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A-Z August 2016
A-Z Some Historical Information A Aeolia: (6 Aeolia Street, Randwick) built by Edwin Daintrey (1814-1887), solicitor and botanist, as his home in 1859. It is now part of the Brigidine College, which moved there in December 1902 from its temporary base in Silver Street. Daintrey was a founder member of the NSW Linnean Society (Natural History) in 1874. Amphion: (128 Alison Road, Randwick) see ‘Verona’. Amusu Theatre, Maroubra: (791- 801 Anzac Parade Maroubra Junction). A ‘motion-picture house’ (cinema) which opened in December 1921 and closed on 13th June 1958. The final night was a ‘double feature’ show with “Davy”, starring Harry Secombe in a debut singing role and an American racing car drama “The Devil’s Hairpin” starring Cornel Wilde. The cinema was built and operated by two Americans, Amos Hinton and Arthur Hennessy. As well as showing films, it was also the venue for political rallies, dances and fund raising events for local clubs. The building was demolished and a petrol station was built on the site, which in its turn was demolished in 1979 to make way for apartment buildings. Avonmore Terrace: (26-42 The Avenue, Randwick) was completed in 1889-90 on land purchased in May 1888 from the trustees of St. Judes C/E. Built in the Italianate style, it comprises nine large three-storey terrace houses. The original address was Walsh’s Terrace, John’s Avenue, renamed The Avenue in 1895. The builder and owner, John Walsh (1843-1893) and his family occupied No,5, called ‘Avonmore’, the central and largest residence, the first to be built and which is the focal point of the terrace, having a projecting entrance porch the full height of the building topped with a pediment embellished with the name ‘Avonmore’. -
Patrick Stevedores Port Botany Container Terminal Project Section 75W Modification Application December 2012
Patrick Stevedores Operations No. 2 Patrick Stevedores Port Botany Container Terminal Project Section 75W Modification Application December 2012 Table of contents 1. Introduction ............................................................................................................................... 1 1.1 Overview ......................................................................................................................... 1 1.2 The proponent ................................................................................................................. 1 1.3 The site ........................................................................................................................... 2 1.4 Project context ................................................................................................................ 4 1.5 Document structure ......................................................................................................... 5 2. Project description ..................................................................................................................... 6 2.1 Key aspects of the project ............................................................................................... 6 2.2 Demolition, enabling and construction works ................................................................. 10 2.3 Operation ...................................................................................................................... 12 2.4 Construction workforce and working hours.................................................................... -
VELUX SKYLIGHTS VELUX Turns a Dark Past INTO a BRIGHT FUTURE
Sydney landmark gets VELUX SKYLIGHTS VELUX turns a dark past INTO A BRIGHT FUTURE The old Darlinghurst Gaol was converted in the early 1920s to become the East Sydney Technical College – now the National Art School. The largest building on the site, the gaol workshops, had been empty since 2005 when major renovations started in 2014. VELUX skylights were an integral part of the solution, explain CEO Michael Snelling and COO Sue Procter... Leaking roof, little light From gaol workshops to art workshops “We are the largest non-university art school in “We wanted to convert the old gaol workshops to the country and since 2005 the sole occupant modern workshops for our art students,” Michael of the old Darlinghurst Gaol site,” says Michael. continues. “At the southern end, the building was “The largest building on the campus – the old gaol used by a cooking school up until 2005 and the workshops – hadn’t been in use for almost 10 years VELUX skylights were installed where the cooking when renovations began in 2014. The building school had its ventilation shafts. Cooking needs was semiderelict with a leaking roof and very little ventilation...art needs light.” natural light...” Simple needs “We were on a tight budget but an art school’s needs are quite basic,” explains Sue. “We need open spaces, a roof that doesn’t leak, and natural light – everything else is an optional extra. So a new roof was a key part of the renovations and 80 VELUX skylights supply the natural light we require. The skylights are in a dark and dingy part of the building – getting natural light in was absolutely paramount.” < CEO Michael Snelling and COO Sue Procter Art needs NATURAL LIGHT Architect Barry McGregor has spent 35 years of his career giving new life to old buildings. -
The Economic Prison and Regional Small Business
The Economic Prison and Regional Small Business A Case Study on Kempsey and the Mid-North Coast Correctional Centre Name: Liam Frayne Number: 3061800 Advisor: Susan Thompson Photo: Liam Frayne 2006 1 Contents 1.0 Introduction 2 2.0 Prisons in Rural and Regional New South Wales 5 3.0 Regional Decline 10 4.0 The Prison Boom 18 5.0 The Role of Prisons in Regional Economic Development 26 6.0 The Impacts of the Prison as a Land Use 35 7.0 Kempsey and the Mid-North Coast Correctional Centre: 43 Background 8.0 Kempsey: On-Site Research 56 9.0 Conclusions 67 References 69 2 1.0 Introduction It is increasingly a common theme in the prison development industry in Australia and the United States for the agencies responsible for prison development to look favourably at rural and regional areas as potential sites for new correctional facilities. For the prison developer, whether Government or Private sector, locating and constructing correctional facilities in non-metropolitan regions makes sense for economic and practical reasons. Land in rural areas, particularly in economically depressed rural areas, is typically less expensive than the cost of land in cities. It is also easier in rural areas for a prison to be sited and to operate away from townships. Such a siting makes escapes and land-use conflict less likely problems for the operators of the correctional facility. The attractiveness of economically depressed non- metropolitan regions for prison development authorities has been further enhanced when many such regions actually become willing to host a correctional facility, and in many cases, are aggressively competitive with other regions in their pursuit of such a facility. -
LONG BAY: Prison, Abortion and Women of the Working Class
LONG BAY Prison, abortion and women of the working class. Eleanor Sweetapple Doctorate of Creative Arts University of Technology, Sydney 2015 ii Long Bay CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student: Date: Long Bay iii iv Long Bay ACKNOWLEDGEMENTS I would like to thank Rebecca’s granddaughter, Christine Jensen, for giving me her permission to fictionalise this story. Thank you for your generosity in meeting with me and sharing photographs and helping rediscover forgotten stories. Thank you as well to Annette Obree, Rebecca’s great-granddaughter, and Jan Peelgrane, Rebecca’s grandniece, for sharing family memories, photographs and documents. When I came across Rebecca Sinclair’s case I knew that I was embarking on a long and challenging project. Thank you Associate Professor Debra Adelaide for taking me on as a Doctorate of Creative Arts student at UTS and for all of your generous guidance, critique and clarity. I am also indebted to Professor Paula Hamilton, who steered me towards excellent sources of social history and asked important questions about what kind of book I wanted to write. -
With City W Alking T
WITH CITY WALKING TOUR ‘This is IMPACTFUL ARCHITECTURE, BOTH FUNCTIONAL AND INSPIRATIONAL, providing a greater public good than just the sum of individual buildings.’ – Peter Poulet, 23rd NSW Government Architect, 2016 FOREWORD For 200 years New South Wales weaving together plans, images wrote despairingly that has been shaped by the ideas and other items, applying his he hoped soon ‘there will and imaginings of a unique group inimitable knowledge of this state’s be a new Government of architects. The legacy of their architectural and social history. Architect and may be a service as government architects It is a story and an exhibition new and less “pigheaded” lies in the design and realisation that touches us all. It is hard to Principal Librarian’. of many thousands of buildings. imagine our towns, our cities and In addition to the Not all survive; not all were our lives without the ubiquitous Government Architect and even built, existing today only public buildings created by our his staff, we acknowledge in description or perhaps in government architects. It is a story the support of a number plans. Yet as today’s Government that touches us as we walk our of our partner cultural institutions Architect, Peter Poulet, comments, streets, visit towns, go to school, which have generously lent items, their legacy is architecture with attend court, seek medical aid, read in particular, State Records NSW, enormous impact that amounts in a library. the Museum of Applied Arts to far more than the sum of the It is fitting to hold this exhibition & Sciences, the National Archives individual buildings, an impact that in the State Library as our buildings of Australia, the Australian Institute continues in our cities and towns. -
1 INTRODUCTION the Australian Poet, Henry Lawson, Referred To
INTRODUCTION The Australian poet, Henry Lawson, referred to Darlinghurst Gaol in his poem “One Hundred and Three” as “Starvinghurst Goal” where prisoners were kept alone in dark cells and starved. This is the stereotype of the Victorian era gaol, whereas reality was quite different after the reforms initiated by New South Wales politician, Henry Parkes. His Select Committee of 1861 found the food in New South Wales gaols to be abundant, good and wholesome by contrast. There is also a contrasting reality for death rates in these gaols. The aim of this thesis is to show the reality of causes of death in the late Victorian era gaols by comparing the death rates and causes of death in Darlinghurst Gaol, Sydney’s main gaol from 1841 to 1914 and Auburn State Prison, the oldest existing prison in the New York State prison system, dating from 1817. Auburn Correctional Facility, as it is now known, gave its name to the “Auburn System” which included being the first institution to use separate cells for inmates, congregate work during the day, enforced silence, lockstep walking, striped uniforms and the use of the lash, or corporal punishment, as a form of punishment. It was the focus of great interest in penology and influenced the subsequent construction of many similar prisons in the USA and overseas. There has been no previous analysis of the records on the various causes of death in Victorian era gaols or the death rates in these gaols and no comparative study of gaol 1 death rates to the relevant general population to see if they were better or worse (worse being the popular perception prior to the results of the research involved in this thesis). -
Tocal's Convicts 1822-1840 Brian Patrick Walsh, B Rur Sc
Heartbreak and Hope, Deference and Defiance on the Yimmang: Tocal’s convicts 1822-1840 Brian Patrick Walsh, B Rur Sc (Hons), BA, M App Sci Ag Doctor of Philosophy University of Newcastle September 2007 This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. I hereby certify that the work embodied in this Thesis is the result of original research, the greater part of which was completed subsequent to admission to candidature for the degree. (Signed):…………………………………………. 2 Acknowledgments I wish to extend a sincere and heartfelt thanks to all who helped me during my candidature: to my supervisor, Dr Erik Eklund, for his support and guidance; to Tocal College Principal and colleague, Cameron Archer, for his unwavering enthusiasm and encouragement; to Tocal librarian, Lyn Barham, for cheerful assistance; to Jean Archer for editorial assistance and proof-reading; to David Brouwer for editorial advice; to Dean Morris for digital images; to Alberto Sega for information on James Webber in Italy; to the archivists in State Records NSW who helped me to navigate the depths of the NSW Colonial Secretary’s correspondence -
VI Chapter 1
& VI Chapter 1. The Preparatory Years (1827-1864). James Barnet was a professional architect who became a long serving member of the New South Wales civil service and for that reason a study of his official career should begin with an examination of his professional training. His career from his arrival in New South Wales in 1854 until 1860 and his work as Acting Colonial Architect from 31 October 1862 until 31 December 1864 is also reviewed in this chapter. On 21 August 1860 a notice appeared in the New South Wales Government Gazette which announced the appointment of James Barnet to a position of clerk of works in the Office of the Colonial Architect. Who was this young man who had arrived in Sydney in December 1854 and who, since that date, seemed to have experienced some difficulty in settling into regular employment? The position of clerk of works carried an annual salary of MOO and offered security and prospects for advancement. A curious person might 1. Throughout this study the name James Barnet will be used. The entry in ADB 3 records his name as Barnet, James Johnstone, the name shown on both his and his wifes death certificates. In the numerous files examined Barnet almost invariably signed his name as James Barnet. There were many occasions when his name was incorrectly spelled as Barnett in official papers as well as the press. 2 wonder whether Barnet was qualified to fill such a position or whether he had been appointed solely as the result of the patronage 2 of influential friends. -
Management Plan – Cockatoo Island
The Sydney Harbour Federation Trust acknowledges the development of this Cockatoo Island Management Plan by staff at the Sydney Harbour Federation Trust, and is grateful to all those organisations and individuals who have contributed. A special thankyou is given to the members of the Community Advisory Committee and Friends of Cockatoo Island for assisting with the development of the Plan and for their invaluable comments and suggestions throughout the drafting period. Thank you also to the members of the community who attended information sessions or provided comment, and to the staff of the Department of the Environment and Energy, who made a valuable contribution to the preparation of the Plan. Authors: Staff of the Sydney Harbour Federation Trust Main Consultant Providers: Government Architect’s Office, NSW Department of Commerce Godden Mackay Logan Pty Ltd John Jeremy For full list of consultants see Related Studies section of Plan Copyright © Sydney Harbour Federation Trust 2017. This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without written permission from the Sydney Harbour Federation Trust. Requests and enquiries concerning reproduction and rights should be addressed to: Director Marketing, Communications & Visitor Experience Sydney Harbour Federation Trust PO Box 607, Mosman, NSW 2088 or email [email protected] For more information about the Sydney Harbour Federation Trust or to view this publication online, visit the website at: http://www.harbourtrust.gov.au 3 Table of Contents 1. Introduction 8 National and Commonwealth Heritage Values 73 2. Aims of this Plan 12 Condition of Values 77 3. -
LIBRARY BRUSH FARM CORRECTIVE SERVICES ACADEMY Library@CSNSW PLEASE RETURN to the LIBRARY
LIBRARY BRUSH FARM CORRECTIVE SERVICES ACADEMY Library@CSNSW PLEASE RETURN TO THE LIBRARY LONG BAY COMPLEX 1896 . 1994 A HISTORY· Final Report Terry Kass, Historian and Heritage Consultant, 32 Jellicoe Street, Lidcombe, NSW, 2141 363.69 099441 KAS tl~<;::;A Library 363.69099441 KAS 2005 2005 Long Bay complex 1896 -1994 : a history ·final report c.1 11111111111111111111111111111111111111111111111111 T 2013265 ll 1 LONG BAY Complex 1 1896- 1994 ~] A HISTORY :l FINAL Report ] :l J ' 1 I ' J Terry Kass Historian and Heritage Consultant 32 Jellicoe Street Lidcombe NSW, 2141 (02) 749 4128 ' j For NSW Public Works ' J March 1995 Long Bay Complex - History Terry Kass Final Report 2 Abbreviations A.O. Archives Office M.L. Mitchell Library PWD Public Works Department of NSW NSWPP NSW Parliamentary Papers SMH Sydney Morning Herald V. & P. L. A. N. S. W. Votes & Proceedings, Legislative Assembly, NSW DATE DUE 1-1 j__££B-20,4----- l ' l ' ' l , I • J \ 1 ·--~~' -----! . ! . j . j :J ll Long Bay Complex- History Terry Kass Final Report 3 ~ INTRODUCTION This History of the Long Bay Correctional Centre was commissioned on 19 [] December 1994 by the Public Works Department of NSW, acting for the Department of Corrective Services, as the initial stage for the preparation of a r] Conservation Plan. Many photographs taken of the Long Bay complex have not survived. Extensive searches through the Government Printer's Photograph collection and the Department of Corrective Services have not located any original photographs. ] Fortunately, some of the early reports by the Department of Prisons have excellent photographs of the complex, whilst other photographs were supplied to the press or were taken by press photographers when the male and female prisons were opened. -
The Former High Court Building Is Important As the First Headquarters of the High Court of Australia
Australian Heritage Database Places for Decision Class : Historic Identification List: National Heritage List Name of Place: High Court of Australia (former) Other Names: Federal Court Place ID: 105896 File No: 2/11/033/0434 Nomination Date: 13/06/2006 Principal Group: Law and Enforcement Status Legal Status: 15/06/2006 - Nominated place Admin Status: 16/06/2006 - Under assessment by AHC--Australian place Assessment Recommendation: Place meets one or more NHL criteria Assessor's Comments: Other Assessments: : Location Nearest Town: Melbourne Distance from town (km): Direction from town: Area (ha): Address: 450 Little Bourke St, Melbourne, VIC 3000 LGA: Melbourne City VIC Location/Boundaries: 450 Little Bourke Street, Melbourne, comprising the whole of Allotment 13B Section 19, City of Melbourne. Assessor's Summary of Significance: The former High Court Building is important as the first headquarters of the High Court of Australia. It operated from 1928 to 1980, a time when many Constitutional and other landmark judicial decisions were made affecting the nation’s social and political life. The whole of the building and its interior design, fitout (including original furniture) and architectural features bear witness to these events. As the first purpose built building for the home of the nation's High Court, it combines the then budgetary austerity of the Commonwealth with a skilled functional layout, where the public entry is separated from the privacy of the Justices’ chambers and the Library by the three central Courts, in a strongly modelled exterior, all viewed as a distinct design entity. The original stripped classical style and the integrity of the internal detailing and fit out of the Courts and Library is overlaid by sympathetic additions with contrasting interior Art Deco design motifs.