Sydney Harbour Federation Trust Management Plan
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A-Z August 2016
A-Z Some Historical Information A Aeolia: (6 Aeolia Street, Randwick) built by Edwin Daintrey (1814-1887), solicitor and botanist, as his home in 1859. It is now part of the Brigidine College, which moved there in December 1902 from its temporary base in Silver Street. Daintrey was a founder member of the NSW Linnean Society (Natural History) in 1874. Amphion: (128 Alison Road, Randwick) see ‘Verona’. Amusu Theatre, Maroubra: (791- 801 Anzac Parade Maroubra Junction). A ‘motion-picture house’ (cinema) which opened in December 1921 and closed on 13th June 1958. The final night was a ‘double feature’ show with “Davy”, starring Harry Secombe in a debut singing role and an American racing car drama “The Devil’s Hairpin” starring Cornel Wilde. The cinema was built and operated by two Americans, Amos Hinton and Arthur Hennessy. As well as showing films, it was also the venue for political rallies, dances and fund raising events for local clubs. The building was demolished and a petrol station was built on the site, which in its turn was demolished in 1979 to make way for apartment buildings. Avonmore Terrace: (26-42 The Avenue, Randwick) was completed in 1889-90 on land purchased in May 1888 from the trustees of St. Judes C/E. Built in the Italianate style, it comprises nine large three-storey terrace houses. The original address was Walsh’s Terrace, John’s Avenue, renamed The Avenue in 1895. The builder and owner, John Walsh (1843-1893) and his family occupied No,5, called ‘Avonmore’, the central and largest residence, the first to be built and which is the focal point of the terrace, having a projecting entrance porch the full height of the building topped with a pediment embellished with the name ‘Avonmore’. -
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f An interim report on the archaeological possibilities at the site of DARLINGHURST GAOL(184I-19I2) SYDNEY,NSW by Patricia E Burritt on behalf of the Department of Public .works of the NSW Government I 27 January I981 ,I, \ I ! '~. 'I'he author "lOuld like ·to take this opportunity to thank the members of staff at the East Sydney Technical College (previously Darlinghurst Gaol) and the Mitchell Library for the willing and enthusiastic assistance that they have provided in the process of collecting information for this interim archaeological report. \ sununary of Contents Page No. I Possible benefits of archaeological investigation I 2 Background to the interim report 4 ':.,. (a) Aims of an interim archaeological report (b) Methodology employed in the preparation of this interim report on the Darlinghurst Gaol site 3 Summary of the documentary evidence examined to date 7 4 Recommendations for future archaeological work 9 !\ppendices I Chronological development of the site at Darlinghurst Gaol, according to documentary evidence . 2 Additional sources of documentary evidence ... 3 Relevant dated plans of the site (a) May I863 (Scale 50 feet to I inch) (b) March l885 (Scale l/2 inch to I foot) (c) I900 (Scale 50 feet to I inch) (d) I978 (Scale 5 metres to 9 mm) -------_.-._---- ,,-.~ -1- I possibl'e benefits of archaeological excavation Nhat is archaeology? Archaeology is an interdisciplinary subject.It is closely related to,and guided by, historical and other documentary evidence.It requires an appreciation of social and economic activities. It uses tools of analysis provided by the natural sciences. Calling upon all of these disciplines the purpose of archaeology is to discover,record and analy~e information about the activities of human beings. -
SIMS Foundation Newsletter September 2014
Newsletter September 2014 Fantasea Harbour Hike 2014 Several weeks of wet conditions did not dampen the spirits of hikers in the Fantasea Harbour Hike event held on Father’s Day. Even the weather participated with a bright sunny day enjoyed by all after some early morning rain. These testimonials show just what a great day was had by participants: Sarah: “I just wanted to contact and say how much of a brilliant day this was! Despite the rain, the hike was beautiful (albeit muddy) and a lot of fun. The research that this hike is funding is so amazing and I will definitely be participating next year! A really fun morning out with family and friends!” Imelda: “I just wanted to say how much Fred and I enjoyed the SIMS Harbour Hike. It was so well organised. The volunteers along the route, all with friendly Dr. Emma Thompson showing how research is done on Sydney smiles on their faces, did a great job answering our questions however Rock Oysters. Hikers lined up to have a go at extracting the trivial, nothing was any trouble. The Fantasea Marine Festival was just so haemolymph (blood) of an oyster. good and made us aware of the importance of preserving our fragile marine environment and supporting the talented work and research being done by SIMS. We had such a lovely day and all being well we will be doing it next year.” We are most grateful to Fantasea Adventure Cruising who are the presenting sponsor of this event. We also wish to thank our community sponsor, NSW National Parks & Wildlife Services and our media partner, Radio 2UE together with all of our community partners including Mosman and North Sydney Councils, Sydney Harbour Federation Trust, National Parks Association of NSW, Taronga Zoo, Bright Print Group and NSW Police. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Reading the City, Walking the Book: Mapping Sydney’s Fictional Topographies Susan M. King A thesis submitted to the Faculty of Arts and Social Sciences at the University of Sydney in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of English August 2013 Preface I hereby declare that, except where indicated in the text and footnotes, this thesis contains only my own original work. -
Sailing Program 2018-2019
SAILINGSAILING PROGRAMPROGRAM 2018-20192015-2016 EMERGENCY GUIDE FOR SYDNEY HARBOUR AMBULANCE – POLICE – FIRE: 000 OR 112 CYCA Reception: (02) 8292 7800 Sailing Office: (02) 8292 7870 MV Offshore: 0417 282 172 Marine Rescue Sydney: (02) 9450 2468 Water Police (02) 9320 7499 RMS /Maritime: 13 12 36 Rose Bay Police Station: (02) 9362 6399 EMERGENCY Manly Ferry Wharf Double Bay Ferry Wharf 77 Bay Street, Double Bay, VHF 16 Belgrave Street and West Esplanade, Manly, 2095 2028 Race Watson’s Bay Ferry Wharf Royal Sydney Yacht 1 Military Road, Watsons Bay, Committee Squadron 2030 33 Peel Street, Kirribilli, 2061 VHF 72 Rose Bay Ferry Wharf Taronga Zoo Ferry Wharf Lyne Park, Nr New South Athol Street, Mosman, 2088 Head Road, Rose Bay, 2029 Cruising Yacht Club of Australia 1 New Beach Road, Darling Point, NSW 2027 Telephone: (02) 8292 7800 Email: [email protected] ABN: 28 000 116 423 Race Results: Internet: www.cyca.com.au SAILING PROGRAM 2018-2019 Board of Directors Flag Officers Commodore PAUL BILLINGHAM Vice Commodore NOEL CORNISH Rear-Commodore Rear-Commodore SAM HAYNES JANEY TRELEAVEN Treasurer ARTHUR LANE Directors JUSTIN ATKINSON DAVID JACOBS BRADSHAW KELLETT LEANDER KLOHS Chief Executive Officer KAREN GREGA Cover Photo: Patrice Photo courtesy of Rolex 1 Cruising Yacht Club of Australia Sailing Office & Youth Sailing Academy Sailing Manager – Justine Kirkjian Assistant Sailing Manager – Stephen Craig YSA Supervisor – Pam Scrivenor YSA Coach – Jordan Reece Marina Tender Driver – 0418 611 672 Tender Hours – Mon-Fri (07:30-16:00), Sat-Sun -
With City W Alking T
WITH CITY WALKING TOUR ‘This is IMPACTFUL ARCHITECTURE, BOTH FUNCTIONAL AND INSPIRATIONAL, providing a greater public good than just the sum of individual buildings.’ – Peter Poulet, 23rd NSW Government Architect, 2016 FOREWORD For 200 years New South Wales weaving together plans, images wrote despairingly that has been shaped by the ideas and other items, applying his he hoped soon ‘there will and imaginings of a unique group inimitable knowledge of this state’s be a new Government of architects. The legacy of their architectural and social history. Architect and may be a service as government architects It is a story and an exhibition new and less “pigheaded” lies in the design and realisation that touches us all. It is hard to Principal Librarian’. of many thousands of buildings. imagine our towns, our cities and In addition to the Not all survive; not all were our lives without the ubiquitous Government Architect and even built, existing today only public buildings created by our his staff, we acknowledge in description or perhaps in government architects. It is a story the support of a number plans. Yet as today’s Government that touches us as we walk our of our partner cultural institutions Architect, Peter Poulet, comments, streets, visit towns, go to school, which have generously lent items, their legacy is architecture with attend court, seek medical aid, read in particular, State Records NSW, enormous impact that amounts in a library. the Museum of Applied Arts to far more than the sum of the It is fitting to hold this exhibition & Sciences, the National Archives individual buildings, an impact that in the State Library as our buildings of Australia, the Australian Institute continues in our cities and towns. -
Sailing Instructions
COMBINED OCEAN POINTSCORE NEWCASTLE CRUISING YACHT CLUB LAKE MACQUARIE YACHT CLUB SAILING INSTRUCTIONS 2018 / 2019 1 1 RULES 1.1 The event will be governed by the rules as defined in The Racing Rules of Sailing (RRS) and the prescriptions and amendments made by Australian Sailing. 1.2 Yachts shall comply with the 2017-2021 Australian Sailing Special Regulations Category 4. 2 RACE CONDITIONS 2.1 Newcastle Harbour is a very busy commercial port. A motor may be used by a yacht when while racing to keep out of the way of commercial shipping (i.e. move out of the channel when a ship is approaching). RRS 42.3(i) allows propulsion using an engine, provided the boat does not gain significant advantage in the race. 2.2 All boats racing at NCYC will have engines running when within the Harbour and when within 500m to seaward of the entrance during departure and arrival. A boat that cannot manoeuvre safely, and is in danger of hindering any commercial shipping, shall only use her engine FOR PROPULSION to clear such shipping. This changes RRS 42. Competitors are reminded that a restricted navigation zone exists on approach to and within Newcastle Harbour (refer to Chart AUS207) 2.3 If when racing with NCYC, a yacht receives a “5 horn blast” from commercial shipping (meaning “I am in doubt about your action taken to avoid a collision”), the offending boat may be disqualified from that race without a hearing. This changes RRS Appendix A5. 2.4 *Diagram from NCYC Sailing Handbook: 2.5 The Organizing Authority will not accept any liability for material damage or personal injury or death sustained in conjunction with, prior to, during or after these races. -
1 INTRODUCTION the Australian Poet, Henry Lawson, Referred To
INTRODUCTION The Australian poet, Henry Lawson, referred to Darlinghurst Gaol in his poem “One Hundred and Three” as “Starvinghurst Goal” where prisoners were kept alone in dark cells and starved. This is the stereotype of the Victorian era gaol, whereas reality was quite different after the reforms initiated by New South Wales politician, Henry Parkes. His Select Committee of 1861 found the food in New South Wales gaols to be abundant, good and wholesome by contrast. There is also a contrasting reality for death rates in these gaols. The aim of this thesis is to show the reality of causes of death in the late Victorian era gaols by comparing the death rates and causes of death in Darlinghurst Gaol, Sydney’s main gaol from 1841 to 1914 and Auburn State Prison, the oldest existing prison in the New York State prison system, dating from 1817. Auburn Correctional Facility, as it is now known, gave its name to the “Auburn System” which included being the first institution to use separate cells for inmates, congregate work during the day, enforced silence, lockstep walking, striped uniforms and the use of the lash, or corporal punishment, as a form of punishment. It was the focus of great interest in penology and influenced the subsequent construction of many similar prisons in the USA and overseas. There has been no previous analysis of the records on the various causes of death in Victorian era gaols or the death rates in these gaols and no comparative study of gaol 1 death rates to the relevant general population to see if they were better or worse (worse being the popular perception prior to the results of the research involved in this thesis). -
Annual Report
Annual Report Port Authority of New South Wales 2019/20 Overview This Annual Report contains audited Financial Statements. If you experience difficulty accessing this content please contact Lawrence Ho, Chief Financial Officer. T 02 9296 4999 E [email protected] Port Authority of New South Wales (Port Authority) is a state-owned corporation (SOC) ABN 50 825 884 846 T 02 9296 4999 F 02 9296 4742 E [email protected] W portauthoritynsw.com.au Street address: Level 4, 20 Windmill Street, Walsh Bay, NSW 2000 Postal address: PO Box 25, Millers Point, NSW 2000 Business hours: 9 am–5 pm, Monday to Friday Service hours: 24 hours a day, seven days a week Front cover: Port Authority marine pilot prepares to board a ship at sea. Table of contents Letter of submission 5 12 Sydney Harbour and Port Botany 48 12.1 Port Botany 48 1 Overview 6 12.2 Sydney Harbour 48 2 Highlights 7 12.3 Trade vessel visits 49 2.1 Our people 7 12.4 Marine Operations 49 2.2 Total vessel visits (cruise and trade) 8 12.5 Emergency response 51 2.3 Cruise in NSW 8 12.6 Introduction of towage licences 52 2.4 The Bays West Precinct 11 12.7 Cruise in Sydney Harbour 53 2.5 Capital projects 12 12.8 The Bays West Precinct 57 2.6 The year ahead – capital projects 13 12.9 Capital projects 61 12.10 The year ahead 62 3 Summary review of operations 14 12.11 Community engagement 3.1 Financial performance 14 and sponsorship 64 3.2 Marine Operations 14 3.3 Port security 16 13 Newcastle Harbour 69 3.4 Hydrographic surveys 17 13.1 Overview 69 13.2 Marine Operations 70 -
VI Chapter 1
& VI Chapter 1. The Preparatory Years (1827-1864). James Barnet was a professional architect who became a long serving member of the New South Wales civil service and for that reason a study of his official career should begin with an examination of his professional training. His career from his arrival in New South Wales in 1854 until 1860 and his work as Acting Colonial Architect from 31 October 1862 until 31 December 1864 is also reviewed in this chapter. On 21 August 1860 a notice appeared in the New South Wales Government Gazette which announced the appointment of James Barnet to a position of clerk of works in the Office of the Colonial Architect. Who was this young man who had arrived in Sydney in December 1854 and who, since that date, seemed to have experienced some difficulty in settling into regular employment? The position of clerk of works carried an annual salary of MOO and offered security and prospects for advancement. A curious person might 1. Throughout this study the name James Barnet will be used. The entry in ADB 3 records his name as Barnet, James Johnstone, the name shown on both his and his wifes death certificates. In the numerous files examined Barnet almost invariably signed his name as James Barnet. There were many occasions when his name was incorrectly spelled as Barnett in official papers as well as the press. 2 wonder whether Barnet was qualified to fill such a position or whether he had been appointed solely as the result of the patronage 2 of influential friends. -
New South Wales from 1810 to 1821
Attraction information Sydney..................................................................................................................................................................................2 Sydney - St. Mary’s Cathedral ..............................................................................................................................................3 Sydney - Mrs Macquarie’s Chair ..........................................................................................................................................4 Sydney - Hyde Park ..............................................................................................................................................................5 Sydney - Darling Harbour .....................................................................................................................................................7 Sydney - Opera House .........................................................................................................................................................8 Sydney - Botanic Gardens ................................................................................................................................................. 10 Sydney - Sydney Harbour Bridge ...................................................................................................................................... 11 Sydney - The Rocks .......................................................................................................................................................... -
About Spare Parts Puppet Theatre Spare Parts Puppet Theatre Is a Driving Force in the Contemporary Puppet Theatre Landscape in Australia
Spare Parts Puppet Theatre Moominpappa at Sea Adapted from the book by Tove Jansson Produced by special arrangement with Agency North Ltd www.agencynorth.com Teachers Resource A comprehensive set of classroom activities relating to the performance of Moominpappa at Sea About Moominpappa at Sea Created by internationally acclaimed author Tove Jansson, The Moomins are known for their good humour and philosophical attitude to change. Moominpappa’s quest to begin a new life on an island far out to sea sets the stage for many unexpected adventures with the inhabitants of the island, including the Groke, a creature so lonely she is almost frozen. This solo performance offers much to explore in drama/theatre technique, design and music as well as addressing complex questions of personal and social capability, and intercultural understanding. Moominpappa at Sea is a springboard into activities across the learning areas. The Creative Team The Creative Team Go for 2&5 Regional Tour Spare Parts Puppet Theatre Schools Program School Season Director: Michael Barlow Director: Michael Barlow Creative Consultant: Noriko Nishimoto Creative Consultant: Noriko Nishimoto Performers: Performer: Bec Bradley Bec Bradley Designer/Puppet Maker: Leon Hendroff Nick Pages-Oliver Composer: Lee Buddle Designer/Puppet Maker: Leon Hendroff Lighting Design: Elliot Chambers Composer: Lee Buddle Stage Manager: George Ashforth Props Construction: Ben Gates Props Construction: Ben Gates Fabric Construction: Annie Robinson Fabric Construction: Annie Robins About Spare Parts Puppet Theatre Spare Parts Puppet Theatre is a driving force in the contemporary puppet theatre landscape in Australia. Our name reflects our ethos – to be inspired by many artists, artistic forms and ideas and fuse them with puppetry to create theatrically exciting performances.