DOCSLIB.ORG

Touring the Centennial More!? Stereogram Books More "Hyper)' I-& Selections

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE MAGAZINEOF 3-DIMENSIONAL IMAGING, PAST & PRESENT May/june 1994 I Volume 21, Number 2 F Touring the Centennial More!? Stereogram Books More "Hyper)' I-& Selections e we wait for responses to the "Wheels" assignment to W"arrive, here are two more of the entries selected in the "Hyper" assignment.c-?%sent This isn't limited to rustic wagon wheels being used as fences or the chrome hubcaps of overly cus- I tomized hot rods. Anything that moves on, under or by wheels is fair game here, including cars, trains, unicycles, pretzel carts, shte boards, etc. Things like large pul- leys or tiny watch parts would also be eligible, as would spherical rolling devices fie ball bearings or selves would not have to be the "Jim Drennan in the Camzo Badkrnds" by the ball on the underside of a com- center of interest in views of things Rich Fairlamb of Tome, CA was taken puter mouse. The wheels them- (contimud on 16) in Anza-Borrego Desert Park just east of - Sun Diego in Febmary, 1993. The 30 foot sepomtion details the rugged texture of "Hubbk T- Gets Astonishing Stereo of Etpbding BkKk Dworf Star..." or, "West- the landscape better than any contour em Pptechnia Fimvoh Show, HdtM'Ik8 CA, July 4, 1988. " Quentin Burke of map, with the rare added feature of a HdMlk entered this imaginatlw image, taken with the help of Ellen Burkc on the ver- human figure to show scale. bally synchnmlzed left camem at a 16 hot sepamth. Fih msT&X exposed at V11 mW,aboutafiVTscoandcxpasun. 7?x~jnint@pcrk~andthentmns- I Volume 21, Number 2 May/June1994 THE MAGAZINEOF 3-DIMENSIONAL IMAGING, PAST & PRESENT A Guided Tour of the Centennial Exhibition ............. 4 by Peter H. Fowler A Board of Directc Sharing the Best .......................................................... 17 4ndy Criscom, Chairman Review by John Dennis Paula R. rlernlny David HI~tchison Dieter Lorenz T.K. Tre tadwell Single Image Stereogram Books ................................. 18 ... Nalton Reviews by johrl Dennis Ifficers ~uist,Preside 1 1 PhotoHistory IX and Movies Too .............................. 21 ... jonn w Larry Hesr ,, Secretory I)avid Wheeler, Treasurer More Nature Co. 3-D ................................................... 29 Review by john Dennis )lCrCV VVVllU 3LUll John Dennis, Editor Mark Willke, Art Director Lois hBldsmith, Subscription M4anoger NSA Membership (New m,~rnbersl~ips, renewoir & oddrers c Comments and Observations, by John Dennis 2 P.O. Bc)x 14801, Columbus, OH 43214 Editor's View .................................. Questions Concerrling Subs'cription Reader's Comments and Questions Larry Hess, (2'19) 272-5431 Letters ..................................................... 3 Ba Stereo World ~ckIssue 5 News from the Stereoscopic Society of America, by Norman 8. Patterson (WrrtP for OVOIIC~bility&prices.) The Society ........ 22 P.O. IBox 398, Syc,amore, OH 4 >rererr - o World Editorial C Newviews Current Information on Stereo Today, by David Starkman & Iohn Dennis .......... 24 (letters to the ed~lor,ortrries h coimdar 1 5610 S E 71st Ave., Portland, OR (503) 771-4440 Calendar A Listing of Coming Events ........................................................ 30 Stelreo World Advertis ing (Closs~fi~dh dirploy ads) Classified Buy, Sell, or Trade It Here ..........................................................32 P.O. BI ~x 14801, Columbus, OH 43214 (Insert flyers & auction ads) ,C"'Cy ,\,aus, 1 Lauren Dr., Gardiner, NY 12525 I! Sterec1 World RIegular Fei New\/iews ct n,>,,rl - - , Box 2368, Culver C~ty,CA 902 Centennial Photographic Co. No. 2044, "KANSAS & The Society COLORADO STATE 6. INTERIOR." One of the more Norman B. Patterron unusual exhibits at the 1876 Centenniol Exhibition Noodlawn Ave.. We<leyv~lle.PA ' in Philadelphia was this huge model of the Kansas The Uniknowns State House mode of fruit and vegetables. (Note the Neal BulI~ngton many "Honds Off" signs.) Peter H. Fowler's feoture London Dr., Tra verxe City, MI 4' article "A Guided Tour of the Centennial Exhibition" \/;o~A!- .,L.. ,.,".,c=,fi compares the sights of the exhibition as stereo- Wollgang & Mary Ann Sell grophed by the Centennial Photographic Company Broadv~pwDr, C~nc~nnat~,OH 4x1~6 with written accounts of many of the same subjects iver Wendell Holmes found in the New York Times. ~+~~~~scoP~cJLLl L, Research L~h-an~ (Affiliated wilh tlir Notionc11 St~reorcopicAr Easter n College, St , Davids, PA 1 Stereo World(ISSN 0191-4030) is publ~shedbimonthly b the National Stereoscopic Association, Inc., P.O. Box 14801, Columbus, OH 43214. Entire contents 01994, all rights reserved. Materlal In tlis publication may not be reproduced without written permission of the NSA, Inc. --scopic Soc~eryor America Pr~ntedIn USA. A subscr~ptionto Stereo World IS part of NSA membership. Annual membership dues: $22 th~rdclass US. 132 flrst class US, (Affiliated with the Notional Stewoscopic Asrocration) $34 Caliada and foreign suriace, $48 ~nternat~onalairmall. All memberships are based on the publ~sh~ngyear ol Sl~reoWorld, whlch beqins in E, lack Swarthout, Membership Secretary March irnd ends w~ththe 5 JanuaryIFebruary~rsue of the next year. All new membersh~psreceived w~llcommence w~ththe MarchiApril ~rrueof the curl ent calendar year .When apply~nglor mernbersh~p,please advise us 11you do not dcslre the back ~ssuc, )Iurne. 12 Woodmere Dr., Paris, 11 61944 Member, lnternotronol Stereoscop~cUn~on - -- The Saga of Vol. 21, No. 1 of what happened? Color issues surprisingly well - at least as they Drawing on his years of experi- of Stereo World often involve appeared on the screen. With the ence as an editor at Starlo'q Press, Ssome delay but our "March/ work load still too heavy at David calmly reassured me by April" 20th anniversary issue set Wy'east in late May, it was decided observing that he had never in his new records in that department. To that the final negatives would have life seen such a hopeless mess and the many members who feared to be generated at our regular that in theory, so many things they had been forgotten and to all printer in Ohio from computer could never go wrong at once in the readers and advertisers frustrat- disks containing the high-resolu- the real world. Fortunately, he was ed by its lateness, we offer our tion 4-color images as well as the also blocking the door to the bal- deepest apologies. "low-res" instructions for their cor- cony at the time and insisting that It's tempting to blame the delay rect placement. (This ended up we try to document the actual on the size of the issue (60 pages requiring the shipment of twenty- number and variety of problems counting covers) or better yet on two 88 megabyte disks - more than involved in this Chernobyl of pub- the sudden abduction of the print- some people in the digital imaging lishing misadventures. ing press by space aliens for use in business have ever seen at one As an alternative to using a pho- some bizarre sexual rites on the far time.) ny name on his convention tag, side of Titan. But neither of the On June 17th, color page-proofs SW Art Director Mark Willke had above really had much effect on from the resulting negatives were already prepared a special paper our schedule. The complications shipped from the printer directly to badge reading "Don't even ask actually started with a very high the NSA convention hotel in Mil- about the MarchIApril Stereo World volume of regular commercial jobs waukee where we hoped to use unless you like horror stories!" and at Wy'east Color in Portland, OR them as physical evidence that we had run off a copy for me as well. I (where NSA member Dwight Cum- hadn't spent everybody's money filled him in on how the horror mings generously donates color on Czechoslovakian stereo nude story had just passed from the Kaf- separation work) which required reels and that the issue was actually ka realm into something by postponing the free work on Stereo close to being printed. As it turned Stephen King as I pinned on the World at several points during its out, hotel guests and clerks were the little warning sticker. Like a preparation. spared the sight of a crazed editor stereo Scarlet Letter, it actually Surrendering completely to the leaping from the atrium balcony warded off questions by most of temptations of digital imaging, we screaming something about "com- the throng and may even have had decided to do all the SW image puter-fraud-sabotage" thanks to the generated some outright pity for placement electronically (for the presence of NSA Board member this hopelessly outnumbered pro- first time) for this special issue. The David Hutchison at the opening of duction staff of two. idea was to save a lot of the time the long-awaited package. After maintaining a calm front and effort involved in manual After being lulled into a prema- (broken only by an occasional stripping of the 4-color negatives ture euphoria by the beautifully whimper) through the rest of the into the full page negatives. Unfor- done cover we discovered that convention, I returned to Portland tunately, the department where roughly half of the stereo pairs in and Wy'east with my sad tale of this was to happen was even busier the proofs were pseudoscopic, and computer generated woe. While by the time all the images had even those that weren't seemed to going over the depressing proofs been scanned and the issue was have been dropped into place by a yet again, we learned that the com- finally ready for electronic image- one-eyed robot with no regard for puter on which I'd so precisely setting in early May. Arrangements stereo window or decent alignment placed the image pairs in position were then made for this to be done of any sort.
Recommended publications
  • History of KODAK Cameras

    History of KODAK Cameras

    CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P.
  • Virtual Reality and Visual Perception by Jared Bendis

    Virtual Reality and Visual Perception by Jared Bendis

    Virtual Reality and Visual Perception by Jared Bendis Introduction Goldstein (2002) defines perception as a “conscious sensory experience” (p. 6) and as scientists investigate how the human perceptual system works they also find themselves investigating how the human perceptual system doesn’t work and how that system can be fooled, exploited, and even circumvented. The pioneers in the ability to control the human perceptual system have been in the field of Virtual Realty. In Simulated and Virtual Realities – Elements of Perception, Carr (1995) defines Virtual Reality as “…the stimulation of human perceptual experience to create an impression of something which is not really there” (p. 5). Heilig (2001) refers to this form of “realism” as “experience” and in his 1955 article about “The Cinema of the Future” where he addresses the need to look carefully at perception and breaks down the precedence of perceptual attention as: Sight 70% Hearing 20% Smell 5% Touch 4% Taste 1% (p. 247) Not surprisingly sight is considered the most important of the senses as Leonardo da Vinci observed: “They eye deludes itself less than any of the other senses, because it sees by none other than the straight lines which compose a pyramid, the base of which is the object, and the lines conduct the object to the eye… But the ear is strongly subject to delusions about the location and distance of its objects because the images [of sound] do not reach it in straight lines, like those of the eye, but by tortuous and reflexive lines. … The sense of smells is even less able to locate the source of an odour.
  • Kodak Magazine (Canada); Vol. 10, No. 10; Nov. 1954

    Kodak Magazine (Canada); Vol. 10, No. 10; Nov. 1954

    Plant Tour Booli: - page 6 Vol. 10, No. 10 November 1954 Published by Canadian Kodak Co., Limited Toronto 9, Ontario The George Eastman Centennial at Kodak Heights Company's biggest celebration - in memory of one hundredth anniversary of George Eastman's birth - attracts over 2300 people to four- night show Story and more pictures appear on following pages Displays wer e s taffed b y Kodak t echnical re presentatives R e fres lune n ts we r e pre pared in the kitche n of the R ecr e ation Building with an e fficie nt l>roduc tio n line :-oys t e n1 2 The many easels of •noun ted prints placed across the back of the auditoriun1 were carefully viewed The nrrun~ement nf sandwic h plates on long tables provided quick !Service when the guests entered the ca(cteria Eastman Centennial a Great Success F attendance figures and interest I shown are any indication, the biggest display and entertainment ever held at Kodak Heights was a great success. As guests of the Company, the more than 2300 Kodak people, their relatives and friends who visited over the four nights saw an excellent portrayal of the Company, it's story, and products past and present at the Centennial marking the one hundredth anniversary of George Eastman's birth. The story of Eastman - founder The many pictures of Mr. Eas tman rece ived close attention of the Kodak organization , father of modern photography and re­ nowned philanthropist, is well known to Kodak people. A special display of photographs of Eastman and the growth of the organization to which he devoted a lifetime gave everyone an opportunity for a closer look at highlights of his career.
  • Chromostereo.Pdf

    Chromostereo.Pdf

    ChromoStereoscopic Rendering for Trichromatic Displays Le¨ıla Schemali1;2 Elmar Eisemann3 1Telecom ParisTech CNRS LTCI 2XtremViz 3Delft University of Technology Figure 1: ChromaDepth R glasses act like a prism that disperses incoming light and induces a differing depth perception for different light wavelengths. As most displays are limited to mixing three primaries (RGB), the depth effect can be significantly reduced, when using the usual mapping of depth to hue. Our red to white to blue mapping and shading cues achieve a significant improvement. Abstract The chromostereopsis phenomenom leads to a differing depth per- ception of different color hues, e.g., red is perceived slightly in front of blue. In chromostereoscopic rendering 2D images are produced that encode depth in color. While the natural chromostereopsis of our human visual system is rather low, it can be enhanced via ChromaDepth R glasses, which induce chromatic aberrations in one Figure 2: Chromostereopsis can be due to: (a) longitunal chro- eye by refracting light of different wavelengths differently, hereby matic aberration, focus of blue shifts forward with respect to red, offsetting the projected position slightly in one eye. Although, it or (b) transverse chromatic aberration, blue shifts further toward might seem natural to map depth linearly to hue, which was also the the nasal part of the retina than red. (c) Shift in position leads to a basis of previous solutions, we demonstrate that such a mapping re- depth impression. duces the stereoscopic effect when using standard trichromatic dis- plays or printing systems. We propose an algorithm, which enables an improved stereoscopic experience with reduced artifacts.
  • A Novel Walk-Through 3D Display

    A Novel Walk-Through 3D Display

    A Novel Walk-through 3D Display Stephen DiVerdia, Ismo Rakkolainena & b, Tobias Höllerera, Alex Olwala & c a University of California at Santa Barbara, Santa Barbara, CA 93106, USA b FogScreen Inc., Tekniikantie 12, 02150 Espoo, Finland c Kungliga Tekniska Högskolan, 100 44 Stockholm, Sweden ABSTRACT We present a novel walk-through 3D display based on the patented FogScreen, an “immaterial” indoor 2D projection screen, which enables high-quality projected images in free space. We extend the basic 2D FogScreen setup in three ma- jor ways. First, we use head tracking to provide correct perspective rendering for a single user. Second, we add support for multiple types of stereoscopic imagery. Third, we present the front and back views of the graphics content on the two sides of the FogScreen, so that the viewer can cross the screen to see the content from the back. The result is a wall- sized, immaterial display that creates an engaging 3D visual. Keywords: Fog screen, display technology, walk-through, two-sided, 3D, stereoscopic, volumetric, tracking 1. INTRODUCTION Stereoscopic images have captivated a wide scientific, media and public interest for well over 100 years. The principle of stereoscopic images was invented by Wheatstone in 1838 [1]. The general public has been excited about 3D imagery since the 19th century – 3D movies and View-Master images in the 1950's, holograms in the 1960's, and 3D computer graphics and virtual reality today. Science fiction movies and books have also featured many 3D displays, including the popular Star Wars and Star Trek series. In addition to entertainment opportunities, 3D displays also have numerous ap- plications in scientific visualization, medical imaging, and telepresence.
  • 3D-Con2017program.Pdf

    3D-Con2017program.Pdf

    There are 500 Stories at 3D-Con: This is One of Them I would like to welcome you to 3D-Con, a combined convention for the ISU and NSA. This is my second convention that I have been chairman for and fourth Southern California one that I have attended. Incidentally the first convention I chaired was the first one that used the moniker 3D-Con as suggested by Eric Kurland. This event has been harder to plan due to the absence of two friends who were movers and shakers from the last convention, David Washburn and Ray Zone. Both passed before their time soon after the last convention. I thought about both often when planning for this convention. The old police procedural movie the Naked City starts with the quote “There are eight million stories in the naked city; this has been one of them.” The same can be said of our interest in 3D. Everyone usually has an interesting and per- sonal reason that they migrated into this unusual hobby. In Figure 1 My Dad and his sister on a keystone view 1932. a talk I did at the last convention I mentioned how I got inter- ested in 3D. I was visiting the Getty Museum in southern Cali- fornia where they had a sequential viewer with 3D Civil War stereoviews, which I found fascinating. My wife then bought me some cards and a Holmes viewer for my birthday. When my family learned that I had a stereo viewer they sent me the only surviving photographs from my fa- ther’s childhood which happened to be stereoviews tak- en in 1932 in Norwalk, Ohio by the Keystone View Com- pany.
  • KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates

    KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates

    KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market.
  • 3D Frequently Asked Questions

    3D Frequently Asked Questions

    3D Frequently Asked Questions Compiled from the 3-D mailing list 3D Frequently Asked Questions This document was compiled from postings on the 3D electronic mail group by: Joel Alpers For additions and corrections, please contact me at: [email protected] This is Revision 1.1, January 5, 1995 The information in this document is provided free of charge. You may freely distribute this document to anyone you desire provided that it is passed on unaltered with this notice intact, and that it be provided free of charge. You may charge a reasonable fee for duplication and postage. This information is deemed accurate but is not guaranteed. 2 Table Of Contents 1 Introduction . 7 1.1 The 3D mailing list . 7 1.2 3D Basics . 7 2 Useful References . 7 3 3D Time Line . 8 4 Suppliers . 9 5 Processing / Mounting . 9 6 3D film formats . 9 7 Viewing Stereo Pairs . 11 7.1 Free Viewing - viewing stereo pairs without special equipment . 11 7.1.1 Parallel viewing . 11 7.1.2 Cross-eyed viewing . 11 7.1.3 Sample 3D images . 11 7.2 Viewing using 3D viewers . 11 7.2.1 Print viewers - no longer manufactured, available used . 11 7.2.2 Print viewers - currently manufactured . 12 7.2.3 Slide viewers - no longer manufactured, available used . 12 7.2.4 Slide viewers - currently manufactured . 12 8 Stereo Cameras . 13 8.1 Currently Manufactured . 13 8.2 Available used . 13 8.3 Custom Cameras . 13 8.4 Other Techniques . 19 8.4.1 Twin Camera . 19 8.4.2 Slide Bar .
  • 1 Stereographics

    1 Stereographics

    1 Stereographics Mike Bailey [email protected] This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License Computer Graphics Stereographics.pptx mjb – August 5, 2021 1 2 Stereovision is not new – It’s been in common use in the movies since the 1950s Computer Graphics Life Magazine mjb – August 5, 2021 2 1 And, even longer than that in stills 3 Newport Maritime Museum Portland Art Museum Computer Graphics mjb – August 5, 2021 3 4 Binocular Vision In everyday living, part of our perception of depth comes from the slight difference in how our two eyes see the world around us. This is known as binocular vision. We care about this, and are discussing it, because stereo computer graphics can be a great help in de-cluttering a complex 3D scene. It can also enhance the feeling of being immersed in a movie. OSU President Dr. Becky Johnson Computer Graphics mjb – August 5, 2021 4 2 5 The Cyclops Model In the world of computer graphics, the two eye views can be reconstructed using standard projection mathematics. The simplest approach is the Cyclops Model. In this model, the left and right eye views are obtained by rotating the scene plus and minus what a Cyclops at the origin would see Y ψ ψ X L C R Z The left eye view is obtained by rotating the scene an angle +ψ about the Y axis. The right eye view is obtained by rotating the scene an angle -ψ about the Y axis. In practice, if you wanted to do this (and you don’t), a good value of ψ would be 1-4˚.
  • "Iwijpipw Mlimm X Ipf * Mm

    "Iwijpipw Mlimm X Ipf * Mm

    ** THE STAR, D. C. agogues and temples tonight at A-8 EVENINO' Washington, raißAi. nwttii ia, tew 8:30 o’clock wUI be: District Tax Heads Augusts (Ga.) Herald Sold Wfshington Congre- Brooks, president of the Wash- gation—Dr. H. QerthSh Mor- 'Having Open House To Opposition Chronicle Synagogues to Hear ington Ministerial Union. gan, Assistant Director of the By sh» AmocMml Emt Dr. Mordecai Johnson, presi- Institute for Child Study. Uni- versity of Maryland, on “What In New Quarters dent of University, will I I AUGUSTA,Ga., Feb. 18—Wil- Howard Our Youngsters Want and Howl 1 Attention, ail District income Morris, Brotherhood Week occupy the pulpit of Temple liam S. publisher of the they Go and Get It.” 8:30 pm. I jtaxpayers: Augusta Chronicle, announced Sinai at the 8:30 o'clock service Young Peoples Synagogue city’s night in Bethlehem Chapel, Washing- and ’ The tax officials would : last that he has entered Tiferetb Israel Congregation— : into a contract for purchase Guest Speakers ton The Brotherhood | j like you to know they are of Cathedral. Abe Shefferman, executive hold-1 : the Augusta Herald and phys- Brotherhood Week be the Week service is sponsored by di-! ing open house during all wifi the , rector of Adas Israel Bynagogue, j business ical properties of afternoon guest temple's Men’s Club. i the theme of speaker* at tome ’on “American Judaism: The hours in their new quarters, ! newspaper. of the Sabbath services to be Other Brotherhood Week Next Century.” If you Mr. Morris, services will be held st j want Information co-owner of the EXCLUSIVES Temple or: morning Chronicle with his wife, I held tonight in Washington area! I Tzeon Congregation, Har-1 B’nai Jacob—Rabbi help in filling out your tax re- I j v Wheaton.! Raymond Krlnsky, ; Florence H.
  • 3D Television - Wikipedia

    3D Television - Wikipedia

    3D television - Wikipedia https://en.wikipedia.org/wiki/3D_television From Wikipedia, the free encyclopedia 3D television (3DTV) is television that conveys depth perception to the viewer by employing techniques such as stereoscopic display, multi-view display, 2D-plus-depth, or any other form of 3D display. Most modern 3D television sets use an active shutter 3D system or a polarized 3D system, and some are autostereoscopic without the need of glasses. According to DisplaySearch, 3D televisions shipments totaled 41.45 million units in 2012, compared with 24.14 in 2011 and 2.26 in 2010.[1] As of late 2013, the number of 3D TV viewers An example of three-dimensional television. started to decline.[2][3][4][5][6] 1 History 2 Technologies 2.1 Displaying technologies 2.2 Producing technologies 2.3 3D production 3TV sets 3.1 3D-ready TV sets 3.2 Full 3D TV sets 4 Standardization efforts 4.1 DVB 3D-TV standard 5 Broadcasts 5.1 3D Channels 5.2 List of 3D Channels 5.3 3D episodes and shows 5.3.1 1980s 5.3.2 1990s 5.3.3 2000s 5.3.4 2010s 6 World record 7 Health effects 8See also 9 References 10 Further reading The stereoscope was first invented by Sir Charles Wheatstone in 1838.[7][8] It showed that when two pictures 1 z 17 21. 11. 2016 22:13 3D television - Wikipedia https://en.wikipedia.org/wiki/3D_television are viewed stereoscopically, they are combined by the brain to produce 3D depth perception. The stereoscope was improved by Louis Jules Duboscq, and a famous picture of Queen Victoria was displayed at The Great Exhibition in 1851.
  • 199-E-Copy.Pdf

    199-E-Copy.Pdf

    Who's Who Member of The International Stereoscopic Union Affiliated to The Photographic Alliance of Great Britain The Photographic Society of America (Stereo Division) The Stéréo-CluB Français Institute of Amateur Cinematographers Website - www.stereoscopicsociety.org.uk President - Alan Cooper Vice President Emeritus - Neville Jackson Committee Chairman - Andrew Hurst Email: [email protected] Tel: 07768 484971 Honorary Treasurer - Lance Potter Honorary General Secretary - Colin Metherell, 32 Wilton Crescent, Hertford, Herts, SG13 8JW. Tel: 01992-422052 Email: [email protected] Membership Secretary - Mary Paul, 7 Mill Close, Wokingham, Berks, RG41 1EP. Tel: 01189-791013 Email: [email protected] Librarian - Keith Webb, 2 Little Gaynes Lane, Upminster, Essex, RM14 2JP. Tel: 01708-222997 Email: [email protected] Folio Groups Coordinator - Barry Aldous, 506 Bolton Road West, Ramsbottom, Bury, BL0 9RU. Tel: 01204-882930 Email: [email protected] Journal Managing Editor - John Peck, 1 Merlin Drive, Hilsea, Portsmouth, PO3 5QY. Tel: 02392-669690 Email: [email protected] Midlands Section Coordinator - Bob Pryce Email:[email protected] Competition Organiser - David Ford Email: [email protected] London Meetings Organiser - Fred Newton Email: [email protected] Webmaster - Bill Cannon Email:[email protected] Archive Manager - Andrew Hurst Other Responsibilities (Not committee)