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Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
27Th Annual Florida Sale
ALEX LYON & SON SALES MANAGERS & AUCTIONEERS proudly present the 27TH ANNUAL FLORIDA SALE KISSIMMEE (WINTER GARDEN), FLORIDA SATURDAY, FEBRUARY 1 - SUNDAY, FEBRUARY 9 at 9:00 AM THE GREATEST SALE OF THE YEAR! 9 DAYS OF SELLING! 27TH ANNUAL RENTAL RETURNS AUCTION Construction Equipment, Aerials, Forklifts, Cranes, Dump Trucks, Truck Tractors, Trailers, Support & Attachments. SALES MANAGERS & AUCTIONEERS AHERN RENTALS 2020 BID KISSIMMEE, FLORIDA BID ONLINE SAT., FEBRUARY 1 - SUN., FEBRUARY 9 at 9:00 AM ONLINE SPECIAL ANNOUNCEMENT: ONLINE BIDDING AVAILABLE DAYS 3-9 ONLY! ADDRESS: 12601 Avalon Road, Winter Garden, Florida 34787. JACK’S NOTE: 27 Glorious Years Conducting This High Quality Sale. FLORIDA AUCTIONEER: AU-1548 Jack Lyon. FLORIDA LICENSE: #AB-1091. SALE SITE PHONE: (407) 239-2700. ✭ SPECIAL NOTE ✭ For Non-Resident US Bidders: A $10,000 Cashier’s Check Deposited Prior To Bidding Will Be Required. ✭ NO EXCEPTIONS ✭ TERMS & CONDITIONS: “Cash or Company Check” accompanied by current “Bank Letter of Guarantee”, made payable to Alex Lyon & Son. Everything Sells “AS IS, WHERE IS.” The following charges will apply on all purchases: (1.) For each unit $35,001.00 and above, a 5.95% administration fee will be assessed when paying with cash or good check. (The standard fee of 8.95% will be assessed when paying with credit card); and (2.) For each unit $1,001- $35,000, a 10% administration fee will be assessed when paying with cash or good check, and a 13% fee will be assessed when paying with credit card. (3.) For each unit $0- $1,000, a 12.5% administration fee will be assessed when paying with cash or good check, and a 15.5% fee will be assessed when paying with credit card. -
Aesthetically Driven Design of Network Based Multi-User Instruments
Aesthetically Driven Design of Network Based Multi-User Instruments by Curtis McKinney A thesis submitted to the faculty of Bournemouth University in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the School of Design, Engineering, and Computing July 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowl- edgement must always be made of the use of any material contained in, or derived from, this thesis. I Aesthetically Driven Design of Network Based Multi-User Instruments Curtis McKinney Abstract Digital networking technologies open up a new world of possibilities for mu- sic making, allowing performers to collaborate in ways not possible before. Net- work based Multi-User Instruments (NMIs) are one novel method of musical collaboration that take advantage of networking technology. NMIs are digital musical instruments that exist as a single entity instantiated over several nodes in a network and are performed simultaneously by multiple musicians in real- time. This new avenue is exciting, but it begs the question of how does one design instruments for this new medium? This research explores the use of an aesthetically driven design process to guide the design, construction, rehearsal, and performance of a series of NMIs. This is an iterative process that makes use of a regularly rehearsing and performing ensemble which serves as a test-bed for new instruments, from conception, to design, to implementation, to performance. This research includes details of several NMIs constructed in accordance with this design process. -
Fringe Knowledge for Beginners
Fringe Knowledge for Beginners Fringe Knowledge for Beginners By Montalk 2008 www.montalk.net [email protected] FRINGE KNOWLEDGE FOR BEGINNERS By Montalk 2008 montalk.net ISBN 978-1-60702-602-0 Version 1.0 » August 2008 Bound Hardcopies: http://www.lulu.com/content/584693 E-book and Related Articles: http://www.montalk.net Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License: You are free to copy, distribute and transmit the work under the following conditions: You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). You may not use this work for commercial purposes. You may not alter, transform, or build upon this work. Any of the above conditions can be waived if you get permission from the copyright holder (email: [email protected]). Nothing in this license impairs or restricts the author's moral rights. To view a full copy of this license, visit: http://creativecommons.org/licenses/by-nc-nd/3.0 This book is dedicated to my two younger brothers and my sister. Note: Footnotes in italics are key phrases to enter into web search engines. Contents FOREWORD....................................................................................................9 THE BASICS ..................................................................................................11 ETHERIC AND ASTRAL BODIES ........................................................12 CONSCIOUSNESS........................................................................................15 -
19840016951.Pdf
//,€7.,¢_'____,_ NASATechnicalMemorandum83658 NASA-TM-83658 / 724_o/_¢s/ ' Optimization of Fringe-Type Laser - Anemometers for Turbine Engine Component Testing Richard G. Seasholtz, Lawrence G. Oberle, and Donald H. Weikle Lewis Research Center Cleveland, Ohio rr_,:.-._"3L,_ f_':_":-''_,: Prepared for the TwentiethJoint PropulsionConference ' cosponsoredby the AIAA, SAE, and ASME Cincinnati,Ohio, June 11-13, 1984 ,, AIAA-84-1459 OptimizationofFringe-TypeLaser AnemometersforTurbineEngine ComponentTesting RichardG.SeasholtzLawrenceG.Oberle andDonaldH. Weikle,LewisResearchCenter Cleveland,OH AIAA/SAE/ASME 20thJointPropulsionConference June11-13,1984/Cincinnati,Ohio Forpermissiontocopyorrepublishcon, tactht eAmericanInstitutoefAeronauticsandAstronautics 1633Broadway,NewYork,NY10019 "2 ° . OPTIMIZATION OF FRINGE-TYPELASERANEMOMETERSFORTURBINEENGINECOMPONENTTESTING Richard G. Seasholtz, Lawrence G. Oberle, and Donald H. Weikle National Aeronautics and Space Administration Lewis Research Center Cleveland, Ohio 44135 Abstract ^ Pl,2 unit vectors normal to incident beams The fringe-type laser anemometer is analyzed and in scattering planes using the Cramer-Rao bound for the variance of the p(x,y) pedestal signal defined by eq. (ii) • merit.estimate Mieof scatteringthe Doppler theoryfrequencyis usedas atofigure-of-calculate p(_I_) likelihood function the Doppler signal wherein both the amplitude and Po integral of p(x,y) over aperture " account.phase of theThescatterednoise fromlightwallarescattertaken isintocalculated P laser power o using the wall bidirectionalreflectivity and the ql,2^_ unit vectors normal to scattered beam irradianceof the incident beams. A procedure is described to determine the optimum aperture mask and in scatteringplanes for the probe volume located a given distance from q(x,y) signal defined by eq. (11) a wall. The expected performance of counter-type processors is also discussed in relation to the qo integral of q(x,y) over aperture Cramer-Rao bound. -
2019 City Enrichment Fund SUMMARY
Appendix A to Report GRA19002 2019 City Enrichment Fund SUMMARY No. of 2019 Budget 2019 Category Apps (Total) 2019 Requested Recommended Budget vs Recommended Community Services CS - A Hunger/Shelter 10 $ 416,324 $ 360,015 CS - B Everyone Safe 9 $ 294,291 $ 286,846 CS - C Everyone Thrives 9 $ 299,588 $ 268,321 CS - D No Youth Left Behind 7 $ 180,209 $ 159,608 CS - E Everyone Age in Place 20 $ 485,352 $ 455,101 CS - F Community Capacity Grows 11 $ 214,373 $ 189,492 CS - G Someone to Talk to 7 $ 247,728 $ 141,317 CS - H Emerging Needs 22 $ 553,916 $ 303,660 Community Services Total 95 $ 2,164,360 $ 2,691,781 $ 2,164,360 $ - 0.00% Agriculture AGR A Programs and Events 18 $ 178,615 $ 130,841 Agriculture Total 18 $ 143,361 $ 178,615 $ 130,841 $ 12,520 8.73% Arts ART - A Arts - Operating 34 $ 3,977,467 $ 2,436,164 ART - B Arts - Festival 10 $ 300,070 $ 179,486 ART - C Arts - Capacity Building 9 $ 113,000 $ 58,597 ART - D Arts - Creation & Presentation 35 $ 238,877 $ 96,295 Arts Total 88 $ 2,770,542 $ 4,629,414 $ 2,770,542 $ - 0.00% Environment ENV-A Capacity Building - $ - $ - ENV-C Project and Programs 8 $ 180,364 $ 114,925 Environment Total 8 $ 146,390 $ 180,364 $ 114,925 $ 31,465 21.49% Page 1 of 20 Appendix A to Report GRA19002 No. of 2019 Budget 2019 Category Apps (Total) 2019 Requested Recommended Budget vs Recommended Communities, Culture & Heritage CCH - A CCH - Events 57 $ 782,985 $ 535,595 CCH - B CCH - New Projects 11 $ 165,092 $ 44,645 CCH - C CCH - Capacity Building 1 $ 6,900 $ - CCH Total 69 $ 564,972 $ 954,977 $ 580,240 -$ 15,268 -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
The Sinking Man Richard A
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1990 The sinking man Richard A. Malloy Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Fiction Commons, Literature in English, North America Commons, and the Poetry Commons Recommended Citation Malloy, Richard A., "The sinking man" (1990). Retrospective Theses and Dissertations. 134. https://lib.dr.iastate.edu/rtd/134 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The sinking man by Richard Alan Malloy A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major: English Approved: Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy For the Graduate College Iowa State University Ames, Iowa 1990 Copyright @ Richard Alan Malloy, 19 9 0. All rights reserved. ----~---- -~--- -- ii TABLE OF CONTENTS page CATERPILLARS 1 ONE ACRE FARM 7 CLIFFS 11 DUMPS 14 DOWN OUT OF UP 21 THE GIVER 22 TWELVE-PACK JUNKER 36 RELUCTANT SHOOTER 45 TAR YARD 50 IDLE AFTER HOURS AT MY DESK 57 SOMETHING UNDER MY FOOT 59 WINNOCK 61 PALE MEADOW 66 NOBILITY 76 THE SINKING MAN 78 DUMBBELLS 84 A LATE SHARED VISION 90 THE COMMITMENT 92 1 CATERPILLARS Bill kneaded the thin skin over his sternum. -
Using a Company Hourly Fringe Program As a Recruiting and Retention Tool by Philip Ely, Advantage Resource Inc
Using a Company Hourly Fringe Program as a Recruiting and Retention Tool By Philip Ely, Advantage Resource Inc. For a few years now, companies have been finding it increasingly difficult to hire and retain quality employees. This problem affects all companies, regardless of industry or trade. Some commercial companies would use the possibility of working a prevailing wage project as a dangling carrot to attract employees to come work for them. In January 2017, however, the state of Kentucky voted to repeal its state prevailing wage law, catching many business owners by surprise. In its wake, companies throughout the region that have historically worked a high percentage of prevailing wage are trying to determine how the repeal affects their business. While company owners are indeed concerned about how business will change, employees are even more concerned about how the repeal will impact them. For most hourly employees, a decrease in prevailing wage opportunities will mean a reduction in gross wages, take home pay, and a general fear that benefits package offerings (health insurance, retirement plan, paid time off, etc.) will be cut. Employees with health insurance on themselves and their families are particularly anxious. Some employees base their standard of living on working prevailing wage projects. These worries will give rise to union discussion, and longtime employees looking for more stable options. For some companies, the law repeal and subsequent business environment change is seen as a threat. Companies used the required fringe component of the prevailing wage to help pay for employee benefits, to include health insurance, holiday and vacation pay, and retirement plan contributions. -
FESTIVAL Program
ogram IVAL pr FEST July 28 - Aug. 6 2017 GreatsaltlakeFringe.org Introduction introduction Welcome to the 2017 Great Salt Lake Fringe! We are so excited to be back for our third year of theatre, art, music, dance, and more, right in the heart of Sugar House. A little background: The Fringe started when Westminster College professors Nina and Michael Vought stumbled upon the New Orleans Fringe Festival and were captivated by the array of unique performances they saw there. They pitched the idea of a fringe festival in Salt Lake City to a group of students and alumni of Westminster, who ran with the Fringe spirit and, under the mentorship of the Voughts, produced the inaugural Great Salt Lake Fringe Festival in August 2015. So far, it’s been a great success! To date, the Fringe has paid out over $50,000 to 300+ artists, employed 100+ young people as staff and volunteers, and presented the world premieres of 50+ original productions. We strive to create opportunities for artists by providing accessible and affordable performances spaces, encouraging the development of original works, and inspiring a community of creativity and collaboration. The Fringe is unlike any other theatre experience. Here, you’ll find an artistic community that isn’t satisfied with the status quo. Fringe artists and audiences alike are willing to push limits, think outside the box, and embrace the unique nature of live performance. We invite you to jump in headfirst to two exhilarating weekends of engaging, varied, magical, funny, moving, thought-provoking, delightful Fringe! We’re glad you’re here, and we can’t wait for you to experience the amazing talent and creativity of our Fringe family.