Replicants R Us: the Crisis of Authenticity in Blade Runner
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BLADE RUNNER 2049 “I Can Only Make So Many.” – Niander Wallace REPLICANT SPRING ROLLS
BLADE RUNNER 2049 “I can only make so many.” – Niander Wallace REPLICANT SPRING ROLLS INGREDIENTS • 1/2 lb. shrimp Dipping Sauce: • 1/2 lb. pork tenderloin • 2 tbsp. oil • Green leaf lettuce • 2 tbsp. minced garlic • Mint & cilantro leaves • 8 tbsp. hoisin sauce • Chives • 2-3 tbsp. smooth peanut butter • Carrot cut into very thin batons • 1 cup water • Rice paper — banh trang • Sriracha • Rice vermicelli — the starchless variety • Peanuts • 1 tsp salt • 1 tsp sugar TECHNICOLOR | MPC FILM INSTRUCTIONS • Cook pork in water, salt and sugar until no longer pink in center. Remove from water and allow to cool completely. • Clean and cook shrimp in boiling salt water. Remove shells and any remaining veins. Split in half along body and slice pork very thinly. Boil water for noodles. • Cook noodles for 8 mins plunge into cold water to stop the cooking. Drain and set aside. • Wash vegetables and spin dry. • Put warm water in a plate and dip rice paper. Approx. 5-10 seconds. Removed slightly before desired softness so you can handle it. Layer ingredients starting with lettuce and mint leaves and ending with shrimp and carrot batons. Tuck sides in and roll tightly. Dipping Sauce: • Cook minced garlic until fragrant. Add remaining ingredients and bring to boil. Remove from heat and garnish with chopped peanuts and cilantro. BLADE RUNNER 2049 “Things were simpler then.” – Agent K DECKARD’S FAVORITE SPICY THAI NOODLES INGREDIENTS • 1 lb. rice noodles • 1/2 cup low sodium soy sauce • 2 tbsp. olive oil • 1 tsp sriracha (or to taste) • 2 eggs lightly beaten • 2 inches fresh ginger grated • 1/2 tbsp. -
Ana De Armas Joins Ryan Gosling As the Next Gen Depicting a Fractured Future for Mankind
254 Photography Fashion STEVEN YATSKO JIMI URQUIAGA This autumn, two years before the dystopian era it was set in, Blade Runner gets a much awaited sequel. Ana de Armas joins Ryan Gosling as the next gen depicting a fractured future for mankind. “I’m trying to find a way of saying something without saying anything!” Actor Armas seems ready for anything, too; used to jumping feet-first into new Ana de Armas is trying not to give anything away about the much anticipated worlds. Born in Havana, she studied at the National Theatre School of Cuba GIVENCHY Blade Runner 2049. Armas plays Joi, a newcomer to the original’s universe of before leaving the country a few months shy of graduation to move to Spain. humans and androids sloping around a dystopian Los Angeles of the future. Now 29, four years ago she abandoned the successful career she’d made for She can be forgiven for being cautious. Blade Runner is a cultural herself in Spanish TV to try a new life in Hollywood. She didn’t speak a word touchstone, preserved by the US Library of Congress as a key part of of English. “Yeah, when I moved to the US I started working on that,” she and shoes America’s film heritage, lauded as one of the best sci-fi films of all time. Its laughs. She became fluent, and fast. “As the Cubans say, when your rice and sequel, set for release 6 October, comes freighted with serious expectation. beans depend on that, your brain goes into survival mode.” Run a quick Google search on 2049 and you’ll find endless attempts to And anyway, she says, “I like challenges in general. -
Science Fiction, Steampunk, Cyberpunk
SCIENCE FICTION: speculative but scientific plausability, write rationally, realistically about alternative possible worlds/futures, no hesitation, suspension of disbelief estrangement+cognition: seek rational understanding of NOVUM (D. Suvin—cognitive estrangement) continuum bw real-world empiricism & supernatural transcendentalism make the incredible plausible BUT alienation/defamiliarization effect (giant bug) Literature of human being encountering CHANGE (techn innovat, sci.disc, nat. events, soc shifts) origins: speculative wonder stories, antiquity’s fabulous voyages, utopia, medieval ISLAND story, scientifiction & Campbell: Hero with a 1000 Faces & Jules Verne, HG Wells (Time Machine, War of the Worlds, The Island of Dr Moreau), Mary Shelley (Frankenstein), Swift Gulliver’s Travels Imaginative, Speculative content: • TIME: futurism, alternative timeline, diff hist. past, time travel (Wells, 2001. A Space Odyssey) • SPACE: outer space, extra-terrestrial adventures, subterranean regions, deep oceans, terra incognita, parallel universe, lost world stories • CHARACTERS: alien life forms, UFO, AI, GMO, transhuman (Invisible Man), mad scientist • THEMES: *new scientific principles, *futuristic technology, (ray guns, teleportation, humanoid computers), *new political systems (post-apocalyptic dystopia), *PARANORMAL abilities (mindcontrol, telekinesis, telepathy) Parallel universe: alternative reality: speculative fiction –scientific methods to explore world Philosophical ideas question limits & prerequisites of humanity (AI) challenge -
CITYSPEAK (From Bladerunner) Sushi Master: Nani Ni Shimasho Ka. [Japanese: "What Would You Like to Have?"] Deckard: {P
CITYSPEAK (from Bladerunner) Sushi Master: Nani ni shimasho ka. [Japanese: "What would you like to have?"] Deckard: {Points} Give me four. Sushi Master: Futatsu de jubun desu yo. [Japanese: "Two is enough!"] Deckard: No. Four. Two, two, four. Sushi Master: Futatsu de jubun desu yo. [Japanese: "Two is enough!"] Deckard: {Resignedly} And noodles. Sushi Master: Wakatte kudasai yo. [Japanese: "Please understand!" (Actually implying sarcastically, "Can't you understand?") Policemnan: Hey, idi-wa. [Korean: "Hey, come here.] Gaff: Monsieur, azonnal kövessen engem bitte. [French-Hungarian-German: "Sir, follow me immediately please!" "azonnal" - means immediately; "kövessen" - means follow imperative; "engem" - means me. And of course "Monsieur" is French for Sir and "bitte" is German for please.)] Sushi Master: He say you under arrest, Mr. Deckard. Deckard: You got the wrong guy, pal. Gaff: Lófaszt, nehogy már. Te vagy a Blade ... Blade Runner. [Hungarian: "Horsedick, no way! You are the Blade ... Blade Runner." Sushi Master: He say you 'Brade Runner'. Deckard: Tell him I'm eating. Gaff: Captain Bryant toka. Me ni omae yo. [Japanese: "Captain Bryant wants to see your mug in front of his immediately!" (This is a loose translation. "Me ni omae yo" is a sort of pun. "Me ni mae" means to meet someone. "omae" is the very informal use of "you" - in Japanese, this is significant. "yo") Deckard (V/O): The charmer's name was Gaff, I'd seen him around. Bryant must have upped him to the Blade Runner unit. That gibberish he talked was city speak, gutter talk. A mishmash of Japanese, Spanish, German, what have you. -
Blade Runner and the Right to Life Eli Park Sorensen
Blade Runner and the Right to Life Eli Park Sorensen Trans-Humanities Journal, Volume 8, Number 3, October 2015, pp. 111-129 (Article) Published by University of Hawai'i Press DOI: https://doi.org/10.1353/trh.2015.0012 For additional information about this article https://muse.jhu.edu/article/635253/summary [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Blade Runner and the Right to Life Eli Park SORENSEN (Seoul National University) Ⅰ. Introduction One of the most debated issues in connection with Ridley Scott’s sci-fi masterpiece Blade Runner (1982) is whether Deckard — the protagonist, played by Harrison Ford — is a replicant or not. Allegedly, Ford was strongly opposed to Scott’s decision to include the famous unicorn scene in the film, which apparently confirms that Deckard — like Rachael — possesses “implants,” synthetic memories; a scene anticipating the film’s ending, during which Deckard finds an origami unicorn left by detective Gaff, who thus reveals that he knows about Deckard’s real identity — that he is in fact a replicant (Sammon 362). In this article, I suggest that although much of the scholarship and criticism on Blade Runner tends to focus on this particular issue, it nonetheless remains one of the least interesting aspects of the film. Or, to put it differently, whether Deckard is a replicant is a question whose real purpose rather seems to be covering a far more traumatic issue, which Michel Foucault in the first volume of History of Sexuality addresses thus: “The ‘right’ to life, to one’s body, to health, to happiness, to the satisfactions of needs, and beyond all the oppressions or ‘alienations,’ the ‘right’ to rediscover what one is and all that one can be” (145). -
On the Postmodern Condition
1 Journal of Undergraduate Research and Scholarly Works Volume 7 December 2020 On the Postmodern Condition Sean Carroll Abstract University of Texas at San Antonio As a cultural movement, Postmodernism begun to solidify itself since the 1970s. Despite what some may say of its necessarily unstructured nature, coherent reflection about it is useful. While there is a growing literature on this topic, the present study, as suggested by David Harvey, seeks to use an historical, materialist framework, as developed by Karl Marx, to interpret postmodern culture. To do this, I began with the studies of the substructures of postmodern culture (political-economic and material conditions), and then sought to find reflective cohesion among its ‘aesthetic’ superstructures (social, philosophical, cinematic, literary, and musical) and their underlying conditions. As a result, from these studies, I found that the aesthetic sentiments of postmodern culture quite neatly map onto the material conditions, which inform its context. These sentiments imply a complicit disposition towards many aspects of late capitalism (such as consumerism and alienation). These findings are significant because it forces postmodernism to take a more honest look at itself, and become self-aware of its implications. My findings imply that if postmodern sentiments truly want to harbor an activism toward the status quo, it must first realign itself with more unifying attitudes. While a single resolution has yet to be concluded, the present study provides some general directions -
Ideology As Dystopia: an Interpretation of "Blade Runner" Author(S): Douglas E
Ideology as Dystopia: An Interpretation of "Blade Runner" Author(s): Douglas E. Williams Source: International Political Science Review / Revue internationale de science politique, Vol. 9, No. 4, (Oct., 1988), pp. 381-394 Published by: Sage Publications, Ltd. Stable URL: http://www.jstor.org/stable/1600763 Accessed: 25/04/2008 20:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sageltd. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org InternationalPolitical ScienceReview (1988), Vol. 9, No. 4, 381-394 Ideology as Dystopia: An Interpretation of Blade Runner DOUGLASE. -
Friday, Oct 6
Movies starting Friday, Oct 6 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Blade Runner 2049” Rated R Run Time 2:45 Starring Harrison Ford and Ryan Gosling Start 5:00 8:15 End 7:45 11:00 Rated R for violence, some sexuality, nudity and language. “Victoria and Abdul” Rated PG-13 Run Time 1:50 Starring Judi Dench and Ali Fazal Start 5:30 8:15 End 7:20 10:05 Rated PG-13 for thematic elements and language. “American Made” Rated R Run Time 1:55 Starring Tom Cruise Start 5:30 8:15 End 7:25 10:10 Rated R for language throughout and some sexuality/nudity. “Kingsman: The Golden Circle” Rated R Run Time 2:20 Starring Colin Firth, Taron Egerton and Julianne Moore Start 5:15 8:15 End 7:35 10:35 Rated R for sequences of strong violence, drug content, language throughout and some sexual material. ***Prices*** Adults $12.50 (3D $15.50) Seniors and Children under 12 $10.00 (3D $13.00) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies Blade Runner 2049 (R) • Harrison Ford • Ryan Gosling • Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. -
Do Androids Dream of Electric Sheep? by Philip K
Do Androids Dream of Electric Sheep? By Philip K. Dick Tempe Public Library VIP Book Talk Led by City Councilman Kolby Granville Table of Contents Discussion Leader: Kolby Granville ......................................................................................................................... 3 Summary .................................................................................................................................................................. 4 About the Author ..................................................................................................................................................... 5 Bio ................................................................................................................................................................... 5 Bibliography .................................................................................................................................................... 7 Discussion Questions ............................................................................................................................................. 10 Turing Test ............................................................................................................................................................. 11 Quotes .................................................................................................................................................................... 12 Similar Reads ......................................................................................................................................................... -
Download Press Release
Philip Martin Gallery Tis Synthetic Moment (Replicant) Curated by David Hartt July 13 - August 24, 2019 Press Release Philip Martin Gallery is pleased to present an exhibition curated by David Hartt. Chino Amobi, Lewis Baltz, Kwame Brathwaite, Lynne Cohen, Andrew Esiebo, Rick Farin, David Hartt, Joanne Petit-Frére, Gabriella Torres-Ferrer, Wilmer Wilson IV and Christopher Wool. Tere will be an opening reception Saturday, July 13 from 6-8pm. Te opening reception will be followed by a conversation between David Hartt and musician, songwriter and producer Van Dyke Parks at 8pm. A music and video performance by Tomory Dodge and Cheryl Cambras will then follow the conversation. At the beginning of the flm Blade Runner (1982) - following the expository opening crawl - a place and date fash briefy onto screen: Los Angeles, November, 2019. Ten fade-up with a burst of fames spewing forth from the Hades landscape of an oil refnery that blends indiscernibly with the city as a fying craft streams off toward illuminated twin pyramids on the horizon. Ridley Scott speaks of fying into Manhattan in a helicopter and landing on the Pan Am building as 2712 S. La Cienega Blvd., Los Angeles, CA 90034 (310) 559-0100 [email protected] Philip Martin Gallery inspiration for the dense polluted megalopolis that appears in the movie. “We used to drift in over the city, very close to the buildings, and it felt like the way of the future.” William Gibson, whose early noir/ science fction shares thematic and textural similarities with the flm has said that “Te future is already here – it’s just not evenly distributed.” Te myths of the future have arrived, they’re just very different looking and their analog is someplace else. -
Blade Runner 2049 to Open the 46Th Festival Du Nouveau Cinéma
Press release For immediate release A special presentation of Denis Villeneuve’s BLADE RUNNER 2049 Opening film of the 46th Montreal Festival du nouveau cinéma (FNC) Montreal, September 21, 2017 – Montreal Festival du nouveau cinéma (FNC) is pleased to announce that Denis Villeneuve’s latest work, BLADE RUNNER 2049, will be presented at a special screening on October 4 at Théâtre Maisonneuve de la Place des Arts as the opening film of its 46th edition, which runs from October 4 to 15, 2017. After screening his first movies, the FNC is proud to welcome the Quebec director back to his hometown with his latest opus, his fourth American feature, and one of the most highly anticipated films of the year. BLADE RUNNER 2049 is a sequel to the acclaimed classic Blade Runner, directed by Ridley Scott in 1982. In the new film, a young blade runner's discovery of a long-buried secret leads him on a quest to track down former blade runner, Rick Deckard, who has been missing for thirty years. BLADE RUNNER 2049 features a star-studded cast, led by Ryan Gosling (Drive, La La Land) and Harrison Ford (the Star Wars saga, Indiana Jones), reprising his role as Rick Deckard. Also starring in the movie, are Ana de Armas (War Dogs), Sylvia Hoeks (Renegades), Robin Wright (House of Cards, Wonder Woman), Mackenzie Davis (The Martian), Carla Juri (Brimstone), and Lennie James (The Walking Dead), with Dave Bautista (the Guardians of the Galaxy films), and Jared Leto (Dallas Buyers Club, Suicide Squad). BLADE RUNNER 2049 was produced by Andrew A. -
Humanity and Heroism in Blade Runner 2049 Ridley
Through Galatea’s Eyes: Humanity and Heroism in Blade Runner 2049 Ridley Scott’s 1982 Blade Runner depicts a futuristic world, where sophisticated androids called replicants, following a replicant rebellion, are being tracked down and “retired” by officers known as “blade runners.” The film raises questions about what it means to be human and memories as social conditioning. In the sequel, Blade Runner 2049, director Denis Villeneuve continues to probe similar questions, including what gives humans inalienable worth and at what point post-humans participate in this worth. 2049 follows the story of a blade runner named K, who is among the model of replicants designed to be more obedient. Various clues cause K to suspect he may have been born naturally as opposed to manufactured. Themes from the Pinocchio story are interwoven in K’s quest to discover if he is, in fact, a “real boy.” At its core Pinocchio is a Pygmalion story from the creature’s point of view. It is apt then that most of 2049 revolves around replicants, with humans as the supporting characters. By reading K through multiple mythological figures, including Pygmalion, Telemachus, and Oedipus, this paper will examine three hallmarks of humanity suggested by Villeneuve’s film: natural birth, memory, and self-sacrifice. These three qualities mark the stages of a human life but particularly a mythological hero’s life. Ultimately, only one of these can truly be said to apply to K, but it will be sufficient for rendering him a “real boy” nonetheless. Although Pinocchio stories are told from the creatures’ point of view, they are still based on what human authors project onto the creature.