Do Androids Dream of Electric Sheep? by Philip K
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ana De Armas Joins Ryan Gosling As the Next Gen Depicting a Fractured Future for Mankind
254 Photography Fashion STEVEN YATSKO JIMI URQUIAGA This autumn, two years before the dystopian era it was set in, Blade Runner gets a much awaited sequel. Ana de Armas joins Ryan Gosling as the next gen depicting a fractured future for mankind. “I’m trying to find a way of saying something without saying anything!” Actor Armas seems ready for anything, too; used to jumping feet-first into new Ana de Armas is trying not to give anything away about the much anticipated worlds. Born in Havana, she studied at the National Theatre School of Cuba GIVENCHY Blade Runner 2049. Armas plays Joi, a newcomer to the original’s universe of before leaving the country a few months shy of graduation to move to Spain. humans and androids sloping around a dystopian Los Angeles of the future. Now 29, four years ago she abandoned the successful career she’d made for She can be forgiven for being cautious. Blade Runner is a cultural herself in Spanish TV to try a new life in Hollywood. She didn’t speak a word touchstone, preserved by the US Library of Congress as a key part of of English. “Yeah, when I moved to the US I started working on that,” she and shoes America’s film heritage, lauded as one of the best sci-fi films of all time. Its laughs. She became fluent, and fast. “As the Cubans say, when your rice and sequel, set for release 6 October, comes freighted with serious expectation. beans depend on that, your brain goes into survival mode.” Run a quick Google search on 2049 and you’ll find endless attempts to And anyway, she says, “I like challenges in general. -
Friday, Oct 6
Movies starting Friday, Oct 6 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Blade Runner 2049” Rated R Run Time 2:45 Starring Harrison Ford and Ryan Gosling Start 5:00 8:15 End 7:45 11:00 Rated R for violence, some sexuality, nudity and language. “Victoria and Abdul” Rated PG-13 Run Time 1:50 Starring Judi Dench and Ali Fazal Start 5:30 8:15 End 7:20 10:05 Rated PG-13 for thematic elements and language. “American Made” Rated R Run Time 1:55 Starring Tom Cruise Start 5:30 8:15 End 7:25 10:10 Rated R for language throughout and some sexuality/nudity. “Kingsman: The Golden Circle” Rated R Run Time 2:20 Starring Colin Firth, Taron Egerton and Julianne Moore Start 5:15 8:15 End 7:35 10:35 Rated R for sequences of strong violence, drug content, language throughout and some sexual material. ***Prices*** Adults $12.50 (3D $15.50) Seniors and Children under 12 $10.00 (3D $13.00) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies Blade Runner 2049 (R) • Harrison Ford • Ryan Gosling • Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. -
Blade Runner 2049 to Open the 46Th Festival Du Nouveau Cinéma
Press release For immediate release A special presentation of Denis Villeneuve’s BLADE RUNNER 2049 Opening film of the 46th Montreal Festival du nouveau cinéma (FNC) Montreal, September 21, 2017 – Montreal Festival du nouveau cinéma (FNC) is pleased to announce that Denis Villeneuve’s latest work, BLADE RUNNER 2049, will be presented at a special screening on October 4 at Théâtre Maisonneuve de la Place des Arts as the opening film of its 46th edition, which runs from October 4 to 15, 2017. After screening his first movies, the FNC is proud to welcome the Quebec director back to his hometown with his latest opus, his fourth American feature, and one of the most highly anticipated films of the year. BLADE RUNNER 2049 is a sequel to the acclaimed classic Blade Runner, directed by Ridley Scott in 1982. In the new film, a young blade runner's discovery of a long-buried secret leads him on a quest to track down former blade runner, Rick Deckard, who has been missing for thirty years. BLADE RUNNER 2049 features a star-studded cast, led by Ryan Gosling (Drive, La La Land) and Harrison Ford (the Star Wars saga, Indiana Jones), reprising his role as Rick Deckard. Also starring in the movie, are Ana de Armas (War Dogs), Sylvia Hoeks (Renegades), Robin Wright (House of Cards, Wonder Woman), Mackenzie Davis (The Martian), Carla Juri (Brimstone), and Lennie James (The Walking Dead), with Dave Bautista (the Guardians of the Galaxy films), and Jared Leto (Dallas Buyers Club, Suicide Squad). BLADE RUNNER 2049 was produced by Andrew A. -
Campus Press November 2017 Online Edition
C_ P7 C773: “Striving to Report the News Accurately, Fairly and Fully” TheTheThe Campus Press Student Newspaper of Camden County College www.camdencc.edu Volume 31, Issue 6 November 2017 I` TG7 N7+ October is… Awareness Month for: Photo: Shane Kellum New and returning students pack the Presidenal Courtyard on the Blackwood Campus to enjoy the sights, sounds, sunny day and sample the many foods and informaon at the Welcome Back event on Sept. 28. By SG` K7YY_ sometimes, they’re joining clubs; they’re getting Campus Press Staff Co-Editor and News Reporter involved with the campus, and that’s what I want. I think if students connect with people on he scent of burnt charcoal filled the air on the campus, then they’re better [chance] to stay Thursday, September 28, as Camden County here… You don’t appreciate the school as much T College’s Welcome-Back Barbecue kicked-off when you just come and go.” on the Blackwood campus. Students were able to enjoy the many foods, games, and opportunities Outside Vendors, CCC Clubs and Offices offered by the college. Vendors lined the walkways of the campus. Continued on Page 3 “I think this is probably my 12th year running it, The display of tables and banners was comprised and my greatest accomplishment, of what I see, is of the college’s many clubs, such as ASL, MadLit, COLUMN : W RESTLING MR. O OH students having a good time,” said Jacqueline Theatre, and Chess Club as well as services Tenuto, the Assistant Dean for Student offered by the college such as Tutoring, Student LA LA AND THE ECWA Development and Support. -
Blade Runner and the Archiving of Memory and Identity Michael K
University of Wollongong Research Online Deputy Vice-Chancellor (Academic) - Papers Deputy Vice-Chancellor (Academic) 2018 Catching 'tears in the rain': Blade Runner and the archiving of memory and identity Michael K. Organ University of Wollongong, [email protected] Susan Jones University of Wollongong, [email protected] Anthony M. Rice University of Wollongong, [email protected] Grant C. White University of Wollongong, [email protected] Publication Details Organ, M., Jones, S., Rice, A. & White, G. 2018, 'Catching 'tears in the rain': Blade Runner and the archiving of memory and identity', Australian Society of Archivists Conference: Archives in a Blade Runner Age: Identity & Memory, Evidence & Accountability, pp. 1-24. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Catching 'tears in the rain': Blade Runner and the archiving of memory and identity Abstract Blade Runner presents the ultimate archival dilemma: to preserve or "retire" (dispose of) a sentient record. Beneath the Hollywood love story lays a dystopian view of the future wherein the line between human and humanoid is blurred through the existence of biorobotic androids known as replicants. Beyond this, new gadgets, systems and technologies dazzle in futuristic, though familiar, landscapes. And what do replicants, being human, EMP blackouts and origami have to do with archives? Answers reside in their present and possible relation to aspects of the world of the archivist in the modern era, as evidenced through technological innovation, the limitations and inherent fragility of electronic records, consideration of what is worth saving, and issues of identity. -
What Distinguishes Humans from Artificial Beings in Science Fiction World
Wu 0 Blekinge Institute of Technology School of Planning and Media Design Department of Culture and Communication What Distinguishes Humans from Artificial Beings in Science Fiction World Di Wu 2012 BACHELOR THESIS B.A. in English and Digital Media. Supervisor: Maria Engberg Wu 1 “An android, he said, ‘doesn’t care what happens to another android. That’s one of the indications we look for.’ ‘Then,’ Miss Luba said, ‘you must be an android’” (Dick 86). This quote from the novel Do Androids Dream of Electric Sheep by Philip K. Dick indicates the main boundary between humans and androids. Humans believe that artificial beings are emotionless and do not have the capacity of feeling empathy. However, the truth turns out to be that androids can have emotions and be able to empathize and that the reverse is sometimes true for humans. Although contemporary A.I technology is far from creating a robot that can generate self-consciousness, in various sci-fi stories, highly intelligent robots that can generate their own emotions have already been created and are depicted as involved in human life in many respects. Taking Philip K. Dick’s novel Do Androids Dream of Electric Sheep (1968) and Steven Spielberg’s film Artificial Intelligence (2001) as my primary sources, I explore how advanced robotic technologies affect human society and my particular concern is investigating the boundaries between actual humans and artificial beings. In the film A.I, the protagonist David is an eight-year-old intelligent humanoid robot who is the first robot boy that is programmed with the human feeling of love. -
Marco Movies
Movies starting Friday, Oct 06 www.FMBTheater.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Blade Runner 2049” Rated R Run Time 2:45 Starring Harrison Ford and Ryan Gosling Start 5:00 8:15 End 7:45 11:00 Rated R for violence, some sexuality, nudity and language. “The Mountain Between Us” Rated PG-13 Run Time 1:55 Starring Kate Winslet and Idris Elba Start 5:45 8:15 End 7:40 10:10 Rated R for PG-13 for a scene of sexuality, peril, injury images, and brief strong language. “Kingsman: The Golden Circle” Rated R Run Time 2:20 Starring Colin Firth, Taron Egerton and Julianne Moore Start 5:15 8:15 End 1:35 10:35 Rated R for sequences of strong violence, drug content, language throughout and some sexual material. “Home Again” Rated PG-13 Run Time 1:40 Starring Reese Witherspoon Start 5:30 8:15 End 7:10 10:10 Rated PG-13 for some thematic and sexual material. *** Prices *** Children under 12 $9.50 (3D $12.50) Seniors $9.50 (3D $12.50) ~ Adults $12.00 (3D $15.00) Visit Beach Theater at www.fmbtheater.com facebook.com/BeachTheater Blade Runner 2049 (R) • Harrison Ford • Ryan Gosling • Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. -
Joe and the 'Real' Girls: Blade Runner 2049 Christina Parker-Flynn
Joe and the ‘Real’ Girls: Blade Runner 2049 Christina Parker-Flynn Florida State University 1 About halfway into Blade Runner 2049 (2017), Officer K (Ryan Gosling) finds himself seeking the source of a wooden and quite literal Trojan horse that, he has been told, originates from a hotbed of radioactivity. K sends his drone-like camera into the vaporous twilight to find the locus of contamination. Constantly moving and re-centering simultaneously, the viewfinder reveals the first of numerous and giant sculpted women littering the Vegas wasteland. A “heat analysis” reveals “life” collecting in a tangerine puddle at the fingertips of her delicately carved hand. The digital equivalent of these deserted Galateas, K’s fembot companion Joi (Ana de Armas) responds, “what is it?” to which K retorts, “guess we’re about to find out.” Like life itself, both this question and the film’s very quest are of woman (figure) born. 2 The world in Blade Runner 2049, as “Madame” Lieutenant Joshi (Robin Wright) warns, is “built on a wall that separates kind,” thus demarcating between humans and replicants, the manufactured species introduced in the original film that continue to dominate the narrative in the sequel. The crux of differentiating who is on either side of this wall reaffirms this very question: of woman born? 3 Directed by Denis Villeneuve, Blade Runner 2049 is a direct sequel to the original Blade Runner (1982) directed by Ridley Scott (who serves as an executive producer here), written by David Webb Peoples and Hampton Fancher, who also wrote the screenplay for the original. -
A Comparative Study of BR and BR 2049 from Zizekian Subjectivity
ISSN 1751-8229 Volume Fourteen, Number One A comparative study of BR and BR 2049 from Zizekian subjectivity Zhiang Chen, Hefei Thecnology College, China Abstract: This article analyses and compares the classical science fiction film Blade Runner and its recent sequel Blade Runner 2049 from the perspective of Zizek's subjectivity theory. Through Zizek's tracing and weaving the concept of subjectivity from Descartes' radical doubt to metaphysical subject and then death drive in Lacanian psychoanalysis, it will argue that the principle concern of this film is the issue of subjectivity, and while carefully scrutinizing replicants in the films with the multi-faceted conception of Zizekian subject, a detailed comparison between these two films could be accomplished. Subsequently, by analyzing from the genre, namely noir and cyberpunk, it will point out the world delineated in both film is a claustrophobic and paranoid one, as well as a postmodern multicultural world. The denizens of this world lead a machine-like and unreflecting life due to the decline of the Big Other. Finally, by associating subjectivity with death drive, the ultimate significance of subjectivity is revealed as a weapon to antagonize the repressing symbolic order and redeem our world from an apocalyptic future presaged in the films. 1 “Anything real should be a mess”. -- Dr. Ana Stelline “Always jumping that one. Never a thought what to do if it made land”. -- Niander Wallace “All those moments will be lost in time like tears in rain. Time to die”. -- Roy 1. Tracing Subjectivity in BR and BR 2049 1.1 Subjectivity in BR and BR 2049 Before applying Zizek's theory to the interpretation of the two films, the relevance of the issue of subjectivity has to be ensured. -