Daoism and Anarchism Reconsidered." Daoism and Anarchism: Critiques of State Autonomy in Ancient and Modern China
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
EMMA GOLDMAN, ANARCHISM, and the “AMERICAN DREAM” by Christina Samons
AN AMERICA THAT COULD BE: EMMA GOLDMAN, ANARCHISM, AND THE “AMERICAN DREAM” By Christina Samons The so-called “Gilded Age,” 1865-1901, was a period in American his tory characterized by great progress, but also of great turmoil. The evolving social, political, and economic climate challenged the way of life that had existed in pre-Civil War America as European immigration rose alongside the appearance of the United States’ first big businesses and factories.1 One figure emerges from this era in American history as a forerunner of progressive thought: Emma Goldman. Responding, in part, to the transformations that occurred during the Gilded Age, Goldman gained notoriety as an outspoken advocate of anarchism in speeches throughout the United States and through published essays and pamphlets in anarchist newspapers. Years later, she would synthe size her ideas in collections of essays such as Anarchism and Other Essays, first published in 1917. The purpose of this paper is to contextualize Emma Goldman’s anarchist theory by placing it firmly within the economic, social, and 1 Alan M. Kraut, The Huddled Masses: The Immigrant in American Society, 1880 1921 (Wheeling, IL: Harlan Davidson, 2001), 14. 82 Christina Samons political reality of turn-of-the-twentieth-century America while dem onstrating that her theory is based in a critique of the concept of the “American Dream.” To Goldman, American society had drifted away from the ideal of the “American Dream” due to the institutionalization of exploitation within all aspects of social and political life—namely, economics, religion, and law. The first section of this paper will give a brief account of Emma Goldman’s position within American history at the turn of the twentieth century. -
Laozi Zhongjing)
A Study of the Central Scripture of Laozi (Laozi zhongjing) Alexandre Iliouchine A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts, Department of East Asian Studies McGill University January 2011 Copyright Alexandre Iliouchine © 2011 ii Table of Contents Acknowledgements......................................................................................... v Abstract/Résumé............................................................................................. vii Conventions and Abbreviations.................................................................... viii Introduction..................................................................................................... 1 On the Word ―Daoist‖............................................................................. 1 A Brief Introduction to the Central Scripture of Laozi........................... 3 Key Terms and Concepts: Jing, Qi, Shen and Xian................................ 5 The State of the Field.............................................................................. 9 The Aim of This Study............................................................................ 13 Chapter 1: Versions, Layers, Dates............................................................... 14 1.1 Versions............................................................................................. 15 1.1.1 The Transmitted Versions..................................................... 16 1.1.2 The Dunhuang Version........................................................ -
Markets Not Capitalism Explores the Gap Between Radically Freed Markets and the Capitalist-Controlled Markets That Prevail Today
individualist anarchism against bosses, inequality, corporate power, and structural poverty Edited by Gary Chartier & Charles W. Johnson Individualist anarchists believe in mutual exchange, not economic privilege. They believe in freed markets, not capitalism. They defend a distinctive response to the challenges of ending global capitalism and achieving social justice: eliminate the political privileges that prop up capitalists. Massive concentrations of wealth, rigid economic hierarchies, and unsustainable modes of production are not the results of the market form, but of markets deformed and rigged by a network of state-secured controls and privileges to the business class. Markets Not Capitalism explores the gap between radically freed markets and the capitalist-controlled markets that prevail today. It explains how liberating market exchange from state capitalist privilege can abolish structural poverty, help working people take control over the conditions of their labor, and redistribute wealth and social power. Featuring discussions of socialism, capitalism, markets, ownership, labor struggle, grassroots privatization, intellectual property, health care, racism, sexism, and environmental issues, this unique collection brings together classic essays by Cleyre, and such contemporary innovators as Kevin Carson and Roderick Long. It introduces an eye-opening approach to radical social thought, rooted equally in libertarian socialism and market anarchism. “We on the left need a good shake to get us thinking, and these arguments for market anarchism do the job in lively and thoughtful fashion.” – Alexander Cockburn, editor and publisher, Counterpunch “Anarchy is not chaos; nor is it violence. This rich and provocative gathering of essays by anarchists past and present imagines society unburdened by state, markets un-warped by capitalism. -
Beyond Buddhist Apology the Political Use of Buddhism by Emperor Wu of the Liang Dynasty
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Beyond Buddhist Apology The Political Use of Buddhism by Emperor Wu of the Liang Dynasty (r.502-549) Tom De Rauw ii To my daughter Pauline, the most wonderful distraction one could ever wish for and to my grandfather, a cakravartin who ruled his own private universe iii ACKNOWLEDGEMENTS Although the writing of a doctoral dissertation is an individual endeavour in nature, it certainly does not come about from the efforts of one individual alone. The present dissertation owes much of its existence to the help of the many people who have guided my research over the years. My heartfelt thanks, first of all, go to Dr. Ann Heirman, who supervised this thesis. Her patient guidance has been of invaluable help. Thanks also to Dr. Bart Dessein and Dr. Christophe Vielle for their help in steering this thesis in the right direction. I also thank Dr. Chen Jinhua, Dr. Andreas Janousch and Dr. Thomas Jansen for providing me with some of their research and for sharing their insights with me. My fellow students Dr. Mathieu Torck, Leslie De Vries, Mieke Matthyssen, Silke Geffcken, Evelien Vandenhaute, Esther Guggenmos, Gudrun Pinte and all my good friends who have lent me their listening ears, and have given steady support and encouragement. To my wife, who has had to endure an often absent-minded husband during these first years of marriage, I acknowledge a huge debt of gratitude. She was my mentor in all but the academic aspects of this thesis. -
Download (3MB)
Lipsey, Eleanor Laura (2018) Music motifs in Six Dynasties texts. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/32199 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Music motifs in Six Dynasties texts Eleanor Laura Lipsey Thesis submitted for the degree of PhD 2018 Department of East Asian Languages and Cultures China & Inner Asia Section SOAS, University of London 1 Abstract This is a study of the music culture of the Six Dynasties era (220–589 CE), as represented in certain texts of the period, to uncover clues to the music culture that can be found in textual references to music. This study diverges from most scholarship on Six Dynasties music culture in four major ways. The first concerns the type of text examined: since the standard histories have been extensively researched, I work with other types of literature. The second is the casual and indirect nature of the references to music that I analyze: particularly when the focus of research is on ideas, most scholarship is directed at formal essays that explicitly address questions about the nature of music. -
Filósofos O Viajeros: El Pensamiento Como Extravío
Astrolabio. Revista internacional de filosofía Año 2009. Núm. 8. ISSN 1699-7549. 16-32 pp. Towards a Reconciliation of Public and Private Autonomy in Thoreau’s ‘Hybrid’ Politics Antonio Casado da Rocha1 Resumen: Tras una revisión bibliográfica, el artículo proporciona una presentación de la filosofía política de Henry D. Thoreau, enfatizando en su obra un concepto de autodeterminación cívica que Habermas descompone en una autonomía pública y otra privada. Sostengo que Thoreau no era un anarquista antisocial, ni tampoco un mero liberal individualista, sino que su liberalismo presenta elementos propios de la teoría democrática e incluso del comunitarismo político. Finalmente, identifico y describo una tensión entre esos temas liberales y democráticos, tanto en la obra de Thoreau como en la vida política de las sociedades occidentales, mostrando así la relevancia de este autor. Palabras clave: Filosofía política, democracia, liberalismo, literatura norteamericana del siglo XIX Abstract: After a literature review, this paper provides an overview of Henry D. Thoreau’s political philosophy, with emphasis on the concept of civil self-determination, which Habermas sees as comprised of both private and public autonomy, and which is present in Thoreau’s own work. I argue that he was not an anti-social anarchist, or even a pure liberal individualist, but that along with the main liberal themes of his thought there is also a democratic, even communitarian strand. Finally, I identify and describe a tension between democratic and liberal themes in both his work and contemporary Western politics, thus highlighting Thoreau’s relevance. Key-words: Political philosophy, democracy, liberalism, 19th century North American literature According to Stanley Cavell (2005, pp. -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Chikurin Shichiken 竹林七賢 Seven Wise Men of the Bamboo Thicket Seven Sages of the Bamboo Grove
Notebook, Slide 31 Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher. 2017. Chikurin Shichiken 竹林七賢 Seven Wise Men of the Bamboo Thicket Seven Sages of the Bamboo Grove Below text from Japan Architecture and Art Net User System (JAANUS) Chn: Zhulinqixian. Lit. Seven Sages of the Bamboo Grove. A pictorial theme based on seven Chinese literati who, to escape the social chaos of the Wei-Jin period, fled to a secluded bamboo grove chikurin 竹林 where they could express their personalities freely by the enjoyment of pure conversation seidan 清談, music, and wine. The Seven Sages are: Ruan Ji (Jp: Gen Seki 阮籍; 210-263), Ji Kang (Jp: Kei Kou 稽康; 223-266), Shan Tao (Jp: San Tou 山 涛; 205-266), Xiang Xiu (Jp: Kyou Shuu 向秀; 221-300), Liu Ling (Jp: Ryou Rei 劉伶; ca. 225- 280), Wang Rong (Jp: Oujuu 王戎; 234-305), and, Ruan Xian (Jp: Gen Kan 阮咸, nephew of Ruan Ji). All were famous for the purity of their reclusive spirits, their strong Taoist and anti- Confucian values, and their strikingly eccentric personalities. The Seven Sages are mentioned in several Chinese texts, most notably Shushuoxinyu (Jp: SESETSU SHINGO 世説新語; ca 5c) or New Specimens of Contemporary Talk. The earliest depiction of the subject is found on a set of late 4c or early 5c clay tomb tiles from the Xishanqiao 西善橋 area of Nanjing 南京. Typical Chinese iconography shows gentlemen playing musical instruments and writing poetry as well as drinking wine. The subject was popular with Japanese painters of the Momoyama and early Edo periods who tended to transform the theme into a rather generalized image of reclusive scholars engaging in literary pursuits. -
China Versus Vietnam: an Analysis of the Competing Claims in the South China Sea Raul (Pete) Pedrozo
A CNA Occasional Paper China versus Vietnam: An Analysis of the Competing Claims in the South China Sea Raul (Pete) Pedrozo With a Foreword by CNA Senior Fellow Michael McDevitt August 2014 Unlimited distribution Distribution unlimited. for public release This document contains the best opinion of the authors at the time of issue. It does not necessarily represent the opinion of the sponsor. Cover Photo: South China Sea Claims and Agreements. Source: U.S. Department of Defense’s Annual Report on China to Congress, 2012. Distribution Distribution unlimited. Specific authority contracting number: E13PC00009. Copyright © 2014 CNA This work was created in the performance of Contract Number 2013-9114. Any copyright in this work is subject to the Government's Unlimited Rights license as defined in FAR 52-227.14. The reproduction of this work for commercial purposes is strictly prohibited. Nongovernmental users may copy and distribute this document in any medium, either commercially or noncommercially, provided that this copyright notice is reproduced in all copies. Nongovernmental users may not use technical measures to obstruct or control the reading or further copying of the copies they make or distribute. Nongovernmental users may not accept compensation of any manner in exchange for copies. All other rights reserved. This project was made possible by a generous grant from the Smith Richardson Foundation Approved by: August 2014 Ken E. Gause, Director International Affairs Group Center for Strategic Studies Copyright © 2014 CNA FOREWORD This legal analysis was commissioned as part of a project entitled, “U.S. policy options in the South China Sea.” The objective in asking experienced U.S international lawyers, such as Captain Raul “Pete” Pedrozo, USN, Judge Advocate Corps (ret.),1 the author of this analysis, is to provide U.S. -
Anarchism and Libertarianism
CHAPTER 10 Anarchism and Libertarianism Roderick T. Long Introduction “Libertarianism,” understood as a term for a specific political ideology, origi- nated as a synonym for anarchism, and more precisely the communist anar- chism of Joseph Déjacque (1821–1864), whose use of “libertaire” in this sense dates to 18571—though individualist anarchists soon picked up the term as well.2 Nowadays, however, the term “libertarianism” is frequently associated, particularly in English-speaking countries, with a movement favoring free mar- kets, private property, and economic laissez-faire, generally resting either on the efficiency of the price system in coordinating individuals’ plans,3 or else on an ethical principle of self-ownership or non-aggression4 which is taken to define individuals’ rights against forcible interference with their persons and (justly acquired) property. This is the sense in which the term “libertarian” will be employed here. (Today French actually has two words corresponding to the English libertarian: “libertaire,” meaning an anarchist, particularly a left-wing anarchist, and “libertarien,” for the free-market advocate.) It is with the relation of libertarianism (in the free-market sense) to anarchism that this chapter is concerned. While sometimes considered a form of conservatism, libertarianism dif- fers from typical versions of conservatism in endorsing a broad range of social liberties, and thus opposing, e.g., drug laws, censorship laws, laws restricting consensual sexual activity, and the like. (Libertarians usually, though not al- ways, differ from typical conservatives in opposing military interventionism 1 Joseph Déjacque, De l’être-humain mâle et femelle: Lettre à P.J. Proudhon (New Orleans: Lamarre, 1857). -
C China Allgemein
Seite 1 C China Allgemein R C 1 Biblio-Bibliographien / Kataloge von Bibliographien / periodisch erscheinende Bibliographien / Bücherkataloge / Bibliographische Jahrbücher C 1 Bibliographien: allgemeine Studien R C 2 Bibliographien, Kataloge und Indices von Zeitschriften, Zeitungen, Datenbanken / allgemeine Verzeichnisse von Zeitschriften- und Zeitungsartikeln [Indices von einzelnen Zeitschriften, welche die Bibliothek besitzt, stehen bei der ZS] R C 3 Bibliographien von Sammelwerken C 4 Geschichte und Technik der Papierherstellung, des Buchdrucks und des Buchbindens / Konservierung alter Materialien / banben 版本 [s.a. → C 299] C 6 Bibliotheken, Archive, Privatsammlungen, Buchhandlungen und Verlagswesen, Zeitschriften und Zeitungen C 7 Bibliothekskunde R C 11 Bibliothekskataloge: bis 1850 (China und Japan) R C 13 Bibliothekskataloge: nach 1850 (nur China) R C 16 Bibliothekskataloge: Privatsammlungen in China (inkl. Hongkong und Taiwan) R C 18 Bibliothekskataloge: Sammlungen chinesischer Bücher im Ausland (ab 1850 inkl. Japan) R C 21 Allg. Bibliographien und Indices / Bibliographien und Indices von allg. Nachschlagewerken C 24 Bibliographische Hinweise, Notizen und Essays / dushu ji 讀書記 R C 25 Spezialbibliographien zu historischen Perioden, geographischen Gebieten, verbotenen, verlorenen und wiedergefundenen Büchern etc. [Bibliographien zu den einzelnen Fachgebieten → Fachgebiete] Seite 2 C 27 Textüberlieferung / Authentizität / jiaokanxue 校勘學 / wenxianxue 文獻學 / [xungu 訓詁 → C 411]/ Verfolgung von Texten, Literatur wenhuo 文禍, wenzi yu 文字獄, Textedition jiaoben 校本 / guji 古 籍 R C 29 Bibliographien und Indices zu Sammelwerken congshu 叢書 R C 31 Enzyklopädien / leishu 類書 [ cihai 辭海 → RC 472] C 31 Sekundärliteratur zu Enzyklopädien, leishu 類書 und congshu 叢書 R C 765 Allgemeine Nachschlagewerke / Handbücher gongjushu 工具書 [Bibliographien dazu → RC 21] C 34 Sekundärliteratur zu Nachschlagewerken und Handbüchern R C 35 Adress- und Telefonbücher C 37 Studiengesellschaften / Museen / Institutionen / Kongresse etc. -
Ge Hong's Master Who Embraces Simplicity (Baopuzi). In: Extrême-Orient, Extrême-Occident
Michael Puett Humans, Spirits, and Sages in Chinese Late Antiquity : Ge Hong's Master Who Embraces Simplicity (Baopuzi). In: Extrême-Orient, Extrême-Occident. 2007, N°29, pp. 95-119. Abstract This paper attempts to answer the questions : What was Ge Hong trying to do when he wrote the Baopuzi ? What were his arguments ? And why, within the context of the time, were these arguments significant ? In answering these questions, the essay claims that there is a unified set of ideas concerning humans, sages, and the spirit world in the Baopuzi. Moreover, it is a set of ideas that underlies both the inner and outer portions of the text. Michael Puett m^nMMtanammm.mi «##»*, «KHira, «h»a. mxu Résumé Hommes, esprits et sages dans l'Antiquité tardive : Le Maître qui embrasse la simplicité (Baopuzi) de Ge Hong Le présent article s'efforce de répondre à la question de savoir quelle pouvait être la visée de Ge Hong lorsqu'il composa le Baopuzi. Quelles idées y a-t-il avancées et comment les a-t-il défendues ? Enfin, qu'est- ce qui à la lumière de son époque donne à ses arguments un tour si particulier ? Nous soutenons dans ces pages qu'il y a une réelle cohérence argumentative et une vision d'ensemble dans le discours de Ge Hong sur les humains, les sages et les esprits. Cette ensemble d'idées innerve aussi bien les chapitres intérieurs qu'extérieurs de l'ouvrage. Citer ce document / Cite this document : Puett Michael. Humans, Spirits, and Sages in Chinese Late Antiquity : Ge Hong's Master Who Embraces Simplicity (Baopuzi).