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19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
03/31/2018 Daily Program Listing II 02/05/2018 Page 1 of 124 Start Title Thu, Mar 01, 2018 Subtitle Ster
Daily Program Listing II 43.1 Date: 02/05/2018 03/01/2018 - 03/31/2018 Page 1 of 124 Thu, Mar 01, 2018 Title Start Subtitle Distrib Stereo Cap AS2 Episode 00:00:01 Great Decisions In Foreign Policy NETA (S) (CC) N/A #903H China: The New Silk Road China is the second largest economy in the world, and it's expected to bump the U.S. out of the top rank in less than a decade. Beijing is increasingly looking beyond China's borders, toward investment in Asia and across the world. What does China's massive One Belt One Road initiative mean for America? 00:30:00 In Good Shape - The Health Show WNVC (S) (CC) N/A #508H 01:00:00 The Lowertown Line. APTEX (S) (CC) N/A #124H Bruise Violet 01:30:00 Songs at the Center APTEX (S) (CC) N/A #110H Artists: Tim Easton, Talisha Holmes, Nathan Bell, Mark Brinkman, and hosted by songwriter Eric Gnezda. Tim Easton was nominated twice in the 9th Annual Independent Music Awards, including for Best Americana Song. Originally from Akron, he is now based in Nashville. He tours worldwide. He recently re-released his first album, Special 20, on vinyl. He sings "Elmore James." Talisha Holmes is known for her intimacy and energy as a performer. She has opened for Dwele, John Legend, Styx, Stephanie Mills, Ohio Players and others. With an eclectic style fusing jazz, blues, folk, rock and choral music, Talisha performs regularly with the Columbus Jazz Orchestra. She sings "Follow Me." Nathan Bell composed the music for The Day After Stonewall Died, a movie that was awarded first prize at the 2014 Cannes Short Film Festival. -
ALBUMS CHART: P.20 APRIL 25,1981 0 N the Record of the Future
SINGLES CHART: P.9: ALBUMS CHART: P.20 APRIL 25,1981 The record of the future mugENwa a 1 n 0 EXHIBITORS' STANDS are filling up fast for the 3rd annual Dealer Tour, organised by Music & Video Week and scheduled to visit seven regional centres during THE COMPACT disc, lipped by its developing companies as the record of the September. Europe's leading music business paper 90p future, seen alongside a conventional LP and the Sony and Philips CD players. Judging by (he bookings coming in, it looks as if dealers Dealer asks attending the shows will be able to meet exhibitors when is RRP THE LASER BEAM from large and small record companies as well as the newly opened not RRP? video companies. A DISPUTE over whether telling Note the dates in your the public what they can "expect COMPACT DISC to pay" for a record is the same diary now: September 15, as re-imposing RRP has been Bristol Holiday Inn; aired by dealers who object to September 17, price stickers on two recent WEA Birmingham, Albany releases. The Saxon picture disc of And MAKES ITS BOW Hotel; September 21 The Bad Played On, and the Newcastle, Gosforth Park SALZBURG: The compact the compact disc's development, to be no more expensive than a Hotel; September 22 Echo and the Bunnymen describe these as "revolutionary conventional high-class record Crocodiles 12-inch four-track disc digital audio system was improvements" which, coupled with player. J. J. G. Ch. van Tilburg of Glasgow, Albany Hotel; single, were both stickered by introduced to the September 24 Leeds, WEA with the wording "expect "substantially better sound Philips expressed confidence that to pay around £1.05". -
The Inspiration Behind Compositions for Clarinetist Frederick Thurston
THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing. -
Radiodays Europe 2015
Radiodays Europe 2015 Passion meets Progress Milan, Italy, 15-17 March 2015 Programme Monday 16 March 9.00-10.20 Plenary Passion meets Progress Opening of Radiodays Europe 2015 Luigi Gubitosi (Director General, RAI, Italy) Mathieu Gallet (CEO and Chairman, Radio France) Kristian Kropp (CEO, bigFM/RPR 1, Germany) Cilla Benkö (Director General, Swedish Radio, Sweden) Benvenuti a Milano! On behalf of the radio industry in Italy, the Director General of RAI, Italy’s national public broadcaster, welcomes radio stations across the world to Milan, the “Radio City”. In this opening plenary, radio leaders from across Europe share their views on radio, its current role and its future - setting the context and the agenda for Radiodays Europe 2015. This is where Passion meets Progress: the not- to-miss start of Radiodays Europe 2015 in Milan. Welcoming hosts: Paul Robinson (UK) and Gioia Marzocchi (Italy) + The Z100 Morning Show Elvis Duran and Dennis Clark (iHeart Radio, USA) “Elvis Duran and the Z100 Morning Show” wakes up New York City every morning! The programme is also heard in over 70 markets across the USA, making its host, Elvis Duran, one of America’s most popular radio personalities. How do you create a show that consistently delivers huge audiences, and what are the ingredients that make this programme the most listened to Top 40 Morning Show in the US? For one day only, Elvis will be in the building! Joining him on stage is the Vice President of Talent Development for iHeartMedia, Dennis Clark. Dennis’ role is to nurture the best and most talented radio people in the industry and he works directly with key radio personalities, such as Elvis Duran and Ryan Seacrest. -
Via Email: 18 February 2009 Dear Mr Request for Information
Via email: 18 February 2009 Dear Mr Request for Information – RFI20080111 Thank you for your request of 22nd January 2009 under the Freedom of Information Act 2000 seeking the following information: Is it possible to tell me how much the BBC spends on entering external awards, for example the Sony Radio Academy awards, BAFTA Television awards, Online Journalism awards etc? Would you be able to break it down to radio, TV and online entries? By way of background, it may be helpful for me to provide some explanation of the way in which the BBC manages entry into external awards and how such expenditure is recorded. The BBC submits entries to a huge number of awards across multiple divisions. Entry into awards is coordinated differently within the BBC, depending on the awards in question and there is no general ledger code for this type of expenditure which means that we are unable to obtain a report on this category of expenditure from our central finance system. Entry into a number of identified “priority” awards is coordinated centrally by BBC Vision’s Awards Unit – this includes the BAFTA Television Awards, RTS Programme Awards and international events such as the International Emmys and the Banff World Television Festival. Where this is the case, information about the cost of entering these awards is centrally collated and readily accessible. Entry into a wide range of other awards is either partly or wholly managed locally by individual divisions. In this case cost information is not necessarily collated centrally by that team and is therefore not readily accessible. -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape. -
Ian Devlin, the Student Radio Association Ltd, C/O the Radio Academy, 5 Market Place, London, W1W 8AE
Ian Devlin, The Student Radio Association Ltd, c/o The Radio Academy, 5 Market Place, London, W1W 8AE, Ian Vaughan, Floor 6, Dept Consumer Policy, OFCOM, Riverside House, 2A Southwark Bridge Road, London, SE1 9HA Dear Ian, I am writing on behalf of the Student Radio Association Ltd (SRA), in response to your proposals for access and inclusion. Our response is not confidential. We agree with OFCOM’s proposed prioritisation of improving current generation broadband standards. Current generation broadband speeds are sufficient for the minimum requirements of our members (i.e. audio streaming). However, student radio is constantly evolving and universal coverage of a minimum standard would be welcomed by the student radio community. Every member of the Student Radio Association Ltd is reliant on sufficient broadband provision for listeners, especially with regards to online streaming of audio. Therefore, we believe that achieving a minimum standard that is sufficient for multiple audio streams, in addition to standard web use, would be welcome. We are concerned by the increased number of ISPs that use “bandwidth throttling” technology. OFCOM must be provided with the necessary legislative power to ensure that the minimum broadband speed proposed by the Government is provided by ISPs. In addition to the above, we believe that the current status of a possible digital radio switchover needs to be clarified by OFCOM at the earliest opportunity. We therefore urge OFCOM to make this its next priority. We see a need for OFCOM to ensure that Access and Inclusion applies to both providers and consumers of radio. It is an essential to the survival of student and indeed all voluntary radio stations in the UK that FM frequencies are maintained in their current analogue form for the foreseeable future, or for there to be a provision of funding to assist voluntary radio stations in the UK to be able to switch to DAB / DRM. -
The Sound of the Next Generation a Comprehensive Review of Children and Young People’S Relationship with Music
THE SOUND OF THE NEXT GENERATION A COMPREHENSIVE REVIEW OF CHILDREN AND YOUNG PEOPLE’S RELATIONSHIP WITH MUSIC By Youth Music and Ipsos MORI The Sound of the Next Generation THE SOUND OF THE NEXT GENERATION A COMPREHENSIVE REVIEW OF CHILDREN AND YOUNG PEOPLE’S RELATIONSHIP WITH MUSIC By Youth Music and Ipsos MORI Cover Photo: The Roundhouse Trust - Roundhouse Rising Festival of Emerging Music The Sound of the Next Generation The Sound of the Next Generation CONTENTS Foreword – Matt Griffiths, CEO of Youth Music 02 With thanks to 03 Executive summary 04 About the authors 05 A note on terminology 05 The voice of the next generation 06 1) Music is integral to young people’s lives 08 Consumption channels Live music Genres and artists 2) Young people are making music more than ever before 10 Musical engagement Musical learning Music in schools 3) Patterns of engagement differ according to a young person’s background 14 Popular culture and DIY music 4) Music is a powerful contributor to young people’s wellbeing 16 Listening to music and positive emotional states Music to combat loneliness Young people’s view of their future 5) A diverse talent pool of young people supports the future of the music industry 19 Getting a job in the music industry Diversifying the music industry A win-win for education and industry 6) Music has the power to make change for the next generation 21 Appendices 22 Methodology The young musicians The expert interviewees Endnotes 24 01 Photo: The Garage The Sound of the Next Generation The Sound of the Next Generation FOREWORD – MATT GRIFFITHS, So, it’s time to reflect, look back and look forward. -
Iamabroadcaster Delegate Book 2015
P10 AGENDA P14 SPEAKERS Your guide to two days of Who is contributing to this AIB informative sessions outstanding conference Association for International Broadcasting #iamabroadcaster TWO DAYS OF HIGH-LEVEL DISCUSSION AND DEBATE ABOUT THE INTERNATIONAL MEDIA INDUSTRY | LONDON | 18-19 FEBRUARY 2015 Conference agenda AIB Association for International Broadcasting PRACTICAL INFORMATION #iamabroadcaster Twitter Mobile phones Video recording You can tweet about today’s event As a courtesy to your colleagues AIB will record the conference. - we have created the hashtag of at the conference, please ensure By entering the conference premises, you give your #iamabroadcaster for the that your mobile is switched to consent to be filmed. conference. silent when you are in the You also agree not to record or digitise any parts of Follow AIB @aibnews on twitter. conference. the event. Refreshments and lunch Transportation Refreshments will be served in The closest Underground stations are Regent’s Park – on the Bakerloo line – and Oxford the reception area adjacent to the Circus – on the Bakerloo, Central and Victoria lines. Traditional black cabs can be booked in main conference auditorium. advance through Radio Taxis by calling 020 7272 0272. Mini cabs can be booked through Lunch will be served in the Addison Lee by calling 020 7387 8888. We also recommend Uber which offers an efficient Florence Hall on the first floor. service in London. Quote the RIBA postcode when booking your taxi – W1B 1AD Smoking After the conference We would like to make this event non-smoking – and Photographs and speaker presentations - for those who have granted it is important to remember that smoking is not permission - will be available in the week following the event. -
STAN COLLYMORE Tel: 07497 519 556 BROADCASTER and ANTI-DISCRIMINATORY CAMPAIGNER Email: [email protected]
14 Mulberry Road, Cannock, Staffordshire, WS11 1RA STAN COLLYMORE Tel: 07497 519 556 BROADCASTER AND ANTI-DISCRIMINATORY CAMPAIGNER Email: [email protected] PERSONAL PROFILE o Ambitious Anti-Discriminatory Campaigner and Broadcaster who has made the transition into media following a highly successful playing career that saw him represent major clubs in England and on the international stage with England o Award-winning Broadcaster who has carved out a distinguished media career; covering FIFA World Cup and UEFA European Championship, and worked for leading broadcast organisations including BBC, BT Sport, RT and beIN Sports USA o Anti-Discriminatory Campaigner who has been at the forefront of the fight against racism since being racially abused while playing for Aston Villa FC and has utilised broadcast and social media platform to highlight discrimination within football ANTI-DISCRIMINATORY INITIATIVES & CHARITY WORK Anti-racism seminar Organiser & Host 27th March 2019 • Oversaw the life-cycle of a seminar at Wembley Stadium to discuss the lack of representation of ethnic minorities working and employed within the UK media from its inception to completion • Following on from the racial abuse Manchester City FC and England international Raheem Sterling was subjected to by Chelsea FC supporters at Stamford Bridge, set the wheels on motion to host a seminar to discuss the lack of Black, Asian and Ethnic Minority writers and journalists within all areas of UK media • Utilised contacts book to invite guest speakers from the sports broadcast -
FS50608398 1 Freedom of Information Act 2000 (FOIA
Reference: FS50608398 Freedom of Information Act 2000 (FOIA) Decision notice Date: 21 January 2016 Public Authority: The British Broadcasting Corporation (‘the BBC’) Address: Broadcast Centre White City Wood Lane London W12 7TP Decision (including any steps ordered) 1. The complainant requested the cost of entries to the Sony Radio Academy Awards. The BBC explained the information was covered by the derogation and excluded from FOIA. 2. The Commissioner’s decision is that this information was held by the BBC for the purposes of ‘journalism, art or literature’ and did not fall inside FOIA. He therefore upholds the BBC’s position and requires no remedial steps to be taken in this case. Request and response 3. On 26 September 2015, the complainant wrote to the BBC and requested information in the following terms: ‘In a previous response to a FoI request [Ref RFI20121550] you disclosed a breakdown of the cost of entries to the Sony Radio Academy Awards for 2012 broken down by radio station as well as the cost of providing staff with tickets to attend the event. Could you please supply me with a comparable response for the 2014 awards?’ 4. On 20 October 2015 the BBC responded and explained that it did not believe that the information was caught by FOIA because it was held for the purposes of ‘art, journalism or literature’. 5. It explained that Part VI of Schedule 1 to FOIA provides that information held by the BBC and the other public service broadcasters is only 1 Reference: FS50608398 covered by FOIA if it is held for ‘purposes other than those of journalism, art or literature”.