Generating a True-3D Image Map of High Relief Terrain Using Lenticular Foil
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Virtual Reality and Visual Perception by Jared Bendis
Virtual Reality and Visual Perception by Jared Bendis Introduction Goldstein (2002) defines perception as a “conscious sensory experience” (p. 6) and as scientists investigate how the human perceptual system works they also find themselves investigating how the human perceptual system doesn’t work and how that system can be fooled, exploited, and even circumvented. The pioneers in the ability to control the human perceptual system have been in the field of Virtual Realty. In Simulated and Virtual Realities – Elements of Perception, Carr (1995) defines Virtual Reality as “…the stimulation of human perceptual experience to create an impression of something which is not really there” (p. 5). Heilig (2001) refers to this form of “realism” as “experience” and in his 1955 article about “The Cinema of the Future” where he addresses the need to look carefully at perception and breaks down the precedence of perceptual attention as: Sight 70% Hearing 20% Smell 5% Touch 4% Taste 1% (p. 247) Not surprisingly sight is considered the most important of the senses as Leonardo da Vinci observed: “They eye deludes itself less than any of the other senses, because it sees by none other than the straight lines which compose a pyramid, the base of which is the object, and the lines conduct the object to the eye… But the ear is strongly subject to delusions about the location and distance of its objects because the images [of sound] do not reach it in straight lines, like those of the eye, but by tortuous and reflexive lines. … The sense of smells is even less able to locate the source of an odour. -
Chromostereo.Pdf
ChromoStereoscopic Rendering for Trichromatic Displays Le¨ıla Schemali1;2 Elmar Eisemann3 1Telecom ParisTech CNRS LTCI 2XtremViz 3Delft University of Technology Figure 1: ChromaDepth R glasses act like a prism that disperses incoming light and induces a differing depth perception for different light wavelengths. As most displays are limited to mixing three primaries (RGB), the depth effect can be significantly reduced, when using the usual mapping of depth to hue. Our red to white to blue mapping and shading cues achieve a significant improvement. Abstract The chromostereopsis phenomenom leads to a differing depth per- ception of different color hues, e.g., red is perceived slightly in front of blue. In chromostereoscopic rendering 2D images are produced that encode depth in color. While the natural chromostereopsis of our human visual system is rather low, it can be enhanced via ChromaDepth R glasses, which induce chromatic aberrations in one Figure 2: Chromostereopsis can be due to: (a) longitunal chro- eye by refracting light of different wavelengths differently, hereby matic aberration, focus of blue shifts forward with respect to red, offsetting the projected position slightly in one eye. Although, it or (b) transverse chromatic aberration, blue shifts further toward might seem natural to map depth linearly to hue, which was also the the nasal part of the retina than red. (c) Shift in position leads to a basis of previous solutions, we demonstrate that such a mapping re- depth impression. duces the stereoscopic effect when using standard trichromatic dis- plays or printing systems. We propose an algorithm, which enables an improved stereoscopic experience with reduced artifacts. -
A Novel Walk-Through 3D Display
A Novel Walk-through 3D Display Stephen DiVerdia, Ismo Rakkolainena & b, Tobias Höllerera, Alex Olwala & c a University of California at Santa Barbara, Santa Barbara, CA 93106, USA b FogScreen Inc., Tekniikantie 12, 02150 Espoo, Finland c Kungliga Tekniska Högskolan, 100 44 Stockholm, Sweden ABSTRACT We present a novel walk-through 3D display based on the patented FogScreen, an “immaterial” indoor 2D projection screen, which enables high-quality projected images in free space. We extend the basic 2D FogScreen setup in three ma- jor ways. First, we use head tracking to provide correct perspective rendering for a single user. Second, we add support for multiple types of stereoscopic imagery. Third, we present the front and back views of the graphics content on the two sides of the FogScreen, so that the viewer can cross the screen to see the content from the back. The result is a wall- sized, immaterial display that creates an engaging 3D visual. Keywords: Fog screen, display technology, walk-through, two-sided, 3D, stereoscopic, volumetric, tracking 1. INTRODUCTION Stereoscopic images have captivated a wide scientific, media and public interest for well over 100 years. The principle of stereoscopic images was invented by Wheatstone in 1838 [1]. The general public has been excited about 3D imagery since the 19th century – 3D movies and View-Master images in the 1950's, holograms in the 1960's, and 3D computer graphics and virtual reality today. Science fiction movies and books have also featured many 3D displays, including the popular Star Wars and Star Trek series. In addition to entertainment opportunities, 3D displays also have numerous ap- plications in scientific visualization, medical imaging, and telepresence. -
Remote Sensing
remote sensing Article Quantitative Assessment of Vertical and Horizontal Deformations Derived by 3D and 2D Decompositions of InSAR Line-of-Sight Measurements to Supplement Industry Surveillance Programs in the Tengiz Oilfield (Kazakhstan) Emil Bayramov 1,2,*, Manfred Buchroithner 3 , Martin Kada 2 and Yermukhan Zhuniskenov 1 1 School of Mining and Geosciences, Nazarbayev University, 53 Kabanbay Batyr Ave, Nur-Sultan 010000, Kazakhstan; [email protected] 2 Methods of Geoinformation Science, Institute of Geodesy and Geoinformation Science, Technical University of Berlin, 10623 Berlin, Germany; [email protected] 3 Institute of Cartography, Helmholtzstr. 10, 01069 Dresden, Germany; [email protected] * Correspondence: [email protected] Abstract: This research focused on the quantitative assessment of the surface deformation veloci- ties and rates and their natural and man-made controlling factors at Tengiz Oilfield in Kazakhstan using the Small Baseline Subset remote sensing technique followed by 3D and 2D decompositions and cosine corrections to derive vertical and horizontal movements from line-of-sight (LOS) mea- Citation: Bayramov, E.; Buchroithner, surements. In the present research we applied time-series of Sentinel-1 satellite images acquired M.; Kada, M.; Zhuniskenov, Y. during 2018–2020. All ground deformation derivatives showed the continuous subsidence at the Quantitative Assessment of Vertical Tengiz oilfield with increasing velocity. 3D and 2D decompositions of LOS measurements to vertical and Horizontal Deformations movement showed that the Tengiz Oil Field 2018–2020 continuously subsided with the maximum Derived by 3D and 2D annual vertical deformation velocity around 70 mm. Based on the LOS measurements, the maximum Decompositions of InSAR annual subsiding velocity was observed to be 60 mm. -
3D-Con2017program.Pdf
There are 500 Stories at 3D-Con: This is One of Them I would like to welcome you to 3D-Con, a combined convention for the ISU and NSA. This is my second convention that I have been chairman for and fourth Southern California one that I have attended. Incidentally the first convention I chaired was the first one that used the moniker 3D-Con as suggested by Eric Kurland. This event has been harder to plan due to the absence of two friends who were movers and shakers from the last convention, David Washburn and Ray Zone. Both passed before their time soon after the last convention. I thought about both often when planning for this convention. The old police procedural movie the Naked City starts with the quote “There are eight million stories in the naked city; this has been one of them.” The same can be said of our interest in 3D. Everyone usually has an interesting and per- sonal reason that they migrated into this unusual hobby. In Figure 1 My Dad and his sister on a keystone view 1932. a talk I did at the last convention I mentioned how I got inter- ested in 3D. I was visiting the Getty Museum in southern Cali- fornia where they had a sequential viewer with 3D Civil War stereoviews, which I found fascinating. My wife then bought me some cards and a Holmes viewer for my birthday. When my family learned that I had a stereo viewer they sent me the only surviving photographs from my fa- ther’s childhood which happened to be stereoviews tak- en in 1932 in Norwalk, Ohio by the Keystone View Com- pany. -
3D Display Techniques for Cartographic Purposes: Semiotic Aspects
Buchroithner, Manfred 3D DISPLAY TECHNIQUES FOR CARTOGRAPHIC PURPOSES: SEMIOTIC ASPECTS Manfred F. Buchroithner*, Robert Schenkel**, Sabine Kirschenbauer*** Dresden University of Technology, Germany Institute of Cartography *[email protected], **[email protected], ***[email protected] KEY WORDS: 3D-Display Techniques, Cartographic Semiotic, Psychological Cues, Cognition ABSTRACT The variety of the cartographic 3D-visualisation is constantly increasing and thereby more and more fields of application are being developed. These facts require that the coherence of technical, perceptive-psychological and cartographic-theoretical aspects has to be subdivided and classified. Through these formulations of interdependence of the single parameters shall be pointed out. The consideration of communication-theoretical and perceptive-theoretical aspects shall lead to a purpose-oriented realisation of the 3D-visualisation techniques according to the user’s necessities. KURZFASSUNG Das thematische Gebiet “Kartographische 3D-Visualisierung”, dessen Vielfältigkeit ständig zunimmt und dem immer mehr Anwendungsbereiche erschlossen werden, erfordert, daß die Zusammenhänge von technisch- verfahrensspezifischen, wahrnehmungspsychologischen und kartographisch-theoretischen Faktoren aufgeschlüsselt und klassifiziert werden. Hierdurch sollen Ansätze einer Interdependanz der einzelnen Parameter aufgezeigt werden. Die Berücksichtigung kommunikationstheoretischer und wahrnehmungstheoretischer Aspekte soll zu einer anwendergerechten -
Report 2007–2011 of the ICA Commission on Mountain Cartography to the ICA General Assembly
International Cartographic Association (ICA) http://www.icaci.org Commission on Mountain Cartography http://www.mountaincartography.org Report 2007–2011 of the ICA Commission on Mountain Cartography to the ICA General Assembly 0. Introduction, history During the German‐speaking Cartographic Congress in Interlaken/Switzerland in 1996, the Commission on High Mountain Cartography of the German Society of Cartography with representatives of the three German‐speaking alpine countries was founded. In February 1998, the Commission organized a first workshop in the Silvretta area in Austria with 35 participants from 7 countries which demonstrated the breadth and necessity of this research area. Based on these precursor activities, the General Assembly of ICA at the ICC 1999 in Ottawa approved the ICA Commission on Mountain Cartography. Today, the activities of the two commissions are overlapping to a large extent. 1. Chair / Co-chair Assistant Prof. Dr. Karel Kriz (Chair), University of Vienna, Austria Prof. Dr. Lorenz Hurni (Co‐chair), Swiss Federal Institute of Technology (ETH) Zurich, Switzerland 2. Members Regular members Manfred Buchroithner, Germany Tom Patterson, USA Dušan Petrovič, Slovenia Maria Pla Toldrà, Catalonia, Spain Corresponding members Igor Drecki, New Zealand Kristoffer J.Kristiansen, Norway Jacek Drachal, Poland Martin Gamache, USA Jürg Gilgen, Switzerland Gabriela Ilies, Romania Viktor Kaufmann, Austria Roger Wheate, Canada Carlos Nelson, Argentina Stefan Räber, Switzerland Christian Haeberling, Switzerland 3. Terms of Reference 2007–2011 1. Further define the topics of Mountain Cartography and promote the methods and knowledge of mountain cartography among scientists and professionals in cartography and related fields. 2. Provide an updated, attractive web‐site with information about Commission activities, links to other events and theme‐specific knowledge. -
National Report on the German Cartographic Activities
NATIONAL REPORT ON THE GERMAN CARTOGRAPHIC ACTIVITIES Deutsche Gesellschaft für Kartographie DGfK (German Society of Cartography) Report Period 2011 – 2015 Compilation: Prof. Dr. Manfred Buchroithner, Dresden University of Technology July 2015 TABLE OF CONTENTS 1 Activities of the Deutsche Gesellschaft für Kartographie DGfK (German Society of Cartography) .................................................................................................................. 4 1.1 Society Organisation and Activities ............................................................................................ 4 1.2 Commissions .............................................................................................................................. 5 1.2.1 Applied Cartography – Geovisualisation ........................................................................ 5 1.2.2 Education and Further Training ...................................................................................... 6 1.2.3 High Mountain Cartography ........................................................................................... 7 1.2.4 Law and Geodata ............................................................................................................ 9 1.2.5 Map Curators ................................................................................................................ 10 1.2.6 Cartography and Research ........................................................................................... 11 1.2.7 3D City Models ............................................................................................................. -
History and Present IT Augmentation of Europe's Largest Landscape
Multimodal Technologies and Interaction Article Analogue Meets Digital: History and Present IT Augmentation of Europe’s Largest Landscape Relief Model in Villach, Austria Manfred F. Buchroithner Institute for Cartography, Dresden University of Technology, 01069 Dresden, Germany; [email protected] Received: 30 April 2019; Accepted: 12 June 2019; Published: 20 June 2019 Abstract: Brought to completion in 1913 after a production time of 24 years, the landscape relief model of Carinthia (Kärnten), on display in Villach, Austria, is, at 182 m2, the largest of its kind in Europe. It is painted with nature-like land-cover information and presents the whole federal state of Carinthia and its surroundings including Austria’s highest peak, Großglockner, at a scale of 1:10,000. From 2016 to 2018, a series of computer-generated and partly computer-animated educational contents for rental tablets as well as for projection onto the terrain model and above it have been produced. Their topics are briefly presented. The described Relief von Kärnten is also a paramount example and master copy of how to improve the attractivity of historical physical landscape relief models by means of state-of-the-art information technology. The article is, furthermore, meant to raise awareness for a piece of “geo-art”, which is worth being known at an international scale by both experts and laymen. Keywords: landscape relief model; true-3d; largest terrain model of Europe; history of landscape relief models; 3d terrain modelling and representation; digitally animated projection upon landscape relief model; physical landscape relief models and its augmentation 1. Introduction It may be considered a strange fact that the largest landscape relief model of its kind in Europe is—even in times of a revival of 3D visualizations—almost unknown amongst professionals, not to mention the laymen. -
3D Television - Wikipedia
3D television - Wikipedia https://en.wikipedia.org/wiki/3D_television From Wikipedia, the free encyclopedia 3D television (3DTV) is television that conveys depth perception to the viewer by employing techniques such as stereoscopic display, multi-view display, 2D-plus-depth, or any other form of 3D display. Most modern 3D television sets use an active shutter 3D system or a polarized 3D system, and some are autostereoscopic without the need of glasses. According to DisplaySearch, 3D televisions shipments totaled 41.45 million units in 2012, compared with 24.14 in 2011 and 2.26 in 2010.[1] As of late 2013, the number of 3D TV viewers An example of three-dimensional television. started to decline.[2][3][4][5][6] 1 History 2 Technologies 2.1 Displaying technologies 2.2 Producing technologies 2.3 3D production 3TV sets 3.1 3D-ready TV sets 3.2 Full 3D TV sets 4 Standardization efforts 4.1 DVB 3D-TV standard 5 Broadcasts 5.1 3D Channels 5.2 List of 3D Channels 5.3 3D episodes and shows 5.3.1 1980s 5.3.2 1990s 5.3.3 2000s 5.3.4 2010s 6 World record 7 Health effects 8See also 9 References 10 Further reading The stereoscope was first invented by Sir Charles Wheatstone in 1838.[7][8] It showed that when two pictures 1 z 17 21. 11. 2016 22:13 3D television - Wikipedia https://en.wikipedia.org/wiki/3D_television are viewed stereoscopically, they are combined by the brain to produce 3D depth perception. The stereoscope was improved by Louis Jules Duboscq, and a famous picture of Queen Victoria was displayed at The Great Exhibition in 1851. -
Paradigmatic Tendencies in Cartography: a Synthesis of the Scientific-Empirical, Critical and Post-Representational Perspectives
Fakultät Forst-, Geo- und Hydrowissenschaften Paradigmatic Tendencies in Cartography: A Synthesis of the Scientific-Empirical, Critical and Post-Representational Perspectives Dissertation zur Erlangung des akademischen Grades Doctor rerum naturalium (Dr. rer. nat.) vorgelegt von M.Sc. Pablo Iván Azócar Fernández Gutachter: Herr Prof. Dr. phil.habil. Manfred F. Buchroithner Technische Universität Dresden Herr Prof. Dr. Zsolt G. Török Eötvös Lórand University, Budapest Dresden, February 09, 2012 Die Übereinstimmung dieses Exemplars mit dem Original der Dissertation zum Thema: „Paradigmatic Tendencies in Cartography: A Synthesis of the Scientific-Empirical, Critical and Post-Representational Perspectives“ wird hiermit bestätigt. ……………………………………….…. Ort, Datum Azócar, Pablo ……………………………………….…. Unterschrift (Vorname Name) i Abstract Maps have been important elements of visual representation in the development of different societies, and for this reason they have mainly been considered from a practical and utilitarian point of view. This means that cartographers or mapmakers have largely focused on the technical aspects of the cartographic products, and cartography has given little attention to both its theoretical component and to its philosophical and epistemological aspects. The current study is dedicated to consider these views. In this study the main trends, thoughts and different directions in cartography during positivism/empiricism, neo-positivism and post-structuralism are reviewed; and cartography is analysed under the modernism and post-modernism periods. Some of the arguments proposed by philosophers such as Ludwig Wittgenstein and Karl Popper are examined as important contributions in our understanding of the development of cartography and mapping. This study also incorporates the idea or concept of paradigm, which has been taken from the field of the epistemology of sciences. -
Programof the 11Th Mountain Cartography Workshop, May 21-25, 2018, Hvar, Croatia
PROGRAM of the 11th Mountain Cartography Workshop, May 21-25, 2018, Hvar, Croatia Monday, May 21 Tuesday, May 22 Wednesday, May 23 Thursday, May 24 Friday, May 25 7:00 7:00 – Breakfast 7:00 – 7:00 – 7:00 – 7:00 – Breakfast Breakfast Breakfast 7:30 – 9:00 Breakfast 8:00 Bus transfer to Sv. Nedjelja 9:00 Wrap up 9:00-11:00 9:00-11:00 &Closing,Next Session 5 Session 1 workshop, etc. Theme: Relief Theme: Mapping 9:00 – 12:00 Presentation 9:00 – 12:00 10:00 Mountains Hiking to Sv. Moderator: Brooke Walk to Hvar Moderator: Dražen Tutić Observatory with Nikola Marston presentation and walk 11:00 11:00 – 11:30 11:00 – 11:30 back to hotel Coffee break Coffee break 11:30-12:50 Refreshment (lunch 10:00 – 11:30-12:50 Session 2 packages provided) Programme offered Session 6 by local organizing 12:00 Theme: Automation Theme: Glaciers team (optional) Moderator: Karel 12:00 – 13:30 Moderator: Matjaž Štanfel Kriz Hiking to 1. Hiking from Velo Dubovica Grablje to Hvar along 13:00 beach (with 13:00 – 14:00 Lunch 13:00 – 14:00 Lunch 13:00 – 14:00 Lunch 13:30 – 14:00 swimming) Bus transfer to hotel 14:00 2. Beach Lučišća 14:00-14:40 (swimming) Commission Meeting 14:10-15:30 3. Wine tasting 15:00 14:40-15:30 Session 3 Session 7 (Vrboska) Theme: Recreation Moderator: Benedikt Theme: Mountain 15:00 – 18:00 Hajek Safety Boat trip Moderator: Manfred around Pakleni otoci Buchroithner Monday, May 21 Tuesday, May 22 Wednesday, May 23 Thursday, May 24 Friday, May 25 15:30 – 16:00 15:30 – 15:50 Coffee break Coffee break 16:00 16:00-17:00 15:00 – 18:00 Session 4 15:50-17:10