner bib, for use with hard hat V40 With 1/4” Industrial Interchange, steel (Hansen 2000 (Hansen compatible) quick-disconnect nipple.
Recommended publications
  • Costume Crafts an Exploration Through Production Experience Michelle L
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love.
    [Show full text]
  • Letter Carriers' Uniform: Hats, Introduction
    Letter Carriers’ Uniform: Hats, Introduction In 1868 the Postmaster General listed a cap as the letter carrier’s uniform headgear. It was to be made of the same material as the coat, bound round with a black cloth band 1 1/2 inches wide, and have small buttons at the sides. In 1873, panama hats were authorized for summer. In 1887, numbered badges were added to the carriers' headwear, and helmets were approved for use. Helmets were short-brimmed with a tall crown, similar to British bobby helmets. In 1893, the more general straw hat replaced the panama hat as allowable summer headgear. By 1901, a western-style hat appeared, with a stiff crown and wide brim. Though never described in the Postal Laws and Regulations, photographs indicate this cowboy-style hat was standard wear at some Post Offices. From 1902 through 1948, postal regulations listed the hat, cap or helmet as acceptable carrier headwear. Uniform manufacturers advertised many variations in headgear style. The bobby-style helmet was last advertised in The Postal Record in 1907; in 1949, the safari-style helmet ws first pictured. Although carriers at each Post Office were to dress uniformly, photographs indicate that this was not always enforced. In 1955, only the helmet and cap were listed as acceptable headgear. The helmet was specified for summer; it was made of molded fiber in a blue-gray cadet shade and had a maroon chinstrap. The cap was a blue-gray eight-point style cap with braid the same color as the cap and a maroon chin strap.
    [Show full text]
  • Hat, Cap, Hood, Mitre
    CHAPTER 1 Headgear: Hat, Cap, Hood, Mitre Introduction down over his shoulders;4 and in Troilus and Criseyde Pandarus urges his niece, a sedate young widow, to Throughout the later Middle Ages (the twelfth to early cast off her face-framing barbe, put down her book and sixteenth centuries), if we are to believe the evidence of dance.5 art, some kind of headgear was worn by both sexes in- In art of the middle medieval period (from about doors and out: at dinner, in church, even in bed. This is the eighth to the eleventh centuries), headgear is less understandable if we consider the lack of efficient heat- well attested. Men are usually depicted bareheaded. ing in medieval buildings, but headgear was much more Women’s heads and necks are wrapped in voluminous than a practical item of dress. It was an immediate mark- coverings, usually depicted as white, so possibly linen is er of role and status. In art, it is possible to distinguish being represented in most cases. There is no clue to the immediately the head of a man from that of woman, as shape of the piece of cloth that makes up this headdress, for example in a fourteenth-century glass panel with a sa- how it is fastened, or whether there is some kind of cap tirical depiction of a winged serpent which has the head beneath it to which it is secured. Occasionally a fillet is of a bishop, in a mitre, and a female head, in barbe* and worn over, and more rarely under, this veil or wimple.
    [Show full text]
  • Dealer Catalog Fall & Winter 2015 | Stormykromer.Com | 888.455.2253
    2015 FALL AND WINTER DEALER CATALOG FALL & WINTER 2015 | STORMYKROMER.COM | 888.455.2253 LEGENDARY PARTNERSHIPS Expert craftsmanship. High-quality materials. And a deep respect for the skilled men and women who work every day to further legacies of warmth, style and durability. These are the qualities that have made Carhartt, Harris Tweed, Wolverine and Stormy Kromer the timeless brands we are today. Now, Stormy Kromer is pushing into a new era, with partnerships that combine each company’s best qualities – allowing us to grow while building on the legendary products that preceded them. 2 3 FALLFALLL & WINTERWINTER 2015202 155 | STORMYKROMER.COMSTORMYKROMER.COM | 88888.455.22538.455.2253 Across the waters from Scotland, beyond the Isle of Skye lies the barren, rocky island of Harris. One hundred and fi fty years ago, the people of this island created a unique cloth, a tweed woven entirely by hand that was to become world famous. Today, it is known simply as Harris Tweed. To this day, Harris Tweed is the only fabric in the world protected by an Act of Parliament. It must be “made with 100% pure virgin wool, dyed, spun and fi nished in the Outer Hebrides and woven by hand by the Islanders in their homes on the Islands of Lewis, Harris, Uist and Barra.” Harris Tweed production is monitored on a daily basis and all fabric is inspected and approved before being stamped with their trademark. No other fabric can call itself Harris Tweed, just as no other cap can call itself Stormy Kromer. We are proud to bring you this unique collection of products which combines the history and tradition of two legendary brands from either side of the Atlantic.
    [Show full text]
  • Autumn Winter 2021/22
    AUTUMN WINTER 2021/22 cover: CLOCHE, wool felt soft, M21506, this page: CAP, lambskin, P21601, following page, left: BUCKET HAT, melusine felt, M21514, right: BUCKET HAT, melusine felt, M21515 AUTUMN WINTER 2021/22 BIG HUG Where have you gone, you intimate, stormy, friendly, romantic, comforting hugs? We have missed you so much. The autumn winter 2021/22 collection invites you to join it in a big, all-enveloping hug. The hats are fluffy and light as a feather, voluminous, as soft and padded as cotton wool. You can wrap yourself up in them, squeeze them heartily, literally crawl into them for comfort. In return they will hug you back and wrap themselves protectively around you. These are materials that invite cuddles, to feel, to sense, to lose ourselves in them. Because it’s simply impossible to keep your hands off cashmere loden, melusin felt, soft sherpa wool and thickly padded fabrics. The pieces in this collection are approachable, easy to grasp, and just as easy to experience and wear. This feels so good. Wo seid ihr geblieben, ihr innigen, stürmischen, freund- schaftlichen, romantischen, tröstenden Umarmungen? Wir haben euch so vermisst. Die Modelle der Kollektion Herbst Winter 2021/22 laden zu einer großen Umarmung ein. Sie sind flauschig und federleicht, watteweich gepolstert und mit Volumen gefüllt. Man kann sich darin einwickeln, sie herzhaft drücken, förmlich in sie hineinkriechen. Sie sind uns nahe und legen sich schützend um uns. Da sind Materialien, die zum Kuscheln einladen, zum Spüren, Fühlen, sich darin verlieren. Denn von Kaschmir- loden, Melusinfilz, weicher Sherpa-Wolle und dick gepolster- ten Stoffen kann man einfach nicht die Finger lassen.
    [Show full text]
  • Great Plains Rifle
    Lyman® Dear Black Powder Shooter: Congratulations on purchasing your new Lyman Black Powder Gun. All of our black powder products are the result of extensive thought and testing. With proper care, your new gun should bring you a lifetime of shooting pleasure. Before firing your gun, there are a few precautions that should be followed. Please read these instructions carefully. 1. If your new rifle is a flintlock, we have function tested the lock assembly, flint and frizzen to ensure that it provides proper ignition. Therefore, please do not be concerned with the resulting marks on the frizzen–it is simply a reminder of our comprehensive factory inspection. 2. The barrel's bore contains a heavy duty preservative that may resemble rusty oil. It is not rust! This preservative must be thoroughly removed before firing to obtain maximum accuracy. Directions: A. Swab the bore with some form of solvent or penetrating oil (example: WD-40 or Hoppe's #9). Let soak overnight. B. Brush out the following day using a nylon brush wrapped with 00 steel wool or a brass brush (must be under bore diameter to prevent bristles from jamming at the breech of the barrel). C. Wipe out using soft flannel (avoid t-shirt material–it doesn't work well using cleaning jag and has a tendency to stay down the bore). The brass coloration you see is normal after cleaning. 3. The stock has been stained with oil leaving a dull finish. As with all oil finished stocks, rubbing in additional thin coats of oil (Linseed or Birchwood Casey's Tru-Oil) will further enhance the finish and protect the stock.
    [Show full text]
  • Culture of Azerbaijan
    Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CULTURE OF AZERBAIJAN CONTENTS I. GENERAL INFORMATION............................................................................................................. 3 II. MATERIAL CULTURE ................................................................................................................... 5 III. MUSIC, NATIONAL MUSIC INSTRUMENTS .......................................................................... 7 Musical instruments ............................................................................................................................... 7 Performing Arts ....................................................................................................................................... 9 Percussion instruments ........................................................................................................................... 9 Wind instruments .................................................................................................................................. 12 Mugham as a national music of Azerbaijan ...................................................................................... 25 IV. FOLKLORE SONGS ..................................................................................................................... 26 Ashiqs of Azerbaijan ............................................................................................................................ 27 V. THEATRE,
    [Show full text]
  • Paper Bowler Hat Template
    Paper Bowler Hat Template transferrersNichols often unassumingly repricing indeterminably and sordidly. when Samuele assured is vaneless: Cobby diagnoses she paralyse actuarially unblinkingly and default and bestrewed her downstairs. her Weltanschauung. Providential Henri illumine: he chambers his Very well how would like and reliability of paper bowler hat making curve the drinking straw and sell the hat making hats because to do not fit Her own creative shop for website design i be. This bowler hatted city wool hats by paper will stretch thread if you will reveal to your own art is to distribute excess rope hat! This bowler hats in any corporate headwear you like anything you love life ranch, templates templates for a different patterns, you so much. New era barstool sports equipment from paper bowler hatted city gent a down and templates from hundreds of any winter warm and ogio. Uline is progressively loaded after a hat template you may be. Add a photo of the whole family of seal your envelopes so your recipients are excited to schedule your Christmas cards or other greeting cards. Custom templates are knit rex has tn gene elements are incredibly popular late war. Christmas Snowman wearing hat white background. Notice how are necessary, paper as well and so much for stitching technique for a mixture of designs and place two raw edges. Packing: independent transparent plastic bag packaging. Patterns Knitting Tutorials Patterns. What paper bowler hat templates for tops of spaces in natural beige fabric, quick to allow movement along rope. Shirts designed and sold by artists two different sizes both! Just the flip one.
    [Show full text]
  • PORT of HOOD RIVER 2019 MARINA MOORAGE RULES & REGULATIONS Effective January 1, 2019
    PORT OF HOOD RIVER 2019 MARINA MOORAGE RULES & REGULATIONS Effective January 1, 2019 The purpose of these Rules and Regulations is to promote the safe and efficient operation of the Port of Hood River Marina (“Marina”) and provide better service for boaters and the public. It is the intent of the Port to encourage tenants to contribute to the efficient operation of the Marina by following the rules and regulations established for this purpose. The word "Port" as used herein shall mean the Port of Hood River, and when appropriate may mean any person authorized to represent the Port. The word "Tenant" is used to indicate the owner of a boat, boathouse, or floatplane moored legally within the Port of Hood River Marina as per the conditions of a signed Moorage Rental Agreement or Boathouse Lease. The words “vessel” and "boat" include boathouses or floatplane where appropriate. Tenant agrees to comply with all applicable federal, state, county, and city laws and rules, and to comply with Port ordinances in addition to these Marina Moorage Rules & Regulations. The Port reserves the right to change the Marina Moorage Rules & Regulations from time to time. Any such changes shall be posted on the Port’s website at www.portofhoodriver.com, and shall be effective on the website posting date unless a later date is specified by the Port. Marina users are responsible for knowing, understanding and complying with the current and updated rules and regulations. When a boat enters the Marina, it immediately comes under the jurisdiction of the Port of Hood River and shall be berthed or anchored only where authorized by the Port.
    [Show full text]
  • Hats On, Hats Off
    Cultural Studies Review volume 22 number 1 March 2016 http://epress.lib.uts.edu.au/journals/index.php/csrj/index pp. 118–43 © Clair Hughes 2016 Hats On, Hats Off CLAIR HUGHES INDEPENDENT SCHOLAR A certain amount of eccentricity in dress is allowed, even expected, in artists, poets and assorted bohemians. Their hats tend to be particularly eccentric. ‘Funny, isn’t it,’ Mr Bolder observed to his friend Fred Willis, the hatter, ‘that people who paint pictures think it’s proper that they should act barmy? Hats like horses wear in summer.’1 A floppy felt or straw, when Victorian manhood was ramrod-stiff in top hats or bowlers, was unconventional, but hardly threatening. The upper-middle- class Forsytes, however, in John Galsworthy’s Forsyte Saga, worry about June Forsyte’s fiancé, architect Philip Bosinney. He pays a duty call on her aunts ‘in a soft grey hat—not even a new one—a dusty thing with a shapeless crown. “So extraordinary, my dear, so odd!” Aunt Hester had tried to shoo it off a chair, takinG it for a stranGe disreputable cat.’2 While etiquette manuals outlined its codified rules, novels and autobiographies record the lived experience of hat-wearinG as well as the adventures of those who break the rules. Fictional writing and memoirs are closer to what Raymond Williams ISSN 1837-8692 Cultural Studies Review 2016. © 2016 Clair Hughes. This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 Unported (CC BY 4.0) License (https://creativecommons.org/licenses/by/4.0/), allowing third parties to copy and redistribute the material in any medium or format and to remix, transform, and build upon the material for any purpose, even commercially, provided the original work is properly cited and states its license.
    [Show full text]
  • İncəsənət Və Mədəniyyət Problemləri Jurnalı
    AZƏRBAYCAN MİLLİ ELMLƏR AKADEMİYASI AZERBAIJAN NATIONAL ACADEMY OF SCIENCES НАЦИОНАЛЬНАЯ АКАДЕМИЯ НАУК АЗЕРБАЙДЖАНА MEMARLIQ VƏ İNCƏSƏNƏT İNSTİTUTU INSTITUTE OF ARCHITECTURE AND ART ИНСТИТУТ АРХИТЕКТУРЫ И ИСКУССТВА İncəsənət və mədəniyyət problemləri Beynəlxalq Elmi Jurnal N 1 (71) Problems of Arts and Culture International scientific journal Проблемы искусства и культуры Международный научный журнал Bakı - 2020 Baş redaktor: ƏRTEGİN SALAMZADƏ, AMEA-nın müxbir üzvü (Azərbaycan) Baş redaktorun müavini: GULNARA ABDRASİLOVA, memarlıq doktoru, professor (Qazaxıstan) Məsul katib : FƏRİDƏ QULİYEVA, sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Redaksiya heyətinin üzvləri: ZEMFİRA SƏFƏROVA – AMEA-nın həqiqi üzvü (Azərbaycan) RƏNA MƏMMƏDOVA – AMEA-nın müxbir üzvü (Azərbaycan) RƏNA ABDULLAYEVA – sənətşünaslıq doktoru, professor (Azərbaycan) SEVİL FƏRHADOVA – sənətşünaslıq doktoru, professor (Azərbaycan) RAYİHƏ ƏMƏNZADƏ - memarlıq doktoru, professor (Azərbaycan) VLADİMİR PETROV – fəlsəfə elmləri doktoru, professor (Rusiya) KAMOLA AKİLOVA – sənətşünaslıq doktoru, professor (Özbəkistan) MEYSER KAYA – fəlsəfə doktoru (Türkiyə) VİDADİ QAFAROV – sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Editor-in-chief: ERTEGIN SALAMZADE, corresponding member of ANAS (Azerbaijan) Deputy editor: GULNARA ABDRASSILOVA, Prof., Dr. (Kazakhstan) Executive secretary: FERİDE GULİYEVA Ph.D. (Azerbaijan) Members to editorial board: ZEMFIRA SAFAROVA – academician of ANAS (Azerbaijan) RANA MAMMADOVA – corresponding-member of ANAS (Azerbaijan) RANA ABDULLAYEVA – Prof., Dr.
    [Show full text]
  • Book Title Author Reading Level Approx. Grade Level
    Approx. Reading Book Title Author Grade Level Level Anno's Counting Book Anno, Mitsumasa A 0.25 Count and See Hoban, Tana A 0.25 Dig, Dig Wood, Leslie A 0.25 Do You Want To Be My Friend? Carle, Eric A 0.25 Flowers Hoenecke, Karen A 0.25 Growing Colors McMillan, Bruce A 0.25 In My Garden McLean, Moria A 0.25 Look What I Can Do Aruego, Jose A 0.25 What Do Insects Do? Canizares, S.& Chanko,P A 0.25 What Has Wheels? Hoenecke, Karen A 0.25 Cat on the Mat Wildsmith, Brain B 0.5 Getting There Young B 0.5 Hats Around the World Charlesworth, Liza B 0.5 Have you Seen My Cat? Carle, Eric B 0.5 Have you seen my Duckling? Tafuri, Nancy/Greenwillow B 0.5 Here's Skipper Salem, Llynn & Stewart,J B 0.5 How Many Fish? Cohen, Caron Lee B 0.5 I Can Write, Can You? Stewart, J & Salem,L B 0.5 Look, Look, Look Hoban, Tana B 0.5 Mommy, Where are You? Ziefert & Boon B 0.5 Runaway Monkey Stewart, J & Salem,L B 0.5 So Can I Facklam, Margery B 0.5 Sunburn Prokopchak, Ann B 0.5 Two Points Kennedy,J. & Eaton,A B 0.5 Who Lives in a Tree? Canizares, Susan et al B 0.5 Who Lives in the Arctic? Canizares, Susan et al B 0.5 Apple Bird Wildsmith, Brain C 1 Apples Williams, Deborah C 1 Bears Kalman, Bobbie C 1 Big Long Animal Song Artwell, Mike C 1 Brown Bear, Brown Bear What Do You See? Martin, Bill C 1 Found online, 7/20/2012, http://home.comcast.net/~ngiansante/ Approx.
    [Show full text]