Daoism and Anarchism: Critiques of State Autonomy in Ancient and Modern China
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
EMMA GOLDMAN, ANARCHISM, and the “AMERICAN DREAM” by Christina Samons
AN AMERICA THAT COULD BE: EMMA GOLDMAN, ANARCHISM, AND THE “AMERICAN DREAM” By Christina Samons The so-called “Gilded Age,” 1865-1901, was a period in American his tory characterized by great progress, but also of great turmoil. The evolving social, political, and economic climate challenged the way of life that had existed in pre-Civil War America as European immigration rose alongside the appearance of the United States’ first big businesses and factories.1 One figure emerges from this era in American history as a forerunner of progressive thought: Emma Goldman. Responding, in part, to the transformations that occurred during the Gilded Age, Goldman gained notoriety as an outspoken advocate of anarchism in speeches throughout the United States and through published essays and pamphlets in anarchist newspapers. Years later, she would synthe size her ideas in collections of essays such as Anarchism and Other Essays, first published in 1917. The purpose of this paper is to contextualize Emma Goldman’s anarchist theory by placing it firmly within the economic, social, and 1 Alan M. Kraut, The Huddled Masses: The Immigrant in American Society, 1880 1921 (Wheeling, IL: Harlan Davidson, 2001), 14. 82 Christina Samons political reality of turn-of-the-twentieth-century America while dem onstrating that her theory is based in a critique of the concept of the “American Dream.” To Goldman, American society had drifted away from the ideal of the “American Dream” due to the institutionalization of exploitation within all aspects of social and political life—namely, economics, religion, and law. The first section of this paper will give a brief account of Emma Goldman’s position within American history at the turn of the twentieth century. -
Markets Not Capitalism Explores the Gap Between Radically Freed Markets and the Capitalist-Controlled Markets That Prevail Today
individualist anarchism against bosses, inequality, corporate power, and structural poverty Edited by Gary Chartier & Charles W. Johnson Individualist anarchists believe in mutual exchange, not economic privilege. They believe in freed markets, not capitalism. They defend a distinctive response to the challenges of ending global capitalism and achieving social justice: eliminate the political privileges that prop up capitalists. Massive concentrations of wealth, rigid economic hierarchies, and unsustainable modes of production are not the results of the market form, but of markets deformed and rigged by a network of state-secured controls and privileges to the business class. Markets Not Capitalism explores the gap between radically freed markets and the capitalist-controlled markets that prevail today. It explains how liberating market exchange from state capitalist privilege can abolish structural poverty, help working people take control over the conditions of their labor, and redistribute wealth and social power. Featuring discussions of socialism, capitalism, markets, ownership, labor struggle, grassroots privatization, intellectual property, health care, racism, sexism, and environmental issues, this unique collection brings together classic essays by Cleyre, and such contemporary innovators as Kevin Carson and Roderick Long. It introduces an eye-opening approach to radical social thought, rooted equally in libertarian socialism and market anarchism. “We on the left need a good shake to get us thinking, and these arguments for market anarchism do the job in lively and thoughtful fashion.” – Alexander Cockburn, editor and publisher, Counterpunch “Anarchy is not chaos; nor is it violence. This rich and provocative gathering of essays by anarchists past and present imagines society unburdened by state, markets un-warped by capitalism. -
Download (3MB)
Lipsey, Eleanor Laura (2018) Music motifs in Six Dynasties texts. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/32199 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Music motifs in Six Dynasties texts Eleanor Laura Lipsey Thesis submitted for the degree of PhD 2018 Department of East Asian Languages and Cultures China & Inner Asia Section SOAS, University of London 1 Abstract This is a study of the music culture of the Six Dynasties era (220–589 CE), as represented in certain texts of the period, to uncover clues to the music culture that can be found in textual references to music. This study diverges from most scholarship on Six Dynasties music culture in four major ways. The first concerns the type of text examined: since the standard histories have been extensively researched, I work with other types of literature. The second is the casual and indirect nature of the references to music that I analyze: particularly when the focus of research is on ideas, most scholarship is directed at formal essays that explicitly address questions about the nature of music. -
Filósofos O Viajeros: El Pensamiento Como Extravío
Astrolabio. Revista internacional de filosofía Año 2009. Núm. 8. ISSN 1699-7549. 16-32 pp. Towards a Reconciliation of Public and Private Autonomy in Thoreau’s ‘Hybrid’ Politics Antonio Casado da Rocha1 Resumen: Tras una revisión bibliográfica, el artículo proporciona una presentación de la filosofía política de Henry D. Thoreau, enfatizando en su obra un concepto de autodeterminación cívica que Habermas descompone en una autonomía pública y otra privada. Sostengo que Thoreau no era un anarquista antisocial, ni tampoco un mero liberal individualista, sino que su liberalismo presenta elementos propios de la teoría democrática e incluso del comunitarismo político. Finalmente, identifico y describo una tensión entre esos temas liberales y democráticos, tanto en la obra de Thoreau como en la vida política de las sociedades occidentales, mostrando así la relevancia de este autor. Palabras clave: Filosofía política, democracia, liberalismo, literatura norteamericana del siglo XIX Abstract: After a literature review, this paper provides an overview of Henry D. Thoreau’s political philosophy, with emphasis on the concept of civil self-determination, which Habermas sees as comprised of both private and public autonomy, and which is present in Thoreau’s own work. I argue that he was not an anti-social anarchist, or even a pure liberal individualist, but that along with the main liberal themes of his thought there is also a democratic, even communitarian strand. Finally, I identify and describe a tension between democratic and liberal themes in both his work and contemporary Western politics, thus highlighting Thoreau’s relevance. Key-words: Political philosophy, democracy, liberalism, 19th century North American literature According to Stanley Cavell (2005, pp. -
Chikurin Shichiken 竹林七賢 Seven Wise Men of the Bamboo Thicket Seven Sages of the Bamboo Grove
Notebook, Slide 31 Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher. 2017. Chikurin Shichiken 竹林七賢 Seven Wise Men of the Bamboo Thicket Seven Sages of the Bamboo Grove Below text from Japan Architecture and Art Net User System (JAANUS) Chn: Zhulinqixian. Lit. Seven Sages of the Bamboo Grove. A pictorial theme based on seven Chinese literati who, to escape the social chaos of the Wei-Jin period, fled to a secluded bamboo grove chikurin 竹林 where they could express their personalities freely by the enjoyment of pure conversation seidan 清談, music, and wine. The Seven Sages are: Ruan Ji (Jp: Gen Seki 阮籍; 210-263), Ji Kang (Jp: Kei Kou 稽康; 223-266), Shan Tao (Jp: San Tou 山 涛; 205-266), Xiang Xiu (Jp: Kyou Shuu 向秀; 221-300), Liu Ling (Jp: Ryou Rei 劉伶; ca. 225- 280), Wang Rong (Jp: Oujuu 王戎; 234-305), and, Ruan Xian (Jp: Gen Kan 阮咸, nephew of Ruan Ji). All were famous for the purity of their reclusive spirits, their strong Taoist and anti- Confucian values, and their strikingly eccentric personalities. The Seven Sages are mentioned in several Chinese texts, most notably Shushuoxinyu (Jp: SESETSU SHINGO 世説新語; ca 5c) or New Specimens of Contemporary Talk. The earliest depiction of the subject is found on a set of late 4c or early 5c clay tomb tiles from the Xishanqiao 西善橋 area of Nanjing 南京. Typical Chinese iconography shows gentlemen playing musical instruments and writing poetry as well as drinking wine. The subject was popular with Japanese painters of the Momoyama and early Edo periods who tended to transform the theme into a rather generalized image of reclusive scholars engaging in literary pursuits. -
Anarchism and Libertarianism
CHAPTER 10 Anarchism and Libertarianism Roderick T. Long Introduction “Libertarianism,” understood as a term for a specific political ideology, origi- nated as a synonym for anarchism, and more precisely the communist anar- chism of Joseph Déjacque (1821–1864), whose use of “libertaire” in this sense dates to 18571—though individualist anarchists soon picked up the term as well.2 Nowadays, however, the term “libertarianism” is frequently associated, particularly in English-speaking countries, with a movement favoring free mar- kets, private property, and economic laissez-faire, generally resting either on the efficiency of the price system in coordinating individuals’ plans,3 or else on an ethical principle of self-ownership or non-aggression4 which is taken to define individuals’ rights against forcible interference with their persons and (justly acquired) property. This is the sense in which the term “libertarian” will be employed here. (Today French actually has two words corresponding to the English libertarian: “libertaire,” meaning an anarchist, particularly a left-wing anarchist, and “libertarien,” for the free-market advocate.) It is with the relation of libertarianism (in the free-market sense) to anarchism that this chapter is concerned. While sometimes considered a form of conservatism, libertarianism dif- fers from typical versions of conservatism in endorsing a broad range of social liberties, and thus opposing, e.g., drug laws, censorship laws, laws restricting consensual sexual activity, and the like. (Libertarians usually, though not al- ways, differ from typical conservatives in opposing military interventionism 1 Joseph Déjacque, De l’être-humain mâle et femelle: Lettre à P.J. Proudhon (New Orleans: Lamarre, 1857). -
C China Allgemein
Seite 1 C China Allgemein R C 1 Biblio-Bibliographien / Kataloge von Bibliographien / periodisch erscheinende Bibliographien / Bücherkataloge / Bibliographische Jahrbücher C 1 Bibliographien: allgemeine Studien R C 2 Bibliographien, Kataloge und Indices von Zeitschriften, Zeitungen, Datenbanken / allgemeine Verzeichnisse von Zeitschriften- und Zeitungsartikeln [Indices von einzelnen Zeitschriften, welche die Bibliothek besitzt, stehen bei der ZS] R C 3 Bibliographien von Sammelwerken C 4 Geschichte und Technik der Papierherstellung, des Buchdrucks und des Buchbindens / Konservierung alter Materialien / banben 版本 [s.a. → C 299] C 6 Bibliotheken, Archive, Privatsammlungen, Buchhandlungen und Verlagswesen, Zeitschriften und Zeitungen C 7 Bibliothekskunde R C 11 Bibliothekskataloge: bis 1850 (China und Japan) R C 13 Bibliothekskataloge: nach 1850 (nur China) R C 16 Bibliothekskataloge: Privatsammlungen in China (inkl. Hongkong und Taiwan) R C 18 Bibliothekskataloge: Sammlungen chinesischer Bücher im Ausland (ab 1850 inkl. Japan) R C 21 Allg. Bibliographien und Indices / Bibliographien und Indices von allg. Nachschlagewerken C 24 Bibliographische Hinweise, Notizen und Essays / dushu ji 讀書記 R C 25 Spezialbibliographien zu historischen Perioden, geographischen Gebieten, verbotenen, verlorenen und wiedergefundenen Büchern etc. [Bibliographien zu den einzelnen Fachgebieten → Fachgebiete] Seite 2 C 27 Textüberlieferung / Authentizität / jiaokanxue 校勘學 / wenxianxue 文獻學 / [xungu 訓詁 → C 411]/ Verfolgung von Texten, Literatur wenhuo 文禍, wenzi yu 文字獄, Textedition jiaoben 校本 / guji 古 籍 R C 29 Bibliographien und Indices zu Sammelwerken congshu 叢書 R C 31 Enzyklopädien / leishu 類書 [ cihai 辭海 → RC 472] C 31 Sekundärliteratur zu Enzyklopädien, leishu 類書 und congshu 叢書 R C 765 Allgemeine Nachschlagewerke / Handbücher gongjushu 工具書 [Bibliographien dazu → RC 21] C 34 Sekundärliteratur zu Nachschlagewerken und Handbüchern R C 35 Adress- und Telefonbücher C 37 Studiengesellschaften / Museen / Institutionen / Kongresse etc. -
Wendy Swartz CV
WENDY SWARTZ ⽥菱 Associate Professor of Chinese Literature Director of Graduate Studies Department of Asian Languages and Cultures Rutgers University 43 College Avenue Scott Hall, Room 330 New Brunswick, New Jersey 08901-1164 work phone (848) 932-7605 | work fax (848) 932-7926 email: [email protected] EDUCATION • Ph.D. in Comparative Literature, University of California, Los Angeles (primary area: premodern Chinese literature; secondary areas: literary theory and French literature), 2003 • Dissertation Research at National Taiwan University (funded by a Fulbright-Hays Fellowship), 2000-2001 • M.A. in Comparative Literature, University of California, Los Angeles, 1997 • B.A. with High Distinction in Literature, University of California, San Diego (specializations: French, Chinese, Italian), 1994 ACADEMIC EMPLOYMENT Tenured and Tenure-track Appointments • Associate Professor, Chinese Literature, Department of Asian Languages and Cultures (with affiliate membership in Comparative Literature), Rutgers University, 2011-present • Associate Professor, Chinese Literature, Department of East Asian Languages and Cultures, Columbia University, 2009-2011 • Assistant Professor, Chinese Literature, Department of East Asian Languages and Cultures, Columbia University, 2003-2009 Other Appointments • Visiting Instructor, Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara, Spring 2002 RESEARCH AWARDS and ACADEMIC HONORS • Chiang Ching-kuo Foundation Inter-University Center for Sinology Conference Grant -
Why Rawlsian Liberalism Has Failed and How Proudhonian Anarchism Is the Solution
A Thesis entitled Why Rawlsian Liberalism has Failed and How Proudhonian Anarchism is the Solution by Robert Pook Submitted to the graduate faculty as partial fulfillment of the requirements for the Master of Arts Degree in Philosophy __________________________________ Dr. Benjamin Pryor, Committee Chair __________________________________ Dr. Ammon Allred, Committee Member __________________________________ Dr. Charles V. Blatz, Committee Member __________________________________ Dr. Patricia Komuniecki, Dean College of Graduate Studies The University of Toledo August 2011 An abstract of Why Rawlsian Liberalism has Failed and How Proudhonian Anarchism is the Solution by Robert Pook Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Arts Degree in Philosophy University of Toledo August 2011 Liberalism has failed. The paradox in modern society between capitalism and democracy has violated the very principles of liberty, equality, and social justice that liberalism bases its ideology behind. Liberalism, in directly choosing capitalism and private property has undermined its own values and ensured that the theoretical justice, in which its foundation is built upon, will never be. This piece of work will take the monumental, landmark, liberal work, A Theory of Justice, by John Rawls, as its foundation to examine the contradictory and self-defeating ideological commitment to both capitalism and democracy in liberalism. I will argue that this commitment to both ideals creates an impossibility of justice, which is at the heart of, and is the driving force behind liberal theory. In liberalism‟s place, I will argue that Pierre-Joseph Proudhon‟s anarchism, as outlined in, Property is Theft, offers an actual ideological model to achieving the principles which liberalism has set out to achieve, through an adequate and functioning model of justice. -
Note to the Article “Individualism and Anarchism” by Adamas
Errico Malatesta Note to the article “Individualism and Anarchism” by Adamas August 1924 The Anarchist Library Adamas’ reply to my article in n. 13 shows that I did not express my thought well, and induces me to add some clarifications. I claimed that “individualist anarchism and communist anarchism are the same, or nearly so, in terms of moral motivations and ultimate goals”. I know that one could counter my claim with hundreds of texts and plenty of deeds of self-proclaimed individualist anarchists, which would demonstrate that individualist anarchist and communist anarchist are separated by something of a moral abyss. However, I deny that that kind of individualists can be included among anarchists, despite their liking for calling themselves so. If anarchy means non-government, non-domination, non-oppression by man over man, how can one call himself anarchist without lying to himself and the others, when he frankly claims that he would oppress the others for the satis- faction of his Ego, without any scruple or limit, other than that drawn by his own strength? He can be a rebel, because he is being oppressed and he fights to become an oppressor, as other nobler rebels fight to destroy any kind of oppres- sion; but he sure cannot be anarchist. He is a would-be bourgeois, a would-be tyrant, who is unable to accomplish his dreams of dominion and wealth by his own strength and by legal means, and therefore he approaches anarchists to exploit their moral and material solidarity. Therefore, I think the question is not about “communists” and “individu- alists”, but rather about anarchists and non-anarchists. -
Music of the Malaysian Philharmonic Orchestra (MPO) Forum 2 Finalists: Reflections on Malaysian Multiculturalism
Music of the Malaysian Philharmonic Orchestra (MPO) Forum 2 Finalists: Reflections on Malaysian Multiculturalism Lena Pek Hung Lie School of the Arts, Universiti Sains Malaysia, Pulau Pinang, Malaysia [email protected] ABSTRACT The Malaysian Philharmonic Orchestra (MPO) Forum for Malaysian Composers 2 signifies the multicultural vibrancy of Malaysia. The finalists respectively promote cultural elements in their works. The appropriation of Eastern aesthetics, philosophy and cultural heritage into Western musical ideology are some of their compositional approaches. Moreover, various elements of Malaysian traditional art forms ranging from dance rhythms to ritual concepts and practices often emerge as an integral compositional component in their works. This article attempts to identify the compositional styles of Mohd Yazid Zakaria, Ng Chong Lim, Teh Tze Siew and Yii Kah Hoe by means of critical analysis on their selected works and interviews. This comprehensive investigation shows that their stylistic trends can be classified into two main categories, i.e., music influenced by Malay art forms, and music influenced by Chinese aesthetics. Mohd Yazid's works embody various aspects of Malay traditional art forms, whereas Teh and Ng's music demonstrate their affinity with Chinese philosophy and aesthetics. Straddling between these two categories is Yii's music that illustrates both Malay and Chinese elements with equal importance. In the light of their diverse musical styles in © Penerbit Universiti Sains Malaysia, 2013 58 Wacana Seni Journal of Arts Discourse. Jil./Vol.12. 2013 keeping with a multicultural concept, these four composers have much to contribute to the shaping of Malaysian art music of the 21st century. Malaysia as a multicultural society is clearly reflected in the works of these composers which this article further substantiates based on critical readings of the composers' works. -
Anarchism, Individualism and Communism: William Morris's Critique of Anarcho-Communism
Loughborough University Institutional Repository Anarchism, individualism and communism: William Morris's critique of anarcho-communism This item was submitted to Loughborough University's Institutional Repository by the/an author. Citation: KINNA, R., 2012. Anarchism, individualism and communism: William Morris's critique of anarcho-communism. IN: Prichard, A. ... et al (eds). Liber- tarian Socialism: Politics in Black and Red. Houndsmill, Basingstoke: Palgrave Macmillan, pp.35-56. Additional Information: • This is a book chapter. It is reproduced with permission of Palgrave Macmillan. This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: www.palgrave.com Metadata Record: https://dspace.lboro.ac.uk/2134/12730 Version: Accepted for publication Publisher: Palgrave MacMillan ( c Alex Prichard, Ruth Kinna, Saku Pinta and Dave Berry) Please cite the published version. This item was submitted to Loughborough’s Institutional Repository (https://dspace.lboro.ac.uk/) by the author and is made available under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ 3 Anarchism, Individualism and Communism: William Morris’s Critique of Anarcho- communism Ruth Kinna Introduction William Morris’s commitment to revolutionary socialism is now well established, but the nature of his politics, specifically his relationship to Marxism and anarchist thought, is still contested. Perhaps, as Mark Bevir has argued, the ideological label pinned to Morris’s socialism is of ‘little importance’ for as long as his political thought is described adequately. Nevertheless, the starting point for this essay is that thinking about the application of ideological descriptors is a useful exercise and one which sheds important light on Morris’s socialism and the process of ideological formation in the late nineteenth-century socialist movement.