Jazz Playlist February 25 2020

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Jazz After Dark February 25 2020 Don Shor 20:00 - 21:00 artist album song time year label Ella Fitzgerald Ella: The Legendary DeCCa ReCordings Lullaby of Birdland 2:52 DeCCa Jelly Roll Morton The Piano Rolls Original Jelly Roll Blues 3:43 1926 Elektra Louis Armstrong & His Hot Five Ken Burns Jazz [DisC 1] West End Blues 3:20 1928 LegaCy Django Reinhardt King Of The Gypsies ain't misbehaving 2:54 Giants of Jazz Benny Goodman The Essential Benny Goodman (Remastered) After You've Gone (Take 1) 2:47 Columbia Count Basie Complete DeCCa ReCordings [DisC 2] Doggin' Around 3:04 1937-43 DeCCa Johnny Hodges * Jazz Ballads DisC 02 Just Like A Butterfly 3:04 1944 Jazz Ballads Johnny Hodges And His OrChestra Jazz Ballads DisC 01 Mood Indigo 3:48 1950 Jazz Ballads Ella Fitzgerald & Louis Armstrong Ella: The Legendary DeCCa ReCordings Dream a Little Dream of Me 3:08 1950 DeCCa Ella Fitzgerald Ella: The Legendary DeCCa ReCordings Smooth Sailing (feat. The Ray Charles Singers) 3:07 1951 DeCCa Duke Ellington (Ray NanCe voCals) La Chanson de Duke - www.museek.info Just A Sittin' and A RoCkin' 3:53 1953 AtlantiC Duke Ellington and His OrChestra ClassiC Jazz: The Smithsonian Anthology DisC 5 Isfahan 4:15 1964 Smithsonian Erskine Hawkins & His OrChestra Vintage DanCe OrChestras No. 277 ** Bear Mash Blues 2:46 1953 Sony Helen Humes 'Tain't Nobody's Biz-ness If I Do When I Grow Too Old To Dream 3:38 1959 OJC Cassandra Wilson Another Country (Deluxe Edition) 'O Sole Mio 5:40 2012 eOne Cassandra Wilson Silver Pony A Night In Seville 3:00 2010 Blue Note Joshua Rifkin Scott Joplin: Piano Rags EuphoniC Sounds -- A SynCopated Novelty 3:58 1970 NonesuCh * Jonah Jones And His OrChestra ** - EP: Tuxedo JunCtion.

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Brand New Beat
Ready for a BRAND NEW BEAT How “DANCING IN THE STREET” Became the Anthem for a Changing America MARK KURLANSKY Riverhead Books A member of Penguin Group (USA) Inc. New York 2013 C H APT E R O N E ARE YOU RE ADY? or my generation rock was not a controversy, it was a fact. F My earliest memory of rock ’n’ roll is Elvis Presley. For others it may be Bill Haley or Chuck Berry. For people born soon after World War II, rock ’n’ roll was a part of childhood. The rock- ers, especially Elvis, are remembered as controversies. But there was no controversy among the kids. They loved the songs, their sense of mischief and especially the driving beat. The controversy came from adults. Only adults attacked Elvis or rock ’n’ roll. The controversy was only in their minds—on their lips. It was the begin- ning of what came to be known as “the generation gap,” a phrase coined by Columbia University president Grayson Kirk in April 1968, shortly before students seized control of his campus. There has never been an American generation that so identified with its music, regarded it as its own, the way the Americans who grew up in the 1950s and 1960s did. The music that started as a subversive movement took over the culture and became a huge, commercially dominant industry. The greatest of the many seismic shifts in the music industry is that young people became the target audience. In no previous generation had the main thrust of popular music been an attempt to appeal to people in their teens.
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Modeling Musical Influence Through Data
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Alabama African American Historic Sites
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Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
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Birmingham-Travel-Planners-Guide.Pdf
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