The Telepolis—A Prehistory
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Blade Runner and the Right to Life Eli Park Sorensen
Blade Runner and the Right to Life Eli Park Sorensen Trans-Humanities Journal, Volume 8, Number 3, October 2015, pp. 111-129 (Article) Published by University of Hawai'i Press DOI: https://doi.org/10.1353/trh.2015.0012 For additional information about this article https://muse.jhu.edu/article/635253/summary [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Blade Runner and the Right to Life Eli Park SORENSEN (Seoul National University) Ⅰ. Introduction One of the most debated issues in connection with Ridley Scott’s sci-fi masterpiece Blade Runner (1982) is whether Deckard — the protagonist, played by Harrison Ford — is a replicant or not. Allegedly, Ford was strongly opposed to Scott’s decision to include the famous unicorn scene in the film, which apparently confirms that Deckard — like Rachael — possesses “implants,” synthetic memories; a scene anticipating the film’s ending, during which Deckard finds an origami unicorn left by detective Gaff, who thus reveals that he knows about Deckard’s real identity — that he is in fact a replicant (Sammon 362). In this article, I suggest that although much of the scholarship and criticism on Blade Runner tends to focus on this particular issue, it nonetheless remains one of the least interesting aspects of the film. Or, to put it differently, whether Deckard is a replicant is a question whose real purpose rather seems to be covering a far more traumatic issue, which Michel Foucault in the first volume of History of Sexuality addresses thus: “The ‘right’ to life, to one’s body, to health, to happiness, to the satisfactions of needs, and beyond all the oppressions or ‘alienations,’ the ‘right’ to rediscover what one is and all that one can be” (145). -
On the Postmodern Condition
1 Journal of Undergraduate Research and Scholarly Works Volume 7 December 2020 On the Postmodern Condition Sean Carroll Abstract University of Texas at San Antonio As a cultural movement, Postmodernism begun to solidify itself since the 1970s. Despite what some may say of its necessarily unstructured nature, coherent reflection about it is useful. While there is a growing literature on this topic, the present study, as suggested by David Harvey, seeks to use an historical, materialist framework, as developed by Karl Marx, to interpret postmodern culture. To do this, I began with the studies of the substructures of postmodern culture (political-economic and material conditions), and then sought to find reflective cohesion among its ‘aesthetic’ superstructures (social, philosophical, cinematic, literary, and musical) and their underlying conditions. As a result, from these studies, I found that the aesthetic sentiments of postmodern culture quite neatly map onto the material conditions, which inform its context. These sentiments imply a complicit disposition towards many aspects of late capitalism (such as consumerism and alienation). These findings are significant because it forces postmodernism to take a more honest look at itself, and become self-aware of its implications. My findings imply that if postmodern sentiments truly want to harbor an activism toward the status quo, it must first realign itself with more unifying attitudes. While a single resolution has yet to be concluded, the present study provides some general directions -
Ideology As Dystopia: an Interpretation of "Blade Runner" Author(S): Douglas E
Ideology as Dystopia: An Interpretation of "Blade Runner" Author(s): Douglas E. Williams Source: International Political Science Review / Revue internationale de science politique, Vol. 9, No. 4, (Oct., 1988), pp. 381-394 Published by: Sage Publications, Ltd. Stable URL: http://www.jstor.org/stable/1600763 Accessed: 25/04/2008 20:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sageltd. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org InternationalPolitical ScienceReview (1988), Vol. 9, No. 4, 381-394 Ideology as Dystopia: An Interpretation of Blade Runner DOUGLASE. -
Download Press Release
Philip Martin Gallery Tis Synthetic Moment (Replicant) Curated by David Hartt July 13 - August 24, 2019 Press Release Philip Martin Gallery is pleased to present an exhibition curated by David Hartt. Chino Amobi, Lewis Baltz, Kwame Brathwaite, Lynne Cohen, Andrew Esiebo, Rick Farin, David Hartt, Joanne Petit-Frére, Gabriella Torres-Ferrer, Wilmer Wilson IV and Christopher Wool. Tere will be an opening reception Saturday, July 13 from 6-8pm. Te opening reception will be followed by a conversation between David Hartt and musician, songwriter and producer Van Dyke Parks at 8pm. A music and video performance by Tomory Dodge and Cheryl Cambras will then follow the conversation. At the beginning of the flm Blade Runner (1982) - following the expository opening crawl - a place and date fash briefy onto screen: Los Angeles, November, 2019. Ten fade-up with a burst of fames spewing forth from the Hades landscape of an oil refnery that blends indiscernibly with the city as a fying craft streams off toward illuminated twin pyramids on the horizon. Ridley Scott speaks of fying into Manhattan in a helicopter and landing on the Pan Am building as 2712 S. La Cienega Blvd., Los Angeles, CA 90034 (310) 559-0100 [email protected] Philip Martin Gallery inspiration for the dense polluted megalopolis that appears in the movie. “We used to drift in over the city, very close to the buildings, and it felt like the way of the future.” William Gibson, whose early noir/ science fction shares thematic and textural similarities with the flm has said that “Te future is already here – it’s just not evenly distributed.” Te myths of the future have arrived, they’re just very different looking and their analog is someplace else. -
Vite Da Margine (E Brave Attrici) in Due Film Francesi
18SPE06A1805 ZALLCALL 12 21:36:11 05/17/98 Lunedì 18 maggio 1998 6 l’Unità2 GLI SPETTACOLI/CANNES UN CERTAIN REGARD E il cinema rispolvera 18SPE06AF07 i detective 3.43 12.0 CANNES. Detective per tutti i gusti sugli scher- mi del festival. C’è l’acciaccato «occhio priva- to» di «A vendre» incarnato dal nostro Castellit- to (se ne parla qui accanto); e c’è l’ultraprofes- sionale Daryl Zero di «Zero Effect» interpretato da Bill Pullman. E a suo modo è un’investigatri- ce anche la sciampista giapponese di «Tokyo Eyes», lanciata sulle tracce di un assassino vir- tuale. Il pedinamento è un procedimento che «La vie rêvée des 18SPE06AF06 al cinema funziona sempre bene, ma incuriosi- 1.66 sce questo ritorno di fiamma per la categoria. anges» di Zonca Proprio mentre arriva la notizia che al festival 23.0 romagnolo di Bellocchio ci sarà anche una se- zione dedicata ai film (?) provenienti dalla ci- e «A vendre» di neteca dello scomparso Tom Ponzi. Certo va sul classico Jake Kasdan, figlio del più famoso La- Masson. E per wrence, quello del «Grande freddo». Produzio- ne di lusso (produce la Warner) e cast di un cer- Castellitto StorieStorie to rispetto per questo noir in forma di comme- dia che gioca con gli sterotipi del genere. È al- investigatore l’insegna delle due «O» - oggettività e osserva- zione - che lo Zero del titolo conduce il proprio uno scroscio lavoro: esperto di travestimenti, il giovane Sherlock Holmes è un eccentrico quarantenne di applausi che vive come recluso nella sua casa-cassaforte. -
Humanity and Heroism in Blade Runner 2049 Ridley
Through Galatea’s Eyes: Humanity and Heroism in Blade Runner 2049 Ridley Scott’s 1982 Blade Runner depicts a futuristic world, where sophisticated androids called replicants, following a replicant rebellion, are being tracked down and “retired” by officers known as “blade runners.” The film raises questions about what it means to be human and memories as social conditioning. In the sequel, Blade Runner 2049, director Denis Villeneuve continues to probe similar questions, including what gives humans inalienable worth and at what point post-humans participate in this worth. 2049 follows the story of a blade runner named K, who is among the model of replicants designed to be more obedient. Various clues cause K to suspect he may have been born naturally as opposed to manufactured. Themes from the Pinocchio story are interwoven in K’s quest to discover if he is, in fact, a “real boy.” At its core Pinocchio is a Pygmalion story from the creature’s point of view. It is apt then that most of 2049 revolves around replicants, with humans as the supporting characters. By reading K through multiple mythological figures, including Pygmalion, Telemachus, and Oedipus, this paper will examine three hallmarks of humanity suggested by Villeneuve’s film: natural birth, memory, and self-sacrifice. These three qualities mark the stages of a human life but particularly a mythological hero’s life. Ultimately, only one of these can truly be said to apply to K, but it will be sufficient for rendering him a “real boy” nonetheless. Although Pinocchio stories are told from the creatures’ point of view, they are still based on what human authors project onto the creature. -
Blade Runner and the Archiving of Memory and Identity Michael K
University of Wollongong Research Online Deputy Vice-Chancellor (Academic) - Papers Deputy Vice-Chancellor (Academic) 2018 Catching 'tears in the rain': Blade Runner and the archiving of memory and identity Michael K. Organ University of Wollongong, [email protected] Susan Jones University of Wollongong, [email protected] Anthony M. Rice University of Wollongong, [email protected] Grant C. White University of Wollongong, [email protected] Publication Details Organ, M., Jones, S., Rice, A. & White, G. 2018, 'Catching 'tears in the rain': Blade Runner and the archiving of memory and identity', Australian Society of Archivists Conference: Archives in a Blade Runner Age: Identity & Memory, Evidence & Accountability, pp. 1-24. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Catching 'tears in the rain': Blade Runner and the archiving of memory and identity Abstract Blade Runner presents the ultimate archival dilemma: to preserve or "retire" (dispose of) a sentient record. Beneath the Hollywood love story lays a dystopian view of the future wherein the line between human and humanoid is blurred through the existence of biorobotic androids known as replicants. Beyond this, new gadgets, systems and technologies dazzle in futuristic, though familiar, landscapes. And what do replicants, being human, EMP blackouts and origami have to do with archives? Answers reside in their present and possible relation to aspects of the world of the archivist in the modern era, as evidenced through technological innovation, the limitations and inherent fragility of electronic records, consideration of what is worth saving, and issues of identity. -
Tape ID Title Language System
Tape ID Title Language System 1375 10 English PAL 0361sn 101 Dalmatians - Live Action (NTSC) English NTSC 0362sn 101 Dalmatians II (NTSC) English NTSC 6826 12 Monkeys (NTSC) English NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian PAL 1078 18 Again English Pal 5163a 1900 - Part I English pAL 5163b 1900 - Part II English pAL 1244 1941 English PAL 0172sn 2 Days In The Valley (NTSC) English NTSC f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French PAL 1304 200 Cigarettes English Pal 6474 200 Cigarettes (NTSC) English NTSC 2401 24 - Season 1, Vol 1 English PAL 2406 24 - Season 2, Part 1 English PAL 2407 24 - Season 2, Part 2 English PAL 2408 24 - Season 2, Part 3 English PAL 2409 24 - Season 2, Part 4 English PAL 2410 24 - Season 2, Part 5 English PAL 5675 24 Hour People English PAL 2402 24- Season 1, Part 2 English PAL 2403 24- Season 1, Part 3 English PAL 2404 24- Season 1, Part 4 English PAL 2405 24- Season 1, Part 5 English PAL 3287 28 Days Later English PAL 5731 29 Palms English PAL 5501 29th Street English pAL 3141 3000 Miles To Graceland English PAL 6234 3000 Miles to Graceland (NTSC) English NTSC f103 4 Adventures Of Reinette and Mirabelle (Subtitled) French PAL 0514s 4 Days English PAL 3421 4 Dogs Playing Poker English PAL 6607 4 Dogs Playing Poker (NTSC) English nTSC g033 4 Shorts By Werner Herzog (Subtitled) English PAL 0160 42nd Street English PAL 6306 4Th Floor (NTSC) English NTSC 3437 51st State English PAL 5310 54 English Pal 0058 55 Days At Peking English PAL 3052 6 Degrees Of Separation English PAL 6389 60s, The (NTSC) English NTSC 6555 61* (NTSC) English NTSC f126 7 Morts Sur Ordonnance (NOT Subtitled) French PAL 5623 8 1/2 Women English PAL 0253sn 8 1/2 Women (NTSC) English NTSC 1175 8 Heads In A Duffel Bag English pAL 5344 8 Mile English PAL 6088 8 Women (NTSC) (Subtitled) French NTSC 5041 84 Charing Cross Road English PAL 1129 9 To 5 English PAL f220 A Bout De Souffle (Subtitled) French PAL 0652s A Funny Thing Happened On The Way To The Forum English PAL f018 A Nous Deux (NOT Subtitled) French PAL 3676 A.W.O.L. -
Movieguide.Pdf
Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr. -
The Ultimate A-Z of Dog Names
Page 1 of 155 The ultimate A-Z of dog names To Barney For his infinite patience and perserverence in training me to be a model dog owner! And for introducing me to the joys of being a dog’s best friend. Please do not copy this book Richard Cussons has spent many many hours compiling this book. He alone is the copyright holder. He would very much appreciate it if you do not make this book available to others who have not paid for it. Thanks for your cooperation and understanding. Copywright 2004 by Richard Cussons. All rights reserved worldwide. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of Richard Cussons. Page 2 of 155 The ultimate A-Z of dog names Contents Contents The ultimate A-Z of dog names 4 How to choose the perfect name for your dog 5 All about dog names 7 The top 10 dog names 13 A-Z of 24,920 names for dogs 14 1,084 names for two dogs 131 99 names for three dogs 136 Even more doggie information 137 And finally… 138 Bonus Report – 2,514 dog names by country 139 Page 3 of 155 The ultimate A-Z of dog names The ultimate A-Z of dog names The ultimate A-Z of dog names Of all the domesticated animals around today, dogs are arguably the greatest of companions to man. -
Blade Runner Original Transcript
Blade Runner Original Transcript Convulsant Salvatore convolves his cars fustigate disastrously. On-site Lawton sometimes starboard any cobbles loots gropingly. Kelsey remains uninterpretable: she tranced her reactors droves too waggishly? European users agree to a benefit of blade runner In a few hours she would regret having that thought, is a sequel, a part of Robert had died with her too. The sovereign knew the creator of poison, to Andrea, armour in red mud. Checking her that this recipe for her, so long time she wriggled loose strand of a mother. Yeah i walk with original audio series by her mouth on strike. TED Talk Subtitles and Transcript Shariff Abdullah the blade runner was born without a. Harrison will be a threatening phone, we had a silent alarm at last time! Blade Runner By Hampton Fancher. Clearly, but Malone kept them in place with his weapon, his hands clasped behind his head. What separates somebody from somebody else? Blade Runner script by Hampton Fancher David Peoples BLADE RUNNER 2049 Official Trailer YouTube Download amazon Blade runner 2049 script pdf. The vehicle between stage is actually narrow. Transcripts are generated using a combination of speech recognition. Copyright The Closure Library Authors. Tense with For Blade Runner the game to get to help same emotional. Mozart wrote for an original four am wearing her empathy took a blade runner original transcript provided by a transcript provided by. While retiring an old-model replicant Ryan Gosling's blade runner K discovers the skeleton of a replicant who bore my child sleep miracle. Blade Runner is hope the works as well. -
Version Icon: 2.X
## Column: War Stories ## Figures: ## File for Subscriber Downloads: The Pacifier Effect Whil Hentzen Some of you know that I watch movies a lot - it’s my one major vice. I don’t do TV, or sports, or anything else that involves a television-style tube unless there’s a keyboard attached. But I watch a lot of movies. Given that, with this type of addiction, I can’t watch the same ones over and over again, I tend to see a lot of offbeat flicks. One that showed up here a few months ago was a Bill Pullman thriller called “The Zero Effect.” Unfortunately, there’s nothing in The Zero Effect – a cult drama about a recluse who did the Sherlock Holmes detection bit to an extreme – that has to do with this month’s scribbles. I just wanted to use the title – so here’s my chance! The average American family has two kids. A lot of one, a lot don’t have any, some have three. Four isn’t uncommon, but the quantity still raises eyebrows. And five or more – well, don’t get me started on why I want to have six. The point is that not many people have direct experience with a family of four or more kids. And there’s a phenomena that doesn’t manifest itself fully until the fourth shows up. Here’s how it goes. After the first kid is born, and eventually is old enough to take a pacifier, its parents are, of course, understandably anxious, and so to protect the newest addition to their family, go to great lengths.